A Chinese White Glazed Brush Washer. Circa, 14th Century, Dehua Kilns, Yuan Dynasty. Found in the Philippines. In bamboo form with its gently rounded sides divided into upright segments and is joined by a raised horizontal band around its exterior wall...

Antique Japanese marquetry box. The front consists of 6 small drawers of various sizes, each intricately inlaid with tessellated hardwood patterns. The sides and top are covered with larger sections framing smaller marquetry pattern bursts that echo those on the drawers.

Age: Taisho Period (early 20th century)

Dimensions: 10 1/2" high x 11 3/4" wide x 5 1/8" deep

Small deer in cast bronze. The animal is shown lying down. It's a roe,stag or maybe a deer. Very good quality of sculpture. The perfection of the volumes, the search for detail and the neat finish are similar to those that we admire on the Netsuké. This little deer must be a Japanese work rather than a Chinese one, it is impossible to date it with exactness. Probably Edo or earlier. The deer was the protector of Buddhism. 85mm x 54mm The base pierced with a square hole...

Antique Japanese light orange chirimen silk kimono, with beautiful floral and linear designs woven in the fabric. It is heavily embroidered with bright and beautiful flowers of many kinds, colorful leaves, twisting striped ribbons in thick gold and silver thread, and shibori accents.The upper interior is lined in white silk. Early 20th century Size: 66" height, 51" width

A really rare type of chawan: wan shaped tea bowl with a rounded brim, made of light coarse clay. The fine iron bearing clay was nearly fully covered with glaze mixed from wood ash and feldspat.

The iron oxide in the body turned the glaze to a bright orange where thin. The bowl shows a fantastic discoloration from tea as a result of many years of careful use.

This chawan was manufactured in the early stage of the 17th cent...

Chinese yellow soapstone scholar's seal. The stone is carved with scenes of sages and their attendant with landscape ground of mountains, pine trees, and bamboo. The reverse is also carved with a man seated at the edge of water, his finger pointing towards the mountains where a temple roof is partially unobscured. The seal on the base of the soapstone reads "a virtue should be praised".

Dimensions: 3" x 2" x 4" height

A Chinese Qingbai Glazed Water-Dropper...

A rare Vietnamese Annamese 15th century blue and white bowl with dragon chasing flaming pearl motif, good condition with small restoration on the rim, please see picture for detail, size: 13 cm diameter, 8 cm height.

Antique Japanese pair of beautiful sake containers, carved wood with lacquer finish, design in gold lacquer of pine branches and scrolling vine motif on very dark brown (almost black) ground, high handles, both identical, Meiji Period. Size: 13 1/2" high x 7" diameter x 10" wide with spout

Japanese bronze usubata (container for ikebana flower arranging), with pair of Mandarin ducks with gold inlay, wonderful red patina pattern over all, in two pieces, Taisho Period (early 20th century). Size: 10" high x 12" wide

Sake cup in wood lacquered with gold, silver and cinnabar powder. On the outside on a rich thick kinji background, decorated with flowers in gold and silver leafs around the perimeter and in the center 2 stylized Chinese characters in thick lumpy cinnabar lacquer with the most beautiful aesthetic effect, probably the mark of the artist. The exterior is decorated with maple leaves in gold, red, green and brown lacquer on a black background. Note that polychrome lacquers are very rare...

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

A fine Chinese Han dynasty pottery cover lamp with bird figure. Dia. 21cm. Condition: bird reattached, no chip, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Agarwood is also known as aloeswood, eaglewood, gharuwood or the Wood of Gods, most commonly referred to as oud or oudh. Agarwood is sought-after by collectors and often cited as one of the most expensive woods in the world. The necklace is consisted of eighty-six finely carved wood beads, four giant blue Peking glass beads, and a Peking pendant in the form of two bats. Size: 26 inches (65cm) long

This very unusual Kyoto ware chawan is decorated in underglaze blue on a buff stoneware body.

The motifs are very odd and present mysterious pictures a poetic calligraphy.

Inside are 5 spur marks indicating that these bowls were stacked inside each other in the kiln. A previous owner has obviously been very attached to the bowl as it has several fine "kintsugi" gold lacquer repairs.

The Teabowl was made in Edo Period at the end of the 18th. century...

A Korean, inlaid slip (sanggam), celadon brush washer for the scholar's desk; Goryeo dynasty. Delicately potted and with a fine coloured glaze, this washer is fully glazed with three kiln-support marks to the foot. It is inlaid with floral decoartion to both the interior and exterior. Dimensions: 10.9 cm diameter. Good glaze condition, some overpainting to the rim, and an associated hairline. Additional photos are available upon request.

Large Buddhist ritual bell, with a lavish decoration of a "vajra" on its top, four deities faces below, and geometric and stylized lotus decor on its body. Bronze, with beautiful encrusted green and red patina. Traces of gilding. Indonesia, ca. 15th to 16th century. Height: 9 5/8" (24,5 cm). Obvious signs of great age, otherwise very good condition.

Ao-Oribe Chawan of Early Edo Period

Little distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed for decoration in iron oxide engobe under a clear ash glaze in a pattern squares and triangles. This is a typical late Momoyama design...