Three bottles with elongated foot, spindle-shaped body, and long cylindrical neck. The buging rim of two of them (foot of one) dipped into brick-brown glaze.
For similar dipped examples from Sicily, cf. Beazley Archive vase no. 1005311.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide

This antique Japanese large flying dragon shrine corbel is a stunning piece of art that is sure to impress. The sculpture is made from one solid block of Keyaki (Zelkova) wood depicting a dragon that appears to abruptly change course in mid-air. The body has dramatic features that visually flow with this sculpture, making it a true masterpiece...

This Antique Japanese Buddhist large temple bell set is a rare and exquisite piece of art that will add a touch of serenity to your home. The set comes complete with a stand, cushion, and striker, all made of Hinoki wood and finished in a beautiful red Urushi lacquer that has acquired a warm patina over its life. The stand features gold gilt accents that add to its elegance...

A large, Museum Quality pottery figure of a male attendant carrying an umbrella on his back. The figure dates to Ming Dynasty, 1368-1644 AD.

The figure is placed on throne made of Lotus flowers on the top of hexagonal plint, both in fine Sancai colours - a two-colour green and yellow glazed robe.

He wears a high hat. Finely painted facial details...

A pair of large, high quality pottery figures of a male and a female attendant, dating to Ming Dynasty, 1368-1644 AD.

The figures are matching in the Green and Yellow Sancai colors and they are placed on large plints.

The female figure carries a fan. She has been TL tested by Ralf Kotallas Laboratory and dates to ca. 1500 AD. The male figure is holding a Ying / Yang emblem in fron of his chest...

Interesting stone stamp seal found in Harran, easternmost Turkey, prior to 1991. Harran was founded as a real city at some point between the 25th and 20th centuries BC, possibly as a merchant colony by Sumerian traders from Ur. Over the course of its early history, Harran rapidly grew into a major Mesopotamian cultural, commercial and religious center.

This seal is engraved with distinctive spoked wheel in the base, so we can date as 3rd.-2nd. millenium BC...

A squat early cylinder seal in cream marble or calsite. The seal is carved with the 'eye' or circle/rhomboid form - a characteristic and significant design for the Period.

The Jemdet Nassr Period in seal manifacturing,3300-2900 BC, were spreading from Southern Mesopotamia, where a great number of administrative cuneiform tablets and seals came from. Such seals was used to impress pictures or descriptions into soft, prepared clay...

Very attractive thick early geomethric style cylinder seal, carved in marble or another calsite glossy stone, Mesopotamia, Jemdet Nasr period, c. 3300-2900 BC.

Impressive size in hand in a beautiful stone, scarce!

Size: 17 mm tall and 15 mm...

A fine and rare late Pre-Dynastic / Late Jemdet Nasr period, Mesopotamian Cylinder seal of translucent Alabaster, early 3rd. millenium BC.

The seal carved in high relief with a fine rendering of centipedes.

Size: 28 mm. tall and c. 15 mm. thick.

Condition: Very fine, old loss at one side, othervise extremely fine. Nice patina and attractive...

Height: 11.6 cm (4.7 in)
Width: 7.5 cm (3 in)

Japanese Satsuma vase shows two main polychrome panels of families in rural and domestic settings; all surrounded by profuse and very detailed gilt diaper work; signed on the base, Gyokuzan; good condition

Width with Handle: 8.5 cm (3.4 in)
Height: 6 cm (2.4 in)

Fine Chinese jade libation cup; shows two Chilong, one with its head draped over the handle and the other shown crawling up the other side; lovely russeted section blends well into the green; natural cracks present; good condition

Width: 13.5 cm (5.4 in)
Height: 4.8 cm (1.9 in)

Quality Chinese Xianfeng Period porcelain famille rose stem bowl; features a central gilded iron red dragon surrounded by clouds inside a border of bats, lotus and folia scrolls; the underside shows a series of polychrome auspicious objects above a base border of bats and clouds; hand painted Xianfeng mark; good condition

The tube of the pipe is simply cut from a natural bamboo stem to which the artist has chosen to leave some secondary stem ends. The frame, mainly in bronze, is composed of several layers of metals, alloys of different colors, yellow , red-brown and grayish-black, finely cut with motifs, bats, swastikas and stylized Lingzhi,wishing 10,000 years of happiness and long life. There are some jadeite beads embedded in the decor...

Height approximately 31 cm. There are 2 cracks from the rim to the body and 1 hairline at the rim.

Early to mid- 19th century netsuke representing nio (one of the Buddhist Guardian Kings) sitting on a huge old straw sandal and mending it with a rope. Excellent carving, beautifully stained, wonderful wear and patina. Signed TOMOCHIKA in oval reserve on the bottom - the artist is Tomochika the First as discussed on p. 1148 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.2 inches.

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow...

Shabti for Iset Ta - Hemdjert (2)

Faience Ushabti “Iset Ta-Hemdjert” the Great Royal Wife of Pharaoh Ramses III.

Death figure with uraeus and youthful curls, as well as with remains of the eight-line surrounding inscription.

Queen “Iset Ta-Hemdjert” had at least two children, Ramses the successor to his father, and Amunherchepeschef (Ramses VI), who became king after the death of his brother and nephew (Ramses V. The grandchildren of "Iset Ta-He...

