This antique Chinese offering cup would have been filled with water for Buddha and left at the temple alter. It dates from WanLi Reign during the Ming Dynasty.

The cup is black lacquer, peach shaped for long life, has a footed bottom, and ornate finger stops on each side. It has several nicks and chips as is appropriate for its age. The cup is 1.25 inches high and 3 inches across at the widest point.

This is a very beautiful and finely potted Qing dynasty famille noir mille fleurs (Thousand Flowers) plate. It is painted very densely with shades of enameled pink, yellow, blue, brown, white and green with multitude of flowers and plants. It includes peonies, lotus, hydrangea, chrysanthemum, narcissus, daisies, lily, hibiscus, iris and several other flowers covering the entire plate in black background, with the foliage and gold tendrils binding all the flowers together...

This antique cinnabar lidded jar vase form is surrounded with deeply carved garden landscape scenes with several men and woman including and older man and small child. The carved details of people, plants and house facades are all clear with no loses.

This cinnabar jar is in very good condition. It stands 6.5 inches and 6 inches wide. The word China is handwritten on the bottom, which indicates that the piece was made between 1890 and 1914.

From our Japanese Collection, a very fine assembled pair of Fukagawa imari porcelain chargers, Meiji Period (1868-1912). The blue Koransha mark on the reverse dates these more specifically to circa 1875-1880. One charger depicts figures set against a field of tall bamboo grass executed in mostly gilt and blue, along with very subtle use of green, orange and pink, while the second charger depicts just the bamboo grass...

This Chinese Door of Hope doll, along with several others, was brought back to the US during the 1920's by the American Baptist Missionary, Rebecca Cloud-Stewart. On one of her many trips back to the US to visit family and friends, she brought the collection of dolls as samples to sell and raise money for the Door of Hope orphanage. After many years in China, Miss Stewart returned permenently to her home in Georgia...

Chinese antique sewing table, black lacquer with beautiful and ornate gold lacquer designs depicting scenes of palace life, interior has many little places for organizing sewing materials all lacquered in black and gold with bone details, a pull out lacquer and silk area underneath for storing embroidery supplies, claw feet, with key, 18th/19th century. Size: 28" high x 24 1/2" wide x 17" deep.

Song Celadon Figure of Bird Water Dropper,Northern Song.ungalazed base.good condition with just small cipped on the mouth and minor glaze degradation.8cm wide- 6cm high.

A Stove from Tek Sing Shipwreck.good condition,no crack,no chipped and free from any restoratons.15,5cm high

This charming adult female Door of Hope doll is 11 inches tall. Her face is somewhat darkened with age and the lower fronts of her trouser legs are faded from sunlight. She has all of her original clothing layers. Her top tunic is a bit dirty in the front and has a small tear at the rear of the right sleeve. Yet, even with these "condition problems" she retains the quiet beauty which has made the door of hope dolls such a collectors treasure.

This crystal and silver overlay vase was produced in the USA by Mathews Company of Newark, New Jersey, around 1907. There is a hallmark from this company and the silver content, 999/1000 is stamped on the foot. The vase is 14 inches tall and the opening has a diameter of 3 5/8 inches. The hand blown crystal is emerald green. It is decorated with elaborate silver overlay. There are large poppies on four sides, surrounded by flowing foliage in the loveliest art nouveau fashion...

This Korean antique is a hand carved woodblock which would have been used to print a repeating decorative design pattern onto a textile. It is very old, and well worn with great patina.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) featuring two beauties from Act 5 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The censor's seal and the seal of the publisher, Moriya Jihei, are at the bottom of the print. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the bottom left corner...

Yuan qingbai ewer with two lugs on the neck, covered by buish glazed, reddish unglazed base. Size : 11.5 cm height, 12.5 cm diameter Condition : very good, very tiny frit on the spout, no hairlines, cracks or restoration.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting a lively scene from Act 11 of "Chushingura e-kyodai" (Matching Pictures of Chushingura) dated 1859. "Chushingura" is also known as the "Tale of the Forty-seven Ronin." The seal of the publisher, Moriya Jihei, the censor seal, and the signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) are all located at the lower right. Standard vertical oban print measuring 14"V x 9 3/4"H...

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx...

A rare crusie lamp with hanger, dating from the 1st quarter of the 19th century or earlier. The bowls of these lamps were filled with fish oil or mutton fat with wicks of peeled rushes. Crusie lamps were the precursors to Betty lamps and were generally made of iron or tin. To find one made of brass, and with its original hanger, is extremely uncommon.

The condition of the lamp and hanger is quite good, with normal evidence of wear...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair...

A Song dynasty qingbai white bluish glazed conical bowl, rounded side with conical shape and unglazed base. Bowl is in perfect condition, no chip, no crack, no restoration. Nice bell like tone when tapped Size: 19 cm diameter and 6 cm height.

