Chinese Qing dynasty circular form lidded cinnabar lacquer box, the lid well carved in relief with scholars and attendants under lush trees in a landscape setting with mountains in the background. The convex sides are decorated in floral reserves interspersed with scrolling foliage. The interior surfaces and base are covered in plain black lacquer over the wood substrate. 10” diameter by 5 1/2" high. Very heavy for its size. Weighs 4.4 lbs. (2 kg). There is an area of damage on the edge of ...

A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

Late 19c Chinese Blackwood or possibly Zitan wood brush pot in the classic style with smooth sides and a raised ring at mouth and bottom having 3 low standing low profile feet with drain hole in center bottom of pot. Carved from a single piece of wood, it still retains its original plug which is easily removed for drainage. In excellent condition commensurate with age, it measures 4-5/8" high x 4-1/8" diameter.

Chinese Qing Dynasty Pair of massive Canton lidded urns with Fou dog lids Approximately 42 inches high and 20 inches wide, come with associated carved wood stands

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

Chinese Qing dynasty (19th century) export watercolor on paper painting titled “Chinese Junk.” A lone figure stands at the front of the junk tending to the sails. The heads of the rowers are barely visible. Originally purchased from or framed at Berry-Hill Galleries on 5th Avenue in New York. Recently reframed with archival materials and UV glass in a substantial gold leaf frame with silk mat and gold filet. Sight size: 16 1/4" x nearly 22” (frame: 23 1/2" x 29”). Soiling and foxing sp...

A female dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated ...

A male dancer dressed in massive and splendid Noh attire. The painting is attributed to Iwasa Matabei (1578–1650), a renowned Japanese painter who is often considered originating ukiyo-e genre painting. As is often the case with this artist, these two paintings do not bear his signature or seal, however the depiction of the figures with rich cheeks and long jaws shows typical expression of people of high social rank during medieval periods, which he exaggerated the expression was originated fr...

Circa 1880, Chinese red cinnabar circular box with stand. The box is presented on a carved wood stand having several coats of cinnabar lacquer, giving it the appearance of a solid carved cinnabar stand. Extremely well done and deeply carved, the scene depicts a well known Chinese story about Kuan Ti’s defense of Lin Bang's wife before the advance of Hsian Yu. Please note the beautifully carved horse. In excellent condition, the box including stand measures 5.5" diameter x 5.5" high. The b...

Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high

DESCRIPTION: A skillfully lacquered suzuri-bako (writing box) from the Meiji Period, early 1900’s. The lid of the rectangular box is decorated with a takamakie floral design in gold, silver and shu (a hue of red-orange) lacquer on a black ro-iro ground. The interior of the lid and box are sprinkled in a nashiji cloud motif. This suzuri-bako is a complete set, fitted with the original water dropper and inkstone and its original kiri (paulownia) wood box with inscription. Excellent conditio...

Description:

A Lapis Lazuli Carving was exquisitely done by master craftsmanship.
Depicting a mountain view with pine trees and pagoda when old man riding a deer up to the winding road, it was a picture the scholars would always be dreamed of.

Date: Qing Dynasty, 18th Century.

Width without wood stand: 9.3cm.
The wood stand is newly made.

A SIMILAR PIECE WAS IN THE NAGEL AUCTION, 2009.

Inscriptions: Man San Train Fon(the mountain is full of joyful ...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

Description:

A wood water basin was nicely carved in shape of a lotus leaf with a lotus pond.
It was preserved in very good condition by nice brownish patina.
Some of the seeds in the lotus pond were still movable when some were sticked but nothing is missing.
It was a charming and very rare piece by this type.
Most of the old wood pieces were made as brush pots in relief carving.
This piece was carved in delicate workmanship to imitate the lotus leaf by thin wall a...

A Chinese Bronze Censer, Qing Dynasty. Diameter approximately 7.1 cm (across handles) and height approximately 8.8 cm (bottom to rim). Good condition.

A Chinese Bronze Censer, Qing Dynasty. Diameter approximately 11.2 cm (across handles), height approximately 4.5 cm (without the stand) 6.7 cm (with the stand). The censer has few tiny dents. Good condition.

