Late Meiji period (1890s 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a Manchurian crane in flight, design continuing on both sides. Nicely made, good work in Japanese taste, some losses and insect damage as seen on photos. Length 3.92 inches. Part of East Coast collection of Japanese hair items.
Late Meiji period (1890s 1912) Japanese lacquered kushi (hair comb) with gold lacquer and inlaid mother-of-pearl decoration of flowers and fans, design continuing on both sides. Nicely made, good work in Japanese taste, some losses to lacquer and inlays as seen on photos. Length 4 inches. Part of East Coast Japanese hair items collection.
This is Japanese antique noragi katazome indigo-dyed cotton noragi from the Meiji era.(1868-1911)
There is a thin dirt, but is not outstanding. The cuffs have minor damage.
It is a very beautiful indigo dyed cotton.
Size:: Length 58cm (22.8") Back Width 62cm (24.4").
Rather whimsical Georgian III Tea Caddy in the form of two conjoined single caddies, rectangular, with hinged lid opening to two lidded compartments and the whole raised on ball form feet. Only the right hand escutcheon has a working lock.
English, circa 1790.
8' x 4.5" x 5.5" tall
The teapot is cast in bronze. The body has the shape of a melon and the spout that of a stylized bird. The handle supports have a typical shape for this period. The handle, which has now disappeared, must have been made of perishable materials, probably braided bamboo fibre. It is exceedingly rare to find a Chinese bronze teapot from this period. It is functional and perfectly pours the tea without uncontrolled drips. Good condition, the lid is crack (see photo), no restoration...
The vase is cast in one piece. Inspired by archaic Chinese bronze ritual vessels, it bears a Taotie mask decoration. This decoration is reduced to two narrow bands instead of occupying more space as usually on the bronzes of the Ming period, this more austere character, the slender shape and the patina with a much more antique aspect allows us to think so. older, probably from the Song period or earlier.
The base split on one side as shown in the photos...
Height: 3.5 cm (1.3 in)
Width: 3 cm (1.2 in)
Depth: 3.7 cm (1.6 in)
Fine wooden netsuke carved by Gyokkei; a stone lifter, masseur or a man attempting to lift his distended scrotum?; a tumour is also present on the back of his head; the poor fellow also has a wall-eye; signed on an inlaid tablet; good condition
Height: 3.4 cm (1.3 in)
Width: 2.1 cm (0.8 in)
Depth: 2.4 cm (0.9 in)
Finely carved deer antler netsuke of Hotei with, typically, his large bag draped over his shoulder; white metal has been inlaid into the top section of the piece, possibly silver; good condition
Length: 7.2 cm (2.8 in)
Height: 8.2 cm (3.2 in)
Depth: 3.6 cm (1.4 in)
Weight: 210 gm
Rare early Chinese bronze water dropper in the form of the mythical creature, Baize; fine patina; good condition
Height: 4.7 cm (1.9 in)
Width: 4 cm (1.6 in)
Depth: 4.4 cm (1.8 in)
Fine wooden netsuke of a man sitting with a turtle between his feet; he is busy tying up the animal; quality carving throughout; good condition
Width: 4 cm (2.6 in)
Height: 1.9 cm (0.6 in)
Japanese wooden manju netsuke of a phoenix, the backside carved into a woven chained effect; good condition
This is a Japanese antique tsutsugaki big furoshiki indigo dye cotton.
The traditional and very auspicious design of bamboo, plum, and scales is very beautiful and impressive.There are 5 pieces of cloth sewn together.
Natural indigo dyed hand spun cotton.
Recommended for wall decorations and bedspreads.
There are light stains due to aging and two small repair marks.
Age::1800-1868
Size::Length 157 cm (61.8inch) / Width 161 cm (63.3inch)
A rare antique Japanese Kuruma Tansu (wheeled chest) made of Keyaki (Zelkova) wood. All original hand forged iron hardware including the Warabite handles and bottom rope pull rings. Horizontal wood slats on all four sides provide strength and age old beauty. Two large sliding doors open to a spacious storage area with a storage shelf. Below are two side by side drawers for additional organization and storage needs...