Just superb Edo Period zen buddhist travelling altar or zushi. The rounded contoured roof and the outstanding metal work on the door and hinges indicate a high level samurai or retainer. Thick black lacquer and fine gilt on the inside. The roof dates the piece to late edo period c. 1860. The altar on the inside has 2 pillars and a cross beam with painted buddhist symbols. Request shippng quote. (H:12"; W:8")

A late Song - Early Yuan Qingbai bowl, covered with nice bluish tone glaze, silky with fine glaze, rim and foot ring unglazed. Very thin and light potted and nice bell like tone when tapped. Very good condition with firing crack and fint glaze hairline on the back. Size: 11 cm diameter and 3 cm height

Cup with white crackled glaze, flatt and unglaze base. Size : 8 cm diameter Period : 14th century Condition : no chips, cracks, hairlines or restorations.

An unusual pair of large iron shears with a wonderful surface. Excellent condition and movement. 16 inches long by 5 inches wide.

Head of the Buddha shown with solemn expression. The refined facial features with arched eyebrows over heavy lidded eyes and a sensitively modeled mouth with purse lips. The half open eyes with their barely indicated irises confer the head a meditative gaze. The hair is delicately textured with a central bun (usnisha) on top. The idealized style is reminiscent of Greek Hellenistic sculpture which lived on among Gandharan artists. Stucco. Gandhara, 3rd/4th century AD. H. 7.7 cm (3 in), H...

Lozenge shaped porcelain serving dish from an English dessert service, decorated with an ornate gilded scroll border and with a central hand-painted reserve of summer flowers. Unmarked. Circa 1815-1820. Size: 11" x 7.5" Condition is excellent; no chips or lines; hardly any wear to the gilding or flower painting. Possibly Spode or Coalport. See other pieces from this service in our on-line gallery.

English lozenge-shaped porcelain serving dish from a dessert service, embellished with a wide, elaborate gilded scroll border surrounding a central hand painted bouquet of summer flowers. Unmarked. Circa 1815-1820. Possibly Spode or Coalport. Condition: some minor wear to the gilding on the rim; no cracks or lines. Size: 10 3/4" x 7 3/8". Other pieces available from this service.

Very nice small early 17th/18th C. (Kangxi 1662-1722) blue and white porcelain vase. In excellent condition. H:7" $175

A beautiful pair of scissor shaped sugar nips or tongs, with shell bowls. Silver, probably Irish, Rococo style, late 18th century. Unmarked, like many early sugar nips. Width "6¼/ 16 cm, weight 67 grams. Condition: the joint is somewhat unsteady and apparently these sugar nips have never been restored.

This is an extraordinarily rare bronze arrow point from ancient China. Textual references for this type are scarce as well which is a testament to the rarity of the object itself. The point has very intricately cast details and finely ground edges and points. The extra long tang is intact and appears to be as straight as the day it was made. The arrow point dates to the Warring States period of ancient China.

This is a fabulous bronze axe from ancient China. Socketed axes of thus type were typical to the Northern tribes in Shang and Early Zhou periods (circa 1100 BC). This particular type is quite rare and rarely seen in private collections.

This is a large and impressive bronze axe dating to approximately 1200 BC. This piece comes from the famed collection of Axel Guttman in Berlin. It is decorated on both side with incised lines and circles. It measures roughly 26.5 cm in length and weigh 1160 grams. The original auction house tag will accompany the piece. Additional pictures or information available on request. This is your opportunity to won a provenanced piece from one of the most famous collections in the world.

From our Early Chinese Collection, a large and magnificent Southern Song Dynasty qingbai funerary urn (960 - 1279 AD). Based upon published and nearly identical examples dated to 1209 AD, we can probably safely date this piece closer to circa 1190 - 1230 AD...

From our Chinese Polychrome Collection, a very fine Rose Medallion punch bowl, mid-late 19th century, most likely late Daoguang to Tongzhi Period circa 1845-1874, and certainly no later than Guangxu Period (1875-1908). Executed in the typical palette of pinks, blues, greens, yellows, whites, and gilt, depicting a large and well-painted panel of figures in the center well that seems to represent some scene of officialdom, along with three trapezoidal panels of figures on the bowl's interior separ...

From our Fine Arts and Americana Collection, an elegant Haviland porcelain soup tureen, late 19th century circa 1888-1896, decorated with floating flowers in “Indian purple,” with molded floral applique and a generous use of gilding.

The history of Haviland porcelain is a very interesting story of American entrepreneurship, sibling rivalry, and French protest....We encourage our clientele to read about this fascinating history on the web. Many people mistakenly assume that Haviland w...

From our Fine Arts and Americana Collection, a fine dore bronze wall sconce, late 19th to early 20th century, fully gilded with four separate candlestick holders cast in floral motif. We are not positive whether this is French fin de siecle, or American Art Nouveau circa 1905-1915, but in any event an elegant piece. We probably didn’t do this piece proper justice in the way we photographed it, but at night with 4 candles aflame, it is a very striking and evocative piece.

Size and con...

Wonderful, large ancient Chinese ceramic jar, round shape, stands on three small feet, beautiful blue green glaze has become iridescent with time, dramatic drips

Han Dynasty (206 B.C. - A.D. 220)

Size: 10" high x 12 1/2" wide.

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds. These earlier pieces, while of cou...