Antique Chinese large 12-panel Coromandel screen. Decorated with dramatic scene of men on horseback. Bordered by red dragons. The reverse is a quiet scene of trees and flowers. Made of kuan cai (incised colors) lacquer on wood.

Age: Republic Period

Dimensions: 96" high x 222" long x 3/4" deep

A beautiful and rare Shiebler sterling serving piece in the "Maintenon" pattern. Adding to the overall graceful form of the piece is the greenish-blue and white enameling on the handle and the white and pale lavender enameling on the gently curved bowl. While this form is quite uncommon it is generally found in plain silver and the addition of the enameling raises this to a rarity level...

19th century small votive Indian bronze sculpture of Ganesha sitting on a square base. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking. He bestows good luck on his worshippers, and is invoked in marriage ceremonies and in some forms of Tantric worship. This Ganesha has his trunk turned to the left, and it is strongly advisable for worshippers to keep left sided Ganesha statue at home...

This wonderful lava ring was sold in Naples to travelers on the Grand Tour as souvenir jewelry in the 1820’s to 40's after the discovery of the ruins of Pompeii and Herculaneum in the 18th century. Made by Pompeian stone cutters, each of the seven round heads of the ring is distinctly carved and is of a different hue as well as a different mythological figure and comes from a different organic material sourced from Vesuvius...

1920's Chinese Silver White Jade Carved Goldfish, Shrimp & Crab Necklace

It is 20.27 inches (51.5 cm) in length. The inner circumference is 17.7 inches (45 cm). The jade carved goldfish range from 20.88 mm to 21.80 mm in length. It weighs 40.4 gram.

The silver is tarnished and has surface wears and scratches. Two of the jade goldfish have flea bite chips. Some of the jade carved gold fish have inclusions and surface wears and scratches (as seen in the photos)...

This amethyst ring is a striking example of gold-work decoration that became popular in the second decade of the 19th century. A type of filigree work known as "cannetile" and named for the gold embroideries of the Napoleonic years, cannetile work made the most of a small amount of gold and required highly skilled goldsmiths. The amethyst stone is particularly eye-catching. The combination of the cannetile work next to the amethyst makes this an extraordinary ring. The ring is a US size 6.

19th century (late Qing Dynasty - 1890s to 1911) unusual Chinese scholar’s rock in a form of a large natural amber nugget. The piece is true Baltic amber, large for amber as material, can be viewed from 2 sides, and conveys a very good feeling of a lonely mountain with its surface weathered by years of exposure to wind and water. Wonderful internal energy in the piece produced by combination of shape, texture and color of the material...

A Japanese white glazed studio porcelain model of a water buffalo. Hirado type though the eyes are not left unglazed to the biscuit as is typical. Holding sculpted form and details well, the biscuit base smooth to the touch and bearing an imprint from the fabric it sat upon. Except for a clean break to one horn, in otherwise good condiiton. A line of separation of the glaze under the buffalo's neck due to "crawling" in the kiln. Length, about 14 inches horn tip to tail...

Lovely 18K five stone opal ring with five perfect blue-tinged translucent Australian opals set in an embellished gold setting. Eight tiny diamonds nest between the opals. The ring is hallmarked Sheffield and dates to 1870. This is the opal ring you have been looking for. It is a size 8 3/4.

Wonderfully painted enamel ring depicting the love between Cupid and Psyche, the universal symbol of everlasting love. The ancient Greeks viewed the butterfly as a symbol of the immortality of the soul. The painting on the enamel ring shows the goddess Psyche, which means "soul" or "spirit", in the form of the butterfly, being chased by Cupid. The ring is 18K, circa 1910, size 6.5 and can be sized.

Fabulous Berlin iron ring decorated with symbols associated with faith (dove) love (heart) and loyalty (dog). The heart is surrounded by a leafy wreath and surmounted by the dog and the dove. The band has a floral motif, probably laurel leaves. The band has a floral motif. Berlin Iron jewelry was popular in the early 1800's...

Rather unusual late 19th century Chinese glass seal in a shaped of a stylized rock. Beautiful transparent glass, excellent finish to the surface. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). The bottom is crisply carved with four raised characters that can be translated as THE HALL WHERE KINDNESS is CULTIVATED, old dried red seal paste in the grooves. Very nice object for scholar’s desk...

An Asian wood cookie press. Folk art (Japanese or Korean - if Japanese would be considered "Mingei") utilitarian object. The "cookies", or treats, pressed from this mechanism could have been sweetened bean paste, possibly with rice starch, and not necessarily cooked. The iron nails slide along routing to enable the pressing action. Well used and in fair condition - exhibiting some distress by loss of wood on ends of the top board. A nicely decorative curiosity. Length, 9 7/8 inches

The sporting craze in Victorian jewelry started in the 1890's and continued into the 20th century up until WWI. Encouraged by women's more active participation in sports, such jewelry was particularly fashionable for country wear. Our bangle is a slightly more modern version of the Victorian silver bangle, with a silver ball in the center of the tennis racket as the main motif, and stylized leaves to the left...

