A Fine Pair of Old Paris Two Handled Campana (bell) Form Mantle Vases with Hand Painted Cottage Scenes by a Lake standing on a Green Marbleized Base. Dimensions; 9.5" high x 5.75" wide. Circa 1850-1870. Some normal gilt wear but in excellent condition.

A Pate-Sur-Pate Porcelain Green Glazed Vase with a Cameo Relief. Inscribed on the base "F. Primaveri Cardiff, Swansea and Newport". Dimensions; 9.875" high x 8.25" wide. Circa 1880-1900. Very fine condition.

A Chinese ge-type porcelain zun in the form of an archaic bronze, Qing Dynasty or Republic.

A Chinese blue and white 'dragon' baluster vase and cover, the base with Qianlong mark, but late Qing Dynasty 19th century piece.

Chinese Qing blue & white porcelain vase, decorated in under-glaze blue with vases of flowers, arrows and feathers, the rim of the vase has a castellated pattern in under-glaze blue, from late 18th or early 19 th century.

DESCRIPTION: In Burma (now called Myanmar), one of the most honored and beautifully decorated ceremonial pieces was the box that held the many gold lacquered sheets of Buddhist manuscripts, called the Kammawasa. These sheets are read aloud at monastic assemblies, and topics covered could include formalities for the ordination of monks and the bestowal of their robes, the consecration of an ordination hall, celebrating the festival of the full moon, or other such instructions...

Ca. late 1800s

This trumpet has a dragon head that is formed from sheet brass with overall repousse work to create scales and a mane. The horns and the long whiskers are separately applied. A long flat tongue of sheet brass or copper extends through the mouth. The dragon head is joined to the tapering trumpet with a bulbous silver repousse element having bands of silver leaves on both sides...

This antique copper gau would have been kept in a prayer niche in the home and would be worn as an ornament for festival. In place of the Tsatsa (clay figure), there is a Tsakli. It was common practice to use a tsakli (small picture card) to represent the religious item which would be placed in the gau, when time and money became available. The original written talisman remains inside the gau also...

A Higbee Paneled Thistle EAPG handled celery vase. This signed Higbee vintage 5-3/4" tall pattern or pressed glass double handled celery vase is in the Paneled Thistle pattern and it is in excellent condition with no chips, cracks, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Tracked Packet shipping to anywhere in the U.S...

A simple 7" pre-Victorian English pewter sauce ladle by John Yates, Birmingham. Yates (1788-1881) produced spoons and ladles from c1808 to c1840, and this example has his early IO HN YHA TES stamp. It is in the fiddle pattern and it is in excellent condition with no dents, bends, monograms, losses, damage or repairs other than a small bubbled area of corrosion on the handle...

A pair of Ellis-Barker silver plate 7" candlesticks with bobeches circa 1910. These finely detailed candle holders have their original removable bobeches, and they have the Ellis Barker EPNS pineapple mark in use from 1906-12. These table decorations are in excellent condition with no dents, bends, corrosion, losses, damage or repairs other than the loss of the bottom felt, which can easily be replaced...

This is a perfect Sung Yuan lotus bowl with the incised flora pattern lotus petal bowl, good color and glaze shine, with the natural crazing, without any crack or repair except small chip on the foot rim

This is said to be a Guan type brush washer of Southern Sung period, probably from Guan Kiln as the paste is more porous.

A true survivor. This is a 6-3/4" x 5" double well papier-mache tea caddy with ornate decoration with a porcelain miniature c1850-60. This attractive tea caddy stands 4-1/4" high and the hinged lid lifts to reveal the twin compartments, whose lids have hand carved and decorated mother-of-pearl grips. The wells have a gray painted lining. It has conical decorated gilt brass feet and ornate hand painted polychrome and gold decoration on the lid, base and front panel...

This is a finely potted and painted late Qing early republic vase with calligraphy on the side.

A very nicely painted famille verte vase from late Qing Dynasty, without reign mark but with the double circles, smooth base. Please ask for more photos

An English Georgian period pair of hand painted soft paste porcelain cake bowls or baskets made by Derby, England circa 1800 1825 (this firm was later known as Royal Crown Derby). These 11" x 8-1/4" baskets have the red painted Derby mark of this period, and they feature wonderful floral hand painted sprays and gilding...

This is a nice famille rose vase with children and courtesan lady in the garden with flying bats symbolizing good fortune, prosperity and good blessings.

A pair of Japanese export Imari teabowls and saucers decorated in a combination of under-glaze blue, gilding and iron red. Both saucers decorated with a pattern of Hares running on waves...

Length:27 cm (11 in)
Height: 22 cm (9 in)
Weight: 4.6 kg (10.1 lb)

This solid Japanese Meiji bronze elephant is very heavy with skin and muscles modelled to a high standard. The elephant looks very animated and was obviously created by an artist of great talent. It is marked on the base with what looks to be a slightly rubbed Seiya signature. There is no damage to this piece.

