A Chinese cabinet with two sections inside. The top shelf has two drawers and the bottom shelf has a single drawer. The bottom of the cabinet has metal rings to attach ropes, where the cabinet can be moved anywhere. A few similar cabinets were used by officials during the Qing to transport official documents when assigned to distant regions in the empire. Age: Qing Dynasty- Republic Period Size: height 25" width 13" length 22"

A beautiful Japanese hibachi or also known as a brazier. The frame of the hibachi and the drawers are done in kurogaki (black persimmon wood) and the panels are done in keyaki.

Age: Late Meiji/Early Taisho Period

Size: height 17.5" width 16.25" length 29.75"

Bust of Buddha, his face reflecting a profound inner serenity. Bronze with encrusted dark and reddish green patina. Thailand, Ayutthaya Period, Ca. 16th century. Height: 8 1/4" (21 cm). The bust is nicely mounted on a custom metal stand. Good condition. NOTE: a bronze plate was welded to the back of the bust, probably early 20th century, to allow the bust to be attached to a former stand, now gone (see photos). Ex. old French collection.

A rare shape Yuan dynasty qingbai glaze brush holder, good condition with minor damage at one of the small circle please see picture detail, size: 7 cm height 7.5 cm diameter.

A superb pair of hanging scrolls depicting a group of Japanese beauties set in two seasons, spring and summer. The scroll is mounted in fine damask silk in the san-dan style. Unusual high quality scroll ends with reticulated scrolling vine silver covers. The scroll comes with a box inscribed: Ukiyoe shichiken mitate, which roughly translates to An ukiyoe painting arranged in the seven sages style. Age: Taisho Period Size: Each height 88.5" width 40"

A rare pair of underglaze blue and white decorated porcelain jars. Jingdezhen ware from the Transitional period between the Xuande and the Chenghua period ( 1436 - 1465 ) Decorated in the for that period typical so called " Windswept Style ". It is very rare to find one Ming jar that still has it´s original lid. To find a pair of Ming jars that still do have their original lids ( and in a condition like this ) is a definitely very rare event. H. with lid : 12,8 cm. ( Without lid : 9,3 cm...

Two 17th century Safavid tiles in cuerda seca technique. 25 x 23 cm. Good condition

Authentic Persian drum for summoning birds. Late 18th early 19th century, Brass with old skin 18 cm diameter, 10 cm high. Body and chain and pins all in good condition, skin damaged.

This small ivory carving of a geisha is a late Meiji period (1868~1911) product. It is 3 1/8" high, 1 1/4" wide and a little less than 1" thick. It depicts a geisha bowing her head demurely and looking at the floor. Her right hand holds her kimono robe closed; her left hand rests on her chest. The artist signature is on the bottom. It is in great condition.

Very old and important grotesque mask, with an accentuated grinning expression. Wood, traces of black pigments. Himalayan Region, Arunachal Pradesh, Monpa Sherdukpen Peoples, 18th century, probably earlier. Height: 11 1/8" (28 cm). The mask is mounted on a custom wood stand. Strong erosion, old insect infestation (no danger), otherwise good condition. Provenance: old American collection.

Beautiful antique Japanese cha tansu (tea chest) made of beautiful burl keyaki (elm) wood all over with original lacquer finish. Drawers of various sizes with heavy iron hardware with hirute shaped handles, side handles and four locks. Two compartments with sliding panels. Middle compartment includes staggering shelves and two small drawers. This piece is originally from Shizuoka, Japan. Age: Taisho Period (1912 - 1925). Size: 28.5"H x 30.5"L x 13.5"D.

A nice quality Ko Imari bowl decorated with three ogee shaped niches containing a stylised Lotus motif against an iron red ground inset against a diaper brocade ground over painted in light gilt with a figure of a Daoist immortal carrying a pine bough over his or her shoulder. The conventionalised pose of the figure is similar to He Xiangu, who carries a Lotus in a similar manner; the only female member of the Baxian...

A fine square form dish kakuzara decorated with a scene of a large Pavillion or Temple Complex set upon a lakeside shore with Peony scroll motifs to two corners and a high foot ring with traditional comb foot. The design is one of those originally selected by the Shogun Ieharu (1737-1786) in 1773, and continued to be tendered and reserved for presentation to the Shogun during the Edo period...

Rare Ming dynasty Chenghua period blue and white tea cup, base with 4 character Xuande Nian Zhou (Made in Xuande) mark, decorated with lotus flower motif, good condition no damage, size: 7 cm diameter.

A rare square dish, kaku-zara, of cushion fom made in the early 18th century for Export to Europe. It is decorated in the centre with a classic kacho-ga motif of Chrysanthemums and Butterflies, and the border is painted with hosoge-mon, stylised floral motifs, reserved within a blue and gilt brocade ground with further stylised floral motifs. The dish is decorated in a kinsai palette of blue, gold and iron red wash...

Beautiful Chinese cloisonné tripod censor decorated in beautiful colors with motifs of lotus, scrolling vines, chrysanthemums, and archaic chinese elements. With a gilt bronze fu dog on the top cover and three elephants as the censor legs. Slightly worn gold gilt over bronze is constant with age. Age: 18th/19th century. Size: Height 7.75" Diameter 5.25"

A Beautiful Scholar’s Persimmon Wood Ink-Stone Box (Yeon-Sang)-19th C.: Korea, Joseon dynasty, 19th century. This ink box used with a beautiful persimmon wood with natural black veins, and functional ink-stone box with a light brown patina in and outsides. Please see its craftsmanship carving in its legs, and this three tiered ink-stone box can be stored; ink sticks, water droppers, brushes and books in hidden 2nd draw...

Rare and large bronze shrine. The central figure is a Jina or Tirthankara. He is surrounded by small Jina's on the back plate. Each of the 24 Tirthankaras is represented by an animal or a symbol. There is an engraved animal on the foot of this shrine, but it is hard to distinguish which animal it is. The shrine is in an excellent condition, all three parts belong together, there are no repairs. It has a clean appearance due to the daily worshipping and washing tradition in Jainism...