Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London. Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn. The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.

19th century small Chinese scholar’s rock in a shape of a long mountain range. The piece gives a very strong feeling of weathered rock shaped by water and time, and overpowering energy of the mountain range. Beautiful black Qilian limestone (Mount Qilian, Gansu province) with rich texture, provides excellent views from both sides, great patina. Fixed on newer ebony stand, superb object for contemplation on scholar’s desk. Length with stand 5 inches.

18th Century Chinese Kangxi-Yongzheng Period Famille Rose Porcelain Teapot with Relief Lotus Flower

It is 4 inches (10.2 cm) tall by 6.65 inches (17 cm) wide. It is 0.7 Lb.

It has chips at the leaves, stems, and inner rim of teapot, dark spots, firing holes and cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits...

Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers...

Substantial silver bangle bracelet with an elliptical border of open cutwork featuring delicate daisies and swirl designs. The delicate openwork border surrounds smaller raised ellipse at center which with a delicate carved composition of a bird and a bee together in flight. An arabesque design flanks each side of the elipse to complete the symmetrical arrangement...

Sentimental sterling bangle bracelet bearing the biblical Mizpah inscription, signifying an emotional bond between two people physically separated due to acts of war or other calamities. It would typically be given by a lover about to be parted from his beloved. The word "Mizpah" is in raised lettering while the engraved inscription "The Lord When Between We are Me & Absent One Thee From Another" is inscribed beneath...

1920's Yoshijirō (Mokuchu) Urushibara Woodblock Print "Messina Life Amongst the Ruins" design by Frank Brangwyn, Pencil Signed

It is 15 inches (38.1 cm) in length by 11.4 inches (29 cm) wide.

It has browning, creases, a tear at a corner's edge, fading, wear, and discoloration (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

Antique bronze hand of Buddha on wooden stand. Hand displays the Abhyaya Mudra, the have-no-fear gesture representing peace, benevolence, and reassurance. Beautiful long tapered fingers. Patina consistent with age.

Age: Ayuthaya Period (17th/18th century)

Dimensions: Hand only: 4" high x 1 1/2" wide x 3" deep. (7" high with stand)

1900's Chinese Silver Repousse Center Bowl with Chrysanthemum Marked "Yat Sun Shanghai"

It is 2.36 inches (6 cm) tall by 11.8 inches (30 cm) wide. It is 548 gram.

It is tarnished and has 3 areas that may have missing silver pieces and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines, made in the late nineteenth century. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several and secretive colors of enamel paints, known as "dust" paints. This resulted in very fine and realistic studies of the different models...

This is a good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of paint. This rare painted butterfly is approximately 1 inch long and 1 1/4 inches wide. A perfect collection for the entomologist or botany professor in your life...

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures...

C1900 18K figural dog fob depicting a greyhound, or possibly a whippet, with adorable blue collar, perched atop a bed of lapis. He or she would look wonderful as a pendant threaded through a gold split ring and attached to an antique gold chain, or dispense with the split ring all together and wear alone. We have attached an image of a dog fob suspended form an antique gold chain below, as an example (the chain not included) of how it looks. Images show what the figural whippet fob looks like fr...

With a Latin inscription translated as "Under a clear sky France suffers", this 18K Carnelian fob seal depicts an African slave in profile, carved atop a family crest, all shown above a ribbon banner reading "PURUM PATIENTIA FRANCE". Notwithstanding the word "France" in the inscription, our wax seal fob is English. The seal harkens back to the British abolitionist movement in France, during which time the British people actively sought to pressure the French to abolish slavery. This fob seal sho...

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our spider, approximately 1 inch square...

Large Japanese wooden tray with carp fish design.

Age: Japan, Showa Period, Mid-20th Century
Size: Diameter 52.7 C.M. / Height 5.6 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese antique celadon vase, carved with flowers and scrolling leaves. Lovely traditional celadon color glaze. Later addition of decorative silver overlay around mouth and shoulders and also a silver ring around the foot of the vase.

Age: Republic period (with early 20th century silver work)

Dimensions: 5 1/2" high x 3" wide diameter

Antique Japanese tsuba (hand guard for samurai katana) decorated with a monkey peeking though the bamboo rails of a cage or gate. Often occurring in Japanese folk tales, the monkey generally symbolizes a trickster. Since tsuba were often a warrior's source of personal expression, it is likely this monkey held specific significance to the blade's owner.

Age: Meiji Period (1868-1912)

Dimensions: 3" high x 2 7/8" wide x 1/8" thick (1/4" thick including monkey).

