A hand carved cottonwood Hopi Kachina Doll, representing a variant of the Kwasus Alektaqa Kachina, circa 1880. Provenance: Harrisburg, PA - collection acquired in 1940s from Arizona University. 11" tall.

Massively huge Dark Bronze Japanese Temple Bell Bowl, with ridged edges along its rim and raised, scale-like pattern around its bottom. . Japanese Temple Bell Bowl was used during chanting, or as an indication of a change in time or activity. This is truly the largest bell bowl I have ever seen. Three stamped kanji characters "Kin Ryu ____?" on rim translates as Golden Dragon _____? (last one is illegible). Excellent condition and sound. It's extraordinary size: 17.25" height, 20.25" width

Antique painting of a scene from one of the poems in the Kokin Wakashu or "Collection of Japanese Poems of Ancient and Modern Times", dated from the Heian period (794-1185 AD). It was invented and published by Emperor Uda and his son, Emperor Daigo in the year 905, and was compiled by four of their court poets: Ki no Tsurayuki, Ki no Tomonori, Oshikochi Mitsune, and Mibu no Tadamine...

Finely moulded and carved white glazed porcelain bottle, dcorated with sheep. Signed : Wang Bingrong, Jingdezhen Kilns, c. 1820 - 1860. H : 7, 7 cm. Porcelain stopper. Condition : Perfect. Pronenance : Old German family estate.

Korean antique Buddhist Sutra text with cylindrical reliquary, the reliquary is made of gilt copper repouse with a figure incised on one side, the contents of the cylinder has been laid out flat for display in a plexiglas stand, one side is a flat rectangular gilt metal section with raised characters of buddhist text and praying figure on the left, the other side of the display has a similar rectangular section of raised Buddhist text and two figures on silver, dates to about 11th to 13th ...

Antique Japanese print depicting the founder of the Shingon or "True Word" school of Buddhism, Kūkai (774-835). He was a famous calligrapher and engineer who invented the kana, syllabic Japanese scripts used in the Japanese writing system. In his hands he holds a vajra, a ritualistic weapon representing firmness of spirit and spiritual power, and prayer beads...

Ca. late 1700s

The exterior of this bowl is painted overall in famille verte enamel colors of predominantly greens, with some yellows, blue, aubergine, iron-red and black. Three cartouches of people in a landscape setting are surrounded by various flowers on a dotted background that is covered overall in a pale green transparent enamel glaze. The interior is glazed white. The footring is glazed white with the foot unglazed to expose the dense porcelain body. The base is recessed and glazed...

The group of small porcelain items known as "toys" is composed of scent bottles, bonbonnieres, etuis, and seals. These were produced from the early years of Chelsea through to the Chelsea-Derby period. (The most comprehensive work on these items is "The Chelsea Porcelain Toys", by G.E. Bryant, published in 1925.)

Seals were carried by members of the upper class and used to imprint a uniquely identifiable mark in the wax used to sign or secure documents or letters...

Beautiful antique painting of a scene taken from the Japanese novel The Tale of Genji (Genji Monogatari), written by Murasaki Shikibu during the Heian period (794-1185 AD). The painting depicts chapter 4, in which Genji, 17 at the time, goes to visit his old wet-nurse, Koremitsu ,who had fallen ill. He notices some moonflowers growing in the adjacent yard, and he orders his servant to pick one...

Antique round bronze suiban, a shallow tray or bowl to be filled with suiseki or viewing stones, as well as sand and bonsai, signature on the bottom, 19th century. Size: 3.5" height, 12" width

Antique ukiyo-e style woodblock print by artist Utagawa Kunisada, also known as Utagawa Toyokuni III (1786-1865), of a samurai warrior blocking the strike of another warrior's sword with his own. He has very detailed undergarments in mesh-patterned blue with light pink flowers, a black and white robe with jagged designs and red trim with a blue obi, and a red headband, with his hair styled in a traditional chonmage...

Mask of the "Nuo" esoteric theater representing the character of Heshang, the Buddhist monk, with very expressive features. The mask was carved on wood, then paper was affixed all over its surface, on which polychrome pigments were painted. China, early 19th century, probably earlier. Height: 9 13/16" (25 cm). The mask is nicely mounted on a custom metal stand. Paper partly flaked, and consequently the colors, otherwise very good condition.

14th century
Yuan – early Ming dynasty
Porcelain with Longquan celadon glaze
D: 36 cm, H: 8 cm
From a Philadelphia, PA collection

A classic Longquan celadon charger of the 14th century, with a typically fluted cavetto and incised floral center, and the base with an exposed ring fired to reddish orange. Its glaze is a rich and creamy olive green, unbroken by the kind of crazing seen on later Ming Longquan wares...

Ca. 1800-1850, 19th century
Mid-Qing dynasty
Yixing stoneware with famille rose enamels
W: 20.5 cm, L: 17.5 cm, H: 5.8 cm (without stand); 8.7 cm (with stand)
From a Seattle, Washington estate

An elegant early 19th c. Yixing zisha jardinière, formed in a classical circular “narcissus bowl” shape, and decorated with famille rose enamels. Against a blue enamel ground are matching sets of calligraphic verses...