This is a finely hand-carved netsuke in Ebony wood of a Nasube (Aubergine or eggplant). Netsuke was carved by an unknown artist from the Iwami Province sometime during the 19th century...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a large Seated Hotei with a wide Smile, by an unknown artist from the Iwami Province, carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe a similar looking figure on top of a toad, finished in a very smooth texture, by Gokyotei Baiseki, in photo #6*, from Iwami Netsuke, RS Huthart Collection, Japanese published book, page...

18th Century Chinese Gilt Lacquered Bronze Miniature Buddha on a Silver Clip Pin

It is 1.18 inches (3 cm) tall by 0.78 inch (2 cm) wide. It is 8.6 gram.

It is tarnished and has rubbing of gilt, oxidation, surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return i...

Meiji (1868-1912) Japanese Dark Green Satsuma Bowl with Chicken Group & Geisha (Unmarked)

It is 2.75 inches (7 cm) tall by 3.75 inches (9.7 cm) wide. It is 0.5 Lb.

It has minor rubbing of gold and stains, glaze crazing, and surface wears (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Lotus Seed Pod, made as a Karakuri or 'trick' Netsuke in that the seeds rattle and peep out of the seed holes. Netsuke was carved by an unknown artist from the Iwami Province sometime during the Early 19th centuries. The carving exhibits similar material and carving characteristics of a netsuke (Photo #6) made by Seiyodo Gansui (1809-1848). Observe the lines of the sides of the lotus pod and how they compare with the...

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe the Ukibori work on the sennin's toad (photo #3) that resembles the finish of the toad s...

This 19th Century, finely hand-carved Iwami Ebony Netsuke that shares similar carving and material characteristics as the Tree Stump attibuted to Jikan Ganbun depicts a Toad that also provides a functionality of an Ashtray. This toad is also remarkably similar to the toad that the Gamma Sennin (item 98 of Bonhams Iwami Catalog* – photo # 6) is sitting on. Nicely detailed rendering of the rough textured skin on the back and sides of the toad, which contrasts with the smooth extended throat and...

This is a finely hand-carved Ebony Netsuke attributed to Jikan Ganbun, depicting a Tree Stump. Nicely detailed rendering of a tree stump with its rough textured exterior contrasting with a smooth top and bottom that are styled in a star shaped manner. The concave stump is slightly hollowed out, with a smaller stump on its side. There is a tiny ant looking figure that has been carved inside the stump. Netsuke is unsigned. It measures 1.25 inches in diameter and 0.50 inch tall. Netsuke is in...

Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London. Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn. The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.

19th century small Chinese scholar’s rock in a shape of a long mountain range. The piece gives a very strong feeling of weathered rock shaped by water and time, and overpowering energy of the mountain range. Beautiful black Qilian limestone (Mount Qilian, Gansu province) with rich texture, provides excellent views from both sides, great patina. Fixed on newer ebony stand, superb object for contemplation on scholar’s desk. Length with stand 5 inches.

18th Century Chinese Kangxi-Yongzheng Period Famille Rose Porcelain Teapot with Relief Lotus Flower

It is 4 inches (10.2 cm) tall by 6.65 inches (17 cm) wide. It is 0.7 Lb.

It has chips at the leaves, stems, and inner rim of teapot, dark spots, firing holes and cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any rea...

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits. ...

Our silver bangle is decorated with a five bands of repeating patterns of arabesques and scrolls. The center band is the focal point while the surrounding bands are each repeated once. The Victorians loved geometric patterns, and silver bangles, brooches and the like were affordable to the middle class and could appeal to a broader segment of the jewelry market and thus achieved great popularity around this time. The bracelet is assayed to Birmingham in the year 1884. Our bangle is 1.5 inches...

The symbolism and motifs behind the Victorian bangle bracelets, with their quaint floral bouquets and plants and trails of leaves well known. Our Sterling silver bangle has two carved stylized vases of flowers on either side, a vertical array of flowers next to each and at center, what appears to be two vertical daisies and leaf tendrils. This bracelets are quintessentially Victorian; sentimental jewelry always had associated meanings behind different flowers. Flowers were known as "messengers o...

Substantial silver bangle bracelet with an elliptical border of open cutwork featuring delicate daisies and swirl designs. The delicate openwork border surrounds smaller raised ellipse at center which with a delicate carved composition of a bird and a bee together in flight. An arabesque design flanks each side of the elipse to complete the symmetrical arrangement. These were Western interpretations copied from the Japanese aesthetic movement, but were made by Birmingham manufacturers for mass c...

