Buddhist statue of a guardian deity ("dvarapala"), standing on clouds, in martial posture. Bronze, with fine dark green and reddish patina. China, Tang Dynasty. Height: 5.7 cm. The statue is nicely mounted on a custom stand. Left arm missing, some abrasion, otherwise very good condition

Fine Tibetan "damaru" (ritual drum), made of silver and leather. The silver part is in the form of two "kapala shaped" parts, separated by a central silver belt, decorated with several turquoise and coral inserts, to which the handle is attached. This silver part is lavishly decorated with an embossed relief design representing foliage and Buddhist symbols. The leather part is painted in green. Two cotton cords, ending in two small balls are also attached to the drum to strike it...

A superb Rococo-style first standard (950/1000 pure silver) tastevin by the master silversmith Marc Parrod. This large example retains the round shape of a traditional tastevin but replaces the usual bowl decoration with ornate bunches of grapes tied with ribbon bows and a remarkable handle treatment illustrating a young couple stomping grapes while holding hands. Parrod created excellent classic Burgundian tastevins, but his fantasy pieces stand apart from all the other Dijon masters...

A fine pair of gilt bronze appliques, possibly belt or harness fittings, of square shape, with well cast relief decorations of musicians sitting cross-legged and playing the flute and what seems to be a lute. China, Liao Dynasty (916-1125). Height:3.1 cm. Very good condition.

Japanese small Kiri (paulownia) tansu, with pair of sliding panels concealing a shelved interior compartment, and five drawers of various size with metal pulls and locks. Original condition and finish.

Taisho period (1912-1925)

Dimensions: 24" L x 12" D x 19" H

This phenomenal 7 3/16" Llama Bone Flute is highly engraved with human effigy carvings with crown or headdress and was recovered in Pisac, Peru near Machu Picchu. It is highly polished. It is so translucent that when backlit with a flashlight, light passes through both sides of the bone. It has beautiful patina. A lot of work and pride went into creating this beauty. I purchased it from Jim Bennett who has written several books on detecting fakes and reproductions.

Matching pair of Japanese scrolls. Seed syllable depictions of the Womb World (Taizokai Mandara) and companion Diamond World (Kongokai Mandara). Beneath the 8 Patriachs. 150x50.5 cm. Paints on paper with silk borders. Undated, estimated to be late 19th/early20th century. Repairs to border. Can be viewed in central London and shipped worldwide.

Japanese carved wood Natsume tea caddy, with high relief lacquer imagery of ripened peaches growing on a branch, and a flying hornet on the top of the lid in lacquer. The side of the box is signed with red lacquer cartouche.

Meiji period (1868-1912) c. 1900

Dimensions: 2 1/2" W x 2 3/4" H

Beautiful hand carved Japanese wood panel with stylized openwork carvings of various scrolling chrysanthemums and peonies. Each flowing one to the next layer out longitudinally on a single slab of wood. Hand chisel marks visible on the reverse of the panel. Ready to be wall mounted. Very good original condition. Natural finish consistent with age.

Early Meiji Period (1868 - 1912)

Dimensions: 39" L x 4" x 6" H

Antique Chinese bronze incenser of a cylindrical form on tripod feet, standing on a carved wood base. The interior of the censer has natural green patina indicative consistent with age. The base is impressed with a six characte Xuande cartouche (1426-1435).
The Xuande Emperor, personal name Zhu Zhanji (朱瞻基), was the fifth emperor of the Ming dynasty, ruling from 1425 to 1435...

Antique Japanese tansu with 7 exterior drawers of various sizes. The lower right hand side has a safe box door with 2 small interior drawers. Made all of kiri (paulownia) wood. Hardware includes warabite shaped drawer pulls, heavy lock plates and hinges.

Meiji Period (1868-1912)

Dimensions: 23 1/2" high x 28 1/2" wide x 14 1/4" deep.

A Very Rare Korean Wood Carved/Painted Standing Dongja-18th C.: Korea, Joseon dynasty(1392-1897), 18th century. A small wood elaborate carved Dongja (Buddhist boy attendant) shown standing with his hands held together as if to clasp a ritual object, the robes painted in red, black, green and the face and hands with traces of white pigment, set on an inverted lotus pedestal...

Antique Korean bandaji, or blanket chest made with hardwood with original finish, iron plates and mounts on the front of the piece with floral cut-out motifs. The front has a drop-down lid with two iron pulls on decorative plates.

Dates c1900

Dimensions: 41" L x 16 1/2" D x 32" H

Jimmmie Koots(James Koots, Jimmy Koots, James Kootshongsie, James Kotshongsi, [2nd] Jimmy K., James Danaqyumptewa), 1916-1996, Hotevilla, Third Mesa, Arizona Hopi polychrome Katsina doll Koshare or clown katsina. c.1940-50, Height 7" X Width across the shoulders 2 7/8"

Shima-cho, a sample book of cotton stripes and checks (check pattern was also called "shima" before. Some has both stripes and kasuri. Mostly vegetable indigo dyed but some of colored warps are chemical and some fragments are machine woven. 40 pages with 613 fragments. In excellent condition. Meiji (1868~1912) 24.5cm x 18.5cm x 2.5cm

A large and powerful polychromed wooden carving of a Chinese demonic altar guardian figure, possibly Shun-Feng Erh, dating to the 17th century. Multiple coats of polychrome confirm the piece's great age. Intact, with, most probably, a reattached break in the figure's sash, visible in the photos. A full exposition of the role played by similar figures can be found in Arts of Asia, September-October 1998, "Demonic Images on Chinese Altars." The piece stands just over 16 inches in height...

An elegant pair of Chinese monochrome yellow peking glass gu vases with relief carvings of waves, archaic scrolling serpents, one vase with a pair of flying dragons and the other vase with many auspicious Buddhist symbols - a lotus, a treasure vase, a pair of fish, the endless mandala knot, and the wheel of Dharma. The foot of each vase is marked with a four character cartouche.

Circa early 1900's

Dimensions: 5 3/4" W x 9 1/2" H

A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.

Mid Edo Period (1603 - 1868)

Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only