An antique Japanese Kansai Mizuya Tansu in 2 sections made of Hinoki (Cypress) and Keyaki (Zelkova) woods. Upper section features two sets of sliding doors with a set of 5 side by side drawers. Bottom section has 2 large sliding doors that open to a spacious storage area behind. Constructed using Japanese mortise and tenon joinery. Drawer handles are Hikute style made of hand forged iron.
Age: Meiji Era (1890-1900).
Dimensions: 71 3/4" Wide by 67 1/4" High by 19 3/4" Deep
19th century Chinese rock crystal seal blank of square section. All features seen in the stone are natural, no chips except for a small one by the base seen on Enlargement 2, left photo. Uncommon material for a seal, beautiful finish to the surface. Excellent object for scholar’s table. Height 1.63 inches, base 0.5 inches square.
Cast bronze vase of square shape. Beautiful casting and fine detailed chasing. Taotie mask decoration. The handles in the shape of birds'heads Fine finish. Archaic style but Qing period. Good condition. Nice old patina.
Height: 41cm
Weight: 7,5kg
Quillen …..an ancient Chinese bronze amphora shaped Wine Vessel..the form with fluted top and the center with scrolled handles and intricate curved forms with stylized dragons. Measuring about 7 1/2 inches tall
Interesting stoneage artifact, probably a massive weight of sorts or alternatively, a mace-like weapon.
It's shape is oval, almost like a melon, and it's made in a light grey granite stone. It has 4 symethric ridges for some kind of binding, but we're not certain of it's usage - you're welcome to e-mail if you have seen this artifact before / have got a litterary refference for it...
A fine Swiss or English Miniature watercolor of a young maiden with a lamb in its original bone and enameled frame. Measuring about 3” square. The watercolor measuring about 1.5” (Quillen Estate)
Rare ancient Egyptian opaque blue glass pendant in the shape of a pomegranate with yellow and white details.
For comparable amulets see:
Louvre Museum, Paris, E 2284 ; AF 2600 and N 1850 ; AF 2312
British Museum, London, EA48064 and EA68538
Petrie Museum UC22890
The Metropolitan Museum of Art, Accession Number: 11.215.446
Date: Egypt, New Kingdom, 18th - 20th Dynasty, ca. 1570 - 1070 B.C.
Material: Glass
Size: ca...
A good quality bronze Italian or French done circa 1720 of a male nude standing figure in a Greek or Roman figure measuring 6” (Quillen)
An important Faience Mesoamerican Artifact possibly Yucatán in the form of an animal measuring 4.5” x 5.5” Quillen
Bronze sculpture representing an owl on a tree stump covered with ivy. The owl, detachable from its base, has shakudo eyes. It is certainly an Ryûkyû scops owl (Otus elegans), present in the south of Japan in Ryûkyû Islands.
Red fabric glued to the base of the trunk to protect the base and the pedestal (not original).
The owl (fukurô, 梟) symbolizes good luck and protection from hardship...
Polychrome bronze statuette of a group of mice around a pumpkin and a pomegranate. The five mice have a dark brown patina, while the hollowed-out gourd is dark brown and the split pomegranate is dark red.
Written in a cartouche on one of the pumpkin slices, "Shôsai Foundry" (正齊鋳, shôsai-chû).
Japan – Meiji era (1868-1912)
Height: 6.4 in. (16.3 cm) – width: 7.8 in. (20 cm) – depth: 7.3 in. (18.5 cm)
Southeast Asian Bronze from the 17th or early eighteenth century mounted on a wooden plinth. The head of typical form of a Buddha measuring 2” in height on a wooden plinth. (Quillen)
A beautiful Snuffbox with exterior and interior painting. The lid with a French couple and the interior with wooded scene and countryside cottage. 2” diameter and about 1” in height QUILLEN ESTATE
A rare and unusual hand painted Snuffbox in white enamel with swirling designs in blue and a hand painted scene on the lid. Measuring 1.75” x 1.25” x 1.25” (QUILLEN ESTATE
A hand painted enamel snuffbox circa 1780 various hunting and landscape scenes. Measuring 3“ x 2“ x 1“. (Quillen)
A rare hand painted Snuffbox (tobacco) English circa 1790 view of Battersea measuring 2 1/2 inches wide, 1.75 inches deep 1.25” high (Quillen estate)
French Belle Epoque Classical 950 silver tea urn, ca 1900. Ovoid with turned stained-wood handles with silver scroll and leaf mounts. Scaly fish spout with tail mount and gaping mouth spout and turned stained wood and silver scroll tap. Double-domed cover with berry finial. Three double-scroll supports with leaf mounts and feet mounted to stepped and stained-wood drum-form blocks. Heating element set in scroll-mounted ring. Twisted fluting and lobing. Vitruvian scroll and leaf borders...