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

Chinese Qing dynasty pewter-encased rectangular form “san ke zhu” (three pearl) lidded Yixing pottery teapot incised to one side in bamboo, the reverse with a calligraphic inscription signed Chun Quan. The inscription translates roughly as: “Sitting quietly [under] a bright moon [occupying] half of a window, with a book [in hand] and a fragrant incense [burning].” The top edge holds an applied coin and mixed metal strips. Flat, rectangular lid. Jade spout, handle, and square finial. The ...

Chinese Qing dynasty Kangxi marked monochrome beehive form water coupe (taibo zun) covered overall in a copper red glaze. The slightly recessed flat base and interior are white. The base holds an apocryphal underglaze blue six-character Kangxi reign mark written in three columns. This type of water pot was used to refill a low flat brush washer. 5 1/8” diameter by 3 1/2” high. Guangxu period (late 19th century). The neck and mouth have been carefully ground down. The pot is otherwise ...

Chinese late Qing dynasty Guangxu period rectangular form porcelain plaque painted in famille rose enamels and gilt highlights with a crane on a pine branch above thick leafy flowers. A poem at the upper left is dated in Chinese cycle years to winter of 1902 and signed Jiang Yongyuan (active circa 1899-1919) at Zhushan, a district of Jingdezhen. A raised rim frames the composition. 15 1/4" long by 9 1/4" wide by 7/8” deep. There is a fine old brown hairline crack extending down from the top....

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

A Chinese Bronze Censer, Qing Dynasty. Weight approximately 660 gram, diameter 12.4 cm (across handles) and height approximately 5.8 cm. It has few soft scratches and a soft tiny dent. In good condition.

Fine Chinese Ming Dynasty Blue & White Conical Covered Porcelain Box (Ex. Lammers Collection)

This attractive small round porcelain box of rare and unusual form was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. The underglaze blue decoration is of a particularly good colour. The decoration to the conical cover comprises two chilong dragons. The lower section is decoration with a floral pattern.

Diameter 5.5 cm. It is in fine condition with no repair or restoration, altho...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Japanese antique Funa Tansu (merchant's safe), all made of very heavy quarter sawn Keyaki (Zelkova) wood. The door opens to 3 interior drawers also with Keyaki wood fronts (interior of each drawer made with Kirinoki (Paulownia) wood, wooden bracing on the bottom, heavy iron hardware including double locks on the outer doors and each of the three interior drawers has a large lock as well, two handles on top of safe, 2 iron reinforced holes at the bottom of each side to allow the safe to be...

A Chinese three piece tea and coffee set decorated with a raised dragon stretching right around the bulbous body of each item. This decoration is laid on the flat surface and forms a three dimensional sculptural effect. The handles are formed as sea dragons and the finials as heads of the creature. The craftsmanship is breathtakingly detailed and fine , the weight is a good gauage of 1800 grms (58oz.). It is stamped MH 90 and Chinese characters. Age: 19C. Please note that the heat separators of ...

A rare finely carved cylindrical bamboo incense box depicting Scholars amongst rocks and pine trees in a mountain landscape. This item was made in China in the late Qing period - the characters carved into the top read "Qing Guangxu Nian Zhi" which translates as "Made in the Guangxu reign Qing dynasty" (1875-1908). Condition - one 2cm age related crack at the top - otherwise excellent with no damages or losses and no repairs or restoration. 22.7cm (8.8inches) high.

清晚੏...

Pair Korean Scholar's Book Chests, four(4) claws Korean Dragon and Phoenix Bird are battling in the flame, inlaid with Mother of Pearl, twisted Brass and faux tortoise shell, 41" high, 27" wide, 12 1/2" deep each in the background of dark brown lacquer with gold powder sparkling finish. Inlaid design of the wings of Phoenix Bird and Dragon are spread out into both sides, and the back is plain dark brown lacquer finish. Whole Book Chest supported by scrolling feet, shows continuous inlaid work....

