A lovely antique hand-knotted wool Chinese Mongolian rug, with scene of a white cat seated on a structure of rocks, its head pointed towards the sky in observation of a nearby butterfly, with branches of blue and red flowers against a red ground. Good color and thick pile. Previous owner's publication. done in 1990s, Antique Chinese Carpets, Te-Chun Wang Collection.

19th Century, Early 20th Century, circa 1910

Dimensions: 2'4" x 4'6"

A Very Fine, Rare/Large Korean Seven Star Spirits (七星神圖) Buddhist Painting-18th/19th C.: Korea, Joseon dynasty, 18th -early 19th century, removed from a frame. A very rare Seven Star (七星神) Buddhist painting with Buddha Sakyamuni and assembled Buddhist deities, painted in polychrome mineral pigments and gold on silk, It’s in fine condition but a small area repairs in the middle of right attendants. I measures 57.5” x 45.5” (145.5cm x 115.5cm).

Small seal cast in the shape of a tortoise standing on a square base. Archaic characters beneath. Bronze, with fine green patina. China, Ming Dynasty or earlier. Height: 2 cm. Width: 2.6 cm. Very good condition.

Special offer: A 100 year old impressive large Seto-Yaki Chawan, hand shaped pottery tea bowl of wonderful Seto clay. It fits perfect into the palm of the hand. The seal of the potter is stamped on the bottom.

No chips or cracks. The Chawan comes with its original wooden box.

Size: 7,9 cm height x 13,6 cm in diameter.

Free shipping.

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

Antique Japanese single section isho tansu (clothing chest of drawers). Made with Kiri (paulownia) and Sugi (cedar) woods with original finish. The chest holds 5 long drawers and 3 smaller side drawers, with hirute drawer pulls and rectangular iron locks.

Meiji period (1868-1912)

Dimensions: 44.5" L x 16.75" D x 30.25" H

Chinese Qing dynasty bronze censer with Xuande mark. 17,5 cm mouth rim diameter. 20,5 cm from ear to ear. 8,5 cm high. 1398 gram weight. Good conditions.

Antique Japanese small chest with drawers, called a dibukuro. Traditional Japanese homes hold a tea ceremony room with a tokonama, or a recessed closet/alcove in which pieces of artistic appeal would be displayed such as hanging scrolls, pottery, okimono and ikebana floral arrangements. The dibukuro would be seated on the floor of the tokonama. (shown in detail photos)...

Chinese yixing teapot from Tek sing cargo shipwreck. 16 cm wide. 10,5 cm high. Good conditions.

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

With a slender balanced foot firmly grounded, the skillful lacquer repairs on this bowl highlight the age and importance of this work which likely dates from the Edo period. Stemming from the philosophy of wabi-sabi or, beauty in the imperfect, cracks and repairs in a work of pottery are often seen as highlighting the history of the object and are thus celebrated as such...

Chinese yixing teapot from Tek sing cargo shipwreck. 20 cm wide. 14 cm high. Good conditions.

Chinese yixing teapot from Tek Sing shipwreck. 14,5 cm wide. 6 cm high. Good conditions. No lid.

Chinese yixing teapot from Tek Sing shipwreck. 15,5 cm wide. 7,5 cm high. Good conditions. No lid.

Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. This fierce guardian appears to be made from bronze, has very detailed and skillful etching, and a wonderful patina that would place it sometime before the turn of the last century.

Guardian lions are commonly seen in pairs...

What a wonderful glaze. Slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo period with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Kuro-Oribe bowls this bowl was covered with a brown iron oxide glaze...

Red pottery moulded figure, glazed in turquoise, amber and black. On the back of his stool there is a coin symbol ( god of wealth?). H. 20 cm. Overall in very good condition with wear and flaking to the glaze and a chip at the back of his right arm. Ming Dynasty (1368-1644).

A rather unusual export dish decorated with a Kraak style border of six larger panels containing respectively a pair of Peaches, symbols of Longevity, and a scroll and whisk, representative of the Eight precious objects, Baxia, with the smaller intermediate panels decorated with a combined clove and jewelled Rhinoceros horn motif...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A three spur marks in a triangular arrangement to the base...

A large plate decorated in the three colour sancai palette with a central Peony motif with three reserves one with Peonies, emblematic of Spring, a pair of Quails beneath Millet and another with Chrysanthemums, emblematic of the months of Autumn. The partially ogee form reserves set against a blue brocade ground with stylised Chrysanthemums. The reverse decorated with three Peony sprigs. A single spur to the base...

Antique Tibetan lacquer cabinet, hand-painted in motifs of flowers and foliage surrounding a central auspicious object on each front panel. Its 4 front doors are removable and swing open on rounded pegs. The top surface is slightly flared and has a panel carved with geometric designs below, similar to those seen in each painting.

