Early 20th Century rose quartz carving of 2 beauties. Made of one piece, it is difficult to find a double figure carving like this. Presented on a custom rosewood stand, this rose quartz carving has really nice details that we were not able to fully capture with a camera. It is much nicer in person and you won't be disappointed. In excellent condition, it measures on stand 10-1/2" high x 5" wide x 2". Carving alone measures 9-1/8" high.

A fine Chinese snuff bottle made from Carnelian, well hollowed. One side carved in relief with a bird on a rock beneath a bat, the backside engraved with a ruyi scepter. The stopper is made from white jadeit with a green spot and a bone spoon. Condition: the stopper eventually not original, traces of usage. Dimension: c. 6.2 cm high.

1900's Japanese Studio Porcelain Vase with Bamboo Marked "Kanzan Denchichi"

It is 7.2 inches (18.3 cm) tall by 3.46 inches (8.8 cm) wide. It is 1 Lb.

It has dark spots, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Nespakashuty – ns-pA-qA-Swty Worker Typ 2

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Nespakachouty, Nesipakashuti, Nesipakashuty

The name means ‘The one who belongs to the God’

God’s father of Amen-Re, the king of the gods, Overseer of the treasury of the domain of the Divine Adoratrice of Amen...

Snow covered bamboo. Painted with ink on silk. Signed and sealed.

Suzuki Shonen (1848-1918) was a Japanese painter from the Meiji(1868-1912) to Taisho periods(1912-1926). Born as Suzuki Hyakunen's eldest son, he learned painting from his father from an early age. Shonen became a teacher at the Kyoto Prefectural Painting School in 1898. He was good at portrait painting and received awards at national industrial exhibitions, etc...

An nice Head rest amulet, Egypt, Late Period, 664 - 322 B.C.

The stylized amulet carved in glossy red stone, probably haematite.

Size: 19 mm. wide

Condition: Very fine, intact but with some marks of corrosion and small chips.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positions. Educated as Art Historian...

Nice suite of three faiance items, inc. two Djetpillar amulets in torquise and Egyptian blue pierced for suspension, together with a large faiance bead or fertility amulet (?), Late period, c. 660-332 BC.

Size: 23, 15 and 12 mm. long for each.

Condition: All are completely intact.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973)...

A finely incised Beetle scarab of a more naturalistic form with detailed engraving of the Beetle itself, New Kingdom, c. 1539–1075 BC.

Interesting engraving on the base with a large Ankh hieroglyphs that looks to have legs and is walking towards another elongated figural sign.

Size: 17-18 mm.

Condition: Very fine, intact with much wear to the glaze, attractive patina!

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973)...

Very refined Japanese lacquered wood tray representing a branch of plum blossoms and bamboo leaves in gold and brown lacquer. The decor is placed on a brown base in the style of a basket weave. The back is in black lacquer (ro-iro). The protective wooden box is original and signed on the lid and inside. Dimensions: 10 x 18 cm. Period: Meiji (1868-1912) 19/20th century.

Large Chinese Qing dynasty cylindrical form lidded porcelain food container decorated on the front and slightly domed cover in famille rose enamel leafy flowers and on the back with three rows of black calligraphy holding a poem which translates loosely as: "Hundreds of grasses and thousands of plants wait for spring. The most amazing is the color of the green poplar. The rain and dew on the horizon are strong every year...

Japanese lacquer inro depicting a dragon partially hidden among clouds lacquered in relief. The outer surface is covered in lacquer with dark brown nuances, which offers an elegant contrast with the dragon's shimmering mother-of-pearl. Looking at the inside of the box you can see that there are two compartments. The ojime is made of glass with parallel horizontal blue lines while the netsuke in lacquered wood and metal depicts an archaic design that could depict the Tama (the sacred Bud...

