Napolean III amethyst necklace individually claw set in 18k yellow gold with gold spacers in the archeological taste. An extra amethyst gem link is available to lengthen the chain should this be desired. There is a safety chain for additional security. The necklace is 15.5 inches in length.

A matching pair of massive pottery horses with riders, Chinese, Tang Dynasty (AD 618-907).

This matching pair from the same tomb comes with a TL test from Ralf Kotallas lab, dating them to ca. 800 AD - so 1200 years old.

The set consists of a two similar horses brown coloured with details in red and white, lovely long dressed manes and large sadles, with a female and male rider. The female rider with her right hand thrown back and seated in a relaxed pose...

Large porcelain charger decorated in underglaze blue with a map of Japan, as drawn in the Edo period. The map (Gyoji type) shows the main islands of Honshu, Shikoku and Kyushu, divided into the 63 provinces. The names of the provinces are written in kanji. Here and there a name of a city (i.e. Edo) is added...

These 10 crystal champagne glasses were produced in Bohemia, part of the Austro-Hungarian Empire in the late 19th century. The specific maker is unknown. The glasses are 5 11/16 inches high and have a diameter of 3 ¾ inches. They are hand blown crystal and have hand cut stems. The stem of the glass is hollow for a reason. When champagne is poured into this type of glass the bubbles come up like a volcanic eruption...

These 12 porcelain cream soup cups and saucers were produced in England by the Royal Cauldon Factory around 1900. The saucers measure 5 ¾ inches in diameter and the cups are 6 inches across the handles and 2 inches high. The cups feature graceful scalloped pedestal bases and split branch handles. All pieces are decorated with elaborate gilding that nearly covers the entire surface. There are knots of colorful hand painted flowers accenting the gold decorations...

This porcelain plate was produced in England by Wedgwood around 1850. It has the name “Wedgwood” impressed in block letters. It measures 8 ½ inches in diameter. It is made of fine bone china that has the design molded in high relief. The design has stylized fruits and berries hand painted in metallic colors and colorful enamel. The fruits are superimposed over the basket weave background...

This porcelain plate was produced in England by Aynsley in the mid 19th century. It is not marked but we recognize the specific style of design on the border that Aynsley used. The plate measures 9 inches in diameter. It is made of fine bone china. The center of the plate is hand painted with a landscape of the English countryside. The view of mountains, water and suggestion of buildings is dreamlike with a lone figure sitting in the forefront...

This porcelain plate was produced in Germany by the Ambrosius Lamm Dresden studio in the 1880s. It is titled “Vierte Nachtstunde” or Fourth Hour of the Night after Raphael. The plate is 9 ½ inches in diameter. It is hand painted with the night goddess holding an owl while suspended on clouds. The hand painting is finely detailed and the coloring is vivid. The border is hand gilded with an elaborate design containing lyres...

Wedgwood between 1878 and 1890. They are 4 ½ inches high with a diameter of 9 ½ inches. The design is from the aesthetic period in Imari style...

This porcelain trinket box was produced in Germany by the Koniglich Porzellan Manufactur, or KPM, in the 1890s. The box is signed under the glaze with a blue scepter and a red orb over the glaze. There are hand painted numbers and a symbol. The porcelain is framed with gilt bronze ormolu. The lid is hinged to the bottom portion. It is decorated with an Art Nouveau design of swirling gilding and translucent enamel jewels in shades of peach and amber. The side panels repeat this design all t...

A Thai polychrome enamel decorated stoneware offering dish. Similar porcelains were made in China for the Thai market. Primitively painted decoration in yellow, green white, red and blue enamels. It is not clear to us whether this is imported production or domestic production. Two Chinese characters appear within rectangular, impressed seal mark on the base. Diameter, about 9 1/8 inches. Height, about 3 5/8 inches.

Very rare cast bronze sculpture of the Chinese monk Xuanzang with a pile of Buddhist scriptures rolled up and stacked in the pack on his back and a lotus leaf over his head from which dangles an incense burner, as he returns to China from India.
In his hands he was holding a scroll and a fly whisk that are now missing. Figure stands on an irregularly shaped base. Japan, mid Edo period, 18th century.
Height incl. base ca. 5.25 inches (13.3 cm).
Hands slightly damaged.