A Chinese painted grey pottery figure of a standing musician, very well modelled wearing a wind hat, his head turned down to the right. 20 cms. Northern Wei dynasty, 5th/6th century AD.
Oxford TL Test Certificate.
This is a rare figure. To date I have only seen one other musician from the same set.
Fine Large Chinese Western Han Dynasty Painted Pottery Ding Tripod (206 BC - AD 8)
This fine example of a painted pottery ding was made during the Western Han Dynasty (206 BC - AD 8). It is a large example of its type, made from a fine-grained grey pottery and relatively highly-fired, having a distinct ring when tapped. The lower part stands on three long curved legs and has two curved square-cup handles on opposing sides...
Pair of Rare Chinese Sui / Early Tang Dynasty Pottery Ladies
These fine and very rare pottery ladies were made during either the Sui Dynasty (AD 581 - 518) or the early part of the Tang Dynasty (AD 618 - 906). They are made from a fine-grained grey pottery and are particularly well-detailed; note the detail of the faces, the hairstyle, the folds of the clothing with the very long sleeves. Traces of the original "cold painted" surface pigment remain.
Height 25.5 cm...
Two characters with bird beaks serving as incense holders. They are in sandstone covered with lead glassures of three colors (sancai), yellow, green and manganese, these models also have a part enamelled in white. Models with animal masks are much rarer than those with human faces and probably represent the animals of the zodiac. Good condition, almost not worn, a broken and glued head visible on photos. The glassure is finely cracked. Height: 325mm. Chinese work probably 17°, but maybe before.
1900's Japanese Makie Lacquered Wood Carved Boko Box
It is 3.5 inches (9 cm) tall by 5.7 inches (14.5 cm) wide and 4.9 inches (12.5 cm) in length...
This is a genuine, archaic Chinese nephrite axe or Gui scepter. The surface has the expected smooth, "waxy" feel to it. The end is sharpened (which leads me to think it was made as a prestige axe as opposed to a scepter, although the literature seems to view pieces such as this one as either/both an axe and a Gui scepter; e.g. Rawson in Chinese Jade - I've included photos of the pieces listed there for reference). The piece is made from a pale celadon nephrite with darker inclusions and some are...
DESCRIPTION: An ornate, cast iron oil lamp by Bradley & Hubbard in gothic style with a pierced, rounded body and vine & tendril feet. Beautiful iron work, original font, bulbous glass shade; stamped B&H for Bradley & Hubbard. Very sturdy and in excellent condition. DIMENSIONS: Lamp is 13”H x 9”W; Shade is 9”H x 5”W.
Lovely old Burmese lacquer box with a finely woven lattice work, insert lid (I assume to keep the flies off your “tiffin”) or used to sieve. Circa 60-90 years old, it is very thin and lightweight and the body is constructed of bamboo., I acquired this in a Pagan, lacquer shop about 20 years ago. Excellent original condition with minor lacquer loss at the bottom’s edge as to be expected from a genuinely old piece. D: 30.5cm/12in and H: 16cm/6.2in.
19th Century Chinese Yixing Pewter Teapot with Calligraphy in Wood Box Signed"跂陶氏刻" Marked" 跂陶發明"
The teapot is 4.5 inches (11.5 cm) tall by 5.1 inches (13 cm) wide. The wood box is 7.2 inches (18.3 cm) tall by 6.5 inches (16.5 cm) wide. Teapot is 1.3 lb. Total weight including box is 3 Lb.
