An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Warabite style handles and the stylized Chrysanthemum arabesque lock plates. 6 drawers with a security door that hides 2 small drawers used to protect valuables. It comes with a key.

Age: Late Meiji Era (1900-1910)

Dimensions: 45 1/4" Wide by 34 3/4" High by 17 1/4" Deep

A Japanese boxwood netsuke depicting a blind man holding his giant scrotum. Homin signature engraved on seal. Meiji period 19th century Sizes: 3,6 x 3,5 x 3 cm. Condition report: Good condition

A Japanese boxwood netsuke depicting the mask of the demon Kobeshimi. Bridge on the reverse forming the himotoshi. Meiji period 19th century Sizes: 4,2 x 3,5 x 1,6 cm. Condition report: Good condition

OLD MAP

Map of an certain village in today's Niigata prefecture, Japan. Original drawing, Meiji period (1868-1912). approx. 250 x 200cm (98.42 x 78.744in). Like an abstract painting and powerful...

Pair of small vases in cloisonné enamel on gilded copper. A beautiful identical landscape is represented on each vase, fish, rivers, birds and flowers on a background of a luminous blue sky. The wires are in silver, the base is in gilded copper. The gilding is now almost completely missing, except on the base. They are both in perfect condition, which for a pair is rare. Height 125mm. Japanese work from the end of the 19th century.

Japanese bronze rabbit hollow sculpture.

Age: Japan, Showa Period, 20th Century
Size: Height 18.4 C.M. / Width 13 C.M. / Length 30 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Height: 3.7 cm (1.6 in)
Width: 2.5 cm (1 in)
Depth: 2.2 cm (0.8 in)

Japanese lacquered wooden netsuke of a seated boy; minor wear to the lacquer; good condition

Height: 12.2 cm (4.9 in)
Width: 8.2 cm (3.3 in)

Quality Japanese Satsuma vase; heavily gilt throughout with very detailed diaper work extending up the neck to a figural cartouche; the main body shows three kidney-shaped vignettes depicting figures in domestic settings; the lower body is also decorated with the finest gilt diapers; good condition

Sculpture of a long-nosed tanuki, walking with a hat on its back and a flask in its left paw. The piece is built around a large piece of root wood that comprises the torso, legs, the enlarged scrotum and tail. The head is a separate piece of root wood, the ears inserted. The sake flask is a small piece of root wood, and the hat is carved from a slab of a different wood species...

Pair of Meiji (1868-1912) Japanese Koransha Porcelain Vase with Shoulo & Bamboo Figures Marked

They are 9.5 inches (24.1 cm) tall by 6.2 inches (16 cm) wide. They weigh 5 lb.

They have surface wears and scratches, rubbing of gold and paint, firing cracks, skip glazes, and stains (as seen in the photos).

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A flawless and covered Japanese Mizusashi (cold water container/stoneware jug) for the tea ceremony from the early Edo period.

This antique Seto Mizusashi is designed with floral motives and Japanese poetry and comes with a dedicated tomobako wooden box.

Although the Japanese word for the tea ceremony, chanoyu, literally means “hot water for tea,” the practice involves much more than its name implies...

Han-juban, short under kimono, made of hand-spun cotton and dyed with benibana (safflower). The dye technique is Beni-itajime which is board-clamp dye. The cloth is folded in some layers between two boards which are pattern carved and generally about 12 boards are used to dye about 22m length of cloth. Beni-itajime was mostly dyed in Kyoto until the end of Edo period but it was practiced in other places later. The lining is also hand-spun cotton and vegetable indigo dye. In excellent condition...

Mask made of kiri (Paulownia) wood, showing the wide-laughing and dimpled face of god of good fortune (shichifukujin), Daikoku. The base of his hat just sitting on the top of his head.

The broad grain of the wood was used to accentuate the round cheeks, nose and nostrils. The wood was formerly stained with a reddish-brown color, now almost completely worn off...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father...

Snowy landscape, in the foreground pine branches (?) bending under the snow, in the distance a mountain, black crows contrast with the ambient whiteness and grayness of this freezing winter. Watercolor on extremely fine silk canvas. Beautiful composition good mastery of the brush, unfortunately no signature. It's hard to say if it's a Japanese or Chinese creation, but usually on Japanese landscapes when a mountain is represented it's almost always Mount Fuji, which is not the case here...

Iron tsuba inlaid in nunomé zogan (damascened) of gold of different colors. Japanese work from the Edo period 18°-19° century, the artist's signature should give a precise date of creation. The scene finely cut in iron shows us a medieval fight on a bridge, perhaps that of Uji near Nara...

Round chawan, bowl used in the tea ceremony, with straight sides and a foot with three incisions. The very fine clay has an incised décor of standing and flying cranes and three minogame, covered in a celadon green, translucent glaze with fine crackle.

Impressed seal next to foot: Akahadayama.

Akahada ware, Japan, prob. Meiji era, 1870s

H 2.8 x Diam...

Chawan, or tea bowl, for use in the the tea ceremony...