A West Coast of Mexico seed pot with scalloped sides with a green-brown polished slip in fine condition from the protoclassic period [100 AD-250 AD]. 4.5" wide and 4.5" tall.

A nicely decorated famille rose bowl. Tongzhi(1862-1875) mark and of the period. Condition: There is a fade hairline and some color spots on the glaze, please see photos #2 and #3. No further damage. Diameter: 7"; height:2-11/16".

Chinese Qing blue & white porcelain vase, decorated in under-glaze blue with vases of flowers, arrows and feathers, the rim of the vase has a castellated pattern in under-glaze blue, from late 18th or early 19 th century.

A very rare, finely modelled, bronze figure of the Ancient Egyptian cat goddess, Bast, with later, crudely carved, early 20th Century soft wood stand. This item was made in Egypt during the Late Dynastic Period (664-332 BC). Condition: Very good - there is oxidation loss to the left side between the fore and hind leg; no further losses and no repairs. Height (without stand): 6.6cm (2.6 inches). Height (with stand): 10.8cm (4.25 inches).

Japanese gourd sake bottle.

Age: Japan, Showa Period, Mid-20th Century
Size: Height 23.3 C.M. / Width 12.2 C.M. (size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Antique Chinese hardwood stand with gorgeous, flowing carved form, pierced center, made of dark hardwood with deep red undertones, standing on three shallow feet. Beautiful dark gain. Heavy solid stand. 19th Century Size: 1.25" height, 4.5" width

An antique Japanese Ko Choba Tansu (small merchant chest) made of Sakuranoki (Cherry Wood) and Suginoki (Cryptomeria). All original Urushi lacquer and hand forged iron hardware including the Warabite handles. The front hinged door hides 7 drawers of varying sizes.

Originally used by a merchant to keep valuables and store records and documents...

Japanese bronze dog.

Age: Japan, Showa Period, 20th Century
Size: Height 14.5 C.M. / Width 4.8 C.M. / Length 14.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Early 20th century
Authentic Baltic amber of egg yolk / butterscotch color
Inner diameter: 6 cm
Beads measure 15.67 – 12.8 mm long
Weight: 12.3
From a Orinda, CA estate of antique jewelry

An old bracelet comprised of 12 barrel-shaped egg yolk/butterscotch amber beads of warm coloring. This bracelet’s old string was worn and broken, and the beads have been re-threaded with a clear elastic...

Decorated with dragons, fish, butterflies and long life characters, inlaid with glass beads. The enamels in green, red, purple and several shades of blue. This type of tiaras was worn by high ranking court ladies at the end of the Qing Dynasty. Size: W. 20 cm , H. 11 cm. Height including stand 38 cm.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of flowers among scrolling vines, design continuing onto the back. Beautifully made out of dark wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 3.94 inches.

A large vase, spectacularly decorated with falangcai (famille rose) enamels against a pale green background depicting a pantheon of gods, immortals, legendary figures and mythical beasts in a heavenly landscape amongst mountains and clouds. This item was made in the first half of the 19th Century during the reign of the Daoguang Emperor (1821-1850). Condition - the neck has been cut down, and ground, there are glaze hairlines to the base and there are minor losses to the enamels...

Antique Chinese small zitan wood stand. Rectangular shape with low feet and apron carved with a scrolling cloud motif. Nice grain and patina.

Dimensions: 4" high x 13" long x 7" deep

A Finely Inlaid Celadon Arrow Vase: Korea, Koryo period, 12th Century, This formed vase was adopted a Chinese archaic bronze vessel from Spring and Autumn period (770-476 BC), which is a Koryo celadon inlaid vase with two long ears (tubular necks) (broken) on the upper body, well potted pear-shaped body rests on a short ring foot, inlaid in white and black slip with five chrysanthemum medallions among clouds and flying cranes...

An antique Japanese 2 section Nihon Matsu Kasane (stacking) Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original natural Urushi lacquer finish. Hand forged iron hardware with lock plates that feature a quarter moon with a butterfly and Chrysanthemum knobs, Warabite handles with upper Pine tree and lower Plum Blossom Atari, and side handles on both sections. Constructed using Japanese straight dovetail joinery and hardened wooden nails...

Antique Japanese woodblock print of a sumo wrestler of the Utagawa Kuniyoshi studio. Kuniyoshi was a pupil of the master Utagawa Toyokuni. He is part of the Ukiyo-e tradition of print making. His works are noteworthy for their use of color and patterns. He developed a style for portraits of kabuki actors and warriors with an emphasis on omens, dreams, apparitions, and extraordinary feats...

A finely moulded porcelain bowl made circa 1700-1722 during the reign of the Kangxi emperor. On the base is a drawing of an archaic bronze wine vessel - Jue - within a double circle. Condition - there are three rim chips, the largest with associated hairline (please see enlargements 7 and 9 ); there are minor glaze imperfections and a patch of discoloration to the inside (also visible in enlargement 9 )...

From our Japanese Collection, a very fine and very early imari charger, late 17th - early 18th century (circa 1690-1730), decorated with a flower pot, a scholar’s rock, and a large tree in full bloom upon a terraced pavilion, all executed in the typical early imari palette of blue, orange-red, and gilt, with the border done in a rich brocade of flower motifs.

Ordinarily, we do not gravitate much towards early Japanese imari simply on aesthetic grounds...