Ca. 1850 – 1900, 19th century
Late Qing dynasty
Porcelain with overglaze famille verte enamels
D: 25.8 cm, H: 10 cm
From a Vero Beach, Florida estate

A late Qing famille verte large bowl, decorated with scenes from the life of a successful imperial examinee, along with landscape illustrations framed by peach cartouches, all against a butterfly and floral ground...

A beautiful 19th C. Chinese famille rose porcelain large size basin in excellent condition. D:29cm

Antique ukiyo-e woodblock print of a samurai warrior in a crouched pose, one sword on his hip and one in his hands. He wears a blue and red kimono and he has a traditional chonmage hairstyle. Framed behind glass. The back of the frame lists artist Utagawa Kunisada (1786-1864). Size: (entire frame) 21.75" height, 17.25" width (artwork only) 14.25" height, 9" width

Antique ukiyo-e woodblock print of a man wearing a white kimono with designs of black bamboo shoots, a black apron, and black lacquered geta (footwear). Artist Toyohara Kunichika (1835-1905), pupil to Kunisada. Set behind glass in a large frame, with artist and publishing information written on back. Size: (entire frame) 22.5" height, 17" width, (artwork only) 14" height, 9" width

Relics of the nile is pleased to present this interesting and large ancient Egyptian alabaster offering table. The table remains in good condition restored from large fragments. The alabaster features a nice marbled pattern and looks brilliant under the light. The table would have originally been used to hold various offerings such as unguents and food to be used in the after life. The table is very large and measures 14.5" in diameter and forms an impressive display...

Ca. 1850 – 1900, 19th century
Tongzhi – Guangxu period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.7 cm, H: 16.1 cm
From a Carmel, CA estate

A large late Qing yellow-ground famille rose covered box, gorgeously decorated in famille rose with a mature peach tree rising from a rock amongst rolling waves. Large famille rose boxes such as this one were popularly used to hold cakes and treats during celebrations...

19th century
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 23.8 (with cover), 22 cm (without cover)
From a UK estate

A densely and meticulously painted late Qing ginger jar, with two cartouches featuring classic beauties, all against a famille noire floral ground...

Ca. 1890-1905, 19th century
Guangxu period, Qing Dynasty
Porcelain with sang de boeuf / oxblood copper glaze
H: 23 cm, W: 22 cm (at widest point)
From a Portland, Oregon estate; old B. Altman & Co (New York) sticker with inventory number to base

A late Qing oxblood / Sang de Boeuf vase of transmutational copper red, heavily potted in the “zun” shape. The glaze is thick, glassy, and intensely red, with light crazing to surface and a dense texture. Typical of l...

From our European Collection, a very fine English oak refectory table, late 18th / early 19th century, hand-tooled from solid plank timbers and iron nails, using rustic style hand-carving for design motifs, and with crossbar support on the bottom. This piece has great natural patina to the wood that gives it wonderful character in addition to the charm of its obvious Olde Worlde masculine feel. An excellent example of this style of table making. Can be used as a dining table, work desk, display...

Late 19th century
Guangxu period, Qing dynasty
Porcelain with overglaze enamels
H: 24.8 cm (vase 1), 23.9 cm (vase 2)
From a Denver, Colorado estate

A pair of late Qing reticulated square baluster vases, featuring the eight immortals rising against clouds and colored with famille noire enamels against unglazed porcelain biscuit.

Condition: both vases are drilled on the bottom, and one has a small shallow chip to the base. [Please view all pictures c...

Ca. 1700-1720, early 18th century
Kangxi period, Qing period
Porcelain with underglaze cobalt blue
D: 21.2 cm
From a Dutch collection

A matching pair of Kangxi period blue and white plates, of a charming design featuring several well-known Kangxi patterns: prunus against crackled ice, the honeycomb diaper, and hibiscus (furong) floral scrolls. The base is marked with an interesting floral mark within double circles.

Condition: near perfect, with min...

19th century
Mid – late Qing dynasty
Porcelain with cobalt blue glaze
D: 37 cm, H: 5.6 cm
From a Long Island, NY area estate

A huge 19th century monochrome charger, glazed in cobalt blue of a intense hue. This piece is thickly potted and quite heavy.

Condition: great antique condition, with only minor flaws at the rim (fleabite chips and glaze fritting) [Please view all pictures carefully, as they are part of the condition report.]

Original antique painting by artist "Old Tosa" of a late scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance. This painting depicts a later scene in which the princess meets the prince and they f...

Original antique painting by artist "Old Tosa" of an early scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance. This painting depicts an early scene in which the princess mourns the death of her ...

The rare shape of this bowl is so to say a forerunner of a shape which was common during the Yuan Dynasty. In his book "Chinese blue and white Porcelain" Duncan Macintosh calls the shape of such a bowl: a "bowl in traditional "shufu" shape."( page 18 ). White stoneware body, glazed with an pale ivory white, fine crackled glaze. The unglazed foot with an old owners-mark ( which was common during the Song Dynasty ). Song - Yuan Dynasty ( 12th to 13th centuries ) Diameter : 12 cm. H.: 4,1 cm. Co...

