A decorated vase from Marblehead Pottery in Massachusetts. Designed by Arthur Hennessey and decorated by Sarah Tutt. Marked as shown. Measures about 4 1/4" wide, 3 3/8" tall. Fine design, color, and execution.

An interesting and very rare Wedjat Eye amulet in the openwork design and inscribed on the back with the cartouche of Cartouche of Maatkare (Hatshepsut), New Kingdom, ca. 1479–1458 B.C.

These Eye of Ra amulets are very rarely inscribed with cartouches on the back. This particular amulet is also of special interest since it bears the name of greatest female ruler in the history of the Dynasties, Hatshepsut.

Size: c. 19 mm.

Reff...

Interesting solid silver Encolpion cross with loop Early European, probably Lombard Kingdom, c. 7th.-8th. century.

The cross engraved with a standing nimbate figure holding a crucifix in his left hand, and on the reberse another small nimbate figure; No less than four Cross pattées, and the symbols of the Sun and the Moon on the reverse as well...

Very refined earthenware vase, from the Satsuma kilns, with polychrome enamels, presents a decoration of courtesans (bijin) and a child under a flowering tree with on one side, in the background, a cottage at the foot of a hill. At the base of the collar, the shoulder is covered with chrysanthemum flowers. A barely legible mark under the base in a red lacquer cartouche, partly covered by a collector's label, could be attributed to Fujan (?). Height: 15 cm. Period: Meiji (1868-1912) 19/20th.

Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.

Fine Rare Chinese Song / Yuan Dynasty Inscribed Buddhist Sanskrit Pottery Jar

This very rare and fascinating pottery jar was made around the 13th - 14th century during the Song Dynasty (AD 960 - 1279) or possibly the Yuan Dynasty (AD 1279 - 1368) and has been excavated from a Buddhist site in Yunnan province, at the time a particularly isolated part of China...

Two Jubako stacking porcelain boxes enclosed in their unique wooden boxes which are both enclosed together in an additional outer wooden box for protection. According to the lid, the designs were by Kinoshita Itsuun and Uragami Gyokudo, and the pieces were made by Kawamoto Hansuke. Hansuke is considered the progenitor of porcelain production in Seto, and it was through an act of industrial espionage that he was able to bring the techniques, until then the secrets of the Kyushu potteries, to Seto...

A Fine Pair of Tall Chinese Western Han Dynasty Painted Pottery Granaries

This impressive fine pair of painted pottery jars, representing granaries, was made over two thousand years ago during the Western Han Dynasty (206 BC - AD 8). They are made from a fairly high-fired grey pottery. They have cylindrical bodies, each decorated with three surrounding bands of raised ridges, the tops of each jar representing tiled roofs. Each jar stands on three feet moulded into the form of a bear...

This piece was made at the kiln in Henan pottery area. It is very popular to be called as "Henan tenmoku" which has black glaze with patterns of rusty glaze. The pattern tends to peel off because of overglaze, however this piece has patten clearly remained. YouTube movie: https://www.youtube.com/watch?v=Q-DktYj1GdY Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 18.0cm(D) 8.3cm(H)

A larger festival icon, Russian Empire, 19th century AD. According to the expert certificate, made between 1880-1895.

Tempera on chalk and golden ground. Wooden panel. In the center the Easter event with Ascension and Resurrection of Christ. Framed by the feast day themes. Lavish gilt used and very accomplished painting!

Height 35,7cm, width 30,6cm...

Very rare pottery bowl and eclectic with Taoist imagery. This is made from a high fired light gray pottery, with traces of a white slip and depictions of musicians, dancers and “demon” masks. This is a funerary piece; the symbology suggests the transition from this world to the afterlife. D: 14cm/5.5in and H: 5.2cm/2in. No cracks original pigments with some kiln warpage

Good Qing Dynasty, Chinese nephrite jade carving of a lotus seed pod. In Chinese culture this symbolizes fertility and a desire to have many children on another level the lotus reflects purity, strength and rebirth- as it rises from the mud and blooms into something beautiful. H: 3.5cm/1.4in and W: 4.2cm/1.6in x 3.1cm/1.3in. Good condition- no chips or cracks. 61grams.

Ancient Egyptian large black-topped Redware Vase, pre-Dynastic Naqada I period, c. 3750 BC. It's intact but shows signs of use, especially inside, from contents being stirred. It is 10" (25.4 cm) tall. It is authentic and nearly 6,000 years old.

Original pair of antique Thai cast bronze recumbent temple deer with three stag antlers. Each deer sits flat to the floor. Original bronzed patina, consistent with age. Each has an opposite leg tucked in, with gaze looking back over shoulder. Wheel of life dharma blanket is seen on each, along with beautiful collar. Complete and both ready to be enjoyed.
Each with These sika deer are closely associated with the Buddha because of his “Teaching in the Deer Park” in Sarnath...

A lovely ancient Egyptian Scarab, c. 1800 BC, from the famous Mitry collection (see our Homepage). It is 1/2” long (13 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup. This scarab depicts Goddess Hathor

This is a excavated piece with very good condition, it has clear coloring of brown glaze. YouTube movie/ https://www.youtube.com/watch?v=h5ZqYQ7MuCE Size: 12.2cm(width of body) 11.6cm(length) 21.6cm (height) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

An antique Bayon bronze style meditation Buddha from the 13th cent., seated on a three-tired throne, with the flaring head of a giant Naga, the serpent King Muchalinda, rising behind protectively behind.

His hands are in the Dhyana mudra, the gesture of Medtiation. The Buddha's face is serene, with a naturalistic and warm expression; his head is topped by a detailed ushnisha, in the Bayon style. The serpent is well rendered and symmetrical...

