From our Chinese Blue and White Collection, a fine Qianlong Period (1736-1795) sauce tureen base of rectangular form with chamfered corners, depicting a gentleman with ladies on a fenced terrace pavilion along with a flowering tree, surrounded by an intricate border design of cash diaper motifs, key frets, and flower sprigs, all executed in deep blue upon a body of dense 18th century export porcelain.

This particular example is quite unusual due to its subject matter...

Rare antique Nepalese made of copper alloys traveling pen case and attached inkwell from 18th century Nepal.

The tubular pen case is finely hand-chiseled on the one site with 8 Auspicious Symbols of Tibetan Buddhism including:

The Conch, Parasol, Golden fish, Treasure Vase of sacred water, Victory banner, lotus blossom, endless eternal knot, the opposite site is chiseled with foliate scrollwork. The pen case is attached by three chains to the inkwell...

Chunky 18th century netsuke of a sitting shishi (Buddhist lion) with its front paws on a ball. Great early carving with excellent depiction of its curly hair and powerful face, eyes are inlaid with black horn. Beautiful patina and wear to the piece, old age lines, pleasantly heavy. Wonderful feel of age, very quiet serious netsuke. Height 1 7/8 inches.

A choice bronze 10 tical opium Toe weight, Burmese ca. 1750-80 AD.

This Toe has the elavated horselike tail with three spikes, and standing on an octagonal and finely stepped base.

Reff: Leif B. Mikkelsen 'Opium Weights', p.132, fig. 70.

Weight: 162 grams = 10 Tical.

Rarity: Common.

Condition: Choice Very Fine...

18th century netsuke of a sennin Chochu enveloped in his robe and holding his most important attribute - a hossu (fly whisk) - across his shoulders. Very rare subject, wonderfully captured facial expression, beautiful flowing lines of the robe, superb sense of volume...

A besutiful and exceptional old Sheffield standish, the tray ornately wrought with scallop shell and foliage motifs, raised on 4 curving feet with similar work. Within the tray are the following separate components: two silver square ink bottle holders, two heavy cut glass ink bottles; two silver ink bottle lids, a round silver chamberstick holder, a silver chamberstick wrought with groove and scallop designs, a silver bobeche for the chamberstick, and a silver snuffer...

Large mask representing the face of a Protector of the Buddhist Faith ("gompo"), with its typical terrifying expression. Wood, with beautiful dark glossy patina and traces of original polychrome pigments. Old accidents and old and local restorations on top of mask (no danger). Bhutan or Tibet, early 18th century, probably earlier. Height: 14" (35,5 cm). The mask is nicely mounted on a custom metal stand. Good condition. A rare piece...

Wood mask of the Gigaku theater representing Konju, a figure in ancient Gigaku dance. The finely carved mask shows a very strong expression. Japan, early Edo period. Height: 18 cm. Beautiful age patina. Some abrasion, otherwise very good condition. The mask is nicely mounted on a custom stand. NOTE: Gigaku theater is one of the most ancient dramatic arts in Japan, performing ritual dance, mime and music, and taking place inside Buddhist temples...

Original eighteenth century Chelsea Seal in the form of a grotesque figure of a black masked man with 3 cornered ("tri-corn") hat. The tri-cornered hat was a popular hat worn in the 18th century by both aristocracy and commoners, as it was designed to better reveal one's highly fashionable wig. Our male figure is in black breeches, standing on a white base with the motto "Tou jour gay" ("always happy")...

Burmese bronze Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base, with meditative facial expression, emphasized by the half-closed eyes which look downward, with original patina remaining in good condition.

Age: Burma, Shan period, 18th Century
Measurement: Height 27.1 C.M. / Width 14.8 C.M.
Condition: Nice condition overall (some expected degradation due to its age including old wears). Please refer to the enlargement photos for more details...

18/19th Century Chinese White Jade Carved Pendant with Boy Figure

It is 1.94 inch (4.93 cm) tall by 1.5 inches (3.9 cm) wide and 0.9 inch (2.3 cm) thick. It is 40.9 gram.

It has inclusions and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Large mask representing the face of Mahakala with its typical terrifying expression, the features being carved in relief and the mouth in openwork showing teeth ...

our early C1790 Georgian 18K seven stone diamond half hoop ring has seven table-cut diamonds (flat on top, faceted sides). The ring is closed back and the diamonds are foiled backed, exactly the way gemstone rings were made in the Georgian period. The diamonds are mounted in silver and set in gold, as the Georgians believed silver was better suited to set off the cool white tones of diamonds. This ring would make a lovely engagement ring or gift to oneself. The ring is a size 7.

Four Arms Avalokiteshvara (Tibetan: Chenrezig; Chinese: Sibi Guanyin), the Bodhisattva who embody the Universal Compassion. Seated in meditation with the upper hands holding a prayer beads and a lotus; the lower ones in worshiping Mudra ( Anjiali Mudra). Made of purple sandalwood (zitan), a very precious type of wood dear to Himalayan worshippers. The image is painted and has remains of gilding in the halo. As it is normal for images of this type, it is assembled from several pieces. The bot...

A fantastic completely matched set of 8 earlier bronze opium weights, all from the same undertype of To's (Straigt up tail and 4-rays), (King Alaungpaya), ca. 1750 AD.

Interesting and scarce set that includes most all the weights that were made - from the massive 20 tical weight all the way down to the tiny and extremely rarely seen 1/4 Tical! This To type has octagonal bases engraved with concenthric lines and fine details to the cast. A star with 4 rays is stamped in front of the ba...

A rare Chinese large jar.These jars were originally used for storage of food for trading ships. They were eventually traded to the natives in Southeast Asia, mainly Borneo, and were highly prized. The center of the vase has a relief of two dragon with white claws. Size: H. 70 cm. W.46 cm. Condition: Very good with no repairs.

This is a charming stoneware Japanese bowl censor from 1750. It fits perfectly into the hand carved wooden stand which was probably made for the incense burner around 1900. There are no makers marks on either the bowl on the stand for identification. Covered with a thick matte gray white glaze with iron flecks and decorated solely with 3 button tabs below the rim, the censor is a wonderful early example of Japanese mingei stoneware ceramics.

Antique Japanese stoneware jar from Shigaraki kiln. Beautifully uneven form with high shoulders, tapered body and a narrow foot. Made using the local sandy clay from the bed of Lake Biwa, Shigaraki ware is identified by the embedded granules of feldspar. Mineral glaze is spattered over the surface and areas of dark ash adds depth and a prized natural beauty. Shigaraki is known as one of the 6 great pottery regions of Japan.

Age: Edo Period (c. 17th century)

Dimensions: 17" hi...