Early 20th century

Dimensions: 46" L x 19" D x 37.5" H

A Very Fine and Large Korean 신중도(神衆圖) (Host of Spirits)” Buddhist Painting-19th C. Korea, Joseon dynasty, 19th century. An unmounted (removed from the frame and back back mounting) Buddhist Painting. Ink and bright colors on large sized silk, unmounted: the central figure of Tongjin identified by his youthful face, winged helmet and his hands resting on a mace as he stands amid other protectors of the dharma (wear to pigments, old tears to unpainted borders). It’s in ve...

Head of Buddha, eyelids lowered, with a meditative expression, with a small usnisa above forehead. Wood, with multiple layers of lacquering and gilding. China, Qing Dynasty, 18th century, maybe earlier. Height: 32.5 cm. Some chips, otherwise very good condition.

Small statue of Buddha depicting an important stage of his life when, still as Siddhartha, he sat meditating for a long time almost without eating and became emaciated and close to death, before realizing that the way to seek the Truth was not to torture oneself. Siddhartha, with an aureola at the back of his head, sits on a semi-circular throne with a vajra in relief on its front. Gilt copper, with a fine patina. Tibet or China, 19th century, maybe earlier. Height: 8.5 cm. Gilding partly missi...

Chinese Qing dynasty 18th century stand for bronze censer or incense burner with xuande mark. Good conditions. 14,3 cm diameter. 2,3 cm high. 11,3 cm diameter inside .

The porcelain body decorated in iron red and gold. Qianlong period 1736 - 1796. L : 24 cm. Condition : Perfect. An exactly similar tureen was offered at Christies New York, Wednesday Sept. 16. 2015 with an estimate of 10.000 - 15.000 US$. Please have a look at Christies New York, "Mandarin & Menagerie" The Sowell Collection, Part II, Lot 674.

Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use.

Seto-ware is a pottery tradition established in the 12th century with the aim of reproducing fine ...

This captivating bin-kake, or traditional brazier for tea ceremony, is crafted from fine celadon porcelain using methods first perfected in the southern Song Dynasty. The outside is decorated with low-relief Peony flowers which display a vivid sheen, owing mainly to the expert craftsmanship of the Meiji period Imperial Court artist Suwa Sozan who created this wonderful masterpiece. This represents one of Sozan’s finer works from late in his career when he had attained mastery over the ceramic ...

Antique Japanese tansu from the Nigata area of Japan. Most likely used by a merchant for storage. The 9 drawers are in three rows with the shallowest drawers along the top and gradually getting deeper toward the bottom of the chest. The hardware is all of iron and includes elegant hirute shaped drawer pulls, fan shaped lock plates and corner bracing. The wood is paulownia (kiri) wood.

Edo Period (early 1800's)

Dimensions: 19 1/2" high x 31" wide x 19" deep.

A Fine and Rare Korean Civil Rank Badge(흉배-Hyungbae)-19th C.: Korea, Joseon dynasty, 19th century. For a civil official of the rank, embroidered in polychrome silk on a navy blue silk ground with a single crane flying with a silk of pullocho sacred fungus in its beak amongst multicolored clouds above clouds and cresting waves. It’s in very fine condition, and measures 16.8cm x 17cm. ***an almost identical multicolored with purple civil rank badge with two cranes see at Ch...

Antique Japanese small Kiri (paulownia) wood bar tansu, with five front drawers opened by squared iron handles. Its three mid front drawers are kept secure by a locking bar with decorative iron plates. The side of the chest has a safe door, with pierced iron hardware. The safe door opens to reveal three more small drawers inside.

Meiji Period (1868-1912)

Dimensions: 23" L x 12" x 24" H

Extremely rare: Korean Amamori Chawan of Choson (Yi) Dynasty (1392-1910). Wan shaped tea bowl, thrown from light, refined clay, with very little iron oxide, covered with a white feldspatic glaze with fine crackles and pin holes including the small foot.

Through many years of use the tea has seeped through the holes and crack to discolour the white clay body underneath, creating an effect called amamory - rain leak. The effect is especially strong along the rim. It takes a couple of...

A large and impressive Qingbai glazed "Crysanthemum - box" and cover. Northern Song Dynasty. Diameter : 11,8 cm. H : 8 cm. Condition : The lower part of the box in perfect condition. The cover has an old, very professionally done restauration which is invisible to the naked eye ( even this restored cover still with a nice "ping" tone when tapped ).

An elaborately inlaid three drawer marquetry cabinet, unusually, with tambour doors. This item was made in Japan, for export, during the late 19th or early 20th century. In very good used condition; there is one small piece of veneer missing from the top back corner of the right side; no further losses, no restoration and no alterations. 23 cm (9 inches) high; 24.5 cm (9.5 inches) high.