Okimono depicting a koi carp in boxwood with excellent color and blonde patina. The carp is represented in movement with glass eyes and scales superimposed on the body. The carp has a difficult to read signature under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 33 x 9.5 x 12 cm. State of conservation: Very good

Late 19c Chinese Blackwood or possibly Zitan wood brush pot in the classic style with smooth sides and a raised ring at mouth and bottom having 3 low standing low profile feet with drain hole in center bottom of pot. Carved from a single piece of wood, it still retains its original plug which is easily removed for drainage. In excellent condition commensurate with age, it measures 4-5/8" high x 4-1/8" diameter.

A most attractive Genuine Antique Enamelled BENCHARONG-BENJARONG BOWL, made in China by special order from the Court and Nobility of Siam, 19th Century. BENCHARONG signifies 5 colors. This superb bowl has a bronze rim band. Good condition considering the age, one small inconsequential hairline. Size: 4 1/2" (11 cm.)

A Rare and Genuine Antique Enamelled BENCHARONG-BENJARONG DOMED COVERED BOWL with a jewel knob/finial; decorated with 5 colors of enamel depicting alternating Budhhist Deities against a black background with flame pattern (Famille Noire). Bencharong signifies 5 colors. Size: height 3 5/8" (9.75 cm.). Provenance: Old Private Collection in Maryland, USA.

A large goblet by Pairpoint engraved in the “Waterford” pattern. The goblet shape is shown as “Unknown 72.” The 6 ½ inch tall goblet is colorless with a cobalt blue stem.

Late Meiji to early Taisho (1920s) Japanese Kutani porcelain obidome (sash ornament) with enamel decoration of various auspicious objects: coins, key, scroll, magical raincoat, Precious Gem and others. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Nice design, excellent quality painting with gold and other enamels, bar on the back for an obi cord...

Taisho (1920s) lacquered wood kogo (box for incense during tea ceremony) in a shape of a drum . Elegant object in Japanese taste, wonderful lacquer work, two parts fit perfectly, in great condition, a couple of scrathes on the top. Diameter 1.86 inches.

19th century Chinese scholar’s bronze seal, its top in a form of a sage riding on the back of a qilin. According to Chinese mythology qilin appears before the imminent arrival or passing of a sage or illustrious ruler. The impression of the seal is shown on the first photo (image is flipped left to right to present the image as it will print on paper). Nicely cast and finished, beautiful patina, has good presence. Height 1.67 inches, base 1.27 x 1.16 inches.

Gorgeous Taisho Period Ca. 1925 lacquered wood Kamakura-bori style carving from Niigata Prefecture by the famed carver 'Murakami'. In the original signed box, the tray features the plant 'Yatsude' Fatsia Japonica exquisitely carved. 9" by 9". Great condition. Ask for shipping quote.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

A fine Chinese scholar's agate brusher washer with many of the stems and leaves worked away from the vessel in an open worked manner. The stone is a translucent light grey to almost clear color with the stems and leaves having light russet colors terminating in the leaves to an orange hue. The overall appearance resembles a lotus leaf curling on the edges with stems, leaves, and seed pod that are worked over top and around all sides including the bottom...

A nice lot of three faience amulets, incl. an intact Horus amulet, a nice Best amulet and a Bastet amulet, both fractional.

Size: Bastet is c. 24 mm. for comparison.



Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positions. Educated as Art Historian. Comes with COA.

A beqautiful intact hardstone Djet Pillar Amulet, Egypt, Late Period, c. 660-332 BC.

Finely carved and polished in a warm redish stone. It is associated with the creator god Ptah and Osiris, the Egyptian god of the afterlife, the underworld, and the dead. It is commonly understood to represent his spine. The Djet is a symbol of stability

Size: 27 mm...

A nice lot of three choice condition bronze rings, two of a Roman type with high shoulders and another of the early Islamic period, c. 7th.-9th. cent. AD.

With animals carved into the bezels of the early rings.

Size: 18-20 mm...

A large writing tablet amulet in stone, probably a type of feldspar, 664 - 332 BC.

Size: 32 mm. tall.

Amulets in the form of a writing tablet are unique to the Twenty-Sixth Dynasty and later. They are always rectangular in shape with a suspension tube at the top and made from green, blue, or dark-colored material, feldspar being by far the most common.

