We proudly present this outstanding Mugi-de Oribe Chawan.

Distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife. With the exception of the foot ring the bowl is covered with a clear (wood ash and feldspar) glaze inside and out...

Cylinder shaped (hanzutsu) tea bowl made of light, fine, unrefined Mino clay. Shape and style (note the trimmed walls) make it appear contemporary with the late Oribe bowls.

The expertly thrown body is covered with the typical white, feldspatic Shino glaze has been poured under which a decoration of a willow tree (yanagi) and a fence have been applied in iron oxide (oni ita). Just the foot ring and its immediate surrounding was left unglazed...

A stamped design of repeating flower heads laid out in concentric bands covers the interior. The exterior sides have a similar band between incised lines. The depressions are filled with white slip which is then wiped clean off the surfaced, leaving the white clay in the impressed design. A clear glaze covers the design and most of the body. The footring, base, and a portion of the lower body are unglazed...

Ido Ware, Korean Joseon Dynasty (16th-17th century). The light cream bowl is decorated overall with a crackled cream glaze.

Rustic and sophisticated at the same time, this vessel is another great example of the beauty of Korean Ido chawans.

"Ido" chawan (tea bowl) is the first of three types of famous Japanese Tea Ceremony bowls. A very famous saying in the Tea Ceremony is "First Ido, second Raku, third Karatsu". It means Ido chawan is the highest grade tea bowl...

Flat shaped and elegant modulated Korean Ido chawan from the mid Joseon Period (16-17 century). It is thinly coated with a creamy yellow glaze and very scenic drippings. Shape and form are inspired by the Buncheong Dynasty Gqey yl Chawans a period before.

Great antique condition with two spots of very old gintsugi (kintsugi) gold restoration, with impressing 'kannyu' (crackle) and a high density of 'keshiki' landscape...

Here we present a real fine example of Korean art: smaller rounded wan-shaped bowl with high foot of the bamboo node style - the dark, fine clay with some enclosures is expertly thrown. The chawan was decorated with a white engobe in brushstrokes with a straw brush (hakeme) before the whole bowl was covered with an ash glaze. No chips or cracks...