Porcelain cranes in a lead tree decorate the lacquered top of this gilded wooden box enclosed in the original wooden box titled Romatsu Sokaku Zu (Ancient Pine Two Cranes) and signed Sekka, with signatures of Tozan II (porcelain decoration) and Suzuki Hyoetsu (lacquer artist) inside...

Citipati mask made of gilt embossed copper. Tibet, early 19th century. Height: 18.7 cm. Width: 22.2 cm. The mask is nicely mounted on a custom stand. Obvious signs of age, otherwise good condition.

Floor cushion cover (zabuton-gawa) made of choma (ramie) whose warps and wefts are hand-plied. It has beautiful katazome (stencil-resist-dye) bamboo motif. The white ground katazome is called "Jishiro" which is rather rare than indigo ground one. It has also nice cloth with stripes for lining, whose warps are cotton and wefts are ramie. Probably made in Echigo, now Niigata prefecture. In excellent condition. The second half of the 19th century. 64cm x 68.5cm

A Chinese, Cizhou-type, brown glazed wine bottle of a round shape; Jin to Yuan dynasty. Possibly from a kiln in Henan province. Dimensions; 19.5 cm tall. Condition; good condition with appropriate, age related, wear. A minor restoration to a lip chip.

Kangxi six character mark in underglaze blue (1662-1722). Diameter approximately 32.5 cm.There are some chips at the rim. There are some hairlines at the rim.

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

A Very Fine Korean Blue/White Slip Inlaid Celadon Wine Cup-Stand-13th C.: Korea, Goryeo dynasty, 12th-13th century...

Chinese Qing dynasty rounded diamond form four-footed Straits porcelain narcissus dish decorated on the sides in underglaze blue on a white ground with four “shuangxi” symbols (representing double-happiness and wedded bliss) surrounded by a stylized pattern of pencil style scrolling sweet pea vines (symbolizing “many children”). The undecorated interior was intended to hold pebbles or dirt in which plants or bulbs could be grown. The flat rim holds a geometric band...

A small circular table likely made as a stand for an incense burner or suiban basin dating from the Muromachi era (late 14th to 16th century ) covered in black lacquer over which has been applied vermillion in the style known as Negoro. About the center a ring of wood grain is typical of the era. It is supported by three curling feet extending from a billowing diaper. The lacquer, originally black, has oxidized to a mellow chocolate color beneath...

A lacquered cabinet for storing Tea accoutrements by Koyama Kogetsu enclosed in the original signed wooden box dated 1931 and titled Tsukiyama Maki-e Kikkyoku (Mon and Hills Maki-e Tea Cabinet). On the door deer stand on the edge of a glade, gold, lead and Raden (mother of pearl) trees with branches of gold and silver maki-e above. The door lifts off to reveal the silver disc of a full moon rising over evening hills. It is signed in gold Kogetsu...

Late Qing dynasty Guangxu period export ginger jar with lid decorated on the front in underglaze blue on a white porcelain ground with the three Star Gods (Fuxing, Luxing, and Shouxing) representing good fortune, prosperity, and long life. Shou holds the peach of immortality, Fu carries a child, and Lu holds a ruyi scepter. They are standing together in a landscape setting in front of a large tree. A stylized bamboo stalk is on the back...

A really nice specimen of the sought after type III flint / silex dagger, c. 2000-1800 BC.

Very attractive and finely made neolithic dagger from the latest fase of the Danish stoneage neolithic period.

The dagger is classified within the type III group of daggers. The cross-section of the handle is square shaped and both surfaces and edges of the handle and blade has the classic "stitching" style of flaking. Stitched handles first appear with type III daggers...

A Chinese Qingbai Glazed Ewer with a Dish Mouth. Circa, 960-1279, Song Dynasty. Found in the Philippines. Featuring an ovoid shaped body, tapering to its shoulders with two lug handles and a short curved spout, opposite a straight strap handle onto a short waisted neck, supporting a cupped mouth with a slightly flanged rim...

A tanged 'Luristan' bronze dagger or short sword from Ancient Near East, Caspian Sea Area, Bronze age, dating to mid 2nd mill BC.

The sword with high, rounded shoulders and slight central midrib.

Length: c. 33,5 cm.

Condition: Fine green patina. Some roughness to the edges.

Ex. Private Collection in Denmark, formed in the 1990's.

The title does not lie, this is one against which all others might be measured. A celebratory sake set consisting of three cups and a stand enclosed in their original lacquered wooden boxes. The cups are over the top, decorated with plum pine and bamboo in taka-maki-e gold over red replete with bits of kirigane gold and ke-uchi details. The cups are equally gorgeous on top and bottom, the design extending even inside the foot ring...

Late Corinthian plate with nice polychrome painting, dating to 5th - 4th century BC.