Condition: Good Very fine, intact.

Provenance: Formerly in the private collection of Eberhard Hanfs...

A lovely French Limoges porcelain 6 well oyster plate with a delicate floral pattern and gold gilt edges. Made by Lazeyras, Rosenfeld and Lehman, circa 1900. Excellent condition, measures 9" diameter.

A nice intact carved pendant in green-brown stone, with the stone aiming to imitate rolled papyrus.

The scroll is widest at the top, where there is a neck below the for suspension. The base tapers into a softened point.

Size: c. 29 mm.

Condition: Extremely fine.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positi...

An good Two-finger amulet, Egypt, Late Period, 664 - 322 B.C.

The stylized amulet carved in grey-black stone.

Size: 29-30 mm. long.

Condition: Good Very fine, intact with minor wear and fine patination.

Two-finger amulets were used for the dead and were often found on the lower left of the torso. This is the area of the incision that was made during the mummification process in order to remove the internal organs. These amulets were meant magically to ...

Two-finger amulet, Egypt, Late Period, 664 - 322 B.C.

The stylized amulet carved in grey-black stone.

Size: 21 mm. long.

Condition: Very fine, intact with minor wear and fine patination.

Two-finger amulets were used for the dead and were often found on the lower left of the torso. This is the area of the incision that was made during the mummification process in order to remove the internal organs. These amulets were meant magically to heal the wound. ...

A 18th century Spanish dome top hinged (on a bias) valuables chest, wood covered in leather attach by means of brass studs. The whole storage compartment stands on a eight triangular, conjoined feet, which form four bracket feet., the chest is 22“ in width, 17 1/2“ tall, and 12.5” deep. The interior covered in Wine Colored satin. The chest has two brass carrying handles and an original lock flap. Hispano Moresque design. Provenance; the collection of Dr. Nicolas Peon,1940-2015, His...

Edwardian sterling silver vase. Made by Gorham in Providence in 1904. Steeply tapering ovoid body; domed foot. Rims scrolled with applied flowers; mouth rim wavy. Fully marked including maker’s stamp, no. 4678A, and date symbol. Very good condition.

Dimensions: H 10 x D 6 7/8 in. Weight: 14 troy ounces. #BY861

Rare Large 19th Century Silver-Inlaid Iron Box with Exquisite Floral Design and Stylized Taeguk (Yin/Yang symbol) with Key Fret Border and Double Happiness Symbols. Silver-inlaid iron boxes are usually smaller than this rare large example. The floral design is also more detailed here than what we usually see, altogether making for a deluxe item. The condition is not perfect and is commensurate with the age of the item, and actually adds to the beauty and storied history of what must have been an...

Nespakashuty – ns-pA-qA-Swty Worker Typ 2

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Nespakachouty, Nesipakashuti, Nesipakashuty

The name means ‘The one who belongs to the God’

God’s father of Amen-Re, the king of the gods, Overseer of the treasury of the domain of the Divine Adoratrice of Amen.

Origin: Deir el-Bahri, Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun

Per...

Late Qing Dynasty (1890-1911) Chinese soapstone brush rest carved on the front with 2 scholars in discussion by a hut among trees. Very nice feature - the back shows the natural skin of the soapstone boulder from which the object was carved. Strong simple carving, excellent scholarly simplicity to the piece, very pleasant feel of age, wonderful item for a scholar’s desk. Length 3.14 inches, height 1.83 inches.

Late 19th century Japanese ojime (slide bead for tightening the cord going from netsuke to inro) in a form of a natural fruit pit skillfully carved with 2 scenes of scholars engaged in discussions among bamboo and banana plants. Very good carving in deep relief with precise undercutting, nice mellow patina, overall in excellent condition. Height 0.57 inches.

19th century Japanese Satsuma ware one half of a belt buckle decorated with cranes among flowers and leaves. Metal back stamped with the mon (crest) of the Shimazu samurai clan - they were daimyō (great lords) of the Satsuma han, which spread over Satsuma, Ōsumi and Hyūga provinces. Excellent quality painting, in superb condition. Size 1.9 inches square.