Sentimental sterling bangle bracelet bearing the biblical Mizpah inscription, signifying an emotional bond between two people physically separated due to acts of war or other calamities. It would typically be given by a lover about to be parted from his beloved. The word "Mizpah" is in raised lettering while the engraved inscription "The Lord When Between We are Me & Absent One Thee From Another" is inscribed beneath. The inscription is flanked by a carved shield and a single flower with attache...

1920's Yoshijirō (Mokuchu) Urushibara Woodblock Print "Messina Life Amongst the Ruins" design by Frank Brangwyn, Pencil Signed

It is 15 inches (38.1 cm) in length by 11.4 inches (29 cm) wide.

It has browning, creases, a tear at a corner's edge, fading, wear, and discoloration (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it fo...

Antique bronze hand of Buddha on wooden stand. Hand displays the Abhyaya Mudra, the have-no-fear gesture representing peace, benevolence, and reassurance. Beautiful long tapered fingers. Patina consistent with age.

Age: Ayuthaya Period (17th/18th century)

Dimensions: Hand only: 4" high x 1 1/2" wide x 3" deep. (7" high with stand)

1900's Chinese Silver Repousse Center Bowl with Chrysanthemum Marked "Yat Sun Shanghai"

It is 2.36 inches (6 cm) tall by 11.8 inches (30 cm) wide. It is 548 gram.

It is tarnished and has 3 areas that may have missing silver pieces and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of t...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines, made in the late nineteenth century. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several and secretive colors of enamel paints, known as "dust" paints. This resulted in very fine and realistic studies of the different models. This adorable miniature sculpture of a husband and wife Inuit couple with ...

This is a good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our pair of dachshunds, both with red c...

A good example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of paint. This rare painted butterfly is approximately 1 inch long and 1 1/4 inches wide. A perfect collection for the entomologist or botany professor in your life. A someone who just wants to start a collection who has only a small amount of...

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our tarantula, approximately 1 inch squ...

C1900 18K figural dog fob depicting a greyhound, or possibly a whippet, with adorable blue collar, perched atop a bed of lapis. He or she would look wonderful as a pendant threaded through a gold split ring and attached to an antique gold chain, or dispense with the split ring all together and wear alone. We have attached an image of a dog fob suspended form an antique gold chain below, as an example (the chain not included) of how it looks. Images show what the figural whippet fob looks like fr...

With a Latin inscription translated as "Under a clear sky France suffers", this 18K Carnelian fob seal depicts an African slave in profile, carved atop a family crest, all shown above a ribbon banner reading "PURUM PATIENTIA FRANCE". Notwithstanding the word "France" in the inscription, our wax seal fob is English. The seal harkens back to the British abolitionist movement in France, during which time the British people actively sought to pressure the French to abolish slavery. This fob seal sho...

This is a rare example of the remarkable talent behind the wonderful Austrian Bronze handmade, hand painted bronze miniature figurines which were made around the turn of the 20th century in foundries in Austria and Vienna. Austrian bronzes are individually cast from sand molds used only once, then sculpted and cold painted by hand with several coats of a special and secretive type of enamel paint, resulting in very detailed and life like miniature figures. Our spider, approximately 1 inch square...

Large Japanese wooden tray with carp fish design.

Age: Japan, Showa Period, Mid-20th Century
Size: Diameter 52.7 C.M. / Height 5.6 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Chinese antique celadon vase, carved with flowers and scrolling leaves. Lovely traditional celadon color glaze. Later addition of decorative silver overlay around mouth and shoulders and also a silver ring around the foot of the vase.

Age: Republic period (with early 20th century silver work)

Dimensions: 5 1/2" high x 3" wide diameter

Antique Japanese tsuba (hand guard for samurai katana) decorated with a monkey peeking though the bamboo rails of a cage or gate. Often occurring in Japanese folk tales, the monkey generally symbolizes a trickster. Since tsuba were often a warrior's source of personal expression, it is likely this monkey held specific significance to the blade's owner.

Age: Meiji Period (1868-1912)

Dimensions: 3" high x 2 7/8" wide x 1/8" thick (1/4" thick including monkey).

A rare Chinese enamel on copper medallion bowl decorated with three red-crowned cranes each holding a lingzhi, against a pink background. The interior with flowering peony. 18Th ~ 19th century.

The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.

Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...

A well made Keyaki wood sumitsubo. Used by carpenters to efficiently mark straight lines by snapping a silk string saturated with ink. The utilitarian purpose enhanced by the folk art attention to detail of this implement held symbolic of the trade. Meiji period. Good condition. Length, 8 inches

17th Century Chinese Bronze Seated Kwanyin

It is 10 inches (25.4 cm) tall by 6 inches (15.2 cm) wide. It is 2620 gram.