A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.

The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.

Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...

A well made Keyaki wood sumitsubo. Used by carpenters to efficiently mark straight lines by snapping a silk string saturated with ink. The utilitarian purpose enhanced by the folk art attention to detail of this implement held symbolic of the trade. Meiji period. Good condition. Length, 8 inches

17th Century Chinese Bronze Seated Kwanyin

It is 10 inches (25.4 cm) tall by 6 inches (15.2 cm) wide. It is 2620 gram.

It has firing holes, a small hole drilled at the shoulder, pitting, oxidation, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it f...

Lovely Georgian garnet cluster ring set in 18K gold. The garnets are a bright and lively color giving the ring great panache. The ring is a size 8 and measures 5/8" at its widest.

A small Japanese Satsuma koro with a pierced metal cover by an unknown maker, late 19th century. The vase is decorated with the Imperial chrysanthemum crest and three family crests, including the Paulownia of the Toyotomi clan, the Hollyhock leaves of the Tokugawa shoguns and the cross of the Shimazu clan who ruled over Satsuma, Ōsumi and Hyūga.

At the top corners can be found quarter-flower heads delicately painted in red and gold. Each mon is finely detailed. The metal lid might ...

Width: 24 cm (9.7 in)
Height: 2.5 cm (1 in)

Chinese rose medallion plate in good condition

A Nabeshima blue and white dish with decoration of peonies issuing from rockery. Late Meiji era. Good condition. Diameter, 8 inches to 8 1/8 inches. Height, 2 3/8 inches

This pattern on our watch chain comes from an ancient technique of decorating silver, known as niello. Niello which was revived in the 19th century and adopted by English jewelry artisans. The word niello which derives from the Latin form of niger, or black. The surprisingly modern looking designs are created by engraving geometric patterns on silver and filling the recesses with a silver, copper, lead and sulphur alloy to create a contrasting pattern. The niello links on our chain have a poli...

A pair of elaborate porcelain vases with large leaves in turquoise and gilt opening from a narrow base which rests on four wide feet. The base and feet encrusted with vegetation and occasional flowers which also support a large rising stem on either side with roses on one side and blue, orange garden flowers and possibly small lilies on the other side. Hard to imagine putting flowers that wouldn’t clash into these vases. Height 7 3/8 inches (19 cm), width 6 ¼ inches (16 cm) and depth 5 inches...

Protomes of prancing horses joined at the midsection to a wagon-like box.
The visible face with carefully incised manes, bridles, and indicated joins to the legs. The eyes recessed to bear spheres of a different material.
The slightly bent groove between the front legs indicates that the attachment was put over an object. At the bottom center a flap with a hole for fastening.
Elsa Bloch-Diener argued that the object was possibly a mirror holder (a copy of her catalogue entr...

19th Century Chinese Cinnabar Carved 2 Tiers Box with Figures

It is 3.74 inches (9.5 cm) tall by 12.59 inches (32 cm) in length by 8.85 inches (22.5 cm) wide. It is 3.1 Lb.

It has chips, cracks, peeling and retouching of lacquer, writing at the bottom, felt fabric glued to the bottom, and surface wears and scratches (as seen in the photos).

Large format photos are available upon request.

Our Guarantee: We stand behind all of the items that we sell. That is...

still need a description for this one and trocadero does not let me move on if description is not longer than title

Translated as "pierce" in French, the word pique describes a classically Victorian type of jewelry made by heating tortoiseshell and piercing it with gold and silver inlays to create beautiful geometric or floral patterns. This describes the beautiful art of pique jewelry, made from the upper shell and lower belly of the hawksbill turtle and considered the highest quality of turtle shell and used for the production of beautiful boxes, objet, hair ornaments, and in the nineteenth century, jewelry...

Attractive bracelet with 8 nicely proportioned brilliant cut rock crystals set in individual gilt metal rope bezels attached to one another with a double set of links. The bracelet fits a medium-sized wrist and hangs attractively. The clear stones and gilt metal would make a nice addition when worn with other gold bangles as the clear rock crystal stones and gilt metal compliment gold.Fits a small to medium sized wrist.

Rarely seen George III commemorative brooch with George III in profile at the center and decorated with a border of blue and green Vauxhall glass. This historical brooch was thought to have been made to celebrate George III's recovery from porphyria in 1789. The individual pieces of Vauxhall glass are positioned flat against the metal, as is appropriate to the genre. Other details relating to the construction of the brooch are also consistent with a genuine Georgian era brooch, such as the pin e...