Ca. 1700s / early 1800s

This circular box is lacquered in brownish black with mother of pearl inlay encircling the lid which is well-fitted to the bottom box. The top is painted in slightly-raised gilt lacquer with two characters: “fu” and “shou,” for happiness and longevity. There is light wear to the edges of the lid, inner rims and to the base, as would be expected, and also a few minor touch-ups. Overall, considering the age and use, the box is in good condition with the mother...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

Beautiful Japanese Wajima lacquer stand with gold maki-e painting on a nashi-ji (pear skin) background. The designs are scrolling vines with stylized chrysanthemums and paulonias, which are the crests of the emperor and empress. The style of sparkling nashiji lacquer work and the theme were popular in the Taisho period (1912-1926) to the beginning of the Showa era, sometime after the return of the throne to the emperor.

The stand was made for a Tokonoma as a base for a flower arrangement...

A fine Chinese scholar's agate brusher washer with many of the stems and leaves worked away from the vessel in an open worked manner. The stone is a translucent light grey to almost clear color with the stems and leaves having light russet colors terminating in the leaves to an orange hue. The overall appearance resembles a lotus leaf curling on the edges with stems, leaves, and seed pod that are worked over top and around all sides including the bottom. They are finely back carved and underc...

Chinese Scholar’s two-tier solid rosewood stand with carved boxwood edges. Produced in the 1950s, this is actually a copy of a 17th - early 18th century style that was made of zitan and edged in boxwood. A strong stand that will hold your heaviest object, the pieces were machine made with rough carvings, hand assembled (pegged and glued), and then hand finished and polished. In excellent condition, the stand measures 12” long x 7.25" wide x 4” high.

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...

English Hepplewhite Mahogany Bureau Bookcase, Book Cabinet, Satinwood inlaid front Bureau Book Cabinet in 2 sections, Ca. 1800=1810, 80" high, 37" wide, 21" deep, upper section has 3 removable shelves inside Mahogany glazed framed with original glass doors, bottom section include 2 small drawers above 3 graduated size long drawers supported by replaced bracket feet. All drawers and Doors are inlaid with Satinwood lines with Brass handles, inside the drawers and back are lined with Oak and dovet...

Exquisite set of Japanese Dairi bina (hina), the emperor and the empress dolls from early to mid Showa period. This is not a large set of dolls. The measurements of the wood box are 17” wide x 12 3/4” tall x 13 1/2” deep. We should add the approximate sizes of dolls. The label indicates that they are from Matsuzaka-ya, a major department store. Matsuzaka-ya started as a kimono store in late 16th century, pre Edo period. The beautiful details are packed in the small dolls - photos could n...

Japanese Kiri wood two(2) section Tansu, Kiri and Cedar chest on chest, Meiji period, before 1900, 42" high, 33" wide, 17" deep with 5 graduated size long drawers, and carved and engraved floral shape black iron back plates have different motif carvings, and black iron handles. Pine wood used in the back and split in some areas caused by dryness and old age, shows wear and tear in original condition, as found condition from Japan.

Early American Chippendale period tall blanket chest. 18th century. Size: 46 1/2 inches high x 41 inches wide x 19 1/8 inches deep. New England origin with a lift top above two faux drawer fronts over three real drawers, and retaining the original snipe hinges. Fancy cut-scroll bracket base and apron. Brass bail handles are replacements. A rare and early tall blanket chest in a blonde finish.

Made in USA. All metal hand hammered in the American Modernist or Arts & Crafts metal art smith tradition, this face motif free standing 116 grams copper metal sculpture can hold a vase or can be worn as a cuff bracelet. All hammered by one set of hands from beginning to end resulting in this art work by this metal art smith and signed: HANDMADE MIMI DEE.
See Image 2: Can be displayed on a table or in a shelf to hold a small bud vase or worn as a massive cuff bracelet. 116 grams.
St...

Patrice gathers semi precious stones, antique glass and metals to design heirloom pieces such as this set. It has a striking combination of yellow jade with amathyst on brass and also Chinese turquoise and carnelian. The necklace is 17" end to end, the pendant is 2" by 1 1/2", clip earrings are 1" by 5/8".

