Khmer brown glazed pottery lime-pot in the form of owl with a stepped, moulded beak, eyes and tailbrown glaze stopped at the foot.
This kind of lime-pot was mainly used in Khmer people's daily life in the ancient time, as can be seen on the stone sculpture on the wall of Bayon and
Angkor Vat Prasart (Temple).
Age: Khmer, Bayon Period, 12th - 13th Century
Size: Height 10.5 C.M. / Width 11.6 C.M...
Japanese Meiji Period bronze vase. The vase has a poet on the front and bamboo and plum blossoms on the reverse. The handles are done in the shape of stylized elephant heads. Beautifully done with gold, silver and SHAKUDO inlays. Unsigned. The vase measures 13" tall and 8" wide at the handles.
Japanese Late 19th or Early 20th Century FUKAGAWA large vase. Beautifully done with the design of Mt. Fuji and mist. No storage box. The vase stands 12" tall by 11" wide.
Japanese late 19th or early 20th Century porcelain vase. Made by artist SUWA SOZAN. Stamp of artist on bottom of vase. Comes with TOMOBAKO, original artist's box. The side of the vase has small raised rectangular areas which have design of fish, snail, chrysanthemums, peaches, shellfish, butterfly, phoenix and Japanese shishi lion. The vase is 10" tall and 9 1/2" in diameter.
This is an ANTIQUE VERMEIL STERLING LORGNETTE and was a gift to someone's Mother ca. 1880 -
1900. Designed with Baroque curls around the Case that holds the Glasses. The Handle is hollow with a Ring to suspend this piece from a Chain or Necklace. Opens and Closes smoothly ...EXCELLENT Condition. Measurements 4 3/4" X 1 3/8" at the top X 7/16" case width. Clearly marked STERLING on the side. DESIRABLE and Hard to Find ANTIQUE LORGNETTE
This late 19th century Chinese overlay Peking glass vase is 10 ¾ inches high and 5 ½ inches on the widest part. It depicts a well known Chinese story “The goddess of Luo River.” A groom drives a dragon cart over the river while the goddess Luo sits in the cart. Two maids are following them. The workmanship is precise and elegant. It is in excellent condition.
This rare Ming Dynasty (1368 ~ 1615) green, brown and yellow burial sedan chair is 12 inches high, 4 ½” wide and 3 ¾ inches deep. Two curved parts on the roof have been reattached. It is quite possible that the top of the roof is an old replacement.
This late 19th century Chinese carved bamboo arm rest is 6 ¾ inches long and 2 ¼ inches wide. It depicts an autumn scene; three frogs resting behind lotus leaf and dry lotus pod. The poem on the top translate as: “When crabs are growing to maturity and yellow mums are withering away, I am drinking wine beneath a blue autumn sky.” The workmanship of the picture and calligraphy are just elegant. It has nice patina and is in excellent condition.
This early 20th century Chinese table screen is 18 inches high (11 ¼ inches without stand), 18 ½ inches wide (16 ¾ inches without stand) and 9 inches deep. Aside from a few light scratches on the surface of the marble, it is in excellent condition.
A Spode soup plate in their Cracked ice and Prunus pattern, with inspiration from the blue and white Chinese pattern from the Kangxi period. Black transfer printed cracked ice border and flowers in polychrome enamels and gilt. Printed and impressed Spode marks for c 1820-30. The pattern is known as number 3950 (not visible on this piece). Diameter “9 ¾ /24,5 cm. Condition: slight wear to the well and back.
A pair of Staffordhire copper lustre creamers or milk jugs / pitchers. Early Victorian Rococo revival shape and pretty decoration of vines against an orange background. Height: "4 3/4/12 cm. Condition: one with some crackling to the glaze (cf. pics).
Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...
Antique Japanese wedding kimono gown, black silk brocade with flying cranes over pine, plum and bamboo (Sho Chiku Bai). They are celebrative motifs that are almost always seen in the Japanese wedding and New Year. The beautiful color combination of gold threads (wrapped in real gold leaf) and white shiny silk threads are woven into the background of black Shusu, satin silk with the contrasting color of a red silk liner. This is an absolutely gorgeous wedding gown...
