Thin walled terracotta plaquette with the head of the scary Medusa in relief. Appealing style, with round face and wavy locks of thick hair.
Medusa is depicted as a beautiful woman, in a sharp change from her monstrous appearance in earlier periods.
Pierced on top for suspension. The thin make points to an amulet rather than a loom weight.
Auction house tag (85) behind.
Terracotta
Greek, 4th century BC
D. 5.5 cm (2.2 in)
Intact, fine condition...

A wonderful lot of three very nice bronze antiquities!

Lot includes a lovely finial of a bronze rooster with a scorpios tail (!), quite unusual and beautifully sculptured for the medium, redish patina and 8,3 cm. tall. Another stylized rooster finial in bronze 5,5 cm., both Islamic Khorassan style, ca. 10th.-12th. century AD and a very interesting intact clasp in bronze with a finely modelled Lions mask on the front, still wearable today, 5,5 cm.

Ex...

A fine decorated bronze beaker, late Roman or Byzantine, ca. 5th.-8th. century AD.

The beaker with a high foot and conical shape as typical for late Roman and early medieval types; it's decorated with concenthric lines in the upperpart and slots that looks like key-holes on the lower part.

Size: 4,5 cm.

Condition: Intact, with attractive green patina.

Pair Chinese Canton Export Blue and White large Tea Canister, Tea Jars, with replaced carved Rosewood covers, Ca...

Outstanding antique, Qing dynasty 19th-century, a large Chinese opium pipe. It is composed of three sections; a huge central wood section, finely hand-carved in high relief with two Fu dogs, also known as guardian lions or Shishi (Imperial guardian lion), among vegetation waves entirely polychromed, enclosed by two massive solid brass fittings ended with a mouthpiece and a bowl...

Ancient Chinese horse snaffle bridle-bit, Eastern Zhou Dynasty, Spring and Autumn period (770-476 BC).

Made of bronze bit with a mouthpiece composed of two canons connected in the center, each cast with a loop at both ends.

REFERENCES:

Similar snaffle bits from the collection of the Shaanxi History Museum are published in the exhibition catalog “Imperial China: The Art of the Horse in Chinese History” by Bill Cooke. Page.117. No. 92...

18/19th Century Chinese gilt lacquered wood carving of a seated immortal temple statue. There is some rubbing of gilding, chips, peeling of lacquer, stains, cracks, and surface wears and scratches (as seen in the photos). Worth noting is the well rendered facial expression, the hair is still intact in the ears and mustache, and the details in the clothing. Measures 9 inches high.

Bronze statue of Buddha, in monk's robes, wearing a kind of diadem, sitting on a throne, his hands in bhumisparsa mudra. Old glass inserts on the diadem, some missing. Burma, Mandalay period, 19th century. Height: 10 cm. Some abrasion, otherwise very good condition.

A lovely and very large sandstone sculpturel relief, Cambodia, Khmer, Angkor Wat Period, ca. 12th. century AD.

A very important large fragment of a bas relief, very thick and depicting the upperpart of an Apsara Dancer, with multible figures around, climbing on - or hanging from a large three like monkeys. These figures are all very detailed and the whole relief is in an excellent state of preservation for the mediium and period...

Width: 12.4 cm (4.9 in)
Height: 4.9 cm (1.9 in)

Quality Japanese Satsuma bowl featuring Samurai having a discussion in a rural setting; floral decoration to the exterior; finely gilded throughout; marked Senzan; excellent condition

Rare and exceptional tanto of the Koto period with a polishing perfectly revealing the metallurgical qualities of the blade accompanied by a completely extraordinary lacquer and inlays sheath. The blade is in hira zukuri with a forge (hada) itame, a quenching in suguha. The tip (boshi) is chu maru. On the nakago in ubu keitai there are 2 mekugi ana...

Bronze cylinder seal with an elaborate and detailed design representing several animals (Horse, deer, bird, tiger), some winged, and a human being standing and holding a palm and a weapon. Bactrian Civilisation. Height: 5.2 cm. Diameter: 1.9 cm. Very good condition.

Agate cylinder seal with an elaborate incised design representing four soldiers holding weapons surrounded with symbolic signs, with a fine geometric decor on upper and lower side. Mesopotamian Civilisation. Height: 5.5 cm. Tiny chips on top and bottom (old, maybe during the making) otherwise very good condition.

Cylinder seal with incised design representing a helmeted human being standing and holding a spear on his left shoulder, a mythical bird standing on its paws, and a symbol between them. Steatite, with traces of soil encrustations. Indus Valley Civilisation. Height: 4 cm. Diameter: 2 cm. Abrasion due to great age, otherwise very good condition.