Burmese Bronze Buddha with Movable Left Hand. 16.5 inches, 42 cm.

Unique Burmese Gilded Bronze Buddha with Human Face and an Inscription that winds around the circumference. 10 inches, 25.5 cm.

Ca. late 1800s

This high relief silver repousse prayer cylinder is mounted on a wooden handle with silver mounts at the top and bottom. The repousse displays three seated Buddha images among dragons and other Buddhist elements. It is topped with a silver umbrella and ball-shaped finial. Attached to the side by a short chain is a lead weight that promotes the spinning around the steel shaft mounted in the wooden handle...

Measuring 2.75 inches in diameter by 3 inches high, this darling, circa 1890's, English, porcelain, double quill holder features a startled mother dove attempting to fend off a serpent about to devour the three eggs in her nest!

Likely Staffordshire, the quill holder features lovely polychrome coloration. Condition is wonderful with no chips, breaks, repairs, or repaints. Age crackling to glaze is evident along with a tiny stain on the dove's breast.

A darling piece!

Measuring 4 inches long by 4.50 inches high by 3 inches deep, this fabulous, circa 1830's, English, porcelain, quill holder features a young, aristocratic lady surrounded by mounds of flowers and playing a lute.

Possibly Staffordshire, the quill holder features polychrome coloration with gold embellishment. Condition is wonderful with no chips, breaks, repairs, or repaints. Some discoloration seen under the base in the area where the quill hole is located...

An outstanding, mid 19th century, European-made, porcelain inkwell featuring two gentleman hunters physically fighting over the ownership of a just-snared hare, their hunting dogs loyally assisting in the jostling match for ownership beside them!

Measuring 7.25 inches wide by 4.75 inches deep by 6.25 inches high, this outstanding, circa 1860 - 1870's, polychrome inkwell features removable cover which reveals a base containing two inkwells without pots. Cover features seven quill holes.

Condi...

Ca. late 1700s / early 1800s

This figure of a guardian foo dog is of a natural rich brown unglazed ceramic with white glazed eyes, eyebrows, teeth, claws, and a line of spots on the spine. It is very well-modeled by hand with a highly expressive face and jaws. The chocolate-colored body is also offset by a black glazed mane and tail. The modeling represents an anatomically correct male. There is a loss to the tip of one ear, as well as the tip of the tail. The left foreleg has a clean brea...

Antique Japanese small iron and mixed metal damascene vase, design of grape vines on shoulders and base, two reserves one with a scene of birds and flowers the other with huts near water and fishermen in boat, neck is decorated with chrysanthemum mon, underside has two character inlaid chartouche, with the name, Asai. Meiji Period. Size: 4 5/8" high x 2 1/8" wide diameter

A Substantial Three Piece Coin Silver Tea Set retailed by Ball, Tompkins & Black (Successors to Marquand & Co.) with the makers mark "JB". JB is presumably James Bogert, who made many pieces for Ball, Tompkins and Black, as well as its predecessor Marquand. The Tea Set dates from 1839-1851, the date of the partnership. The name "I. Moss"? is engraved on each piece, but rubbed. The teapot is 11" high, the covered sugar, 9" and the creamer 8". Total weight is 78.1 standard, 71.4 Troy ounces. ...

with gold in-lay on the ivory handle and gold in-lay on the blade on four different framed writings (to translate, made by Esfahani, describing ali Allah). L: 40 5/8 in.(103cm)

Rare detailed and finely painted Dynasty Chinese rose medallion porcelain plate: with the central design of birds perching on blossoming branches amid rocks while others flying around: together with chickens playing on the ground: surrounded by flowers and vines in cartouches, Mid-Qing dynasty. Size: Diameter of this plate is 8 1/2 inches. Condition Report: Very good condition.

A Substantial George III Silver Coffee Pot, by Daniel Smith and Robert Sharp, London 1774. Dimension; 11.5" high x 9" spout to handle; weight, 33 Standard, 30.1 Troy ounces. Initials LHP and "Llewellyn S. Parsons" on base (see picture), prior owners. Excellent condition.

1800s

This serpentine stone displays a yellowish buff color against a mottled blackish tone to produce a mountainous landscape effect. It is tubular in form and set upon 3 carved feet. It has a soft polish on the both the exterior and interior. The base is unpolished and exhibits its original carved surface. There are several small chips and evidence of wear around the rim, otherwise it is in good condition. It was likely used to hold short incense sticks. Acquired from a North Carolina es...