Victorian Classical sterling silver goblet. Made by Elkington & Co. Ltd in Birmingham in 1859. Ovoid bowl on knopped cylindrical stem flowing into raised foot. Bowl has engraved vertical scrolled frames inset with leafing scrolls surmounted by scallop shells, except one, which is vacant in place of the shell. Foot has leaf and flower garland on stippled ground. Beading. Gilt interior. Fully marked. Very good condition.

Dimensions: H 7 1/8 x D 3 1/4 in. Weight: 6.8 troy ounces. #BY830

Edwardian glass tobacco jar with sterling silver cover. Made by S. Kirk & Son Co. in Baltimore, ca 1910. Jar has curved sides with cut bead-and-reel fluting and short inset neck; star cut to underside; Cover curved with allover floral repousse on stippled ground. Fully marked including maker’s stamp (1903-24) and no. 189. Very good condition.

Dimensions: H 7 3/4 x D 5 3/8 in. Weight (silver only): 4.8 troy ounces. #BZ221

Victorian sterling silver water pitcher. Made by Tiffany & Co. in New York. Globular bowl and drum-form neck with small lip spout; c-scroll handle with stylized flower-head mounts. Bowl has embossed border of imbricated leaves or chevrons, a bold motif popularly known as Wave Edge. Neck applied with same. Fully marked including maker’s stamp, pre-1875 pattern no. 3077, and director’s letter M (1873-91). Very good condition.

Dimensions: H 7 3/8 x W 7 1/2 x D 6 in. Weight: 22 troy ounces. #B...

Statue of a standing woman in formal dress, with an unusual necklace supporting a Christian cross. Wood, with fine glossy patina. India, 19th century. Height: 18.5 cm. The statue is nicely mounted on a custom stand. Abrasion due to age, otherwise good condition.

Unusual Pottery sweets dish in soft green glaze by the 11th generation head of the Raku Family Keinyu, enclosed in the original signed wooden box titled Chagata Kobachi. Covered in crackled pale green glaze, it is 11.5 cm diameter, 8 cm tall and in excellent condition.
The 11th generation head of the Raku family, Keinyu, was born a second son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka city in Kyoto, he was adopted in the Raku family as Tannyû's son-in-law, assuming...

Height: 41 cm
Width: 9.5 cm
Weight: 1.2 kg

Large Chinese carved female form holding a garland of flowers; noble head-ware; natural material; good condition

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm

Late 20th century emulation of a Song Dynasty of Guan Yao glazed vase. If you don’t have $2000,000 for an original this the nest best thing. Excellent condition with fine celadon glaze and well potted. H: 21cm/8.2in and D: 14cm/5.5in.

Mid- 19th century netsuke depicting Kokusempu Riki (Li Kui in Chinese) - one of the Suikoden heroes - holding a huge axe. Loosely based on historical events, the Chinese book called Shui-Hu-Chuan (Suikoden in Japanese, The Water Margin in English) it tells the story of a group of 108 rebels living at the edge of Liangshan Marsh who helped to protect the poor and oppressed. Kokusempu Riki (Li Kui in Chinese) was a priest, who was expelled from the Hakuryojin Temple. Excellent carving, wonderful f...

An ancient Egyptian Scaraboid, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 3/8” long (9 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

An ancient Egyptian Scarab, more than 2,300 years old, from the famous Mitry collection (see our Homepage). It is 7/16” long (11 mm) and made of steatite, an easy-to-carve stone that hardens when heated. Scarabs empowered life and resurrection and were often placed under mummy wrappings to protect the body and to help it resurrect. This Scarab comes in a jewelry display cup.

A finely patinated and uncleaned silver foliage figure of the seated Buddha on a tall draped Throne, Thailland, 18th.-19th. century AD.

Size: 14,8 cm. tall.

Intact but some wear and tear as usual with the type.

Ex. old Danish Estate Collection.

A lovely old silver and torquise mounted Conch shell, Tibet, 18th.-19th. century.

Attractive and substantial Buddhist antique. Thick silver folliage mount with animals and a demon masks. Mounted with torquise stones, one missing.

Size: Approx 22 cm. long and 10,5 cm. wide, weighing a good 680-700 grams.

Ex. Danish Private Collection.

A very unusual and rare Pair of antique, lightly Patinated, heavy Bronze table candle sticks adorned with Oak leaves and Acorns. Size: 24.5 cm (9.5"), 19th Century

A rare and charming FRENCH antique GILT BRONZE FAUN, depicted as a boy sitting. The Faun has a head garland decorated with grapes and vine leaves. Good condition. It comes with a cone-like black wooden stand. Total height with stand 14.5 cm (5 3/4"). Late 19th Century.

Very rare, Gulong Miao children’s jacket from Guizhou. This is a side opening style, made from all hand woven cloth (except for the inner sleeve lining) with hand embroidered anthropomorphic figures, on a calendared greenish cotton ground. This pattern was only used on children’s clothing from this Miao subgroup. Excellent condition. Width: 75cm/29.5in (sleeve tip to sleeve tip) Length: 39cm/15.3in (collar to bottom). Free shipping.

This is a very attractive and richly decorated Japanese cloisonne vase. At fist glance one would think it was made by Namikawa Yasuyuki because of the mottled colors and glow to the enamel. There are both silver and gold wires used in the designs. It is not signed but it is so similar to a Namikawa piece that we believe it was made by Shibata, his student. It stands 6 inches tall and is quite heavy because of the thick enamel. The vase may have had a lid at one time but I can't say for certain....