This pieces was made at Jingdezhen kiln famous for blue & white ware and exported to Japan where people loved blue & white ware called "Kosome" in Japan. It has auspicious patterns, beautiful blue color. And it has tiny roughness on the edge of mouth, however it is a character of works made at Jingdezhen kiln, Japanese people loved them because they didn't like perfectness. Size:14.7cm(D) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

Excellently and thinly potted porcelain dish, decorated with a Peony blossom as the central motif. Extraordinary nice and deep Cobalt blue. Excellent and glossy glaze. Ming Dynasty, Jiajing period ( 1522 - 1566 ). Kiln Mark to the base. Diameter : 14,6 cm. Condition : Perfect.

Shallow dish from Khalong kilns of Northern Thailand, ca. 14th-16th C. Underglaze iron decoration of pikul flower petals ( "Mimusops elengi," "Jewel Flower," a flower traditionally, and still today, reserved for use by royalty or religious orders) and scrolled lines. H.2"(5cm) x Dia.7.875"(20cm.) The kilns of Central, Northern, & Western Thailand were active predominately in the 14th to 16th Centuries. Wares were made for local consumption as well as for export...

Brown glazed swatow dish decorated with white slip kilin,dragon and tample motive.34,2cm diameter.7,5cm high. Dish has been broken on re attach.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap...

A rare late Ming dynasty Jiajing - wanli blue glazed ewer with two baby dragon handle on the side, good condition with restoration at part of rim, size: 12.5 cm height, 16 cm diameter.

A Chinese gilt wood statue of Skanda. Skanda, also known as Wei Tuo (Chinese: 韋馱), is a Mahayana bodhisattva regarded as a devoted guardian of Buddhist monasteries who guards the Buddhist teachings. He is also sometimes called in the Chinese tradition "Hufa Weituo Zuntian Pusa", meaning "Honored Dharma Protector Skanda Bodhisattva", because he is the leader of the twenty-four celestial guardian deities mentioned in the Golden Light Sutra (quote from Wikipedia). Ming Dynasty...

A spending antique Chinese Kwan Yin sculpture made in the late Ming Dynasty. Kwan Yin or Guanyin and Avalokiteshvara is the Bodhisattva of compassion. Here she stands samabhanga on a simple base with robes flowing and clinging naturally over and to her long, slender body. Her feet peek from beneath her robes.

Her hands are held with her thumb and middle finger touching in the vitarka mudra of teaching. Her hair is piled high on her head. Her gaze serene and slightly downcast...

Wonderful early sculpture, depicting a Chinese saint or deity. China, Ming Dynasty (1368-1644). H. 35 cm. Condition: expected age wear.

We offer today a wonderful Chinese Longquan Celadon Porcelain Guanyin (Kwan Yin) dating from the Ming Dynasty. This Guan Yin has been acquired from the world famous collector of Chinese ceramics, Dr. Nearing and his Dragon's Lair Collection some years ago.

The Buddha is sitting in the double lotus position. The right hand is in the Karana mudra position, which expels negative energy or wards off evil.

It is about 10 1/4 inches tall.

It weighs about 1.949 kg...

A beautiful rendering of a Lohan Monk, Ming Dynasty or slightly earlier, 13th.-15th. century AD.

An excarvated head carved in very hard and dense black stone, in the round with oversized ears and pronounced arched eyebrows and downcast eyes. The head superbly polished, still with traces of the ancient carving methods and a deeply encrusted or embedded earthern patina.

The head is mounted on a modern and very attractive black marple base.

Size: 23 cm...

Statue of Taoist dignitary, in formal attire, his hands joined together, standing on a square base. The dignitary face reflects a profound inner serenity. Bronze, partly encrusted green patina. China, Ming Dynasty Period (1368-1644). Height: 9" (23 cm). Small dents/chips on base, otherwise very good condition.

Chinese porcelain oil lamp with brown glaze finish. Yuan or Ming Dynasty. Condition: two repairs (black color on rims); one hair line; small chips on foot rim. Please see photos for details. Height: 7-3/4".

Rare Ming Dynasty Wanli period ( 1573 - 1619 ) blue and white dish with a " Master of the Rocks " design. Condition : Some very minute rim fritting and one nearly not viseable short hairline. D : 20,2 cm.

Good pair of Chinese Mid-Ming dynasty underglaze blue and white bowls. Dia. 13.5cm. Condition: tiny chip to base rim to one of them, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

This unusual large blue and white incense pot is a Kang Xi period (1662~1722) product. It is 5 1/2" high and 9 3/8" in diameter. On the exterior, there are six sitting Buddhist monks who have achieved enlightenment. Their worthy position is indicated by the halos around their heads. They are surrounded by a swirl cloud pattern. Also, there are clouds around the neck of the pot. Due to firing, there is one crack line on the bottom of the pot and some small dark spots inside and outside...

A large and powerful polychromed wooden carving of a Chinese demonic altar guardian figure, possibly Shun-Feng Erh, dating to the 17th century. Multiple coats of polychrome confirm the piece's great age. Intact, with, most probably, a reattached break in the figure's sash, visible in the photos. A full exposition of the role played by similar figures can be found in Arts of Asia, September-October 1998, "Demonic Images on Chinese Altars." The piece stands just over 16 inches in height...

Guan Yin in cast bronze. She is holding a stylized flower in her hand which serves as an incense holder. Her long-sleeved dress is reminiscent of the Tang style. Details are incised on the dress, the hair. The old patina is very beautiful corresponding to an object several hundred years old. Must be from the Ming period or earlier. A part of the ribbon is missing (visible on picture)Normal wear for an earlier period Height: 13,5cm Translated with www.DeepL.com/Translator (free version)