Unique Japanese Uchikake (wedding gown), embroidered in thick light blue silk, the liner is red silk without padding except at the bottom hem. The embroidery and gold couching (some silver) work are all done by hand. The pattern is from ancient Chinese "Shokko nishiki". The colors of silk looks different on different parts of the gown. We laid the gown under the sun light when we took extra photos. The light changed everything. It picked up the gold from gold threads (threads are wrapped in...
Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.
The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...
This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...
Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...
This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...
Blue & White Soft Paste Vase with Pomegranates, 18th Century
The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, and surface wears and scratches (as seen in the photos).
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Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
SUISEKI OF FERTILITY
Unique arrangement of supernatural stones of a penis and a vagina based on Japanese phallic worship, with completely no processing by human hands but attached with an wooden stand as an Art of Japanese ‘Suiseki’. Total: approx. 29 x 10 x H 18.5 cm (11.41 x 3.93 x 7.28in)
selected by hotoke
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Persian Sarouk Wool hand knotted large size Carpet, Ca. 1910, 10 1/2' x 15', very small hand knots for large carpet with dark blue and dark maroon reddish colors mainly, very rich and deep colors of floral and vines spread out on the soft wool surface which is evenly worn over the years. Two(2) shaped panels design on both ends and bordered by beautiful soft colors of typical Sarouk small patterns. The condition is evenly worn, no major damages, clean and no stains, edges are fine, ready to us...
This set of 12 plates was produced in France in the mid 19th century. They are marked with
the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...
This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.
Condition: excellent Height: 8 inches
This is a beautiful Japanese cloisonne vase. Though not signed, the workmanship and colors clearly speaks Hayashi Kodenji made this. This same opinion is held by North America's leading cloisonne collector. The vase stands 7 1/4 inches tall. It appears perfect but there is a virtually invisible repair to the midnight blue enamel edge shown in the last image.
Japanese Sake cup - Hagi ware with box - Beautiful blue glaze work of Seigan Yamane. The cup has the maker's signature mark stamped on the bottom. Height: 2.0" (5 cm). Diameter: aprox 2.5" (6.5 cm). Condition: The cup has a chip in the edge cover by the glaze, apparently made during the manufacturing process (please, see photos).
With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.
Condition is excellent.
This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.
Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...
A textile panel made of different dyed silk stripes, exquisitely embroidered with motifs from Zoroastrian myths such as fishes or botehs. The backing is a coarse blue dyed cotton, framed by a black ribbon. These embroidery panels originally would have formed the knee to ankle section of one trouser leg, of a shalvar (pantaloon) from a Zoroastrian woman's wedding costume. Condition: one stripe with small fabric losses (see photo 6), few tears, an old mend, little faded. Dimension: c. 49.4 cm x 13...
Persian Heriz hand knotted wool carpet, room size 9' x 12 1/2' Ca. 1950's, beautiful reddish geometric design in the center bordered by dark blue background, typical Heriz design, the condition is good, nice soft wool touch on the surface and very clean and in good condition.
Extremely Rare Poupee (doll) from the Louis Vuitton Toy Shop. Made from a type of plastic (possibly celluloid) with delicate hand painted features, dressed in a detailed regional costume of Bretagne (Brittany). The costume appears to be of a style found in the area around Pont Aven. The face of the doll is of a mature woman not a child. The dolls wig appears to be of human hair and is in a pulled back style. The headdress is of stiffened lace, as is the wide collar of the dress. The dress itself...
Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.
An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.
Condition: Flawless, ex-Christie's
This beautiful Dr. Wall period Worcester soft paste porcelain compote is a large early piece with fancy birds decoration and blue border. Its probably from the Giles workshop.
Condition: excellent Height: 11 inches
A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937).
Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s.
Late Meiji to Early Showa, 20th cent.
H. 26, 5 x Diam 7,5 cm.
Condition: Fine.
**** Ito Tozan I (1846-1920) started his artistic career as ...
An 18th Century Japanese porcelain scalloped serving bowl, with lid, decorated with the Imari colors of red, blue, white, cream, and gold. The tureen measures about 9 1/4" long x 6 1/2" wide x 7" tall. The Shippo design family crest has been applied in gold on the blue panels. The finial is modeled as a sixteen pedal chrysanthemum blossom. The condition is excellent, with some wear to gold highlights. The asking price includes shipping within the USA.
Signed studio original hand hammered brass bold kinetic protective eye pendant necklace with spiral dangles and an added bold turquoise dangle, was made in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.
The multi cultural ethnographic evil eye protection motif, used in jewelry by the ancient Romans, Asian Dzi, Victorian, Latin American countries and continuously through out the middle east was h...
This is a 17th century, coloured stone Buddha statue. It is curved out of a single piece of solid rock. The clothing on the body is maroon in colour and the boarder around the sleeve and neck is in black colour. The Buddha face, hand and feet are covered with traces of gold leaf gilding. The head is originally painted in blue colour but later painted with black paint. The head also has circle design on it all around. The base of the statue suggests that the Buddha statue is curved out of a singl...
Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies.
The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...
Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.
Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...
This is a woman's shift ("kurta") from Swat Valley, Pakistan. It measures 125 cm from one sleeve extended to the other; the gusset measures 24 cm; the bust 57 cm. From top shoulder to bottom hem it measures 91 cm. The sleeve opening is 17 cm. The embroidery technique is pink and red floss silk on indigo-dyed and black cotton depicting geometric shapes typical of the embroidery of the Swat Valley. Condition of this textile is excellent. Estimated age: mid to late 20th century.
Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.
Late 1800s
These bottles are decorated in underglaze cobalt blue and colored enamels with a design of various painted fans floating on an iron red enamel ground that is covered with gilt spirals. The interiors and mouthrims are clear glazed. The bases are glazed clear and the footrings are unglazed, exposing the fine white porcelain paste. They are signed Kozan (Dai Nippon Kozan Sei) in underglaze blue. Both are in very good condition. Acquired from a collector in Fredericksburg, Virginia ...
Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.
*The Elements of Japanese Desgn by John W. Dower
Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...
How rare it is to find an early soft paste porcelain platter of this size, 16" X 20". This platter in excellent condition is made by the "Bow" factory circa 1765
Condition: excellent Width: 16 inches, Length: 20 inches
A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...