Very attractive dish that was made with two holes in the rim for hanging it.

Size: 16,9 cm.

Condition: Nice VF, one fragment reattached and restored nicely.

Ex. pre-2nd. world war Bavarian collection.

Futonji (bedding) with tsutsugaki phoenix and paulownia tree design which is made of hand-spun cotton and vegetable indigo dye and colored with pigments. Phoenix is an imaginary and sacred bird by Chinese lore which perches on paulownia tree and eats fruits of bamboo. Tsutsugaki technique is excellent with fine freehand line. In excellent condition. Meiji period. 134cm x 162cm

This antique Iga vase is a true beauty, made of wonderful native Iga clay.

The vase was made between 1800 - 1850 during the later Edo Period and is in great antique condition. No chips or repairs. It comes with an old wooden box and an old cloth bag (which has a small torn part).

Iga ware's origins are believed to date to the second half of the 7th century and 8th century A.D...

Tang dynasty 9 - 10th century Changsha bowl with possibly Arabic motif, good glaze good condition no damage no chip crack or restoration small glaze nick at outer rim, please see picture for detail, size: 14 cm diameter.

A quintessential 16th century design in worn gold covers all the dark surfaces of this lacquered wooden box dating from the Momoyama period. Here auspicious cranes and turtles, reported to live a thousand years, laze among pines. About the lid boaters enjoy leisure seas. Ichimonji checkerboard patterns rising diagonally up the sides alternate with garden trees, the ends decorated with wisteria and ivy...

Song dynasty longquan celadon with green glaze washer bowl, good condition no damage no chip no crack no restoration, please see picture for detail, size: 12.5 cm diameter.

A superb massive gold ring of 22+ carat gold with convex gemstone of garnet, depicting a lion tearing a deer, above it a crescent, in front of it a stylized plant. Graeco-persian, 2nd half of the 6th century BC.

Stunning quality engraving and a heavy gold ring, suitable for wearing today.

Ring size 9.5 (US), T (UK), 21 (F).

Weight: 13,72g.!

Provenance: Gert Cleff, Wuppertal; ex Gorny & Mosch, München Auction 137, 2004, Lot 230. Comes with copy of th...

Rare Red Raku Summer Tea Bowl named "Yuki," crafted by Houshousai in 1861.

Dimensions:
Height: 6cm
Width: 16.5cm

Condition:
In excellent antique condition, with no signs of damage. Comes with the original wooden box from the period, bearing detailed notes about the artist.

Houshousai, a distinguished tea master from Kanazawa during the late Edo period, enjoyed close camaraderie with affluent merchants such as Choemon, Enemon, and Gohei. During the ...

Two boxes with 18 black and gold decorated moulded ink sticks showing the 18 Lohans. Boxes 29x20 cm. All sticks in excellent condition, no cracks or chips. Undated, estimated to be early 20th century. Can be seen in central London and shipped worldwide.

Found in the Philippines. Featuring a globular body with carved decoration, supported by a short foot with two flanged wings on opposite sides of its body and a goose formed spout opposite a tail shaped handle, all underneath a rider which possibly represents Brahma, the Hindu god of creation, whose vehicle (Vahana) is the sacred goose (Hamsa), a symbol of purity and divine knowledge for Hindu and Buddhist believers. It is covered overall in a green celadon glaze, stopping well above its foot...

A parcel-gilt silver cricket box and its cover. The body of the box is decorated with embossed flowers in cartouches, and its base is pierced with an intricate lattice design. The lid is also decorated with embossed concentric decorations, at the center with flowers in an octogonal frame, and around the rim with large fowers of various forms. China, early 19th cetury, maybe earlier. Diameter: 7.7 cm. Height: 4.4 cm. Very good condition. NOTE: similar boxes were sold at auction at Christie's in ...

A hawk rests on an elaborate perch, the feathers fluffed up, each uniquely carved on this rare okimono from the Mushiake kilns of Okayama prefecture. It comes in an ancient kiri-wood box. The notation on the side of the box states it was received in late Meiji 27 (1894) from the former Head of the Okayama fief Ikeda Mochimasa. The name of the recipient has been redacted, as is often the case when things change hands in Japan. It is 24 x 7.4 x 29 cm (9 x 3 x 11-1/2 inches). A ringlet on one side...

Small porcelain dish from Japan. Decor of birds in flight in a landscape with trees and flowers painted in enamels and gilding. The porcelain is exceedingly thin similar to eggshell porcelain. Three Chinese characters are enamelled in red below, probably Kutani's mark. The designs are neat and of the best quality. Very fragile but good condition. D:138mm.

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', a...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe. Commissioned in 1690, this scroll commemorates the reconstruction of the main hall of Ryuhon-ji Temple, estab...

