A very fine and masssive Japanese Edo Period Satuma Vase, measuring 25.5” in height. Satsuma was done in the last quarter of the nineteenth century and after 1900, went out of production as Japan was moving towards modernization. This is an amazing fine decorated with decorations of vignettes of Japanese culture. Done circa 1910-1920 which is remarkable as few are know from this late production. Furthermore, with the original gold leaf pagoda style lid.

IMPORTANT JOSEF HOFFMANN 1870-1956 TURNED WOOD FLEDERMAS SETTEE, circa 1903. Original painted surface with cane seating. The piece complete with its original labeling. 46” width, 36” in height Josef Hoffmann (15 December 1870 – 7 May 1956) was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte...

Gorgeous Awata cereamic 'suiban' or flower vase by 'Tozan, Ca. 1930 with original box. perfect condition. 11" wide and 8" deep x 3" tall. Ask for shipping quote.

A Burgundian first standard (950/1000 pure silver) tastevin by acclaimed silversmith Marc Parrod. The style of this particular example is a bit of a departure from Parrod’s typical style. The handle is worked in the form of a snake, thought to represent the the snake from the Garden of Evil as a reminder that wine may lead to earthly temptation. But the bowl Parrod experimented with the decoration to the bowl...

A tour-de-force first standard (950/1000 pure silver) tastevin by silversmith Stanislas Pollet celebrating Napoleon’s great victory at the Battle of Wagram. The tastevin is inset with a Napoleonic silver medal surrounded by fleur-de-lis engraving. The outer edges are enhanced with ornate strapwork (a technique particularly mastered by Pollet) depicting fleur-de-lis and acanthus leaves...

A kozuka is a handle of a by-knife that is part of a sword mounting. It is kept in a slot on the reverse of a katana scabbard, often with a matching kōgai (hairdressing tool). Kozuka was used as a craft knife rather than a weapon. This kozuka shows two topless figures and a octopus. It made of bronze and copper-gold alloy (shakudo). Size: 3.75 inches (9.5cm)

Menuki is a kind of metal fitting of the Japanese sword, which was initially put into the hole of the handle. The meaning of menuki varies depending on the design, but they often symbolize strength, power, and courage. Some menuki also have more specific meanings, such as those that depict animals like tigers or dragons...

This Menuki has two hallmarks, “服部製(Hattori The Maker)” and “純銀(Solid Silver)”. Size: 1.75 inches (45mm) long

Both Size 5 Excellent condition.

Size: 1.8 inches (46mm) Very good condition.

Samurai menpo mask with the ressei (fierce) expression, belonging to the me-no-shita "half-face" type, which stands out for its leather surface to simulate finely hammered iron. Remarkable are the generously sized imposing nose and chin, which add a distinctive element to the face of the mask. Origin: Japan Period: Edo 18th century Dimensions: 28 x 23 cm. State of conservation: Very good

Refined silver bowl with embossed irises cast and chiseled inside on a hand-hammered ground on the bulbous body, raised on an oval foot. Signature engraved under the base Watanabe zo and Junjin. Origin: Japan Period: Meiji end of 19th century. Dimensions: 15 x 27 cm. – Weight: 1320 gr. State of conservation: Very good

Ivory netsuke depicting a rat with black horn eyes. The rat is represented resting on its hind legs, while its long tail surrounds an acorn that it is gnawing with its front legs. The object is accompanied by an original label which certifies its origin from the former Tamanini collection in Milan. Origin: Japan Period: Edo 19th century Dimensions: 3.4 x 4.3 x 2.9 cm. State of conservation: Very good

Ivory netsuke depicting a dromedary with a long neck that bends backwards. The surface is distinguished by its shine and blonde patina, with color transitions ranging from yellow to lighter ivory. To the touch, the netsuke feels soft and smooth. Origin: Japan Period: Edo 19th century Dimensions: 4 x 3.5 x 1.7 cm. State of conservation: Very good

Lavender and aquamarine coat the surface of this vase from the Kairakuen Kilns of the Ki branch of the Tokugawa family dating from the 19th century. The circular window between floral scrolls is made in the shape of the archaic character Kotobuki. The vase is 18 cm (7 inches) tall and in excellent condition, and bears the Kairakuen seal impressed into the base...

German 800 silver cow creamer, ca 1910. A sweet bovine with upturned horns, flexed ears, and smiley mouth spout. Sturdy sagging body with ring-handle tail and hinged back cover with fly finial. Stands on firmly planted hooves. Unidentified Hanau marks. Very good condition.