The teapot's lid has been repaired (glued back) at corners and has hairline cracks and chips. The spout is also bent and has chips and hairline cracks. The teapot has stains an...
Chinese Jin Dynasty Pottery Tile - Performer (AD 1115 - 1234)
This moulded and "heavily-potted" pottery tile was made during the Jin Dynasty (AD 1115 - 1234) and has been excavated from Shanxi province in the northern region of China. Theatre, opera and music was immensely popular during the Jin Dynasty and in recent years various pottery tiles have been excavated depicting a whole range of musicians and characters from various musical and artistic performances.
This particular tile de...
A rare vase signed markings of Yongzheng, Eighteenth Century Chinese vase in a beautiful blue color, Pate sûr Pate
A genuine large old Rajasthani storytellers scroll of the Pabuji legend. Hand painted on thick cotton. Estimated to be early 20th century or earlier. 240 x 92 cm.
Can be viewed in central London.
Victorian Classical coin silver baby cup. Made by Wood & Hughes in New York, ca 1860. Curved and tapering bowl. Flared rim and spread foot with leaf-and-dart border on lined ground. Scroll bracket handle with quatrefoil mounts. Heart-shaped leafing scroll frame (vacant) surrounded by tendrils and flowers. Fully marked including maker’s stamp and no. 4. Very good condition.
Dimensions: H 3 3/4 x W 4 3/8 x D 3 1/8 in. Weight: 4.4 troy ounces. #BX724
German 800 silver box, ca 1910. Oval and lobed. Cover hinged and raised with scroll tab. Sides have chased and engraved fruits and foliage on stippled ground in curvilinear frames alternating with plain lobes. Cover top same with beaded frames. Gilt-washed interior. Marked. Very good condition.
Dimensions: H 3 1/4 x W 7 x D 5 1/2 in. Weight: 13.7 troy ounces. #BX430
A Chinese, Changsha kiln, wide-mouthed jar; Tang dynasty. It is covered overall with a finely-crazed, celadon glaze which terminates above the flat base, and with decorative splashes of iron-rich glaze and applique handles.
Height, 17 cm
Condition: In evcavated condition. There are numerous small chips to the underside of the rim, and patches of wear to the glaze. The upper parts of the two handles are missing. See the diagram, from the excavation report of the Changsha kiln, for an idea...
Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is.
Height 14cm.
Unusual pottery bowl with hand molded snake handle. I cannot find any pieces similar in style to this although the reddish clay and heavy potting are reminiscent of Hongshan pottery. This came out of China and has a good petrichor and water absorption on the base, very old- at least 2000 to 3000 years old but probably older. W: 14cm/5.5in and H: 12cm/4.7in.
Lovely double gourd, Dehua porcelain small vase, circa late Qing or Republic Era.. Please note the third enlargement the surface appears to be smudged, this area originally had a handle that broke of and has been polished down. H: 11.3cm/4.4in and D: 6.8cm/2.9in. A simple well balanced elegant piece, suitable for a sing rose. Basic stand included.
Delightful Qing Dynasty café au lait glazed water dropper in the shape of a fish in a basket, it is quite heavy for its size and the brown glaze has a strong metallic patina possibly emulating bronze. Most likely from a Southern Kiln, in perfect condition! D: 5.7cm/2.2in and H: 7.2cm/2.8in.
Lovely Iban woman’s skirt from the Kapit region in Sarawak, circa 1940-1950. The broad center field is woven from handspun cotton and natural dyes. The red use in this is particularly rich. The narrow bands on the side are made of commercial thread and dye. This has a Bangit fruit pattern, which signifies “abundance”. There are a few minor frays and inevitable “pinholes”, but IMO the condition is good. L: 102cm/40in and W: 52cm/20.5in. Bought this about 20 years ago in Kuching.
...
Pair of 1900's Chinese Beijing Gilt Silver Enamel Vase with Lion Heads & Rings Marked
They are 5 inches (12.7 cm) tall by 3 inches (7.6 cm) wide. They are 283.5 gram.