LARGE Chinese Warring States Impressed Pottery Jar with Oxford TL Test (475 - 221 BC)

This large and impressive pottery jar was made during the Warring States period (475 - 221 BC). It is made from a fine-grained grey pottery and has a smooth surface with bands of lightly incised/burnished lines surrounding the shoulder and the upper body. Around its middle are two bands of impressed decoration...

Large Chinese Song / Yuan Dynasty Glazed Buddhist Jar with Sanskrit Inscription

This large and impressive pottery jar was made around the 13th / 14th century, during the Song Dynasty (AD 960 - 1279) or the Yuan Dynasty (AD 1279 - 1368). Until recent years, this type of jar was almost unknown in the west with some people initially attributing them to the Liao Dynasty (same general period but in the north of China)...

Rare Chinese Han Dynasty Pottery Dish with Painted Fish Pattern

This rare pottery dish, or shallow bowl, was made during the Western Han Dynasty (206 BC - AD 220). Most known Han Dynasty pottery objects tend to be jars or figures with dishes and bowls being quite rare. This is quite a large dish with a diameter of 25 cm...

Asa (hemp) furoshiki with four owner's names, hand-written with sumi(ink). Both warps and wefts are hand-plied. It has some holes and stains, however it is washed. Probably from Nagano prefecture or Tohoku district. The second half of the 19th century. W:126cm, L:132cm

Large porcelain bowl, decoration painted in red iron oxide on cracked glaze, gold details. On the outside, Buddhist lions (Shishi) are represented moving among peonies. Inside are finely drawn landscapes in reserves and elegant cranes in flight. Each landscape is annotated with Chinese characters which probably indicate what place it is. Under the Kutani kilns mark. Very nice example of this production and beautiful size. Good condition, a firing defect on the heel which can be seen in the photo...

Chinese Han Dynasty Pottery Amphora

A superbly conceived design; jars of this general type have been found in excavations dating as far back as the Spring and Autumn Period (770-475 BC). Although perhaps not obviously Chinese in design, this type of vessel is one of the most iconic forms of Han Dynasty pottery and is thought by some archaeologists to be anthropomorphic, with the shape and "swirling" design of the main body based on the female human form. 

This particular example was mad...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box.

Raku tea bowls occupy a unique space in the world of tea because they strongly embody the ae...

A Chinese export porcelain plate, Circa 1750. Excellent condition except for minor paint loss. Acquired at Christie’s Auction.

Pair of Qianlong porcelain plates. Vivid colors. A little paint loss, otherwise very good condition. Acquired at Sotheby’s Auction.

Chinese Ming dynasty Wanli period guan form jar with wide shoulders tapering to an unglazed foot and glazed, slightly recessed base decorated in underglaze blue with lotus flowers and scrolling foliage on a white ground. Short cylindrical neck and fully glazed interior. Measures 6 7/8” high. 16th century. No chips, cracks, or repairs. Minor scratches to the glaze are visible under magnification. From the estate of Gerhard Lohmeier, a Diplomat at the German Embassy in Beijing from 1985 to ...

A concave cylinder seal in white-beige stone. The seal is carved with an elaborate pattern of Cruciforms and lines, Mesopotamia 3300-2900 BC.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay. These seals guaranteed the authenticity of marked ownership: as such, they were instr...

A set of 5 rare Dutch glass cups imported to Japan in the Edo period and formerly owned by the Confucian scholar Nakai Riken (1732-1817). They are enclosed in a custom made double sided wooden box with drop in doors titled on the side Yoi-O-Gozui (Five fortuitous ways to be drunken) with a long verse carved into each door. Of course, the meaning of the title goes much deeper, and the Gozui is also a Confucian concept. The emperor of China distributed five jade treasures to the five feudal lor...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

This is a beautiful complex wire and wireless Japanese cloisonne vase. Though it is not signed, it was made by Gonda Hirosuke during the Meiji Era, circa 1910. All pieces like this we ever seen signed have been signed Gonda. Very few of these wireless fish vases were made by Gonda. The vase is in excellent condition and has silver rims. It was created before Japan began stamping rims with the "jun gin' silver mark in the early 1900's. It stands 7 inches tall and is 7 inches wide.

Antique Japanese ikebana basket (for flower arrangement). Light color bamboo with oblong form. A round mouth and sides that flatten slightly as they taper down to the bottom where they are bound together with a strip of wood. The upper portion of the basket has a band of tightly woven split bamboo and the lower portion has a bolder weave. A thin belt of dark bamboo divides the upper and lower patterns. Attaches to the wall with a thin rope in the back of the basket. Intended for dry flowers ...

A spectacular collapsed pottery jar from the Karatsu tradition with a purpose-warped wooden lid covered in powdered silver enclosed in a top quality ancient red-lacquered kiri-wood box lined with wave-patterned colored-paper. The ancient box has silver lacquer writing on the top reading Kodai Karatsu Tsubo, Kamakura Ki, Mizusashi (Ancient Karatsu Tsubo, Kamakura Period, Mizusashi). The pot is 17 cm (7 inches) diameter, 15 cm (6 inches) tall and in overall excellent condition.

A fabulous porcelain incense burner in the shape of a boy playing the flute astride a large ox dating from the 19th century. The box identifies the work as Hirado ware. The quality is certainly of that level. It is 23.5 x 12 x 19 and is in perfect condition, enclosed in a period red-lacquered wooden box.
In Zen, an oxherd searching for his lost ox has served as a parable for a practitioner’s pursuit of enlightenment since this Buddhist sect’s early history in China. In the eleventh ...