Dimensions: H 4 1/8 x L 5 1/2 x W 2 in. Weight: 5.6 troy ounces. #BY777

French Belle Epoque Classical 950 silver gravy boat on stand, ca 1910. Boat has ovoid bowl with helmet mouth and raised oval foot with imbricated leaf rim. High-looping and split leaf-mounted handle with armorial engraved in beaded oval frame. Stand oval with open well and four trefoil supports. Both have stippled tubular frames alternating with stylized flower heads. Reeding. Fully marked with Minerva head and maker’s stamp (Alphonse Dutac)...

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY772

Edwardian Classical glass vase with engraved silver overlay. Made by La Pierre Mfg. Co. in Newark, ca 1910. Faceted cone with scalloped rim; round flat foot with star cut to underside. Overlay in form of garlands threaded through interlaced arches (body) and star (foot); scrolled frame (vacant) also on foot. Marks include maker’s stamp. Very good condition.

Dimensions: H 11 1/8 x D 5 in. #BY773

English Edwardian Classical sterling silver tray, 1908. Rectangular with tapering sides and everted rim. Scroll and flower border applied to well and rim. Corner ball supports. Fully marked including London assay stamp and stamp for New Bond Street retailer Finnigans Ltd. Very good condition.

Dimensions: H 1 1/8 x W 12 1/8 x D 9 1/8 in. Weight: 28.8 troy ounces. #BY945

Imperial Chrysanthemum sterling silver soup ladle. Made by Gorham in Providence, ca 1900. Tapering stem with waisted terminal and lobed round bowl. Dense ornament with flowers and leaves. Bowl interior gilt-washed with same. A nice serving piece in the late-comer Japonesque pattern, which was first produced in 1894. Fully marked including maker’s stamp. Very good condition.

Dimensions: H 12 3/4 x W 4 x D 3 7/8 in. Weight: 8.2 troy ounces. #BY819

German Rococo 800 silver centerpiece, ca 1900. Ovoid and bellied bowl with leaf and flower-capped split-mounted double-scroll end handles, and four scroll-mounted supports. Exuberant leafing scrolls, layered scallop shells, and open flower-strewn diaper. Two scrolled and bead-and-reel frames (vacant). Detachable brass liner. Gilt interior. Fully marked including maker’s stamp (Bruckmann & Söhne). Very good condition with nice patina.

Dimensions: H 8 3/4 x W 17 3/4 x D 8 1/2 in...

Edwardian Classical sterling silver sugar caster. Made by Tiffany & Co. in New York, ca 1909. Upward tapering bowl with reeding; stepped and spread foot. Cover domed with vasiform finial; top has ornamental piercing. Fully marked including maker’s stamp, pattern no. 17583 (first produced in 1909), and director’s letter m. Very good condition.

Dimensions: H 6 x D 2 5/8 in. Weight: 6.6 troy ounces. #BY560

Maintenon sterling silver serving tray. Made by Gorham in Providence in 1923. Oval with leaf-capped and -mounted c-scroll side handles. Well has engraved beaded oval frame (vacant) in garland surround. Tapering shoulder with chased scrolls and flowers in alternating wide and narrow curvilinear frames. Imbricated leaf rim. Fully marked including maker’s stamp, date symbol, pattern name, no. 10217/1, and letters “CCQ”. Very good condition.

Dimensions: H 1 3/4 x W 25 x D 15 5/8 in...

Pair of Lancaster sterling silver ice tongs. Made by Gorham in Providence, ca 1900. U-form with beaded stem and floral terminal. One jaw ovoid and scalloped with ornamental piercing; the other a cast claw with five talons. A nice early piece in this pattern, which was first produced in 1897. Fully marked including maker’s and retailer’s (Shreve & Co.) stamps. Condition: Nice definition. Taut and springy.

Height: 6 1/2 in. Weight: 1.8 troy ounces. #BY812

Victorian Classical sterling silver loving cup, ca 1890. Baluster bowl with flared rim and raised foot. High-looping capped double-scroll handles. Exuberant embossed and cast ornament with scrolling leaves and scallop shells contained by fluted frames. Fully marked including maker’s (Frank W. Smith) and retailer’s (Theodore B. Starr) stamps, no. 1334B, and volume (6 1/2 pts). Very good condition with deep patina.

Overall dimensions: H 10 1/2 x W 10 x D 6 in. Heavy weight: 46.8 troy ounce...

