1800s

This tubular shaped holder is partially hollowed on one end in order to receive a peacock feather decoration. The jade is a white tone with white mottling and a very slight hint of green when held to the light. It has a soft polish and even wear from use. Good condition.

Length: 2 ½ in., Diameter: ¾ in.

1700s / 1800s

This white and pale beige jade is carved to skillfully utilize the two tones of the stone – the beige for the clothing and the white for the face and exposed shoulder. Very good condition. Acquired in North Carolina from an estate that was involved in the tobacco trade in China.

Length: 2 ¼ in., Width: 1 in.

A Chinese jade plaque 17/18 C. very finely carved and pierced with precious objects e.g the canopy, endless knot etc.This reticulated example with its breathtaking virtuosity and delicate , meticulous detail is a fine example of earlier Chinese lapidary art. The stone is of greyish celadon hue with spots of whitish clouds and is set on the back of a hand mirror in a frame of gilt silver which is worked with a ground of filigree and multi colour enamel decoration. All is enhanced with semi precio...

This is a really nice, vintage, Jadeite Jade Beaded Edge 6 inch diameter X 3 inch high Mixing Bowl made by Anchor Hocking Glass. This bowl is not signed, they were not all signed. The bowl is in very good condition with no chips, cracks or scratches and can be hard to find. Be sure to search our other Fire King items available. We guarantee items to be as described. THANK YOU.

19C Chinese Imperial Famille Rose Porcelain Snuff Bottle Xianfeng Mark and Period The bottle is decorated with medallions of various floral, foliate and geometric designs. The base is inscribed with a four-character seal mark. Xianfeng seal mark and of the period. It comes with a silver stopper with turquoise adornment. Size: 6.8 cm tall, 5.3 cm wide, 3 cm thick. Condition: Good condition considering its age.

A Chinese jade libation cup of pale green hue with a flash of russet, carved in the shape of a peach and standing on a five petal support. The outside has scrolling foliage and the handle is formed as a flower spray with a flat reticulated top surface. An excellent example of 16/17 century lapidary art and in excellent condition. It comes with its own custom made wooden stand. size: 10 cm long

A Chinese jade vase, carved in the form of a tall thin finger citron. The stone is of very pale hue close to the colour of the pictures, the body is thinly rendered and the exterior well detailed. It comes with its own custom made wood stand. Age: 18/19 C. size: 10 cm high. condition: very good, no breaks , no restoration.

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

A small antique blue and white porcelain Chinese tea pot dating to the middle of the 19th Century. The design on the pot is of blue vines and peony flowers. The pot measures about 5 1/2" tall x 3 1/4" in Diameter and has a matching lid. The pot is in excellent condition with no chips, cracks or repairs. The asking price includes shipping within the USA.

A Chinese blue and white incense burner, bombe shaped and decorated with a vibrant underglaze blue and a continuous scene of three figures in a mountainous background , buildings and trees. Buddhist precious Objects decorate a band under the rim and the censer stands on three feet. It is a highly desirable item and a fine example of Kangxi blue and white porcelain. Age: 1662-1722. size 24.8 cm . in diameter. condition: the body is free from damage and restoration, there are glaze losses and a co...

A well-hollowed Chinese snuff bottle carved from bright celadon jade. The stopper is made from a green stone with a bone spoon. The bottle needs standing help. Condition: few traces of usage. Dimension: c. 6.7 cm high.

Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....

A fine Chinese snuff bottle made from Carnelian, well hollowed. One side carved in relief with a bird on a rock beneath a bat, the backside engraved with a ruyi scepter. The stopper is made from white jadeit with a green spot and a bone spoon. Condition: the stopper eventually not original, traces of usage. Dimension: c. 6.2 cm high.

Late 19c Chinese Blackwood or possibly Zitan wood brush pot in the classic style with smooth sides and a raised ring at mouth and bottom having 3 low standing low profile feet with drain hole in center bottom of pot. Carved from a single piece of wood, it still retains its original plug which is easily removed for drainage. In excellent condition commensurate with age, it measures 4-5/8" high x 4-1/8" diameter.

Early 20th Century rose quartz carving of 2 beauties. Made of one piece, it is difficult to find a double figure carving like this. Presented on a custom rosewood stand, this rose quartz carving has really nice details that we were not able to fully capture with a camera. It is much nicer in person and you won't be disappointed. In excellent condition, it measures on stand 10-1/2" high x 5" wide x 2". Carving alone measures 9-1/8" high.

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...

Blue & White Soft Paste Vase with Pomegranates, 18th Century

The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.

It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount y...

