Framed Chinese 18th century imperial blue ground gold dragon kesi fragment. This twisted gold dragon is surrounded by five color lingzhi shaped clouds. Dragon robes for the emperor contain nine dragons on them and this fragment pretty much sure is the front badge because of the empty space at the upper left corner where is to reserve for the edge to do extra work and decoration to sew buttons to the side of the robe...
Framed Chinese 17th century Ming dynasty Imperial dragon robe fragment. This greenish yellow ground five claws dragon fragment is the shoulder to chest part of a dragon robe and needs to combine with another pieces in order to finish a whole robe. The horns and eyebrows seem to be missing but is meant to leave space, visually form the eyebrows and the horns by the surrounding patterns and colors...
Chinese seal carved from amber. The top of the seal carved with pair of resting sheep, the 8th animal of the Chinese Zodiac. The base is carved with 3 character signature. When held up to the light, the color of the seal is reddish amber.
Dimensions: 1 5/8" x 1 5/8" x 1"
In the shape of two dragons chasing the flaming pearl. High grade silver with enamelled details, 11 smaller coral beads, diameter 9 mm. And one large coral bead, diameter 15 mm. The bracelet is 9 cm wide and 7,5 cm tall. The widest inner size is 6,5 cm. China, late 19th/early 20th century.
Authentic ancient, 6th - 5th century B.C. Northern Black Sea Region, Scythian iron short sword – dagger Akinakes, Acinaces, Akinak. Comprising a sturdy, straight double-edged tapering blade, the flattened handle with lobed (Butterfly) guard and double-loop pommel, often called "antenna" pommel.
REFERENCES: Weapons of the Ancient East by M.V.Gorelik.
Page: 202-203. No.36.
Page 204-205. No.42.
Page 206-207...
Antique Chinese carved cinnabar lacquer screen, 4 panels in a deep red color with wooden frame. Intricately carved with 16 separate and unique reserves depicting detailed scenes of court figures and animals in a garden pavilion setting. The area around the reserves is carved with a geometric design of flowers. Ching dynasty 19th century.
Dimensions: 65 1/2" high x 67 1/2" wide
Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning...
Relief fragment representing Buddha standing beside a column, his right hand holding his robe, his left hand in blessing posture, with a worshipper kneeling in front of him. Grey schist. Graeco-Buddhist art, Gandhara period, 1st to 3rd century. Height: 17 cm. Mounted on a plexi stand. Good condition. Provenance: Christie's Amsterdam auction sale 1993.
This covered box of a Sawankhalok underglazed black stoneware has an unusual design including six raised bands dividing petal-shaped segments. This type of Sawankhalok ware was produced in Sisatchanelai kilns, Thailand during the fourteenth to fiftheenth centuries. Height: 11 cm. Very good condition. Provenance: Acquired in Singapore in 1990 from MoonGate, owner Mr K. T. Goh, a famous local antique dealer.
Antique Japanese Buddhist Diamond Realm Mandala thangka painting (Kongokai Mandara). In Vajrayana Buddhism, the Diamond Realm (vajradhatu kongokai) is a metaphysical space inhabited by the Five Wisdom Buddhas. The Diamond Realm Mandala is based on an esoteric Buddhist sutra called Vajrasekhara Sutra. Shuji Mandala of the Two Worlds, Vajradhatu Mandala does not directly express the forms of the buddhas but expresses them in Sanskrit character (Siddham) called Shuji seed letter...
Statue of a fertility goddess, standing, wearing a necklace, her hands joined in praying posture. Terracotta, painted white. Indus Valley Civilisation period (3300-1300 B.C.), Harappa region. Height: 14.5 cm. Soil encrustations, otherwise very good condition.
A very rare sancai original, three color, glazed Tang duck cup probably used for drinking rice wine. Three colors with some blue cobalt. Check the closeup photos of the glaze with the natural cracking of the glaze due to long burial. It shows the authenticity of the piece.
Size: L.16cm,H.9cm,W.8cm. Condition: Small chip on the rim. See photo #5.
Chinese Qing dynasty bronze censer / Incense burner, Xuande mark. 17,2 cm wide. 11,5 cm mouth diameter. 7 cm high. 1078 gram weight. Good conditions .
A Very/Fine Buddhist Painting “A Judge of the Hell”-19th C.
Korea, Joseon dynasty, 19th century. Framed with plexi glass.
A quite large Buddhist painting with an inscription on the right top,
a judge sentencing with a guardian (secretary), painted in a very colorful
natural mineral pigments on silk,
It’s in very fine condition but it has a water stain on the lower bottom,
now it removed from a frame, it measures 31”x 20.25” (79cm x 51.5cm).
Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay.
The expertly thrown body is covered with the typical black iron oxide glaze inside and outside...
A fine Five dynasties to Song dynasty white glaze dish, pretty much like Xing ware. Ht. 4 cm, Dia. 11.5 cm. Condition: no chip, no restore in good condition. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.
A mid- size Northern Wei dynasty terracotta warrior figure. Ht. 31 cm. Condition: no restore, arrow bag broken during excavation as shown overall in good condition. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.
A large sometsuke style bowl of auspicious Yuanbao form imitating the form of a boat shaped gold ingot decorated in underglaze blue with an elaborate lappet border to the base incorporating Pomegranate and Lotus motifs and a variety of geometric and contrasting karakusa patterns to the narrow border to the rim, repeated both to the interior and the exterior...