A nice West Mesopotamian gable seal of a larger size, Late Ubaid-Uruk period, 4th.-3rd. mill. BC.

Carved with s a strange looking animal in the base in very high relief.

Size: 22 mm. in diameter.

Condition: Nice VF, small chip to the upperside.

This comes with hard impression and original ID-card from below collection.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, b...

19th century netsuke of an oni holding an octopus on its shoulder. Wonderful, probably unique subject, great carving, both characters bear a surprised expression, excellent patina. Height 1.6 inches

Tahenetdjehuty – tA-Hnt-DHwty Type 2

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Tahenetnebkhemenu – tA-Hnt-nb-xmnw

The name means ‘The one who is protected by Toth’

Daressy suggests that Tahenetdjehuty is from the Bab el Gasus Cache and is the same person as Tahenetnebkhemenu, see Estatuetas funerárias Egípcias da XXI dinastia, pg. 417-418. See also Liliane Aubert pg. 93. Newberry registered 13 workers ...

Lovely bronze battle axe, Ancient Near East, early 2nd. millenium BC.

Finely made battle axe with a long enforced and narrow blade with a ridge at the top and an elaborately made socket in a zoomorphic shape with a broad decorated backplate.

Size: 114 mm. long and 67 mm. tall.

Condition: Very fine, intact with a rough uncleaned encrusted green patina over beautiful brown and red surfaces. Can be cleaned.

Ex. Danish private Collection, aquired at the Co...

A fine set of three bronze and copper daggers, East Caspian Sea area, 3rd.-2nd. mill. BC.

The set includes one extremely fine dagger of later fabric, probably 1200-800 BC with a long bend tang.

Size: 177 mm., 173 mm., and 147 mm.

Condition: Choice VF to Extremely fine, uncleaned with sandy deposits.

Ex. Danish private Collection, aquired at the Copenhagen antiques market in the 1990s.

Pair of very fine specimen of the earliest metal daggers known, BMAC / Indus, Chalcolithic period, 4th.-3rd. millenium BC.

Interesting and collectable daggers! Flat, leafshaped blades and very long, twisted tangs.

Size: Up to 171 mm long.

Condition: Good Very fine, choice green patina and great metal.

Ex. Danish private Collection, aquired at the Copenhagen antiques market in the 1990s.

A group of some very attractive stamp seals in black and red stones, Mesopotamia, Ubaid period to figural, 5th.-3rd. mill. BC.

There's a pair of hemispheric seals with animals, 3rd. mill. BC, an interesting round seal in red stone, probably early Ubaid or Halaf period and lastly a round seal with handle in black stone, finely engraved with bulls eyes and radiates, c. 4th. mill. BC.

Size: Up to 22 mm.

The seals comes with original ID-cards from below collection....

Lot of mainly very early stone- and bronzeage amulets and seals Mesopotamia - dating 7th.-1th. mill. BC

These are all from the Gustav Oberländer and comes with his ID-Cards included in the sale.

Interesting group including some very early Pre-Halaf amulets to later amulets 7th.-1th. mill. BC.

Size: The largest amulet in Jet-Black stone is 35 mm. long.

Basically intact with smooth wear, some with engravings.

Provenance: Gustav Oberländer (...

A very nice lot of stone stamp seals, and a greenstone axe amulet, Anatolia/Mesopotamia, c. 4th.-1st. mill. BC. (10)

The lot also Includes a beautiful red-black stone seal with grit pattern, dating Ubaid, 4th. mill. BC, a tablet seal with decorations on all sides, and smaller later stamp seals.

The seals comes with the original ID-card from below collection.

Size: Up to c. 17 mm.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his mas...

Another lot full of attractive seals - 10 early stone stamp seals in red, green, black and white stones, Mesopotamia, Pre-Halaf Neolithic period in the 7th.-6th. millenium BC to the 1st. mill. BC (10)

Including a lovely marple cone-shaped seal, probably Syrian c. 6th.-5th. mill BC, other seals from Halaf, Ubaid and later periods all with nice details and including seals with carvings of humans and animals on several sides. Interesting unresearched lot by us.

Size: Up to 1...

Interesting lot of attractive seals and including a large amulet, Mesopotamia, c. 3rd. mill. BC.

The amulet polished smooth in an nice green stone rectangular with a pierced handle and a piercing in the middle as well. The seals engraved with criss-cross and animals.

Size: The amulet measure 36 mm. as the largest.

These seals/amulet comes with ID-cards from below collection, made by the collector.