Diameter approximately 36 cm. More pictures are available. In good condition.

Diameter approximately 36 cm. A hairline has been repaired at the rim. Few soft chips at the rim. More pictures are available. In good condition.

Height: 16.2 cm (6.6 in) Width: 14.3 cm (5.7 in) Depth: 12.1 cm (4.8 in) Quality Chinese deeply-carved bamboo brush pot; shows a mountainous landscape inhabited with scholars, also depicts group ascending mountainous treelined paths beside a rushing river, possibly depicting a scene from the Lanting Xu, 'Orchid Pavilion Preface’

Ancient Chinese horse snaffle bridle-bit, Eastern Zhou Dynasty, Spring and Autumn period (770-476 BC).

Made of bronze bit with a mouthpiece composed of two canons connected in the center, each cast with a loop at both ends.

REFERENCES:

Similar snaffle bits from the collection of the Shaanxi History Museum are published in the exhibition catalog “Imperial China: The Art of the Horse in Chinese History” by Bill Cooke. Page.117. No. 92. (see the last picture in the listing)...

Ancient Chinese massive pottery cooking stove model, Eastern Han Dynasty (25-220 AD)...

A large silver plate bronze mirror, Cambodia, Khmer Empire, ca. 11th.-12th. century AD.

Large and with a beautiful silver patina, uncleaned with patches of green oxidation on the grey silver surface. It features a perfect circular form and a recessed side with concentric incised circles tracing the borders. Objects like this one were signs of prestige, owned by the wealthy and elite in Khmer society.

Size: Ca. 18 cm. in diameter!

Ex...

A massive heavy silver plate bronze mirror, Cambodia, Khmer Empire, ca. 11th.-12th. century AD.

Very large and with a beautiful silver patina, uncleaned on the recessed side. It features a perfect circular form and a recessed side with concentric incised circles tracing the borders. Objects like this one were signs of prestige, owned by the wealthy and elite in Khmer society.

One of the finest and largest we've seen of these, normally of bronze and rarely of silver or silv...

Ancient pre-Columbian, Mesoamerican, Guerrero, Mezcala culture, late pre-classic period (c. 500 -100 BC) large anthropomorphic god-axe in the form of a standing idol carved from speckled brownish-gray stone.

The figure is characteristically abstract and minimalist, comprising of a large head, a dome-shaped brow, and a thin and open mouth.

Torso with slightly defined, tapering short legs- hence the name "axe god" since replicates the shape of a traditional chopping tool - an axe. ...

Antique hardwood tray for serving betel or opium paraphenalia, with metal-banded corners (paktong) and finely inlaid in mother-of-pearl, the sides and skirt with scenes of figures in landscapes and other motifs. Condition: one larger loss to mother-of-pearl inlays (please see last photo) and few tiny ones. Dimension: 30.8 x 18 x 10.7 cm, weight: 1.3 kg.

Taoist statue of a Judge in Hell, sitting, in formal attire, his hands joined together. Votive box at the back, now open. Wood, with traces of lacquering and polychrome painting. China Qing Dynasty, 19th century. Height: 18 cm. Abrasion due to age, otherwise very good condition.

A nice little lot of a finely made bronze weight(?) and a larger heavy bronze weight (weight 83,09 grams) with loop for a strap, and a charming fibula, all Roman, 1st.-3rd. cent. AD:

Size: around 43 mm. for the fibula and 4,5 cm. for the smaller weight.

Ex. Dr. Eberhard Schen, 1950s-1960s.

Many fine antiques were exported via Hong Kong in the beginning Chinese economic reform days. This fine sancai warrior statue was exported to Japan round '80 and stored by Japanese famous collector. It was excavated from the room of huge tomb as one of the twelve god guards It is seemed the warrior had a sword, it is seen monster animal's face on the both sleeves that is a influence from Persia. It is guaranteed as genuine piece by Noriki Shimazu the famous Japanese researcher for Asian antiques...

A silver box with hinged lid, standing on four ball feet the base with Arabic inscription. An oblong silver tray on four feet and a fine small dish. Condition: some traces of usage, box not closing completely. Dimension: box: c. 12.6 x 6.9 x 4.4 cm, weight: 211 g, oblong tray: c. 16.5 x 11.5 x 1.2 cm, weight: 148 g, dish: 11 x 0.7 cm, weight: 44 g.

Well defined bronze elephant koro incense burner, C.1920. 18cm tall by 15cm wide. Very good condition.

Small bronze sculpture of a seated rhinoceros.

Japan, Meiji period (1868-1912)

Height : 4.3 in (11 cm) - Width : 2.7 in (7 cm)

Ivory netsuke representing a bag.

