This flag is a very superior item produced by a bold line of Tutugaki, the delicate line of the sumi painting. The image of red Kintarou is an item to keep off an evil and smallpox. And the people prayed it in hope of the growth of the child. There are 22 places of embroidery marks of the flag. It is the embroidery that it is very unique, and is charming. 22 embroidery has each meaning.
This has a thin stain...
This is another antique wine bottle of the Song Dynasty from our collection.
This large wine bottle is about 1000 years old and has been made in the Ji Kiln. It has a dark glazed body with an some unglazed dragon / phoenix decoration.
It is in good condition. There are only some little spoils of time and a little scratch ( please watch photos )...
You have the rare opportunity to purchase a collection of three authentic and antique wood carving Buddha statues travel shrines.
They are more than 200 years old. Each of the statues is inside a Japanese ZUSHI ( Lacquer at wood with brass ).
From right to left on the first photo:
1. Buddhist statue Vairocana DAINICHI-NYORAI
Size: Width 4.1 in : Length 3.1 in : Height 9.4 in : Weight 360 g
2...
Japanese Arita Blue and White Large Dish. Decorated with a deer standing in a landscape. L17thC Diameter 12.5" (31.7cm). Condition; good, some crazing to glaze especially to rear. Frit to rim.
Statue of a taoist dignitary, in formal attire, standing with a martial posture on an elevated base. Votive box still closed at the back. Wood, with remnants of superimposed layers of polychrome and gold painting. China, 19th century. Height: 13 " (32,5 cm). Left hand partly chipped, old insect infestation (no more danger), otherwise good condition.
Douchuugi is Kimono which a person wore at the time of going out. This Douchuugi is the kimono which a samurai wore in a trip. List cloth is cotton. And lacquer is painted the surface with. Because it was able to rub against the surface which created beautiful changes. However, it is beautiful like "unintentional art". The lining is very good hemp of the Katazome- dye.It has three places of repair. There is one place of thin stain. Size: 83cm x 128cm (32.6 "x 50.3") It has three places of repair...
Length approximately 16.5 cm. Old chrome-plated, lot of dust from the past. In good condition.
A Qing 18th century Chinese bronze censer, globular body with two handle, base with Xuande mark, censer in good condition with crack on one of the ear at body please see picture for detail, size: 16 cm diameter from ear to ear, 11 cm diameter at the mouth, 6.5 cm height, weight about 850 gram.
Japanese Cloisonne Dragon Vase Meiji
Description & Size: 12.7 x 10.16 cm (5" x 4") height & wide
Weight: 256 gram (9.03 oz)
Age: Meiji Period 19th
Material: Cloisonné & Brass
Original: Antique
Production: Handcrafted
This is a nice Japanese cloisonné made with a fierce 3-claws flaming dragon circling around its tail within a dark blue background...
A thickly potted Arita porcelain vase finely decorated with polychrome enamels depicting three Cranes amongst flowering Peony shrubs. This item was made in Japan in the 19th Century.
Condition: excellent - no damages and no restoration.
24.5cm (9.5inches) high.
An Extremely Rare Korean Silver Inlaid with a Magpie and Tiger Covered Box-19th C.: Joseon period , late 19th century.
This is an extremely rare silver inlaid box with a Magpie and Tiger medallion (the Symbol of Korean Traditional Folk Art) on the cover, and symbols of logevity-cranes and deers- and another tiger on the four sides surround by bands of key-fret work and floral diaperwork, rounded within a matching border.
It’s very fine condition but some silver inlay missing.
It measures 13...
A European shape porcelain tea caddy painted in underglaze blue depicting houses and pavillions in a river landscape.
This item was made in Jingdezhen (southern China) for export to Europe, circa 1760-1780, during the reign of the Qianlong emperor.
For a similar example please see John Ayers "The Chinese Porcelain Collection of Marie Vergottis", page 76.
Condition: there is an old 3cm hairline on the shoulder and a minute chip to the one corner of the same shoulder (please view enlarge...
This is an absolutely rare black Seto chawan ( setoguro chawan ) from the late Momoyama Period, which means the late 16th century or the changeover from Azuchi Momoyama to early Edo.
Blackish-brown glaze amalgamates with a wild and roughly thrown body. It is very heavy for a tea bowl, almost 500g. Please note that there is also an interesting kiln mark ( watch image number 3 )
Setoguro yaki is high-fired ware that originated in the late 16th century...
A rare and finely carved 18th Century Chinese "honey yellow" soapstone Luohan, probably Damo (Bodhidarma). On the back is carved "made by Shang Jun".
Condition - very good. This item was originally set with semi-precious stones but, with the exception of one white stone on the collar behind the neck, all are now missing; there are natural "flaws" intrinsic to the stone which pre-date the carving. There have been no repairs and there has been no restoration.
9cm (3.5ins) high...
Chinese Silver Tea Set KWAN WO Canton Signed
Description & Size
Teapot: 15.24 x 25.4 x 14.6 cm (6" x 10" x 5.75") height & wide with & without handle
Sugar Pot: 7.62 x 16.51 x 10.79 cm (3" x 6.5" x 4.25") height & wide with & without handle
Creamer: 7.62 x 13.97 x 10.16 cm (3" x 5.5" x 4") height & wide with & without handle
Total Weight: 1211 gram (42.72 oz)
Age: Late 19th Century, Production: Handcrafted & Forged
Yuan Dynasty blue and white bowl on repaired conditions. 16,5cm diameter.
Yuan blue and white jarlet in Good conditions. 5cm high.
This is a Tibeto-Chinese bronze Buddha from the 19th. century. It has a unique design with lots of miniature Buddhas applicated.