Provenance: Gustav Oberländer (1926-2012), Oberlände...

An interesting lot of 4 bronze stamp seals with geomethric bases, Mesopotamia, BMAC and later, 3rd.-1st. mill. BC.

Comes with Gustav Oberländers Identification cards and from his collection.

Size: Up to c. 19 mm. Choice condition, with nice green patinas.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections. Gustav Oberländer specialized in...

Rare English Regency Hawksbill and Greenback Tortoiseshell Tea Caddy with ivory and pewter stringing, having cut corners and a bowed front panel with pressed tortoise in concentric ovals with fan corners and central inlaid silver oval with leafage border; the bowed lid surmounted by a ball finial and the whole raised on ball feet. Circa 1800-15. (Key). Height, 6”; Length, 8”; Depth, 4.75.”

#573 English octagonal ivory tea caddy with fluted ivory panels with tortoise shell stringing and banding, having a pyramidal lid with silver finial opening to a lidded compartment. Circa 1790. Height, 5”; Length, 4.25”; Depth, 3.25.”

**Regarding the Sale of Items Incorporating Materials from Endangered Species: An export license issued by the U.S. Fish and Wildlife Service will be required for the export of this pre-CITES item from the U.S. Studio Antiques will not ship this item ...

Rare Child’s Miniature Tole Tea Caddy of Sarcophagus Form, having a shaped lid surmounted by a cast brass knop and with paw form feet: decorated with “smoke” graining and on the front a patera of polychrome flowers. American or English. Circa 1810. (Losses) Provenance: The Cockrell Collection. 3” x 2.25” x 3.5”

French Boulle Style Tea Caddy, rectangular with cut-corners and slightly domed lid with all sides and two interior lids extensively inlaid with engraved brass and red and black colored lacquer simulating tortoise-shell in the 17th century manner. Circa 1850.

Provenance: The Cockrell Collection. (Key). (See our #555 for a related example with blue lacquer ground.) See Clark & O’Kelly, p. 109-10 for related boxes. Height, 4.5”; Length, 8.75”; Depth, 4.5.”

Rare Chinese Export Child’s Black Lacquer Tea Caddy with stepped lid and shaped body having gilt decoration of figures in courtyards and raised on carved dragon form feet. Circa 1820-1830. See our #581, #701 and #702 for related examples.
5.25” x 3.75” x 4”

Rare Antique Chinese Export red lacquer melon-form tea caddy with six loebed sides, three gilt dragon paw feet, gilt decoration of figures in gardens on body and hinged lid with carved “stem,” opening to a similarly shaped tin liner. Circa 1825. Height, 5.5”; Diameter, 6.25” Gourds and mellons had a particular significance in Chinese culture.

See: ”Antique Boxes”by Clark and O’Kelly, figure #238 and our #620 for a similar example.

#530 Antique Anglo-Indian Tea Chest, sandalwood overlaid with strips of elk horn. The box is rectangular with sloped sides. The elk horn on the top of the stepped, sloping lid arranged in a starburst pattern. The fitted interior is decorated with incised ivory panels, highlighted with lac, a similarly decorated pair of removable caddies and a circular cut crystal sugar bowl and a horn caddy spoon. (The squashed ball feet are later replacements. Lid lack support). Valtair, Vizagapatam, possi...

Antique Chinese Mandarin porcelain tea caddy and lid with polychrome decoration of figures on balconies and an applied fruit form knob. Circa 1790.
Height, 8.”

It is rare for these Export Caddies to retain their original lids.(chip to underside of lid.)

Provenance: The Cockrell Collection.

Chinese Export Black Lacquer Tea Chest, rectangular with cut corners and lobbed body with gilt decoration of figures in courtyards; the stepped, hinged lid opening to two pewter lidded and engraved caddies and the whole raised on gilt dragon-form feet. Circa 1820 (wear to decoration). See our #581, #702. #703 for related examples. 9.75” x 7.25” x 6.75”

Table mirror, resting on 2 feet. At the back, a wooden board unfolds to form a third leg to provide a good base for use on a table. Otherwise, folded, can be used as a hanging mirror. Given its small size and that fold-up leg feature, I think this is probably a travel model. What is pleasant about this mirror is that unlike large mirrors of this type, the relationship between mirror and frame is low, in fact the superb decoration of the frame is clearly legible and takes on its full artistic and...