Ancient Egyptian carved amulet in red stone with finely polished details, Late Period, 26th-30th Dynasty, 664-332 BC

Size: c. 16 mm. wide and 11 mm. tall.

Condition: Good VF, intact with patination.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positions. Educated as Art Historian. Comes with COA.

Ancient Egyptian carved amulet in dark green stone with finely polished details, Late Period, 26th-30th Dynasty, 664-332 BC

Size: c. 16 mm. wide and 10 mm. tall.

Condition: Good VF, intact with patination.

Provenance: Formerly in the private collection of Eberhard Hanfstaengl (1886-1973). He was a famous German Art director and head of the Berlin National Gallery as well as other higher positions. Educated as Art Historian. Comes with COA.

A Chinese snuff bottle made of snowflake glass, with red overlay. Both sides with a carved and engraved chilong-dragon. The stopper is made from green glass and a bone spoon. Condition: the stopper eventually not original, traces of usage, bottle inside with some snuff residue. Dimension: c. 8.3 cm high.

Diameter approximately 20 cm. There are some crack glazes. No hairline and no repair. In good condition.

Diameter approximately 21.5 cm. There are some crack glazed. There are two hairlines to the rim. In good condition.

19th century wooden netsuke of standing Saigyo Hoshi with his attributes of a large hat and a staff as he looks upward toward the summit of Mount Fuji. Saigyo Hoshi was a member of the Fujiwara clan, a poet and a priest, as well as a military advisor to the Shogun Yoritomo. Netsuke is beautifully carved out of kurogaki (black persimmon wood) with excellent face and wonderful flow to the lines of the robe. Wear consistent with age, beautiful characteristic sheen to the surface it the wood. Height...

Late 19th to early 20th century wooden netsuke carved in a shape of a toy bear with red lacquer symbol on its back, which is an early pictograph representing the sun. Clever design, beautiful simplicity to the object, dense hardwood, eyes are inlaid, wonderful patina. Length 2.28 inches.

A truly marvelous silver plate round box on enameled stand, in the form of a nesting dove, France hallmark, classic Art Deco form with the often depicted dove. Measures 8" wide, 6 1/4" high, and 6" deep. No marks other than the stamped France mark, artist unknown, but is certainly designed with a fine artistic eye. The bird has ruffled feathers around the neck, its feet grasping onto the base, with a short tail feather with step design. Signed France on bottom of tail. Base is enameled with...

Chinese or Mongolian tribal textile, woven material with floral embroidery in Peking Knot, the backing of a dark blue stripe woven fabric, early 20th century, bright color and lovely detail. Measures 36 1/2" high, 21 1/2" wide at bottom, bottom section is 15 1/4" high, top section is 13 3/4"wide. The textile has a combination of fabric arts, nice woven sections, appliqued areas, and fine embroidery in Peking knot, the very finest embroidery technique. The wider lower section has numerous ba...

Late 19th century boxwood netsuke of a seated puppy. Very nicely carved, great depiction of its chubby body and pensive facial expression. Very pleasant wear and patina, old stable shrinkage lines as seen on photos. Length 1.45 inches.

19th century boxwood netsuke of Okame holding a setsubun bean box in one hand and throwing beans with the other. Setsubun is performed during the New Year by throwing beans around the house to exorcise the evil spirits. Excellent carving with wonderful face and beautifully incised textile pattern of pine saplings, expert staining, beautiful mellow patina. Signed HIROTSUGU on the back - the artist is listed on p. 469 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. ...

Rather unusual 18th century stag antler netsuke carved as young Yoshitsune holding naginata (a machete on a wooden shaft) as he performs a high jump over the hand of warrior monk Benkei on the Gojo Bridge. For an account of the historical encounter of Yoshitsune and Benkei at the Gojo bridge in Kyoto see H. Joly LEGEND IN JAPANESE ART, p. 82. Unusual treatment of the subject, supremely clever use of the natural shape of available carving material. Wonderful dynamic composition, strong early carv...