A Chinese three piece tea and coffee set decorated with a raised dragon stretching right around the bulbous body of each item. This decoration is laid on the flat surface and forms a three dimensional sculptural effect. The handles are formed as sea dragons and the finials as heads of the creature. The craftsmanship is breathtakingly detailed and fine , the weight is a good gauage of 1800 grms (58oz.). It is stamped MH 90 and Chinese characters. Age: 19C. Please note that the heat separators of ...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

Chinese Scholar’s two-tier solid rosewood stand with carved boxwood edges. Produced in the 1950s, this is actually a copy of a 17th - early 18th century style that was made of zitan and edged in boxwood. A strong stand that will hold your heaviest object, the pieces were machine made with rough carvings, hand assembled (pegged and glued), and then hand finished and polished. In excellent condition, the stand measures 12” long x 7.25" wide x 4” high.

This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...

A Chinese silver vase with elaborate handles and decorated in repousse work with a phoenix on a hammered ground and the sides showing flowers and foliage, the back with a plain shield. Size: 23 cm high. weight ; 8 1/4 oz. two maker's stamps in Chinese characters on the base. It reads YUAN BEI which was an artisan workshop in Tianjin. The middle set of marks reads"wen yen" meaning "cash silver" and indicating a standard similar to Sterling. We pay credit and respect for this identification to Ad...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Patrice gathers semi precious stones, antique glass and metals to design heirloom pieces such as this set. It has a striking combination of yellow jade with amathyst on brass and also Chinese turquoise and carnelian. The necklace is 17" end to end, the pendant is 2" by 1 1/2", clip earrings are 1" by 5/8".

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

Chinese export porcelain stem plate, made for the Thai market. With polychrome decoration of Thepanom between two Norasingh, among foliage on a black ground, details of the deities in gold. Condition: good, rim with few color flakes, wear to the gilt (rim). Dimension: diameter: c. 13 cm, height: 6.9 cm.

Blance de Chine incense burner on a spreading foot with thick foot-ring,swelling and narrowing body, everted rim and two nicely shaped handles. Covered outside and the upper part of the inside with an ivory-white glaze. Condition: Perfect condition. Measurement diameter 10.4 cm = 4.1 in (inclusive handles 14.5 cm = 5.7 in)

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Ca 1920 A European yellow gold filigree bracelet. The ten point bezel set diamond is accented by two square cut synthetic sapphires. Under magnification, the diamond appears a tiny bit offset in its illusion setting (white gold or platinum-not tested), but this is not evident to the naked eye. Marked 585 for 14kt. 7-1/2" x 1/8"~ 11.4 grams.

This is a very beautiful cylindrical body brush pot painted with varied scenery in famille rose palette with a continuous scene of lakeside landscape of distance pavilion, walled monastery and tea house scattered amidst tress and layered mountains in various shade of blue and green and red with texture stroke and with high peaks in the distance.

There are people walking about and in the tea house set in a tranquil and peaceful lake side and mountain village atmosphere. On the lake wit...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

A Cobalt-Blue Painted White Porcelain Incense Burner Joseon Dynasty 19th Century. A true treasure. A similar example recently sold at auction in Seoul for 1.5 million dollars. The cracks are not damage. They are original to the piece and happened during firing. The polyhedral incense burner set on a square four-leg foot, overall covered with underglaze cobalt blue paint, decorated in white porcelain low-relief of the Ten Signs of Long Life (Shipjaengsaeng) with finely incised details, the flarin...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

These 12 porcelain dinner plates were produced in England by Spode Copelands China in the 1890s. They were produced especially for the high end retailer T. Good & Co. of London. The plates measure 10 ¾ inches in diameter. They are made of fine, white bone china. The set was used for decoration only. They are completely hand painted with floral centers and border reserves. No two plates are the same. Around the borders there are triangular ornaments painted with branches of berries surrou...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

Japanese Marquetry inlaid Table, mid 1800's, beautifully detailed various design and color of wood Marquetry works are displayed in this three(3) functional table, all in one(1) table as a Book Stand, a Chess table and a Sewing or Work Table, 33 1/2" high, 13" deep, 35 1/2" wide when it is open, 17 1/2" wide when two(2) leaves are closed, with inlaid 4 side brackets support leaves on both sides. This multiple purpose table comes in two(2) parts, separate stand with curved black lacquered legs ...

Takahashi Shotei (Hiroaki)
Two Paintings of "Tama" Cats - Black and Beige
Date: Not known. There was a June 1924 Tama cat woodblock print (see our Shotei061) in which the white cat is in the reverse orientation.
Size (Black Cat): Paper: 15.5 x 11.375 inches (38.9 x 28.9 cm). Image: 13 x 9.25 inches (32.8 x 23.4 cm).
Size (Beige Cat): Paper size: 15.25 x 11.375 inches (38.8 x 28.8 cm). Image: 13 x 9.25 inches (33.1 cm X 23.5 cm).
Medium: Japanese paintings on paper. The ...

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

Chinese Antique Crane and Peaches Scroll, colorfully and vibrantly painted with dancing red-crested crane next to stream and ripe peach-laden tree, pigment beautifully applied, late 19th century, two seals and signed artist name Zhao Ahi Qian (1829-1884), picture size: 54.5"H 27.75"W, overall size: 86.5"H 36.25"W, some wear in center of painting.