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

At the end of the Edo period, Japan started to adopt western ideas. Japan entered a phase of commodification. The movement of people and goods was facilitated by improved land and sea transportation. Education spread among...

Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.

On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes. During local festivals like in Miyazaki, he appears in traditional dengaku dances and plays the role of a clown...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

A cast bronze vase. Finely executed. The finish is nice, made with a lathe and a scraper. Very elegant decoration of chains and tassels inlaid in gold and silver. At the neck a frieze of stylized dragons. Beautiful old patina, good condition, no restoration. No mark. High: 30cm.

A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.

Porcelain dish decorated in cobalt blue representing Buddhai and children. In the background we can see a fireworks rocket.Below a mark of 4 characters. The enamelled edge of brown enamel. Traces of pernettes. Diameter: 295mm (11,6 inches) Good condition,normal wear for old porcelain.

Large Chinese porcelain vase. Incised decoration of dragons and clouds enamelled with colors on a yellow enamelled background. Probably from the Guanxu period. Accident with a long crack visible on photo. High: 46cm

18th century Indian bronze votive sculpture of Radha beautifully flexing her body, her arms wide spread, a betel nut in her right hand, cast in the State of Orissa. Radha is a Hindu goddess and a chief consort of the god Krishna and is worshiped as the goddess of love, tenderness, compassion and devotion. She is the avatar of Lakshmi and is also described as the chief of gopis (milkmaids), who are entranced by Krishna playing flute. Krishna’s flute is the call of the divine and Radha's passion...

18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see his eyes inlaid with silver), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 7/8 inches.

18th century Indian bronze votive sculpture of dancing Krishna playing a flute, cast in the State of Orissa. This avatar of Vishnu playing flute for gopis is known as Krishna Venugopala (as always in this image, flute was cast separately, and is missing). Excellent casting and detailing (see the loose ends of his tied loincloth), wonderful face, beautiful patina, very pleasant feel of age to the sculpture. Height 5 1/4 inches.

A Pair of Fine Korean Embroidered Official Rank Badges/a Double White cranes-late 19th C. Korean, Joseon dynasty, 19th century. framed. A double crane embroidered with white silk thread on dark blue ground, made for a civilian official of first to third rank, a square showing a pair of white cranes above foaming stylized wave and rock work below clouds, worked in the shades of blue, white, pink, yellow, orange, green, purple and brown on the blue silk ground. It’s in very good con...

18th century Indian bronze votive sculpture of Ganesha sitting on a rectangular throne with probhavali at his back, his vahana (vehicle) - a bandicoot rat - by his left foot, and holding his usual attributes in his 4 hands. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home. They are believed to be representing Ida Nadi (lunar energy) with its moonlike nature and feminine energy with a cooling effect. Ganesha is t...

18th century votive Indian bronze sculpture depicting the mother goddess Durga standing on the back of her vehicle - a roaring lion - and slaying the buffalo demon Mahishasura. Durga is the most powerful female deity in the Hindu pantheon. She is grabbing the hair of the demon with one hand while holding in her back hands various weapons symbolic of the attributes of all the gods given to her to slay the demon. Wonderful bronze with powerful casting and detailing, beautiful patina and wear, stro...

18th century Indian bronze votive sculpture of Ganesha sitting on a rectangular throne, with his vahana (vehicle) - a bandicoot rat - in his lap, and holding his usual attributes in his 4 hands. There is a protective naga (cobra) above his head. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship. With Ganesha being a destroyer of obstacles ...

18th century votive Indian bronze sculpture depicting the mother goddess Durga slaying the buffalo demon Mahishasura, with her right foot resting on the back of her vehicle - a roaring lion. Durga is the most powerful female deity in the Hindu pantheon. She has a spear in one front hand, and is grabbing the hair of the demon with the other. In her back hands Durga holds various weapons symbolic of the attributes of all the gods given to her to slay the demon. Wonderful bronze with powerful casti...

18th century Indian bronze votive sculpture of Ganesha sitting on an elevated base and holding his usual attributes in his 4 hands. There is a protective naga (cobra) wrapped around his waist. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship. Very nice casting and detailing, beautiful warm patina, wonderful feel of age produced by devotio...

18th century Indian bronze votive sculpture of Nandi - the vehicle of Shiva, or sometimes considered to be a form of Shiva himself. It rests wearing rich trappings in front of Shiva lingam. Very nice casting, wonderful feel of age produced by devotional wear and compressed sandalwood paste used during worship. Very good devotional object, pleasant to hold. Length 2 inches.

