An antique Japanese Chobako (merchant small chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Hikute style handles. 8 drawers of varying sizes used to store merchant wares for sale. Unusual wooden lip surrounding the top where seller showcased each item for sale to the buyer. Custom made tansu specific to the seller needs...

An antique Japanese Choba Tansu (merchant chest) from the Nihon Matsu region of Japan made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite style handles. Lock plates have double pine tree design to symbolize longevity and good luck. 6 drawers of various sizes for organizing and storage. A pair of sliding doors behind which a split level shelf kept merchant records and books. Side handles to each side for carrying tansu from place to place...

An exceptionally large and heavy bronze figure of Radha, Wife of Krishna, VAishnava Devotional og Bhakti traditions of Hinduism, 16th.-17th. century AD.

Very attractive figure of solid bronze with no core, Radha is in a standing posture with her arms, protruding round breasts, semi-nude addorned with jevellery.

Height 27 cm. excl. the wooden base. The weight is more than 3 kilograms!

Ex. Danish Auction house, estimated at $1000-$1300.

A very beautiful head of an armored horse Greece, Cyprus, Cypro-Archaic period 750–600 BC.

The finely made head with remnants of pigments It's drilled for mounting in the bottom but does not come with a base.

Size: 55 mm. long

Ex. Old Danish Private Collection

Early 19th century netsuke of Hotei (one of the 7 Gods of Good Luck, also representing Maitreya - the Buddha of the future) holding a fan in his hand and standing on his large bag of gifts. Wonderful early carving, himotoshi arrangement typical for the period, beautiful patina turning deeper yellow on the back where netsuke was touching silk of kimono, old age lines. Height 1 1/4 inches.

19th century netsuke carved in a shape of a bamboo section. Very simple elegant design in Japanese taste with clean lines, himotoshi is formed by central peg that has a hole in its back part through which a cord goes. Beautifully carved natural features of the plant, excellent patina. Signed RYUSHO on the back - the artist is listed on p. 901 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1 13/16 inches.

19c netsuke of 5 boys playing blind man’s buff with 4 of them hiding behind a floor screen, while the blindfolded one is searching on the other side. Rare subject, wonderful carving, nice faces, very good etching of a landscape and pine saplings on the screen, beautiful wear and patina. Length 1 9/16 inches.

Early 19th century netsuke in manju shape carved with a map of Japanese islands, all prefectures’ names are engraved in minute calligraphy. Very nice work in the manner of Nanka, old age lines, beautiful patina, 2 parts fit nicely. Diameter 1 3/4 inches.

18th century netsuke of the magic horse appearing from a dried gourd. According to a Japanese legend the gourd belonged to Chokwaro sennin (Chinese sage) who could summon the magic horse out of it to be transported wherever he wanted. Elegantly carved piece with great face and mane. Beautiful wear and patina. Length 1 9/16 inches.

Pair of Georgian Rococo sterling silver candlesticks. Made by Dominick & Haff in New York in 1898. Each: Baluster shaft on raised and round shaped base. Concave socket with square detachable bobeche. Dense and dynamic with twisted fluting, beading, and leafing scrolls. Fully marked including dated maker’s stamp and no. 284A. Excellent condition with deep patina.

Dimensions: H 10 3/4 x W 6 x D 5 3/4 in. Weighted. #BW168

Antique Chinese, finely potted, amber-brown glazed ceramic jar, 17th century (late Ming dynasty)...

A pair of Japanese Hibachi vessels with black lacquer.

Hibachi is a traditional Japanese heating device.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 24 C.M. / Width 30.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Magnificent antique Chinese Wucai procaine large baluster vase, 17th century, transitional period, circa 1650.

The vase is decorated to the body with finely hand-painted four large lobed panels with a band of Ruyi heads, all reserved against a trefoil ground of iron red.

Each panel encloses figures in landscape scenes...

19th century Asakusa school staghorn netsuke of obihasami type carved with a design of a woven fence. The hooks at the top and bottom of the piece go around the edges of obi - a sash holding a kimono. Excellent clever and subtle piece typical of Asakusa school, warm patina, darker porous areas as is usual with staghorn. Wonderful representative piece for a collection of different netsuke types. Length 4 1/8 inches.

18th century netsuke of an emaciated Gama sennin wearing old monk’s robe with his ribs visible sitting on rockery as his constant companion - a toad - affectionately puts its paws on the man’s knees. Somehow netsuke manages to convey the relationship between two characters...

Chunky 18th century netsuke of a sitting shishi (Buddhist lion) with its front paws on a ball. Great early carving with excellent depiction of its curly hair and powerful face, eyes are inlaid with black horn. Beautiful patina and wear to the piece, old age lines, pleasantly heavy. Wonderful feel of age, very quiet serious netsuke. Height 1 7/8 inches.

Antique Chinese pair of large porcelain vases. Painted in black and red tones with elaborate scenes of religious figures, each displaying their specific characteristics and attributes in a spirited scene of multiple story lines. Wonderful detail and energetic subject matter complete with dragons, tigers, elephants and cranes. Six character Qianlong mark on the bottom.

Age: 19th century or earlier

Dimensions: 29" high x 8 1/2" wide

Chinese antique small porcelain bowl with lobed edges, painted with a qilin against a background of rocks and trees. The sides are painted with more rural scenes in blue, green, black, red and yellow enamel. The significance of the qilin is that it is said to appear upon the imminent arrival of a sage or "illustrious ruler". It embodies and protects Chinese virtues on earth, using it's magical powers to uplift the good...