Genjo ...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with light cream glaze and underglaze blue decoration of a moon rising over a Buddhist mountain temple. Inscribed in underglaze black with 3 characters which translate as ISHIYAMA-DERA (“Stone Mountain Temple”) - a Shingon temple in Otsu (Shiga Prefecture) and the thirteenth stop of the Kansai Kannon Pilgrimage. Superb free painting with strong Zen feeling, wonderful potting of shiro Raku (white Raku) body. Stamped by the foot ...

19th century Japanese ceramic chawan (tea bowl) for tea ceremony with crackled orange / cream glaze and underglaze blue decoration of torii gates among pines and birds in flight. Superb free painting, Raku pottery produced in the Kyoto region. Beautiful potting with spiral line on the bottom of the bowl showing the way potter finished turning the piece. Stamped with potter’s seal on the lower body. Well-used, in great condition, 3 old Japanese gold lacquer repairs on the rim testifying to the ...

American sterling silver inkwell, ca 1880. Four gently curved sides on corner block supports. Cut ornament including scrolls, flowers, and chevrons. Sterling silver neck collar with imbricated leaf borders. Hinged bun cover same; top has chased garland, ribbon, crisscrossing horns of plenty, and laurel wreath surmounted by crown engraved with interlaced script monogram. Marked “Sterling” and Shreve, Crump & Low stamp. Very good condition.

Dimensions: H 5 x W 2 1/2 x D 2 1/2 in. #BS209 ...

1900-1920s (late Meiji - early Taisho) Japanese ceramic tea ceremony kashiki (dish for holding sweets served along with the tea) modeled in modified lozenge shape. Shino ware with stoneware body and thick glaze with a texture of small holes originated in the 16th century in Mino Province (present-day Gifu Prefecture) and has been popular ever since. Wonderful free potting, elegant grey nezumi (“mouse”) glaze with underglaze iron painting of a long leaf and tendrils with smaller leaves, beau...

Porcelain hand painted figure of a musician playing a lute(?). The original by Bustelli was modeled in the mid-18th century. This is a later copy, after 1887 when the factory was taken over by Albert Baumi and the old models revived. Nymphenburg shield and the numbers 59 and 0 impressed on the underside. 4 5/8 inches (11.7 cm) tall and 5 3/8 inches (13.5 cm) across the base.

Condition: undamaged except for three of the four tuning pegs and part of the red bow on his left shoe missing.

With the purchase of the lease on the Nymphenburg factory by Albert Baumi in 1887 the factory started to re-produce figures that had been originally made in the 18th century. This figure of a Turk, originally modeled by Bustelli, is one of those. Like many of the 18th century figures this one is not decorated with colors. 4 ¾ inches (12 cm) tall and 5 ¼ inches (13.5 cm) across the base. Shield mark and the numbers 192 and 0 impressed on the underside.

Condition: other than the loss of th...

A molded porcelain figure of a man in 18th century dress turned slightly to his right to warm his hands over a flaming brazier, emblematic of winter. The figure is marked on the base with the underglaze blue “F.” for Furstenberg. It also has the impressed marks A.a.M for a later production of the model which has the impressed number 85. 7 3/8 inches (19 cm) tall.

Condition: excellent except for the amputation of the fingertips of the right hand.

Height approximately 22.5 cm (only the jar). In good condition.

19th century Edo period (before 1867) Japanese porcelain Hirado plate with scalloped edge and underglaze blue decoration of a dragon in pursuit of a tama (Sacred Gem). Excellent potting, milky white body and clear glaze. Great early painting with charming freedom, wonderful dynamic design - see the flames issuing from the body of the dragon. Some surface wear as to be expected, overall in great condition. Diameter 7 1/4 inches.

Width approximately 17.3 cm (across the handles). In good condition.

Diameter approximately 26 cm. In good condition.

Late 19th century Chinese Canton enamel footed shallow dish painted in polychrome enamels with 2 different stands holding various archaic bronze vessels with leaves and flowers, and bamboo tubes tied with a knot - one of the Emblems of the Eight Immortals. Cavetto with painted flowers on yellow background, outside is enameled light green. Beautifully painted, few faint lines of crazing, overall in great condition. Wonderful item for a scholar’s desk. Length 4 1/2 inches.