Found in the Philippines. Featuring a circular body, resting on a short straight foot and is decorated with a carved central floral spray, adorned with combed lines. The box is covered overall in a pale green celadon glaze, except for its base, which is left fully unglazed and partially burnt to red. Measurements: diameter (3.9"inches) across. Condition: in perfect condition. No repairs, UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalr...

Super interesting massive amulet from an extremely old private collection, incl. the original envelope with collectors notes (late 19th.-early 20th. century).

The amulet in the shape of a double Uraeus (we think) and with an unidentified carthouche / hieroglyphs on both sides. Beautiful light torquise faiance.

Size: c. 38 mm. tall, incl. the loop.

Condition: Extremely fine and intact.

Provenance: David Utzon Frank collection, ex. Bruun Rasmussens auc...

Antique Japanese scroll painting of Kannon also known as Guanyin. The Goddess of Mercy sits on a rock overhanging a still body of water. She is silhouetted by the full moon. Painted in sumi-e ink on paper. There is a seal in the lower right hand side.

Age: Edo Period (1603-1867)

Dimensions: Total size of scroll: 70 1/2" high x 15 3/4" wide (18" wide including rollers). Size of art: 37 1/2" high x 11 1/2" wide

Fine & Rare Chinese Neolithic Siwa Culture Burnished Black Pottery Jar (c. 1350 BC)

This rare pottery vessel was made over 3,000 years ago by peoples of the Siwa Culture (c.1350 BC) from present day Gansu or Qinghai province. It is attractively-shaped with high handles, a saddle-shaped mouth and a wide body that tapers down to a small circular flat base. Pottery jars from the Siwa culture are rarer than those of the preceding Qijia and Majiayao cultures and most known examples are made fro...

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore. They are ...

A Very Rare/Fine Korean White Porcelain Dome-Shape(무릎연적) Water Dropper-19th C. : Korea, Joseon dynasty, 19th century. A quite large sized beehive porcelain water dropper set on a ring foot with a cylindrical spout, covered overall by an even light blue tinged clear and high sheen white glaze. It’s in very fine condition without any damages at all, It measures 10 cm high x 11 cm d. ***Provenance: a collection of Koo, NY (Ji Young Koo, New York). *** a similar sold Christie’s ...

A Rare/Fine Korean One of 오방오제위도 (五方五帝位圖) Buddhism Paintings-18th C. This Painting inscribed 동방대호지군-東方大皡之君), Korea, Joseon dynasty, 17th / 18th century. “The painitng is one of 5 (동방대호지군(東方大皡之君),남방연제지군(南方炎帝之君), 서방보필소호지군(西方少皡之君),북방전욱지군(北方？頊之君),중방황제지군(中方黃帝之君).서방소호지군(西方少皡之君) Buddhism paintings”. ...

Chinese Famille Rose Mandarin Palette Tea Bowl and Saucer. Decorated with a scene of a standing lady holding a fan next to another seated and with a child on a terrace. The tea bowl with two cartouches, one with the lady and child the other with the standing figure. Qianlong C1775. Diameter of the saucer; 5 1/2″ (14.0 cm). Condition; perfect.

Offered is a grouping of ten, highly decorative and seldom-found, 19th century, apothecary or pharmacy drawer pulls. These nonmagnetic, metal pulls are adorned with fancy ornamental scroll work and stunning, applied copper labels which identify the specific drawer contents.

These antique, circa 1890s pulls are complete and are quite visually appealing, displaying very well. They show mild wear and imperfections commensurate with their 130+ years of age. For example, some are slightly misshape...

We have a particular interest in beautiful old Raku tea bowls and spend quite a bit of time searching for exceptional examples to include in our gallery. Here we see a beautiful work that appears to be at least 200 years old and likely much older. On the side can be seen the typical “hasami no ato” (tongs mark) and along the base on both the inside and the outside are impressed lines, formed during the firing process, that I have seen only a few times before and only on very old ...

A looping handle sweeps above this fabulous bowl decorated with burgeoning gourds by Takahashi Dohachi VI enclosed in the original signed wooden box. It is 21 x 18 x 15 cm (8 x 7 x 6 inches) and is in excellent condition.
Takahashi Dohachi VI (1881-1941) was born the second son of the 4th generation Dohachi in Kyoto. He was too young to succeed the family name upon his fathers early demise, and a a potter named Ogawa Yunosuke steered the helm as the 5th Dohachi until he too passed away i...