A Silver Pitcher, Probably Used for Milk or Cream, by Eoff and Shepherd and Retailed by Ball, Black and Co., New York. It ios marked 950, higher than the sterling 925 standard, and used briefly during the transition from coin to sterling. An Elegant Script Monogram is on the Front Cartouche. Dimensions; 9" high x 4" wide; weight; 10.1 Troy ounces. Circa 1855-1860. Excellent condition.

Japanese Arita Blue and White Dish. Decorated with unfolding scrolls amongst floral sprays. L17thC/18thC Diameter 18.0 cm. Condition: excellent, no chips, cracks or restoration. Minor firing flaws.

Pair of Small Blue and White Ko Sometsuke Dishes. Decorated in the centre with two birds and branches, the rim with butterflies. Chinese Tianqi C1621/27. Diameter 14.6 cm. Condition: very good, some fritting to rims, chip 1.5 cm to inside footrim of second dish. No other chips, cracks or restoration.

Pair of Japanese Imari Plates, decorated in the typical palette. L17th/18thC Diameter 21.5 cm, Condition: some wear to central gilding, no chips, cracks or restoration. Blue is not as bright as in images.

Two very rare and large Canton enamel vases on the original wooden stands with lovely rich patina and bright well painted scenes of the Chinese goddess Chang'e. These quatrefoil vases enables the owner to change the scenes at will by merely turning the vase to a different panel. This is rare to find in Chinese vases of the period. These date to the late 19th C. One of the stands are inscribed 'China' with a backwards 'N' to help authenticate period. Both vases are in excellent, unretouched con...

A Fine Pair of George II Silver Sauce Boats, Hallmarked in London in 1744 and made by William Shaw and William Priest. Featuring shell knees, hoof feet, scalloped border and acanthus decorated flying scroll handles. Dimensions; 6" x 3.25" x 3.75" high; total weight 10.5 Troy ounces. Very fine condition.

A stunning footed cut glass compote in Hawkes’ “Delft Diamond” pattern. While the pattern is not especially ornate, the deep emerald green color of the blank is amazing. The knopped stem has an elongated airtrap bubble that’s difficult to see because the color of the glass is so rich. The plain round foot is acid-stamped with Hawkes’ trefoil signature, which would suggest a relatively early date.

Origin: America, ca. 1920. Condition: excellent, no chips or cracks, normal frosting...

Chinese antique bamboo sewing basket, interior design with character "Xi" and exterior with " Fu", Qing Dynasty . Size: Diameter of the basket is 13.25 inches and it stands 4 inches high, in very good condition.

Japanese vase with a view of a temple near a lake within the mountainside. The way the bamboo is painted and the serene setting is seen in similar pieces done in Kutani and Kyoto wares. Vase contains a signature on the bottom set in a cartouche with the name, Shintou. Age: Meiji/ Taisho period. Size: Height: 7.25" Diameter: 2.75"

Japanese Satsuma vase with various scenes from different periods in Japanese history and one view with Chinese scholars or sages. The views are framed with a motif of flowers and fans. Bottom of the vase contains a name that is impressed in the clay. The top part of name is unreadable, the bottom contains the name Satsuma ware. Age: Taisho Period. Size: Diameter: 2.75"

Fine set of Chinese blue and white pair of porcelain bowls, one with landscape and other with animal design, seal mark on the base, from 19th century era, comes with the display box.Size: Diameter of each bowl is 4 inches with the height of 1 1/4 inches. Condition Report: Very good condition.

Antique Chinese pair of high footed bulb shaped lidded cloisonne containers, decorated all over with a beautiful floral motif, very fine wire work, gilt details, interiors with a deep blue enamel, Republic Period. Size: 8" high

Edo Period, ca. early 1800s

This yatate, or traveler's pen case, is made of wrought brass, and has a long tube to hold the brush and a deep pot for the ink, which would have been saturated in a cotton wad. The lid snaps snugly over the pot to contain the ink, and a tab connected to the lid covers the end of the tube that contains the brush. A logo is inscribed on the tab in the form of a hiragana ya beneath a roof-shaped mark. A brass loop for attachment is still intact on the tube near th...

18th Century Qianlong period 1736-1795 Chinese Famille Rose porcelain Spoon Rest or spoon tray, 5/8" high, 4 1/2" x 3 1/2" wide, with overglaze enamel design of flowering branches in the center with four(4) separate cartouches in the center, white on white decoration techniques were used between the four(4) cartouches in small areas. The bottom is unglazed. There is a tiny frit smaller than 1/16" wide on the rim, no other damages or restoration.

Chinese 18th Century Export Qianlong period porcelain Peacock design Spoon Rest or spoon tray, later part of 1790, circa 5/8" high, 4 7/8" wide 3 1/4" deep, overglaze Peacock design in the center, iron red line border on the scalloped hexagonal shape rim. The bottom is unglazed. Few kiln imperfections on the rim but no damages or restorations.

