A Very Fine/Rare/Large Korean Buddhist Painting (Ksitigarbha Bodhisattva)- 19th C.:
Korea, Joseon dynasty, 18th to early 19th century,
Amit’a, the Buddha of the Western Pure land, and Attendants.
Painted in polychrome mineral pigments on silk.
It’s in fine condition with colors but has some creases associated age.
it measures 53 ½” h. x 52” w. (136 cm h. x 132 cm w.). ****** This painting has been mounted in paper and wood frame on back (was removed from a outer wood frame).
Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail...
Chinese hardwood altar table. With jade "coins" wrapped into the wood apron, carved to resemble rope. Standing on four tall and narrow legs.
Dimensions: 48" x 16" x 33.25" H
Antique Japanese tansu from the Iwayado area. Made with Sugi (cypress) wood frame and dramatic Keyaki (elm) burl front panels, in original red/orange lacquer finish. The extensive iron plating is incised into flowers and Kiri leaves; The top drawer features a large flying Phoenix as its lock plate...
A pair of a very well painted Kutani porcelain sake bottles painted in “Kenjo Imari” style painted with gilt karakusa to the neck with various marumon, a band of diaper to the shoulder, and further aka-e dama, and stylised karahasna-mon. to the body of the bottle. The vases are thinly potted and wreathing to the interior of the neck suggests that they were originally thrown in two parts...
A pair of Arita dishes moulded in so-called suhama form; a stylised interpretation of a wave washed beach often associated with the Isles of the Immortals. Painted in underglaze blue with a group of five auspicious karako, Chinese Boys, bound together with a ribbon or rope; symbols of joy and a wish for offspring. In addition a Chinese style Fan and a Double gourd are painted in iron red and gilt to complete the design...
A similar pair of dishes to EW 3037 but without the additional gilding and iron red decoration. Designs featuring Karako were popular both in China and Japan at this period they were both symbolic of joy and a wish for children, kodakara; the treasure that is children...
Chinese snuff bottle, made with lapis lazuli, of a flattened flask shape, with carved Kirin front, and stopper made with yellow peking glass and agate.
Republic Period
Dimensions: 1.25" x 2.5" H
A nice jar decorated with floral sprays in incised brownish glaze. Thailand Sawankhalok ware 16th century found at South Sulawesi. Condition is very good. No any crack, very minor tiny chips, free from any restoration. Height:
A nice example of white glaze boy figure smiling and the left hand holding "Ruyi', the right hand holding a fruit. Possibly Early Qing Kangxi 18th century . Condition with two hand of the finger is missing and as well as half of the Ruyi head, further is in good condition. Height: 17,3 cm.
A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl.
The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...
A tall beaker of bell form decorated in underglaze blue with a pair of auspicious Dragons each clasping a “tama” pearl above its head set against a lightening field with auspicious ruyi form clouds supporting respectively artemesin leaves on which are a pair of scrolls bound by ribbons and a flaming pearl.
The design has been adapted from a Chinese precedent of the sixteenth century but with a Japanese twist to the design...
Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.
This is a very fine Japanese cloisonne vase done in the style of Namikawa Yasuyuki. It is not signed but we believe it was made by Honda, another great Meiji era artist. The enamels are rich in color and this heavy vase has a superb high gloss sheen. It stands 4 3/4 inches tall and is in excellent condition.
DESCRIPTION: A fine and very sculptural Chinese Duan ink stone in the form of a bell with a deeply carved water well on one end, and a flaring flat surface on the other for mixing ink. The stone is raised on two elongated prong feet, between which is a five character inscription...
This is truly a great Meiji Era Japanese satsuma vase. Look very close at the images and notice the extraordinarily fine detailing in the scenery etc. This masterpiece stands just 3 5/8 inches tall. Signed Yabu Meizan and in nearly mint condition.
Antique Japanese 2-section kaidan tansu, or step/stair chest of drawers. Made of solid Keyaki (elm) hardwood, the bold woodgrain is well-complimented by the original deep red lacquer finish and heavy iron hardware. With original set of keys.
Exhibited at the Prestigious SF Fall Art and Antique show, 2017.
Meiji Period (1868-1912)
Dimensions: 55" L x 26 1/8" D x 80" H
Antique Japanese kannon biraki (opening door) isho tansu (clothing chest) in 2 sections. Made with kiri (paulownia) wood front with sugi (cryptomeria) wood top and sides. The top section has a pair of hinged doors which open to reveal two large drawers. The bottom section has two large drawers and a safe box in the lower right hand side. The hinged safe box door opens to reveal two small interior drawers, one of which has a hidden compartment...