Late Meiji (1890s to 1912) Japanese temple boxwood seal of square section. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Gentle horizontal groove on one side indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 3 (photo is flipped left to right to present the image as it will print on paper)...

Late Meiji (1890s to 1912) Japanese temple boxwood seal of round section with original boxwood cover. Excellent quality crisp carving in seal script, old red seal paste in the grooves. Plastic peg indicates the position of the top of the imprint. Beautiful patina on the surface of wood, signs of use adding to the presence of the object. The impression of the seal is shown on Enlargement 4 (photo is flipped left to right to present the image as it will print on paper)...

Found in the Philippines. The multi-mouthed pot is a funerary artifact developed on the basis of the Han Dynasty Wulian Jar, Pottery Barn, and Tang Dynasty Pagoda jar. The unique form of the pot represents the prayer for the repose of the soul of the dead and the blessing for the living. The barn pot has been given many different names such as the barn jar, multi-mouthed pot, pointed pot, and multi-angled bottle ect., with the typical characteristics of its body being arranged in layers...

A Chinese Qingbai Glazed Ewer. Circa, 10th-12th Century, Song Dynasty. Found in the Philippines. Featuring a baluster shaped body and a waisted neck flaring to a wide trumpet mouth with an applied straight handle, curving inward to where it is attached on the top, opposite its short curved spout. It is decorated with carved vertical lines, chambering its body and is covered overall in a green-white “Qingbai-type” of glaze. Its base remains fully unglazed...

Unusual 1890s - 1910s (late Meiji - early Taisho) Japanese wooden nyoi - a Buddhist scepter - made out of a natural branch or root, its head with wonderful pattern of roiling clouds. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Lacquered in Negoro style with bright red body and black patch on the head. Nice striated wood surface texture of the branch, wonderful patina, very pleasant to the touch...

A Chinese White Glazed Ewer. Circa, 10th-13th Century, Song Dynasty. Found in the Philippines. Moulded horizontally in two sections, its rounded body rises from a short straight foot, tapering to its shoulders to a slightly waisted neck onto a flanged upper rim. Its body is decorated with carved downward facing petals with an applied strap handle, opposite its curved spout...

A Chinese Qingbai Glazed Spirit House. Circa, 10th Century, Song Dynasty. Found in the Philippines. House modeled pot covered in a green-white glaze, stopping well above its foot. Measurements: height 9"inches Condition: excellent condition. Photos by: The Oriental Room®️ Feel free to contact me at theorientalroomph@gmail.com for further inquiries, price offers, additional photographs, experts assessment and authentication, or for payment and shipping options...

NETSUKE – Old man and his dog. Good and rare model of an old man, figure of chinese sage, standing and leaning to the right,, his hand on his beard and smiling wearing a beautiful large patterned robe. A dog is sitting at his feet. In the Behrens catalogue by Henri Joly, a similar exemple is represented as Wei Peh-Yang, from the Han dynasty. Also the same subject in the old collection Carlo Monzino. Beautiful patina, finely carved. Japan Edo (1603-1868) 18th century. CIC n°FR2207514904-K

Square-shaped ivory netsuke manju depicting four lacquered frogs in different positions. It has a cavity inside where the himotoshi hole is located. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Sought after high quality ivory netsuke depicting six ginkgo nuts with a beautiful ivory patina and luster. The six ginkgo nuts of this netsuke, famously strong and symbolic in Japanese culture, are strategically placed to form a natural hole in the center. Origin: Japan Period: Edo 19th century Dimensions: 5 x 3 x 2.5cm. State of conservation: Very good

Ivory netsuke depicting a quail crouching on millet, carved with attention to detail on its feathers and body. The eyes are in horn. This netsuke is signed under the base in an oval reserve and has a natural himotoshi. Origin: Japan Period: Edo 19th century Dimensions: 2.8 x 3.5 x 2.3cm. State of conservation: Very good

Exceptionally beautiful Flambé Blue-Green see Glazed QING DYNASTY Kangxi Vase (1662-1722) with Artemesia/Artemis Leaf on base. Excellent condition overall. No chips, cracks, hairlines nor restorations. Size: height about 3"

Very collectible Country French yellow and green glazed terra cotta pot with 2 ear handles. From the Southwest of France, these more unusual pieces are getting harder to find and the glaze on this pot is exceptional. Inside is glazed and will hold water. Measures 10ʺW × 9ʺD × 9ʺH

A Chinese Dehua Blanc De Chine 'Guan Yin' Figure...

This large Yi Minority Hair Comb would have been worn for most probably a wedding or other important festival. the comb was hand carved wood and covered with silver decoration...so only the wood tines are visible. 8 inches wide, 2.5 inches deep and 6+ inches high not including the chain and end pins...

Ryusa Manju type ivory netsuke with openwork decoration and in the center a shishi, a Japanese mythological creature representing a lion or a lion dog, looking backwards. The frame around the Shishi features an accurate karakusa 唐草 decoration, a motif of stylized branches and leaves of Chinese origin. Origin: Japan Period: Edo 19th century Dimensions: 4.5 x 4.5 x 1.5cm. State of conservation: Very good

Stag horn netsuke depicting a Gama Sennin, a legendary figure of Japanese folklore, with a toad on his shoulder. Gama Sennin is represented in a pose with his left hand holding the hind leg of the toad, while the latter rests on his shoulders. Origin: Japan Period: Edo 19th century Dimensions: 5 x 2.3 x 2.2cm. State of conservation: Very good

A Japanese boxwood netsuke depicting Hotei 布袋, one of the Seven Gods of Good Luck, seated with his fan in his hands and a child embracing him. Hotei's face is plump, smiling, and conveys a sense of peace and tranquility. He is commonly referred to as the protector of children. Behind Hotei, there is a child, depicted with great sweetness, who embraces him. The carving lines are sharp and precise, creating an effect of three-dimensionality and depth...