A beautifully proportioned and executed multi-spiral air twist (MSAT) glass featuring a pan top above a stem with a swelled medial knop; 7 1/8" tall, 2.75" diameter bowl, 2.9" diameter foot; conical foot. Excellent condition.
A Round Brass Inkwell from the Victorian Period, with Underplate. Dimensions; 9" diameter tray (5" inkwell) x 5.5" high. Late 19th century. Pin Replaced, but in Very Good Condition.
Pair of blue and white Chinese Export coffee cups. Gilded borders and strap handles with leaves. Qianlong (1736-95).Height:“2 ¼ / 6 cm.Condition: fine
Chinese Export octagonal tea bowl and saucer with foliate rims, Kangxi, c 1700. Iron red and gilt decoration of "Lange Lijzen" - long Lizas - a nickname for the slim ladies often found on the porcelain of the time. Diameter of saucer “4½/11,5 cm and of cup ”2¾/7 cm. Condition: minimal chip and hairline to the saucer, otherwise fine
Very thin eggshell miniature Hirado saucer with decoration of samurais and banners, 19th c. Possibly Hichosan, c f marks in app. six nr 98 in Lawrence: Hirado, Prince of Porcelains
Diam: “3 ½ /9 cm
Condition: Minimal nicks and small chip to rim
Very thin Hirado saucer, decorated in Kakiemon style with birds and flowers in orange, red, blue, green and puce, 19th century. C f marks in app. six in Lawrence: Hirado, Prince of Porcelains
Diam:”4 ¾ /12 cm
Condition: Fine hairline at blue flower and star crack, not possible to render visible on photos
Japanese antique hina dolls, large musician ningyo from the 1800s. The hayashi musician dolls were added to the emperor and empress dolls (Dairi-bina), sometime in the mid to late 18th century. They were first made in Edo (today’s Tokyo) while the Zuishin, Court Guards (also known as ministrator dolls) were being created in Kyoto.
There are two types of costumes for the musician dolls, Kamishimo or Suou (su-ou)...
A handsome three-piece gilt bronze desk set by Marshall Field comprising a letter rack, pen wipe and pen tray. Each piece is decorated with intertwined stylized dragons against a ribbed background with a beaded border. The workmanship is very fine. Marshall Field was an active producer of very high-quality metalwares during the Arts & Crafts period. The bottom of the letter rack is marked “Made by Marshall Field & Co. 2 29”. The bottom of the pen tray is marked “MF & Co VIKING”...
Very nice dovetailed wooden writing box or work box, the hinged lid decorated with a handpainted grapevine motif against a mustard painted background. The interior of the box has four fitted compartments along the back side. The bottom and top are attached to the dovetailed sides with old square nails. The inside of the lid is inscribed illegibly in pencil "Hannah ??".
Origin: New England, ca. 1870...
Elegant pair of large sterling silver salad servers in Frank Whiting’s 1893 “Tyrolean” pattern. This is one of the simpler Victorian designs and works nicely with a wide variety of other patterns. The pieces are quite heavy. The backs are marked with Whiting’s second hallmark.
Origin: America, ca. 1930. Condition: excellent, sharp detail, no monogram. Size: spoon, 9” long; fork, 9-3/16” long. Weight: 196.5 grams.
Elegant Victorian sterling silver serving dish with intricate repousse and pierced sides. The sides are finished off with a cyma-curve border punctuated at compass points with baroque shell motifs. The bottom is fully hallmarked for London, 1891-92, and has the maker’s mark “WC”. The piece is quite heavy and is of the very good quality.
Origin: England, 1891-92. Condition: excellent, no dings, no monogram. Size: 9” x 6-1/2” x 1-3/8” high. Weight: 177.5 grams.
Ornate Victorian sterling silver pie server by Gorham. The pattern is very similar to "Dresden", but is not an exact match. The handle is covered with various motifs, including shells, flowers, scrolls, and foliage. The bowl is very nicely scalloped and elegantly decorated with engraving to match the handle. The original gilding has faded to a soft lemon shade. Pie servers are not very common and are quite useful for all sorts of pie, pastries or cakes, or even tea sandwiches...