The set is consisted of twelve 950 silver place card holders made by K. Uyeda. K. Uyeda shop (Uyeda Shoten, 植田商店) was founded in 1884 by Uyeda Kichigoro (植田吉五郎) and is one of the oldest established Japanese silversmiths that is still in business today. The set comes with its original box. Size: Approximately 1 inch (25mm) tall.

This iron plaque is in a very good condition. Size: Approximately 2 inch (50mm)

A 19th Century embroidered tabako-ire with a flower pattern. The kagamibuta is carved with a figure.

A 19th Century embroidered tabako-ire with a dragon amidst water, the kanamono of silvered metal in shape of a dragon, and the kagamibuta with a dragon in silvered metal and an imitation ivory bowl.

The purse is made of silk embroidery, which is called Seed Embroidery 打籽繡, originating in one of the four major regional styles of Chinese embroidery—Suzhou embroidery (Su Xiu). This Art Deco purse is ideal for photography sessions due to its collectible quality, but it is not suitable for everyday use given its delicate nature. Size: 7 inches (17cm) long, 5.25 inches (13cm) wide.

Large rinpa school painting depicted Deer. Painted with ink and pigments on a fan. Sealed. Circa late Edo period, 19th C.

Rinpa was born as a merchant culture in Kyoto, the capital of Japan, by Tawaraya Sotatsu(1570-1643) the early 17th century and Ogata Korin(1658-1716) in the early 18th century.In the early 19th century, Rinpa was developed by Sakai Hoitsu(1761-1829) and Suzuki Kiitsu(1796-1858) as a culture in Edo (present-day Tokyo) and was welcomed by court nobles and upper-class town...

A beautiful pottery bowl with torquoise glaze, black markings and a finely decorated pattern on the interior. Seljug period, 11th.-12th. century.

The bowl in an almost untouched state with fine silvery iridescence on the surfaces of both interior and exterior. Very beautiful colours.

Size: c. 14,5 cm. in diameter.

Condition: Choice and intact bowl for type with wear for typew and age. Spots of missing glaze and stack flaws from the making. A very nice bowl.

A choice quality Islamic bowl, Islamic, 12th century A.D. (494 AH – 597 AH). Central Asia - Bamiyan.

Turquoise glazed, pottery bowl with flaring body rising from a short foot. The sides and center decorated with a floral petals. Perhaps a stylized bird in the center. and a star-shaped or radiated element.

Condition: Superb. Beautiful iridescent patina.

Size: 9,2 cm. wide and approx 5,3 cm. high.

Ex. Danish Private Collection, from the London Anti...

Valuables cabinet circa 1695. . Total height 69”, total width 44.5”, total depth 21”. Two large opening doors each measure 28.5” x 20”. Small internal door 13.5” x 11”. Floor to top of large drawer measures 32.5”. Legs outer dimensions 42.75” x 20” (22” including the ball feet).   Book reference and extract: A History of English Furniture by Percy MacQuoid, R.I, Bracke Books, London, 1988 (originally published in 1904-1908 by Lawrence & Bullen LTD, London. ISBN 1 85170 ...

19th century netsuke carved out of kurumi (natural walnut shell) with two panels depicting, respectively, 4 and 3 scholars around a low table heating up wine and food by the rocks under pine branches and moon among wispy clouds. Full moon and chrysanthemum design surrounding one himotoshi suggest otsukimi - a moon viewing party - traditionally held in September. Fabulous clever crisp carving, well captured quiet mood of the scenes, precisely carved diaper ground. Fantastic deep warm brown patina...

Chinese antique group of 5 pottery court attendant figures and palanquin. Sancai glaze with green, yellow and black. The faces and hands are painted with slip. The palanquin is similarly glazed and has nice yellow drips.

Age: Ming Dynasty (1366 – 1644)

Dimensions: Figures: 10 1/2" high x 4 1/4" wide x 4 1/2" deep. Palanquin: 15" high x 5 1/4" wide x 5 1/2" deep