Small 18th century Indian bronze shrine in a form of a courtyard with Shiva, his wife Parvati and Naga (hooded cobra) between them, and facing them their elephant-headed son Ganesha, Nandi the bull of Shiva, another Naga (hooded cobra) and Shiva lingam. Very nice simple devotional sculpture with earnest casting and detailing, good patina from being touched during worship, a lot of compressed dust, very pleasant feel of age. Length 1 3/16 inches.

1900's Chinese Agate Carved Boy Figurine Pendant

It is 1.7 inches (4.5 cm) long by 1.2 inches (3.1 cm) wide. It is 20.7 gram.

It has inclusions, chips, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 days o...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


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Two erotic shunga drawings in black ink and mineral colors on thin paper.
On the right hand painting a double-sided dildo, to pleasure two women at the same time. The left half is made of tortoise shell (yellow with black patches), the right half is probably indicating buffalo horn.
The left-hand painting shows how to use the dildo properly.

Unsigned.

Japan, 19th century.

Each drawing 9.75 x 9.75 inches. Both drawing fully mounted onto a thicker sheet of paper.

...

Circa 1860, Chinese export green glazed pottery statues of a parrot perched on a sancai glazed rock. In excellent condition, they measure 10.25 inches high, 3.5” wide, 4” deep.

A fine group of ancient pottery oil lamps, Later Roman to Byzantine periods, ca. 3rd.-6th. century AD.

Group consists of a 86 mm. long Roman lamp, 2nd.-3rd. cent. AD, a small round terracotta type, quite rare, 70 mm. long, likely Early Roman (?) and a larger Holyland type, Palestine ca. 6th. century AD. with ribbed corpus (damage to mouth), 95 mm.

A nice lot for one price!

Ex. Private collection, since 1960s.

A lovely large textile weight or Spindlewhorl, Pre-Columbian, Andean? ca. 600-1200 AD.

A very unusual size and with beautiful engravings of birds, unresearched and of old collection.

Diameter: 48 mm. wide (diameter) and ca. 2 cm. thick. Weight: 42,44 grams.

Ex. Old Danish Collection

A lovely set of three superbly patinated bronze objects, Greece, Geomethric Period, ca. 8th Century BC.

The set consists of a votive vessel of globular form with handles of the Geomethric form and two charming large attachment bronzes or hangers of double discus shape.

Size: The vessel is 38 mm. in diameter, the hangers ca. 35 mm and 32 mm. respectively. All heavy duty pieces so the combined weight is ca. 105 grams.

Condition: Choice and of good metal, awesome p...

A nice and rare smalle greek Votive vessel, socallad Pyxis, ca. 8th Century BC.

Of globular form with the distictive projecting base.

Size: 42 mm. tall and 39 mm. across the pierced handles.

Condition: Choice and of good metal, lid missing.

Ex. Goldsmith collection, 1960-95.

A Japanese pure silver vase depicting bamboo trunks with leaves, pine branches and plum tree in bloom with Japanese nightingale perched on a branch with open beak and posture in the act of singing. Engraved signature on the side, and high title junjin mark under the base. Meiji period late 19th century Sizes: 24 x 13 x 13 cm. Condition report: Very good condition

Uma-gake (horse cover) made of hand-spun cotton and has hand-drawn tsutsugaki design whose motifs are hyotan (gourd), tassel and kanji letters. Letters can be either the place or horse's name. This colorful one was used for a festival or a ceremony. It has red cotton lining. In excellent condition. 19th century. 31.5cm x 2m36cm The last image is one hint how uma-gake was used from the woodblock print, ukiyo-e by Katsushika Hokusai (1760～1849).

Han-juban (short under kimono) made of hand-spun cotton and katazome (stencil-resist-dye) and shibori (tie-dye) pattern which are vegetable indigo dye. Shibori is made in Yokote in Akita prefecture. Late 19th to early 20th century. 56cm x 59cm

Large North African red-ware fragment depicting a leaping panther with detailed head and fearsome paws.
Excellent modeling of the musculature and great coat pattern rendered with small circles. On the other end a hound chasing a sheep or goat.
The fragment belongs to the rim of a lanx, a larger and rather rare rectangular platter. The outer edge is decorated with a beaded pattern.
For a panther from a matching mould, cf. fig. 12, p. 418 in: Annewies van den Hoek. “Executi...

Sawankhalok kiln was located in the middle Thailand in 14~15th century and famous for fine celadon works. This bowl is a large size piece with stem, carved flowers with beautiful green celadon glaze. Size 23.5cm(D) 14.3cm(H) Certification: written by Noriki Shimazu the famous researcher for southern east Asia antiques. YouTube https://www.youtube.com/watch?v=8e027d3HHbA