Very rare and fine, museum quality 19th century Straits Chinese peranakan sirih or tobacco box. Silver with gilded decoration details. A wonderful and outstanding work of silver art. D : 9 cm.

A Chinese silver vase with elaborate handles and decorated in repousse work with a phoenix on a hammered ground and the sides showing flowers and foliage, the back with a plain shield. Size: 23 cm high. weight ; 8 1/4 oz. two maker's stamps in Chinese characters on the base. It reads YUAN BEI which was an artisan workshop in Tianjin. The middle set of marks reads"wen yen" meaning "cash silver" and indicating a standard similar to Sterling. We pay credit and respect for this identification to Ad...

Well crafted Chinese famille rose mandarin enameled porcelain bowl ca.1770's. Size, diameter: Diameter of bow is about 8 inches or 19.5 x height: 8.5 cm. Decorated with maidens, court figures and birds. Condition Report; Hardly visible hairline to the interior of the bowl, slight rubbing on paintings. Provenance: Private collector, Portugal. Wood base excluded.

A fine, antique handmade pure silver tea kettle (ginbin) with knobbed surface covering the body. Each knobbed, Arare, is meticulously formed and added. Open-work knob on lid with finely worked details. Signed in the botton: Dai (great) including small pure silver mark (gin). Fitted kiri-box. H 17 cm (with handle), D 13 cm. Weight: 387 g. Condition: Excellent, used item , a slight dent on the left side of the sprout.

A fine Chinese snuff bottle made from Carnelian, well hollowed. One side carved in relief with a bird on a rock beneath a bat, the backside engraved with a ruyi scepter. The stopper is made from white jadeit with a green spot and a bone spoon. Condition: the stopper eventually not original, traces of usage. Dimension: c. 6.2 cm high.

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

French 18th Century Louise XV period Provincial hand carved dark Oak Cupboard Buffet, 74" high, 55" wide, 20" deep-bottom cupboard section, 12 1/2" deep-top shelving area, retain old heavy Brass Hinges and black iron original lock mechanism inside. Three(3) shelves behind the decorative racks to hold plates on top, and deep hand carved large Sunflower with vines on the top, above large open space, with one shelf behind two blind doors which carved with original floral and vines in front of the ...

Description:

A bronze figure was finely cast in good size and was depicted by great craftsmanship.
Nice patina was preserved on the surface when accumulations were found within the pleats.
It was heavily cast in hefty weight.

Date: Ming Dynasty, 15th/16th century.

Height: 28cm.
Weight:1292 grams.

A CUSTOM-MADE SILK BOX IS INCLUDED.

A set of four vary rare blackwood Hungmu lady's side chairs. The chairs match as a pair except for the back panels. Two have a square and two have a circle. This most likely had some meaning for the owner. Age: Mid Qing. Size: H:94cm. W:48cm. Condition: No repairs. Some looseness from age. can be fixed very easily.

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

A rare Worcester porcelain coffee can, tapering slightly toward the base and molded with corrugated ribs above a finely scalloped foot, the lobed rim with a slight flare, and the double scroll handle with a pointed thumbrest. Painted in the Chinese style with flowering plants, the border with half-flowerheads linked by a red line above leafy tendrils.

Excellent condition with vibrant colors, no chips, cracks, or restoration. A slight paint skip is on one petal of one half-flowerhead, shown in...

A Chinese jade plaque 17/18 C. very finely carved and pierced with precious objects e.g the canopy, endless knot etc.This reticulated example with its breathtaking virtuosity and delicate , meticulous detail is a fine example of earlier Chinese lapidary art. The stone is of greyish celadon hue with spots of whitish clouds and is set on the back of a hand mirror in a frame of gilt silver which is worked with a ground of filigree and multi colour enamel decoration. All is enhanced with semi precio...

A Chinese Bronze Censer figure of buffalo and the figurine, Qing Dynasty. The figure of buffalo length approximately 12.6 cm and height approximately 7 cm. There's an old repaired at the one of buffalo horn. Decorated silver wire inlaid. The figurine height approximately 7.8 cm. Decorated silver wire inlaid. The figurine has few cracks around 1 cm (2 parts) and few small chips at the bottom.