Late Qing Dynasty (1890s to 1911) small Chinese Canton enamel covered box for seal paste painted on the top with polychrome enamels depicting a Chinese lady with a fan in a garden, border of flower spray reserves and scrolling vines. Nice quality painting with famille rose colors, all dark spots are original pitting marks. Quiet item for a scholar’s desk. Height 1 inch, diameter 2 1/4 inches.

Diameter approximately 22 cm. There are some cracks at the body. Ge-type inside the bowl. There are no missing parts.

Width approximately 18 cm(across the masks). In good condition.

Width approximately 20 cm (across the masks). In good condition.

Height approximately 20 cm. Crack glazes aren't appear at the other side. The cover, probably 19th century. In good condition.

A beautiful larger silver bowl, Sassanian Empire, 300-600 AD.

The Sassanid Dynasty, was the the last native Persian Kingdom to rule Ancient Near East before the Islamic conquest.

An attractive hammered silver bowl, with an scetchy incised animal in the center of the interior and multible concenthric lines around. It looks like a simple bird, but it needs more cleaning to be certain!

Size: ca. 17 cm. wide and 6 cm. tall.

Condition: Choice! A small plug...

Antique Thai gilt cast bronze figure of a recumbent temple deer. These sika deer are closely associated with the Buddha because of his "Teaching in the Deer Park" in Sarnath. Buddha's teaching, or "Spinning the Wheel of the Law" further links the deer to this sacred event. Thus deer are often depicted with the Wheel of the Law, or Dharmachakra in a temple setting. With one leg bent under his body and one outstretched, the deer turns a long, graceful neck to look back over it's shoulder. ...

A pair of coffee cans, English, Staffordshire c 1810. Lavender blue and gilt with a vase and palmetto scroll motif. The edge of one can is slightly flaring and the lavender tone is a little lighter. Still, they are intended as a pair as proved by the gilders mark, which is the same on both cans, three plus one dot. Height "2 ½ / 6.5 cm. Condition: fine.

Stunning 18K gold and diamond cufflinks, c1900, depicting eagles, a great gift for that special French Cuff Guy. Stunning 18K gold and diamond cufflinks, c1900, depicting eagles. Eagles are often scene in mythological scenes w Zeus, the King of the gods, as a symbol of his strength and power. The cufflinks are hallmarked w the initials FC, referring to Frederick Courthope, a master goldsmith who worked in the Arts and Crafts tradition. Courthope took over the business of the respected Georg...

Essex crystal carving of a horse and jockey surrounded by rose diamonds. Perhaps they are symbolic of the winners wreath. The crystals are carved in reverse or intaglio into the flat back to create a three-dimension trompe l'oeil effect. The image is then painted in realistic detail. The pin measures 15/16 in diameter.

Lovely early Victorian bow pin of white woven hair set with turquoise in 15K gold. Hair jewelry was primarily of a romantic or loving nature. Queen Victoria was given a brooch made from her mother's hair for her 16th birthday. This pin measures 1 3/4" wide by 1 3/4" high by 1/4" deep.

Lovely drop rose cut diamond earrings in the pendeloque or pear shape. The pendeloque earring shape is a pear-shaped design used for diamonds and was a popular shape for both 17th and 18th-century French earrings. The earrings are day/night, meaning the tops and bottoms can be separated and the tops worn for conservative day time wear, and top and bottom together for special occasion wear. These lovely earrings, which glittered so beautifully in candlelight, are as beautiful today as they were ...

A charming painting in ink and colors on silk depicting a young, long-haired girl in traditional dress with her back turned to the viewer. Signed: Nobumaru (Mitsubumi 1812–1879), a late Tosa School painter in the Nihonga tradition. Exquisite mounting. Meiji, c. 1865–1875. L 182 cm, W 60 cm. Picture frame: L 109 cm, W 42.5 cm. Condition: Very good.

Antique Chinese large 12-panel Coromandel screen. Decorated with dramatic scene of men on horseback. Bordered by red dragons. The reverse is a quiet scene of trees and flowers. Made of kuan cai (incised colors) lacquer on wood.

