19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a ceramic sake jar with high shoulders and wide top, pierced and decorated with geometric designs. Clever elegant design in Japanese taste, beautiful staghorn texture, in great condition. Height 5/8 inches.

This is a finely hand-carved 19th century netsuke depicting a Horse outfitted with an elegant saddle that appears standing on a base that functions as a Seal. The seal shows traces of ink. An opening in the middle of the seal serves as chimney himotoshi. It has a rich patina and shows a luster and smooth surface. Netsuke measures 0,42 inches (1.1cm) wide, 1.34 inches (3.4cm) wide, and 1.15 inches (2.9cm) tall. It is in excellent preserved condition.

Height: 3.3 cm (1.4 in)
Width: 3.5 cm (1.5 in)
Depth: 2.9 cm (1.2 in)

Fine Japanese wood netsuke of a seated reader calling; very high quality carving with detailed features picked out; this artist worked in exotic Chinese timbers; rare; early 19th century; signed; good condition

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

19th century small Chinese scholar’s rock in a shape of a long mountain range. The piece gives a very strong feeling of weathered rock shaped by water and time, and overpowering energy of the mountain range. Beautiful black Qilian limestone (Mount Qilian, Gansu province) with rich texture, provides excellent views from both sides, great patina. Fixed on newer ebony stand, superb object for contemplation on scholar’s desk. Length with stand 5 inches.

Unusually large late 19th century wooden netsuke of a fish. Perfectly captured essence of the creature, pretty much actual fish size, beautifully carved fins, excellent rendition of its head. The material is sakura - cherry tree wood. Extraordinary done large inlaid convex eyes with dark and light horn and underlying gold foil producing superb live effect. Himotoshi goes through its mouth and under its cheeks, wonderful patina, very pleasant to hold. Superb sculpture...

A rare Polychrome Woodcut "Artisansin Straw" by Mitsuoki Tosa (1617 to 1601), Japan, framed. From a collection of Artisans. Good condition, size: 19.5" x 13.75". Tosa Mitsuoki was one of three outstanding Tosa painters to the imperial court, also known as "Three Brushes".

Ca. 1800 – 1820, early 19th c
Jiaqing period, Qing dynasty
Porcelain with overglaze famille rose enamels
Diameter: 18.4 cm / 7.2 in
From a UK private collection

A lovely Jiaqing period floral dish, decorated with good-quality bright enamels. Possibly a birthday dish, as there is a bat (good fortune) and peach (longevity) in the dish center.

Condition: good antique condition, with two rim chips and some fleabites to the foot rim...

There are a total of eight signs, each with a different "saying" having to do with well wishes. Due to the age of the calligraphy, and the vagueres of the old Chinese language, accurate translations have not been possible for each sign. Each sign is carved out of wood with raised wooden characters and inlayed with MOP flakes. Each is 21 inches tall and roughly 4.5 inches wide. I have listed them separately, to allow for pictures of each

An unusual three sided mirror vanity case with butterfly hardware. The front mirror slides up into the case to get at the two drawers. Size: W. 29.5 x 2.5cm. H. 16cm. Condition: No repairs.

A flat and circular kogo – incense box – made out of skillfully turned pine wood, stained or thinly lacquered dark brown...

Artist: Tsukioka Yoshitoshi (1839-1892). Subject: Musha-e (Warrior print); “Yoshitoshi Musha Burui” (Yoshitoshi’s Courageous Warriors): Young Hino Wakamaru (after revenging his father’s death) and the “yamabushi” (mountain priest) escaping from Sado Island”, #14 in this series of 33. Signature: “Yoshitoshi hitsu” (from the brush of Yoshitoshi). Artist’s Seal: Taiso. Engraver: Horikou Muneoka. Publisher: Tsunajima Kanekichi. Date: Meiji 18 (1885.) Format: oban tate-e...

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains...

Length: 3.5 cm (1.3 in)
Height: 1.8 cm (0.9 in)
Width: 4 cm (1.5 in)

This finely carved wooden netsuke is modelled showing a mouse clinging to the top of a hazelnut. There is a signature on the base. This piece is in excellent condition with no chips, cracks or restoration.

Illustration of an early textile fragment, of the Tang Dynasty, Chinese, one of the Shosoin treasures, issued late 1800s

Very good printing (to simulate age and wear), color and condition

Overall size: 8 ¾ x 14 in.

The kabuki actors Otani Tomoemon V (left), Nakamura Shikan IV (center), and Ichikawa Kuzo III (right) in a scene from the play Oshu Adachigahara. This Edo period Japanese woodblock print triptych by Toyohara Kunichika (1835-1900) was published by Izutsuya Shokichi in 1865. Each panel measures about 14 1/8" x 9 5/8." Very good color and impression quality with strong wood grain evident in the background. The print is not backed and the image and baren marks are clearly visible on the back...

19th century netsuke carved as a group of four seals - two of simple square section, one in a shape of a natural lotus bud stem (its stem serving as himotoshi), and one with shishi and ball finial. Elegant design in Japanese taste, bottoms are carved with raised and sunken characters in seal script and stained to resemble real seals - one of them could be a signature of the carver. Possibly made for a silk merchant - the seals resemble actual chops used for stamping silks...

The body of the ewer seems in embossed rather than cast bronze because the walls are very thin, however the neck and the handle are in cast bronze and very thick. The decor is incised with a character fighting a snake, details are inlaid in gold. 3 fantastic animals are arranged on the sides on either side of the ewer, they are treated in high relief and seem to be in solid bronze and to be one with the body of ewer because we do not see any welding or rivets...