Japanese Satsuma ware vase in the form of a water bucket, elaborately decorated in raised gold and colorful over glaze with scenes of beautiful maidens and children enjoying a stroll around a lake, beautiful detail, Meiji Period, signed Tanimoto Ryozan. Size: 7 1/4" high

Japanese pair of Satsuma vases, beautifully decorated all over with scenes of in raised gold and colorful over glaze, motif is portraying the 18 arhats surrounding a kwan yin like form bodhisattva and Chinese sages. The vases portray characteristics seen in Yokohama Satsuma wares which were produced during the latter part of the Meiji Period. Age: Meiji Period, each vase is signed on bottom: Satsuma attributed to Hattori. Size: 9" high

Japanese Satsuma ware footed vase with lobed mouth and squat lobed form, elaborately decorated all over with textile-like patterns in raised gold and colorful over glaze, five reserves with alternating scenes depicting Buddhist saints and samurai, exquisite details down to the individual features of each figure, Meiji Period c1900, a cartouche inscription on the bottom written Satsuma. The style of the calligraphy and the decoration appears similar to ones produced by Hotoda. Beautiful cond...

Japanese small and exquisite Satsuma ware censer, unusual double gourd shape with two handles and three feet, lid with delightful fu-dog finial, one side is decorated with two scenes from 100 Rakans (Buddhist saints), the other side is decorated with two scenes of beautiful ladies, everything else is covered with tiny designs in gold, beautiful condition, Taisho Period, 6 character kanji says: Satsuma yaki, Suigetsu ga. (trans: Satsuma Ware painted by Suigetsu). Size: 5" high

A pair of Chinese blue and white under glazed porcelain covered bowls, the tops with spotted deer, stork, pine tree and magic fungus decoration and a floral band. The bases with leaf and flower decoration. Both bases marked with four blue underglaze characters, one reading "Bao Zhu Li Ji" and the other "Re Shen Zhen Cang". Both measure 4" H x 10 dia. Late 19th century. Condition Report: Both overall very good condition. The lid of one of the bowls is slightly concave in one area, most likely occ...

Carved two part handle with three carved racing horses, each with amber glass eyes. Cane with brass fittings and mahogany shaft. Handle: 2 1/8" H x 4 3/4" L x 1 1/2" W. Overall length is 36 3/4 inches, mid 19th century. Condition Report: Overall good condition with expected wear and separation on the underside of the handle.

Ca. early 1800s

In the Karatsu style, but probably Kyoto ware. The buff-colored stoneware body is decorated with a stylized plum tree design in underglaze iron oxide with white slip clay for the blossoms. It is covered overall in a clear glaze that thickens a bit along one side of the inner wall, making a curtain effect. Opposite sides of the dish have been knife-cut for aesthetic appeal. The underside is clear glazed over hastily painted designs in iron oxide and white slip. The base and ...

From our World Handicrafts Collection (ex-Asia), a handsome Caucasus accent rug, early 20th century, featuring wool on wool construction using red, two different blues, dark green, black, peach, orange and gray. A very nice unpretentious example with good character. Though there is a fairly wide spectrum of colors used, the main feeling is mostly of red, gray, and blue, and the overall palette is quite subdued, making this piece very useable in a variety of different decors.

Size and Condi...

A simple bronze with mixed metal applied to the surface utilizing the method known as zogan where gold and silver is used to apply the decoration and is fired on the surface. The motif is a plum branch with a bird known as an onagadori which is similar to a rooster, but is a distinct bird found in Japan. Piece is signed by Mitsufune. Age: 20th century/ Diameter: 2.25" Heigh: 6.25"

Ca. early 1800s

In the style of Ogata Korin, this tall-sided tray is lacquered black over a wood core. The decoration is rendered in raised lacquer in the Rinpa School manner after Korin. It displays a gnarled stump of a plum tree sending out shoots with blossoms and buds raised in gold lacquer, as well a inlaid flowers and buds in iridescent abalone mother of pearl. There are separations visible in the lacquer where the side walls join the base and a horizontal crack in the wood base visi...

French Papier Mache lacquered Chinoiserie decorated tray, 5/8" high, 10" diameter, Ca. late 1800's, with family outings to river bank Pavilion. There are some wear on lacquer finish and stains but no major damages.

English Papier Mache Display Shelf with lacquered Chinoiserie decorated shelf, either place on the table or hang on the wall, 8 1/2" high-maximum height, 13" wide and 4 1/4" deep. Family enjoying outing in the Pavilion design in front and side panels. There are two(2) brass hook to hold the side panels together with bottom shelf, and brass hinges hold side pieces to the back. There are some house paint on the back side, but they don't show from the front side. This piece shows some wears, s...