It has firing holes, a small hole drilled at the shoulder, pitting, oxidation, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it f...

Lovely Georgian garnet cluster ring set in 18K gold. The garnets are a bright and lively color giving the ring great panache. The ring is a size 8 and measures 5/8" at its widest.

A small Japanese Satsuma koro with a pierced metal cover by an unknown maker, late 19th century. The vase is decorated with the Imperial chrysanthemum crest and three family crests, including the Paulownia of the Toyotomi clan, the Hollyhock leaves of the Tokugawa shoguns and the cross of the Shimazu clan who ruled over Satsuma, Ōsumi and Hyūga.

At the top corners can be found quarter-flower heads delicately painted in red and gold. Each mon is finely detailed. The metal lid might ...

Width: 24 cm (9.7 in)
Height: 2.5 cm (1 in)

Chinese rose medallion plate in good condition

A Nabeshima blue and white dish with decoration of peonies issuing from rockery. Late Meiji era. Good condition. Diameter, 8 inches to 8 1/8 inches. Height, 2 3/8 inches

This pattern on our watch chain comes from an ancient technique of decorating silver, known as niello. Niello which was revived in the 19th century and adopted by English jewelry artisans. The word niello which derives from the Latin form of niger, or black. The surprisingly modern looking designs are created by engraving geometric patterns on silver and filling the recesses with a silver, copper, lead and sulphur alloy to create a contrasting pattern. The niello links on our chain have a poli...

A pair of elaborate porcelain vases with large leaves in turquoise and gilt opening from a narrow base which rests on four wide feet. The base and feet encrusted with vegetation and occasional flowers which also support a large rising stem on either side with roses on one side and blue, orange garden flowers and possibly small lilies on the other side. Hard to imagine putting flowers that wouldn’t clash into these vases. Height 7 3/8 inches (19 cm), width 6 ¼ inches (16 cm) and depth 5 inches...

Protomes of prancing horses joined at the midsection to a wagon-like box.
The visible face with carefully incised manes, bridles, and indicated joins to the legs. The eyes recessed to bear spheres of a different material.
The slightly bent groove between the front legs indicates that the attachment was put over an object. At the bottom center a flap with a hole for fastening.
Elsa Bloch-Diener argued that the object was possibly a mirror holder (a copy of her catalogue entr...

19th Century Chinese Cinnabar Carved 2 Tiers Box with Figures

It is 3.74 inches (9.5 cm) tall by 12.59 inches (32 cm) in length by 8.85 inches (22.5 cm) wide. It is 3.1 Lb.

It has chips, cracks, peeling and retouching of lacquer, writing at the bottom, felt fabric glued to the bottom, and surface wears and scratches (as seen in the photos).

Large format photos are available upon request.

Our Guarantee: We stand behind all of the items that we sell. That is...

still need a description for this one and trocadero does not let me move on if description is not longer than title

Translated as "pierce" in French, the word pique describes a classically Victorian type of jewelry made by heating tortoiseshell and piercing it with gold and silver inlays to create beautiful geometric or floral patterns. This describes the beautiful art of pique jewelry, made from the upper shell and lower belly of the hawksbill turtle and considered the highest quality of turtle shell and used for the production of beautiful boxes, objet, hair ornaments, and in the nineteenth century, jewelry...

Attractive bracelet with 8 nicely proportioned brilliant cut rock crystals set in individual gilt metal rope bezels attached to one another with a double set of links. The bracelet fits a medium-sized wrist and hangs attractively. The clear stones and gilt metal would make a nice addition when worn with other gold bangles as the clear rock crystal stones and gilt metal compliment gold.Fits a small to medium sized wrist.

Rarely seen George III commemorative brooch with George III in profile at the center and decorated with a border of blue and green Vauxhall glass. This historical brooch was thought to have been made to celebrate George III's recovery from porphyria in 1789. The individual pieces of Vauxhall glass are positioned flat against the metal, as is appropriate to the genre. Other details relating to the construction of the brooch are also consistent with a genuine Georgian era brooch, such as the pin e...

Our glass earrings, in the form of a Latin crosses, are made of Vauxhall glass, popular as jewelry in the 1860's and sold along the pleasure Gardens in Chelsea, where courting couples strolled on summer evenings. Made by skilled artisans who were employed by the Vauxhall Glass Company in an effort to make use of the leftover glass shards from the mirror glass they produced, the jewelry was much loved for the skillful carving of the glass into unique and creative forms. Crosses, animal, and insec...

A Chinese Silver Teapot with agate stone mounted on lid and pre-banned ivory handle Description & size: 9 cm height x 12 cm length ( 3.5 in x 4.6 in) Weight: 126 grams Production: A nice personal handcrafted and forged in a Yixing's liked shaped style of the late 19th Century.