Kake-fukusa, a gift cover, used on the occasion of auspicious events. It is made of tapestry weave silk with two performers motif, one is wearing Daikoku costume with a gavel. Two men look Kado-tsuke, strolling musicians or performers who play dancing and music in front of houses and get some money. In good condition but damage in the black Eboshi (hat) of the man with a fan. Meiji period (1868~1912) 62cm x 67cm

A fine pottery koro in typical milky white glaze supported by three figures in russet red by Okuda Mokuhaku dating from the mid 19th century. It is 13 cm (5 inches) diameter, 11.2 cm (4-1/4 inches) tall. There is a chip in the rim, otherwise is in excellent condition. It is stamped on the base AKahadayama followed by a circular seal reading Mokuhaku. t comes in a simple wooden box.
Akahada Pottery, starting around 1585, was created by several kilns in the area of Yamato-Koriyama, Nara...

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay. Embracing the flawed and broken aspects of an object through kintsugi is a way to appreciate the passag...

A 1760 dated map of France by Dreffée showing all France amd parts of neighboring countries. The framed map measuring 24” x 32”

This is an authentic Neolithic Hongshan jade object, described in the literature as "hoof-shaped." Current scholarly opinion is that it was used to hold the individual's hair, based on where these objects have been found in excavated tombs. The piece measures 4-1/2" in height and is 2" in diameter. As with most published examples, it has two holes near the base which would have allowed the insertion of a "pin" to hold the hair in place. The stone is a mottled green with both lighter and darker i...

Kake-fukusa which is used to cover a gift on the occasion of auspicious events. It is made of tapestry weave silk with auspicious omen motifs, pine tree, plum tree with bloom and bamboo. Generally, in good condition except for a rift of the black yarn in the pine tree circle and some stains in the blue ground, and also three holes in the red silk lining in the back. Meiji period (1868~1912) 67cm x 72cm

Kake-Fukusa, a gift cover made of tapestry weave silk with carp and stream design. It is used to cover a gift on the auspicious event. The family crest (kamon) is Umebachi-mon. Four tassels are metal yarn. Generally, in good condition, but has light stains in blue ground and white waves. Meiji period (1868~1912) 63xm x 63cm

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

A Very Fine Korean Bronze Candle Holder/Butterfly, Fish.Character-19th C. Korea, Joseon dynasty, 19th C. This set of the candle holder sets of slender elegant designs in a molded symmetrical double happiness H-shape connecting to the stand. It is composed of two parts; a big butterfly shape reflector and supporting bamboo stem shaped slender post (each bamboo stem joints moving) with a half dome base molded with fishes and waves in pond as a half global pedestal. It is in very find conditio...

Rhyton, of conical shape, decorated at its base with the bust of a ram. Geometric design incised all over the body of the object. Bronze, with fine reddish-green age patina and traces of soil encrustations. Bactrian Civilisation, ca. 4th century B.C. Height: 15.3 cm. The piece is nicely mounted on a custom stand. Very good condition.

A serene vision of enlightenment, calming and compassionate, can be seen in the later Edo period Buddhist carving of Amitabha. He stands on a lotus base, with a flame like mandala rising up behind him in the shape of a jewel, the entire gilded in pure gold worn soft with age and care. The figure alone is 39 cm (15-1/2 inches) tall. With the base and mandala, it is 65.5 cm (just under 26 inches) tall. It is in excellent condition. I believe that some restoration has been performed on the deli...

A magnificent jeweled French late 18th century silver Holy Water Reliquary with cabochon cut jewels (synthetic) measuring 4” in width and 6 inch in length. The reliquary folding for travel and personal use. A museum piece for a collector and admiration

A nice tanged bronze lance from Ancient Near East, East Caspian Sea Area, 2nd. mill BC.

The lance with rouned shoulders and a defined, central midrib, interesting thick tang.

Size: c. 21,5 cm.

Condition: Nice Very fine, wear, but nice metal. Beautiful red patination.

Ex. Private Collection in Denmark, formed in the 1990's.

An antique Japanese large Osaka Todana Tansu (storage chest) made of Keyaki (Zelkova) and Hinoki (Cypress) wood. Two large sliding doors opens to a spacious area for storage. Mitered corners with mortise and tenon joinery and side slats incorporated for strength and support. Original bronze hardware.

Age: Meiji Period (1880-1890)

Dimensions: 71 1/4" Wide by 36 1/2" High by 20" Deep

Boro futonji made of mostly hand-spun cotton and vegetable indigo dye in one side, and stripes in the other side. Late 19th to early 20th century. 94cm x 152cm

This is my Chinese tea pot collection stand 4 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot collection stand 3 5/8 in height 4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

This is my Chinese tea pot open work stand 3 3/4 in height 3 1/4 in diameter is in very good condition with no damage If you have any question please email me anytime Shipping cost will provide with your shipping address Thank you

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671).
While most of the Kihara Karatsu tea bowls are excavated pieces, and it is rare to find a bowl in such good condition.

Size
Height 7.2cm
Width 12cm
Weight 289g

Condition
Very good c...