Miniature statue of Buddha Gautama, in formal attire, wearing diadem, a lotus flower beside each shoulder, his hands in "dharmacakra mudra", sitting cross-legged on a lotus throne. Bronze, with fine reddish-green patina. Tibet, 17th century, maybe earlier. Height: 4.9 cm. Erosion due to great age, otherwise very good condition...

A Very Fine Korean Early White Glazed Bowl-16th C.: Korea, early Joseon dynasty, 15th - 16th century. Well potted and portioned white glazed deep bowl, recessed and set on a raised ring foot, with gently everted moutn rim, simple decorated in a clear white grey-tinged glaze, its well bears firing traces, base white glazed and foot rim bears sands. It’s very fine condition without any hairline cracks but some areas mottled glaze and color, giving it a misty appearance, other wise it’...

A pair of Arita plates decorated in underglaze blues with enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies. The plate on the left uses blue enamels, as found in the Kakiemon palette, rather than aubergine enamels as used on the right...

A Very Fine/Rare Korean Punchong Bowl with Characters White Slip Inlaid: 15th C.: Korea, Joseon dynasty, 15th century. The shallow bowl, set on a raised ring foot, and decorated in inlaid white slip with a centural two characters inscription, surrounded by a wide band of stylized lappets, a wide band flower heads design, the exterior decorated en suite, beneath a pale celadon glaze...

A good quality Kakiemon type export plate decorated with a pair of Hoo birds on a rock with flowering bushes. The rim of the dish decorated with a “Birdes in Branches” arabesque with a rather crudely painted Chrysanthemum blooms with birds both sitting and with wings out-stretched. This pattern occurs both in Kakiemon type enamels and in this blue and white version. See Fine and Curious no 240, a blue and white teapot, at page 193...

Museum quality and very rare group of three statues representing Indra and his consorts. Indra is sitting in "vajrasana" on a lotus throne, his left hand resting on his knee , his right hand in "vitarka mudra". Indra has his forehead showing the third eye horizontally, and is wearing an elaborate crown, jewels and a "dhoti". A lotus is attached to each shoulder...

Korean VeryLarge and Fine Sgraffiato Designed Punchong Ware Bottle-15th C.: Korea, Joseon dynasty, 15th -16th century Of pear form set on an inset, high ring foot, ornamented with a wide band of lotus leaves defined by deeply incised lines and a narrow band of lappets, also created by incised lines and by larger channels scraped away in Sraffiato technique, both panels separated by incised lines, the body covered overall by a green-tinged transparent glaze, olive or emerald in the carved ...

An early Arita porcelain dish, Kakiemon, 17th Century, circa 1655~1670.

The centre of the dish with a table display of bonsai-like foliage. The curved cavetto with plant-filled lozenges against a blue ground.

The mark within the foot-rim was used at the Chokichidani kiln and the Old Kakiemon kiln in the period 1655 ~ 1670’s...

A Fine Inlaid White Slip Punchong Shallow Bowl: Korea, early Joseon dynasty, 15th -16th century Ashallowed stoneware bowl tapering to a raised ring foot, decorated with brushed white slip inlaid with a centural medallion containing a flowerhead surrounded by bands of “rope-curtain” design and multiful ring patern, the exterior decotated with also mutiful white slip ring inlays, beneath a pale celadon glaze. It’s in fine condition except 2 hair line cracks...

A Very Rare and Fine White Porcelain Jar-15th C. Korea, early Choson period, 15th century This jar is extremely rare as a Korean white porcelain from early Choson dynasty. Of compressed globular form set on a slanted ring foot and with a flated, wide mouth, converted by a transparent glaze with even sheen, slight green tinged white graze appied over the surface and bottom, unglazed and kiln grit aheded on the foot rim. It has a hair line crack on the botton, which probably occurred during f...

17th Century Tibetan Avalokitesvara Thangka, 29.5 x 21 inches, 75 x 53.5 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Ko Imari Arita Koi-gata Fish Shaped Dish Nagazara Genroku 17C A fine Arita sometsuke fish shaped dish carefully modelled in the form of a Carp, koi-gata o-sara dating to the late 17C. See “The Trakatori Collection” Kyushu Museum 2020 for a set of similar dishes there dated 1670-1690’s. This example probably dates from the 1690’s, the Genroku era...

Have you ever seen a shuro made of Shino-yaki from the Momoyama-Period? Try to hunt for it on the antique market, it is very rare. Also on trocadero you will not find one except ours. This is for the deep lovers of ancient Japanese Culture and art.

In the days of traditional Japanese wooden buildings keeping warm must have been a constant preoccupation...

This Chinese Ming Dynasty (1368~1615) bronze temple guardian is 13 ½ inches tall. The halo is a replacement and part of the mirror in his hand has been repaired. The weapon he carried is gone. Over all, it is in pretty good condition.

17th Century Tibetan Padmasambhava Thangka, 24.25 x 18 inches, 61.5 x 45.5 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Nanban means earthenware made in southern islands including Okinawa in Japan. Among them, vases like this piece has been liked to call "Oni-no-ude, Ogre's arm". Wild flowers would fit it very well. It's "Wabi Sabi" feeling. Size: 10.8cm(D) 28.0cm (H) Accessary: old wooden box

17th Century Tibetan Bhaisajyaguru Thangka, 27.75 x 20 inches, 70.5 x 51 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

A Bronze Vase with lobed rim and base. The central tree trunk section with applied branches and flowering magnolia. A good dark patina. Chinese 17/18thC. Height: 7″ (17.7 cm). Condition: light wear, slight depression to rim.