Rare American Federal tea caddy in nicely figured mahogany with three sides and stepped lid inlaid with banding and corner fan decoration; rectangular, with shaped skirt and French bracket feet and divided interior. Probably 1800. Provenance: The Cockrell Collection. See Montgomery, American Furniture, The Federal Period, #436-439 for other examples. Height, 9.25”; Length, 12”; Width, 6.5.”

Large antique Native American storage basket, circa 1890-1910. Appears to have originated in the North West United States, presumably Skokomish. Some edge damage, otherwise in good condition. Approximately 13" in diameter.

Unusual mask carved in wood, in the form of a skull face, with a strong expression in relief. Remnants of the original pigments meant to enhance the mask features. This mask, which was bever worn, was used by a "dukun" for ritual practices and ceremonies. The mask was found in the island of Java, Indonesia. Its height: 17 cm. Mounted on a custom stand. Despite signs of great age and old accidents, the mask is in rather good condition. Provenance: old Dutch collection. NOTE: A dukun is an Ind...

A pair of octagonal dessert plates by Copeland, the edges dented and gilt. Japanised, “Aesthetic” decoration of brambles or blackberries, transfer printed and hand painted with some gilt over part of the withered leaves and berries. Diameter "9/ 22.8 cm. The back with the impressed curved mark used by Copeland from 1860 to 1880, and N80, probably for November 1880. Condition: fine.

Demitasse black and white coffee can and saucer by Bodley & Co in Staffordshire, c 1870. The pattern, numbered 3438, is of various whimsical silhouetted scenes – a charging officer and fusiliers, firefighting, dueling with walking sticks, an arguing couple, a fat guardsman etc. Impressed mark Bodley. The deep well of the saucer makes the ensemble into a “trembleuse” – a design that made it easier to move the cup from one place in the room to another. Height of can "2/ 5.7 cm, diameter of...

A porcelain napkin ring molded with Neo-Rococo scrollwork in blue and gilt, a present for “G”. Vieux Paris / Old Paris Porcelain c 1870, unmarked. Maximum width "1 ½ / 3.8 cm, inner diameter "1 ¾ / 4.5 cm. Condition: fine.

#699 Antique Scottish Penwork Tea Chest in Maple with all over decoration of leaves and acorns and a central paterae on the stepped lid of a mother with two children. Inside are two removable lidded tea caddies with penwork leaf and grape decoration and the underside of the lid has a faux coral design.

Attributed to Charles Stiven of Selkirk

See: “Antique Boxes” by Clarke & O’Kelly pages 126-130 for other examples and our #704, #528 and #700. (Wear to decoration around lock, integ...

Antique Pear Form Tea Caddy in fruitwood, turned in the form of a pear with iron escutcheon and stem.  Often made in suite with an apple form tea caddy for your green and black teas. You want to see a curved lockplate as many fruit form string holders are being passed off as tea caddies.  Probably German, Late 18th Century. 6.5” tall with stem

An antique Japanese Kotansu (personal storage chest) made entirely of Kiri (Paulownia) wood. All original bronze hardware with replaced drawer pulls. Two hinged doors open to a storage space for books and documents with removable shelves and small drawers below. Constructed using straight dovetail joinery and hardened wooden nails.

Age: Late Meiji Era (1890-1910)

Dimensions: 24 3/4" Wide by 18 3/4" High by 12 1/2" Deep

A Japanese stoneware sake bottle, tokkuri, probably from the Inuyama kiln in Maruyama, Owari Province.

The kiln is noted for overglaze enameling introduced by Dohei in 1835 and the gourd-shaped bottles decorated with maple leaves are perhaps the best known of all. This example is decorated with coloured branches and Ming dragons set within a frame of red lattice. The body is stoneware covered in a finely crackled clear glaze.

This is a genuine old bottle, in overall good state ex...

A fine root wood figure depicting an aged Daoist Immortal, holding a ruyi scepter in one hand and standing on a high rock surrounded by waves in an imaginary sea . The head of the Immortal is partly carved while the body and partly the stand are naturally shaped. Made of two parts fixed together. Ming Dynasty, 17th cent. H. 20,5 cm. Condition: very good patina with some wear .

Authentic antique, Russian (The Grand Duchy of Moscow), a rare version of the Orthodox Byzantine double-sided cast bronze pectoral cross pendant, circa 15th- 16th century AD. The obverse, cast in relief, has the image of Christ crucified on the cross; under the arms are letters of the Greek alphabet, OV and MP, an abbreviation of the Greek Mater Theos (Mother of God).

Each arm of the cross is adorned with a round finial containing busts of saints. The reverse depicts standing with outsprea...