They are tarnished and have missing enamels, enamel stress cracks, enamel bruising, loss of gilding, bent rings, gaps at the rings, and surface wears and scratches (as seen in the photos).
PROVENANCE: Previously sold Jackson's Auction May 25, 2011, lot 879.
Our Guarantee: We stand behind all of t...
Old Japanese Sumida Gawa Ware Jardiniere on Pedestal with Sage & Children Marked Ishiguro Koko 石黒香々
It is 30.2 inches (76.7 cm) tall by 14 inches (35.6 cm) wide.
It has minor rubbing of paint, skip glazes, glaze crazing, and surface wears and scratches (as seen in the photos).
For another similar jardiniere on pedestal by Koko, see the book "Sumida according to us" by Herbert Karp & Gardner Pond, page 127, item 317.
Our Guarantee: We stand behind al...
This is a rare cloisonne bowl from Gonda that features 16 wireless egrets. This bowl is stoutly made and is heavy. It measures 7 inches across and is 5 1/4" tall. The condition is very good with some expected wear. The bowl has 2 very minor, under the surface lines that can be seen in the last image.
19th century Japanese tsuishu (cinnabar lacquer) netsuke carved on the front with 3 scholars under a pine tree watching a cock fight, and the back with a boy feeding a chick and a hen by a peony bush, all on carved diaper ground. Metal fitting with swinging loop for hanging, some wear to lacquer, beautiful patina. Diameter 1.84 inches.
Amuletic figure of the canine god Wepwawet depicted on the bar of a standard. The front of the sledge is curved like a billowing sail and integrates a couple of rearing uraeus cobras.
The jackal wears a dog collar, the suspension loop behind is partially preserved. This small example was intended as a protective amulet.
For a related example, cf. acc. no. 23.6.6 in the Metropolitan Museum database.
The jackal god Wepwawet, also known as ‘Opener of Paths’, helped the dece...
Hand-modeled bowl of hemispherical body with a single handle at the rim. The base rounded.
The burnished surface with a red-brown slip and purple-red bands of wavy lines that form a cross on both the inner and outer surface. Purple-red lines on the handle.
For a related example, cf. British Museum database no. 1884,1210.103.
Ceramic
Middle Cypriot ,1850 BC-1550 BC
D. 15.4 cm (6.1 in)
W. over handle 18.4 cm (7.2 in)
H. bowl 7 cm (2.8 in)
Fin...
Chinese Qing dynasty ink and color on paper painting executed in three sections to represent the protectors of Heaven, the world of humans, and the earth. The top features three Buddhas seated cross-legged on lotus thrones among clouds with their hands held in various mudra positions. The midsection holds four Bodhisattvas. On the left are Puxian holding a ruyi scepter astride an elephant and Wenshu holding a sutra scroll atop a lion. On the right riding mythical creatures are Guanyin holding a ...
Finely woven Iban women’s kain skirt, circa 1940 with “eye of the green pigeon” and bamboo pattern, from the Kapit area, Sarawak, Malaysia. Fine and tight weaves like this, indicate that owner was from a high status. There is one repair noted in enlargements. This ikat is made from all handspun and natural dyes while the colored bands are commercial thread. L: 115cm/42.5in and W: 57cm/22.5in.
Korean Joseon dynasty lacquered wood hinged scholar’s document box with brass edge brackets and brass lockplate. One shelf to the interior. 19th century. 14 3/8” long x 7 5/8” wide x 7 1/2" high. Very good, solid overall condition with great patina and typical wear and soiling from use. Ink stains and unreadable ink calligraphy are evident on the underside of the lid. There is a split in the bottom and one small chip to the interior corner of the inner shelf. A tiny pin is missing f...
You are considering an authentic set of three arc-shaped pendants from the Neolithic or Shang period, circa 2000-1500 BCE. Similar published examples can be found in Rawson, Chinese Jade from the Neolithic to the Ching at pages 158-159 (the latter illustration showing a similar item from the collection of the British Museum). As with the other examples, these three pieces join together to form a ring. To quote Rawson: "This set of pieces belongs to a distinctive category within the very wide ran...