Fine ivory netsuke depicting a playful scene where a monkey emerges from a giant chestnut. The monkey is depicted in a perky attitude. His muzzle expression and body posture convey a sense of joy in coming out of the chestnut. The giant chestnut creates a surprising and imaginative effect...

Square-shaped ivory netsuke manju depicting various objects, among which some fans stand out. The sculpture depicts kitchen tools, work tools and everyday objects. This netsuke features a silver bronze hook in the center. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Ivory netsuke in the form of a small school table with a book and hat resting on the desk. The netsuke is finely carved, showing great attention to detail. The sides of the table are decorated with engraved geometric patterns, adding a touch of sophistication. Himotoshi under the base, signed Hideshige 秀重. Origin: Japan Period: Edo 19th century Dimensions: 3.3 x 3 x 2cm. State of conservation: Very good

A Japanese large boxwood netsuke depicting a fascinating scene, represented with great detail, holding the bridle of his noble steed with his hands. Next to the sage, a child approaches, holding a scroll. The use of boxwood in the making of this netsuke with wise man on horseback gives a natural and warm touch to the work...

A huge lead/bronze head of Gorgoneion / Medusa, Roman Empire, 1st.-3rd. century AD.

Interesting oversized item, probably from a piece of furniture or a military cariot. Very high relief and stunning quality portrait, made in lead and bronze.

Size: 10,2 cm. tall and 9,3 cm. wide and weighing 1180 grams - 1,18 kilograms!

Ex. Private Collection in Denmark, formed in the 1980s-1990s, bought from Ancient art dealer Arne Johansen, Pilestrædet Copenhagen c. 1990.

Chinese Laughing Buddha statue holding a large coin on a gold ignot. Hand painted with red, black, and gold lacquers, he retains much of his original paint. Dates circa 1900. Measures 34" high.

Rather unusual 19th century Asakusa school staghorn netsuke of a fly with spread wings on a folded leaf of a lotus plant with stem, root and 2 tiny bulbs by the bottom. For some reason flies are not common in netsuke...

Late Meiji (1900s) good size netsuke of 3 mushrooms growing on a bamboo stump. Carved out of a section of bambooExcellent realistic carving, beautiful staining and patina. Wonderful sense of volume, very pleasant to hold. Height 3.42 inches.

Late Meiji (1900s) netsuke of a bamboo shoot. Excellent realistic carving capturing the essence of the object. Wonderful sense of volume, very pleasant to hold. Length 2.34 inches.

Late 19th century wooden netsuke of an awabi - an abalone shell with edible mollusk in it forming the bottom. Skillfully carved out of chosen matsu (Korean pine wood) inmodified ittobori (one cut) style characteristic of Hida school of netsuke carvers with clever use of wood grain as element of design. Wonderful piece in Japanese taste (both aesthetic and culinary), superb quality carving of hard shell and soft animal tissue, beautiful patina. Length 1.44 inches.

A wonderful modelled Kuro Raku tea bowl covered with a beautiful black glaze - made by legendary 12th generation Kichizaemon Kônyû (1857-1932) in the style of the 8th TOKUNYU, Kichizaemon Raku. The seal of the potter is stamped on the bottom. The original wooden box with his sign and signature is also included.

childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family busines...

Japanese Meiji period bronze censer or pot decorated in high relief with two opposing panels, one featuring Chinese scholars in a pine grove and a second with an old man and child under cherry trees. Lion head relief handles at the two sides. Circa 1900. 7" high x 7 1/4" diameter. Weighs 5 lbs. Very good overall condition with a nice patina.

Unusual black lacquer and gold papier-mache tobacco box with scenes featuring the preparation of cured tobacco leaves used for wrapping cigars. Measures: 5.5" long, 2.5" wide, 2" high

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits leaning slightly forward with arms outstretched.

This is quite large example with a height of 39 cm (15.25 inches). It is in very good conditio...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider with Oxford TL Test

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits upright with his arms outstretched.

This is quite large example with a height of 38.5 cm (15 inches). It is in very good con...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits with is body turned to his left with arms outstretched.

This is quite large example with a height of 38 cm (15 inches). It is in very good cond...

Fine Tall Chinese Tang Dynasty Painted Pottery Horse & Rider

This fine and elegant pottery model of a horse and rider was made during the Tang Dynasty (AD 618 - 906). It is made from a buff-coloured pottery that has been "cold painted" in various coloured pigments. The horse stands alert with its head turned a little to its left. The riders sits upright with his arms outstretched.

This is quite large example with a height of 39 cm (15.25 inches). It is in very good condition with any po...

Fine Chinese Ming Dynasty Painted Pottery Mandarin Tile

This attractive and very detailed pottery tile depicting a mandarin (Chinese official) was made during the Ming Dynasty (1368 - 1644). It is made from a dense grey pottery. The mandarin wears a flowing robe, belted across his waist, with his badge of rank in the centre of his chest. In his right hand is what appears to be a hu (audience tablet) and in his left hand an object upon which is a small animal. Note also the mandarin's hat and...