Age: Republic Period

Dimensions: 96" high x 222" long x 3/4" deep

A beautiful and rare Shiebler sterling serving piece in the "Maintenon" pattern. Adding to the overall graceful form of the piece is the greenish-blue and white enameling on the handle and the white and pale lavender enameling on the gently curved bowl. While this form is quite uncommon it is generally found in plain silver and the addition of the enameling raises this to a rarity level. (It is generally acknowledged that some of the best enameling work done in the United States in this period c...

19th century small votive Indian bronze sculpture of Ganesha sitting on a square base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home. They are believed to be representing Ida Nadi (lunar energy) with its moonli...

This wonderful lava ring was sold in Naples to travelers on the Grand Tour as souvenir jewelry in the 1820’s to 40's after the discovery of the ruins of Pompeii and Herculaneum in the 18th century. Made by Pompeian stone cutters, each of the seven round heads of the ring is distinctly carved and is of a different hue as well as a different mythological figure and comes from a different organic material sourced from Vesuvius. The cameos represent the days of the week, The grey cameo represents ...

1920's Chinese Silver White Jade Carved Goldfish, Shrimp & Crab Necklace

It is 20.27 inches (51.5 cm) in length. The inner circumference is 17.7 inches (45 cm). The jade carved goldfish range from 20.88 mm to 21.80 mm in length. It weighs 40.4 gram.

The silver is tarnished and has surface wears and scratches. Two of the jade goldfish have flea bite chips. Some of the jade carved gold fish have inclusions and surface wears and scratches (as seen in the photos).

O...

A magnificent and large dish with well balance potted, decorated to the interior with Susancai style medallion of two lions among flower scrolls, the cavetto with four lions with continuously peony flowers on the black ground, underside with double foot rim, the small one inside with six characters mark of Da Qing Kang Xi Nien Zhe and of the period and surrounded by four chrysanthemum heads and four emblems to cavetto. Condition is perfect, no any chip, no any crack and free from any restoration...

This amethyst ring is a striking example of gold-work decoration that became popular in the second decade of the 19th century. A type of filigree work known as "cannetile" and named for the gold embroideries of the Napoleonic years, cannetile work made the most of a small amount of gold and required highly skilled goldsmiths. The amethyst stone is particularly eye-catching. The combination of the cannetile work next to the amethyst makes this an extraordinary ring. The ring is a US size 6.

19th century (late Qing Dynasty - 1890s to 1911) unusual Chinese scholar’s rock in a form of a large natural amber nugget. The piece is true Baltic amber, large for amber as material, can be viewed from 2 sides, and conveys a very good feeling of a lonely mountain with its surface weathered by years of exposure to wind and water. Wonderful internal energy in the piece produced by combination of shape, texture and color of the material. Later carved rosewood stand, not particularly impressive, ...

A Japanese white glazed studio porcelain model of a water buffalo. Hirado type though the eyes are not left unglazed to the biscuit as is typical. Holding sculpted form and details well, the biscuit base smooth to the touch and bearing an imprint from the fabric it sat upon. Except for a clean break to one horn, in otherwise good condiiton. A line of separation of the glaze under the buffalo's neck due to "crawling" in the kiln. Length, about 14 inches horn tip to tail. Wood plinth about 13 5/8 ...

Lovely 18K five stone opal ring with five perfect blue-tinged translucent Australian opals set in an embellished gold setting. Eight tiny diamonds nest between the opals. The ring is hallmarked Sheffield and dates to 1870. This is the opal ring you have been looking for. It is a size 8 3/4.

Wonderfully painted enamel ring depicting the love between Cupid and Psyche, the universal symbol of everlasting love. The ancient Greeks viewed the butterfly as a symbol of the immortality of the soul. The painting on the enamel ring shows the goddess Psyche, which means "soul" or "spirit", in the form of the butterfly, being chased by Cupid. The ring is 18K, circa 1910, size 6.5 and can be sized.