Rests of gilt are still visible.
It has a size of 22 cm height, width 17 cm x 13 cm and the weight is 2,4kg.
Shipping included
A unique gold gild chawan with stunning painting, made of Kasama-yaki.
It dates from the late Meiji Period and comes with the original box.
Perfect condition.
Size: 7,5 cm h. - 11 cm d.
Shipping included
This is a hydrangea pattern and a high technique of yuzen dye, and shadow and the color of the leaf are expressed boldly. It is the gem which does not exist in other tsutsugaki. It is a painting of wonderful yuzen dye. Tsutsugaki is done by a considerably exact technology. It is a wonderful masterpiece of Edo at latter term. There is slightly a repair mark.It has several small holes.The material is hemp (superior grass cloth)and cotton.
size:162cm x 140cm (63.7" x 55.1")
Japanese antique 4 section butsudan (Buddhist shrine for household use). The exterior is lacquered all black with double cabinet doors to the shrine area. The interior of the butsudan is lacquered gold and black and has ornate carved details of phoenixes and a dragon just below the shrine roof area. Details of birds and waves are carved in the area below. The interior shrine compartment has a slide out tray as well as a small compartment with gold lacquer sliding panels...
On offer is this rare type of nezumi mizusashi made of shino-yaki.
It dates from the mid to the late Meiji Period and is in perfect condition.
There are no damages, cracks and repairs.
Size:
17,5 cm height
13 cm diameter
16,5 cm trunk diameter
Weight:
1400 g
Shipping included
This is a real old Japanese mizusashi made of Oribe clay. It dates from the early Meiji
Period.
Signed on the bottom from the artist.
It is in great condition - no repair, no crack, no water leak.
Size:
15 cm height
13 cm diameter
15 cm trunk diameter
Weight:
1,3 kg
Shipping included
Japanese Silver Sake Ewer w Rattan Handle
Description & Size
Sake Pot: 13.33 x 7.62 x 10.16 cm (5.25" x 3" x 4") height & wide without & with rattan handle; Sake Cups: 3.81 x 5.08 cm (1.5" x 2") height & wide
Weight: 184 gram (6.49 oz); Age: Taisho Period Circa: 1920'; Material: Silver & rattan; Production: Handcrafted
This is a unique Japanese silver sake ewer / teapot with original rattan handle with etched grooves through out the body and cups...
Opium lamp inserted in a sort of cylindrical cage. A chain attached to the top of the cage allows an easy transportation of the lamp. The lamp can entirely be taken to pieces (see photo). Brass and glass. China, 19th century. Height: 6 5/8" (17 cm). Very good condition.
A Chinese literati themed landscape fan painting with a signature reading the name of Li Ching-yi. The soft pastel colors and brush strokes of the landscape evoke the preferences of the literati scholar tradition. Age: Qing Dynasty 18th/19th century.
Size: Length: 19.75" Width: 12.6"
A refined Chinese fan painting of a literati scholar enjoying the breeze within the pine grove from the window. The writing expresses the view of the fan painting where the scholar is listening to the wind among the bamboo groves in the evening, signed "Ke Mou"?. Title "Listening to the Scholartree".
Age: Qing Dynasty 18th/19th century.
Size: Length 22" Width 10.2"
A circular shaped album leaf painting done on silk of a peony. The work contains an inscription, signature and seal of an artist named Xu Zhiping. The work and style appear similar to examples seen in China during the mid to late Qing Dynasty. Age: 19th century Size: Length 23.5" Width 14.2"
Chinese Famille Rose Teapot and Cover with petal moulded base and lid. Decorated in bright enamels with floral sprays. C1730/40. Height: 3 3/4" Condition: excellent; enamel flake to one leaf, very minor frits to rim of lid.
This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.
That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks. The green glaze is very vivid and strong.
...
A fine Kakiemon shallow dish of moulded octafoil form decorated in underglaze blue and enamels with a scene from the Tale of Ise featuring the famous eight planked zig zag bridge, Yatsuhashi, over a bed of Irises, kakitsuba. The Kakiemon version combines trailing Cherry blossom with clouds and rain. The lower half of the design incorporates further familiar Kakiemon elements, the almost trade mark, turbulent waves and a water fowl, amongst Irises. The dish dates to the late 17th century circa 16...
A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has some B...
A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the “sarasa” ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has ...
A Chinese nephrite pendant in shape of a qilong. The stone of greyish white tone with dark grey flecks and streaks. Qing Dynasty. The pendant is in excellent condition. Dimensions: 2-3/16" X 3/4". Wood stand is not included.
Chinese Silver Tea Set HUNGCHONG SHANGHAI Signed
Description & Size
Teapot: 13.97 x 24.76 x 15.24cm (5.5" x 9.75" x 6") height & wide with & without spout & handle
Sugar Pot: 10.79 x 16.51 x 11.42 cm (4.25" x 6.5" x 4.5") height & wide with & without handles wide
Creamer: 8.25 x 12.7 x 10.16 cm (3.25" x 5" x 4") height & wide with & without handle
Total Weight: 1150 gram (40.56 oz)
Age: Late 19th Century, Production: Handcraf...
This is an upper child kimono of the Shonai district (Yamagata). It features blue dyeing and beautiful Tutugaki
The Yuzen process of the freehand drawing is beautiful, this is thick cotton spun by hand. And crane and tortoises of the freehand drawing run well too. Lining is cotton dyed with rouge made specially in Yamagata.
There are four stains of approximately 1cm (figure 1). There are two places extremely thin stain (figure 2).
And there is one place of old rectification (figure 3). You...