Very nice Staffordshire transferware plate in the “Lion” pattern from the “Quadruped” series by Hall. The plate is very finely decorated in underglaze blue with four reserves depicting zebras, goats, deer and horses, surrounding a central reserve depicting a lion. Unmarked.
Origin: England, 1820-30. Condition: excellent, no chips or cracks, light discoloration on back (easily removed). Size: 10” diameter.
Description: A rare tripod steatite censer was made in Tang dynasty. With dark gray tone,
this censer was excavated with light gray incursions. A globular body was held by three foot in beautiful proportions.
An earlier collection was published in " Early Chinese Miniature" by China Institute in America.
Date: Tang Dynasty (AD618-906)
Material: Steatite.
Body Width: 6.5cm Height: 4.7cm
Condition: Good, except one small scratch.
Description: An oval shaped brush washer made of stone was originated from Tang or Liao Dynasty.
In chrysanthemum decoration around the rim, the basin was kept with original whitish patina and some incursions within the tissues of the stone.
Some defects can be found.
Date: Tang Dynasty (AD618-906)
Material: Soap stone.
Length: 9.7cm
Condition: An excavation piece, one defect on the rim, another on the bottom.
Image of a heron in water in rice-paste-resist dying technique (tsutsugaki) on cotton. The color showing are coffee brown for the background and different shades of brown with white for the heron. The image mounted as a hanging scroll, which has been cut to fit into a frame. Meiji period, late 19th century. Mingei.
Cotton image: 11 ¾ x 8 ¾ in. Frame: 36 ¼ x 13 in.
Excellent condition.
Small architectural ornament, carved in the shape of a Garuda, standing under a triangular platform with his wings open. Wood, fine dark patina. Nepal, 18th century, probably earlier. Height: 4 1/8" (10,5 cm). The piece is nicely mounted on a custom metal stand. Old traces of woodworm work (no danger), large chip on right side of platform, otherwise good condition. Note: in Hindu religion, Garuda is a demigod, half man half eagle, who carries god Vishnu.
An English Victorian Sterling Silver Inkstand or Standish with a Silver Lidded Inkwell. Hallmarked Birmingham, 1899, with makers mark indistinct. Dimensions 8" wide x 4.5" deep x 3.5" high. Very good condition.
An elegant and rare set of nine sterling silver demitasse spoons in Whiting’s highly desirable 1898 “Pompadour” pattern. The bowls have lemony traces of the original matte gilding. The handles are ornately decorated and have never been monogrammed. The backs are marked with Whiting’s hallmark.
Origin: America, ca. 1900. Condition: excellent very sharp detail, fading of original gilding on bowls. Size: 3-7/8” long. Weight: 73.5 grams.
Antique Japanese warrior doll, 20" Empress Jingyo ningyo(doll) set. Clad in armor is a beautiful young widow, Empress Jingo doll with her faithful minister, Takenouchi no Sukune, holding her baby Ojin. Over time, many of the baby dolls were lost or intentionally thrown away by later generations, probably because of the lack of historical understanding. An old Samurai holding a baby is simply inconceivable and uncharacteristic of a Samurai warrior...
This is 4 STERLING GORHAM NAPKIN RINGS from a Virginia, USA Estate.
Distinctive Border decorations and chase work typically late VICTORIAN to early 20th Century.
Size each is 1 1/2" X 1 15/16". Each is marked: Lion Anchor G STERLING 1420 N. All are lightly monogrammed: (looks like HDP).
Note: one piece is slightly bent and dinged.. others show only typical modest use and no abuse
The Moon Through a Crumbling Window.
(Hasou no Tsuki).
Printed: 1st day. 2nd month. 1886...
Artist: Tsukioka Yoshitoshi (1839-1892).
Subject: “Kyoudou Risshiki” (Instructive Models of Lofty Ambition), Fujiwara Arihira Walking in the Rain. Text by Eisai. No. 9 in a series of 52.
Signature: “taiso Yoshitoshi”.
Artist’s Seal: Taiso.
Engraver: Miyamoto?
Publisher: Matsuki Heikichi.
Date: Meiji 18 (1885), 12th month (December,) 25th day.
Format: oban tate-e with printed borders, H.12.5 x W.8.25"(including borders: 13.5 x 9.125").
Condition: Very good colors and impression,...