Fabulous Berlin iron ring decorated with symbols associated with faith (dove) love (heart) and loyalty (dog). The heart is surrounded by a leafy wreath and surmounted by the dog and the dove. The band has a floral motif, probably laurel leaves. The band has a floral motif. Berlin Iron jewelry was popular in the early 1800's. During the Napoleonic war German women gave their precious jewelry for the war effort and it was replaced with Berlin iron jewelry some with the inscription "Ich gab gelt fu...

Rather unusual late 19th century Chinese glass seal in a shaped of a stylized rock. Beautiful transparent glass, excellent finish to the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). The bottom is crisply carved with four raised characters that can be translated as THE HALL WHERE KINDNESS is CULTIVATED, old dried red seal paste in the grooves. Very nice object for scholar’s desk. Height 1 ...

An Asian wood cookie press. Folk art (Japanese or Korean - if Japanese would be considered "Mingei") utilitarian object. The "cookies", or treats, pressed from this mechanism could have been sweetened bean paste, possibly with rice starch, and not necessarily cooked. The iron nails slide along routing to enable the pressing action. Well used and in fair condition - exhibiting some distress by loss of wood on ends of the top board. A nicely decorative curiosity. Length, 9 7/8 inches

The sporting craze in Victorian jewelry started in the 1890's and continued into the 20th century up until WWI. Encouraged by women's more active participation in sports, such jewelry was particularly fashionable for country wear. Our bangle is a slightly more modern version of the Victorian silver bangle, with a silver ball in the center of the tennis racket as the main motif, and stylized leaves to the left. A very subtle silver rope carving detail runs along the border of the tennis racket se...

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century. The carving exhibits similar material and carving characteristics of a netsuke (Photo #7) made by Kyokusui; item 133* of Bonhams catalog. Observe the smoothness of the surface, and the realistic form of the piece. Netsuke is unsigned. It measures 2.44 inches (6.2cm) tall. and 0.94 inches (2.4cm) in diamet...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a large Seated Hotei with a wide Smile, by an unknown artist from the Iwami Province, carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe a similar looking figure on top of a toad, finished in a very smooth texture, by Gokyotei Baiseki, in photo #6*, from Iwami Netsuke, RS Huthart Collection, Japanese published book, page...

18th Century Chinese Gilt Lacquered Bronze Miniature Buddha on a Silver Clip Pin

It is 1.18 inches (3 cm) tall by 0.78 inch (2 cm) wide. It is 8.6 gram.

It is tarnished and has rubbing of gilt, oxidation, surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return i...

Meiji (1868-1912) Japanese Dark Green Satsuma Bowl with Chicken Group & Geisha (Unmarked)

It is 2.75 inches (7 cm) tall by 3.75 inches (9.7 cm) wide. It is 0.5 Lb.

It has minor rubbing of gold and stains, glaze crazing, and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Lotus Seed Pod, made as a Karakuri or 'trick' Netsuke in that the seeds rattle and peep out of the seed holes. Netsuke was carved by an unknown artist from the Iwami Province sometime during the Early 19th centuries. The carving exhibits similar material and carving characteristics of a netsuke (Photo #6) made by Seiyodo Gansui (1809-1848). Observe the lines of the sides of the lotus pod and how they compare with the...

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe the Ukibori work on the sennin's toad (photo #3) that resembles the finish of the toad s...

This 19th Century, finely hand-carved Iwami Ebony Netsuke that shares similar carving and material characteristics as the Tree Stump attibuted to Jikan Ganbun depicts a Toad that also provides a functionality of an Ashtray. This toad is also remarkably similar to the toad that the Gamma Sennin (item 98 of Bonhams Iwami Catalog* – photo # 6) is sitting on. Nicely detailed rendering of the rough textured skin on the back and sides of the toad, which contrasts with the smooth extended throat and...

This is a finely hand-carved Ebony Netsuke attributed to Jikan Ganbun, depicting a Tree Stump. Nicely detailed rendering of a tree stump with its rough textured exterior contrasting with a smooth top and bottom that are styled in a star shaped manner. The concave stump is slightly hollowed out, with a smaller stump on its side. There is a tiny ant looking figure that has been carved inside the stump. Netsuke is unsigned. It measures 1.25 inches in diameter and 0.50 inch tall. Netsuke is in...