Guangxu Period, 1875-1908

The slightly tapering form is sturdily potted and is enameled in grisaille with a bird perched on a wisteria branch amid roses toward the base. The scene, repeated on the broad sides, is reserved in a ground of yellow enamel. The narrow ends show two wisteria branches. This composition is known on other porcelains, all of which were commissioned for the Empress Dowager. The interior as well as the base are glazed white and a scrolling design in thin red enamel is ...

Chinese Ming Dynasty Glazed Pottery Sedan Chair (16th Century)

A pottery model of a sedan chair made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in complimentary green and yellow glazes. A nice example with good detail, especially to the pagoda-shaped roof. There is an unusual incised pattern to the flat base, possibly a lotus blossom (?).

Height 24 cm. The roof has been re-stuck (it was probably originally attached to the chair just by the g...

A set of four vary rare blackwood Hungmu lady's side chairs. The chairs match as a pair except for the back panels. Two have a square and two have a circle. This most likely had some meaning for the owner. Age: Mid Qing. Size: H:94cm. W:48cm. Condition: No repairs. Some looseness from age. can be fixed very easily.

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

Small Chinese Tang Dynasty Pottery Recumbent Horse

This small pottery model of a recumbent horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in a white pigment. Note the detail of the horse's mane and its legs tucked under its body. Length 14 cm. No obvious sign of any repair - good condition.

Our last images above show other Tang Dynasty horses we are selling separately.

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Chinese Tang Dynasty Painted Pottery Horse (AD 618 - 906)

This attractive pottery model of a horse was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in white and reddish-brown pigments. This horse is well-modelled and stands upright and alert.

Height 22 cm (8.5 inches). A nice example in good condition with any possible repair having been performed to a professional standard.

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Fine Chinese Tang Dynasty Painted Pottery Foreigner with Oxford TL Test

This fine and rare pottery model of a foreigner was made during the Tang Dynasty (AD 618 - 906). It is made from a red pottery that has been cold-painted in a thick white pigment with the facial details picked out in red and black pigments. This elegant figure, a groom, stands with his shoulders raised, head raised and turned to his right, one hand outstretched. Note the detail of the clothing, the headgear and especiall...

A fine and very rare pair of monochrome rouleau shaped porcelain vases with apple green lustrous glaze; the base and interior are glazed white. There are old collector's labels to the base. These items were made in China, in the late 17th or early 18th Century, during the reign of the Kangxi emperor (1662-1722). Condition - excellent - no damages and no restoration. 13cm (5inches)high.

清康熙 苹果绿棒槌瓶一对

瓶底和瓶身内部施白釉。两个瓶...

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Contemporary watercolor painting on paper dated 1993 by Zhang Daoxing (born 1935) depicting three female tea leaf pickers with white flower decorated aprons and flowers adorning their heads. A pony is at the lower left. Mounted with a white silk border for framing, it can be loosely rolled for shipping. Mounting: 35” x 35” (painting: 26 7/8” x 27 1/4"). Very good overall condition. Zhang Daoxing's work was included in a Columbia University 1998 exhibition titled "Brushed Voices: Calli...

Fine LARGE Chinese Neolithic Banpo Cord-Impressed Pottery Amphora with Oxford TL Test

This fine and incredibly ancient pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. This form is probably the most well-known of Banpo pottery, if not of all Chinese Neolithic pottery, and no serious collection of Chinese ceramics should be without an example!

It has a tall cup-shaped mouth and a pointed base....

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...

Ca. 1700s / early 1800s

This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...

A Fine Pair of Large Chinese Ming Dynasty Painted Pottery Tiles - Deer

This fine-quality pair of highly decorative pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made from a grey pottery and the decoration in relief features a pair of deer in a landscape. Note the detail to the deer, the carved and incised decoration as well as the impressed flower blossoms to the deers' bodies. The relief decoration has been cold-painted in various coloured pigments, good traces o...

Ming Dynasty, Ca. 1500s

This figure of a seated scholar is glazed turquoise with amber colored highlights. The back is mostly unglazed except for the original white slip coating, now darkened with age. The interior is hollow and unglazed, exposing the reddish clay body. The white slip coating continues for an inch or so into the interior cavity. The face is covered with a thin white slip (now darkened) but is otherwise unglazed. The turquoise glazed hat has a few old losses to the glaze wh...

Ca. 1700s

This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...

Cylindrical decanter in light blue, pink and white 'a canne' with a matching globular stopper. Stopper has a clear glass flange and neck. Neither the stopper nor the neck of the bottle is ground. The bottle stands 17 1/2 inches tall with it's stopper (15 1/8 inches without) and is 3 1/2 inches in diameter at the base. Retains its round blue and silver Made in Murano sticker on the base. There are two small black inclusions midway up the body of the decanter, each about the size of a pinhead. Con...