2 genuine Indian Kalighat paintings. 1860/70. paints and silver on european paper backed onto cloth. 40 x 28 cm. Old inscriptions in ink on reverse. Good condition for age.

Mask which was used for the protection of a household against evil spirits. Wood, fine dark brown glossy patina. Nepal, early 19th century. 11 3/16" (28,4 cm). Old accidents (visible on photos), otherwise good condition.

Japanese Buddhist temple stand for a bell bowl with a beautiful red lacquer, black lacquer bottom, and gold lacquered accenting. Bell bowls (or singing bowls) are played by striking the rim with a padded mallet. The sound is used for relaxation and meditation. Meiji period (1867-1912) Size: 8.5" height, 9" width

Japanese candy apple red under-kimono with a simple, yet beautiful shibori style design of flowers. Shibori is a method of fabric dying in which bits of cloth are tied, sewn, folded, twisted, etc. to create patterns, similar to the Western method of tie-dye. It is lined with red cotton and has a white cotton collar and sleeves. Taisho period (1912-1925) Size: 46.75" height, 45" width

A two drawer Japanese box done in a kinji or gold background with fine paintings of pine and flowers with a family crest set in the open areas of the piece. The box has metal fittings for the drawers and a handle to carry the chest. Often lacquer works with family crests were made for dowries for high ranking samurai families. Age: 19th century Size: length 10.75" width 10.75" height 10.25"

A fine Unusual tray carved in the form of a banana leaf made from Kuwa wood. The banana leaf is stylistically carved with various folds and the slight tears often seen naturally with banana leaves. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics, signed Shozan with box. Age: mid 20th century Size: length 36" width 12" heig...

A fine example from the Quadrupeds Series, manufactured, primarily for the American market, by John Hall between 1802 and 1832. This particular piece depicts the pronghorn antelope, with a beaver, otter, coyote, and raccoon in the cartouches at the edge of the plate. Marked on the reverse a printed "Hall Quadrupeds".

The plate is 8" in diameter and is in excellent condition, with no chips, cracks, or restoration, and having the desirable deep blue ripple glaze.

En suite with p1108.

A Very Rare Korean Heavy Wood-Root Carved Seated Tiger/Painted in Polychrome Pigments-19th C./ Korea, Joseon dynasty, 19th century. A well portioned and carved Korean folk art wood seated tiger is on behind a big rock painted multiple polychrome pigments around tiger and rocks, his furious face including ears, eyes and mouth painted with highlights in polychrome pigments, and its body details painted in black on yellow body as a Siberian Tiger (Korean Tiger) often seen in Korean traditional ...

This is a profusely decorated ultra fine Japanese cloisonne vase. It is in perfect condition and panel vases like this one do not come any better. The quality matches many early Hayashi vases. he rims are silver. It stands 6 inches tall and is signed Ota Kichisaburo. A few years ago we had a similar pair signed by Shibata that were of the same quality. See the last image.

This is a fabulous Japanese cloisonne vase. It is done in a combination of traditional cloisonne and sculpted silver basse-taille work. The vase stands 6 inches tall and is 5 1/2 wide. It displays great but does have some damage or imperfections to the translucent enamel. This worst can be seen in the last image. There is a feathering in the enamel at the bottom rim. It is much more attractive in hand. The vase has silver rims and is signed Ota Jinnoei.

Beautifully hand carved jade pendant of the mystical fenghuang, or phoenix, with a blooming lotus beside it. The fenghuang symbolizes the union of yin and yang, and each part of its body represents a different word: its head is for virtue, wings are duty, back is propriety, abdomen for credibility, and chest for mercy. Carving has a small hole drilled through the top for wearing on a necklace. 20th century Size: 2.25" height, 1.75" height

Beautiful Korean screen with six rice paper panels depicting people amidst gorgeous scenes of nature. Each panel is mostly monochromatic with conservative usage of color in muted shades of yellow, pink, blue, and purple. There are large blooming flowers with a sparrow flying overheard in every panel. Size: (entire screen) 61" height, 106" width, (artwork only) 27.75" height, 12" length

Chinese slab of jade, carved with an indented circular and a mokko (melon) shape into its surface. It is meant to be used by a calligraphy artist for the grinding and collecting of ink. 18th/19th century Size: 1/4" thickness, 3.75" height, 1 and 5/8" width

Beautiful Chinese spirit/scholar's rock with a dark hardwood stand. Scholar's stones, or gōngshí, are called as such for scholars' appreciation of the stone's unusual shapes, textures, asymmetry, glossiness, color patterns, and even the sound it makes when struck. It is a gorgeous and contemplative viewing piece. Size: 17.25" height, 16.5" width

A pair of “King’s pattern” heavy porcelain dinner plates with underglaze blue and overglaze red and gilt decoration. This pattern was an Imari pattern that acquired the “King” name. Both are marked with impressed, “DERBY” under a crown. Both also have red interlaced Ds below a crown. One has the number, “563” below the Ds and the other has a printed mark for the retailer, “John Morlock” of London. These plates are from between 1877 and 1890. The pattern and coloring are the...

Sino Tibetan bronze statue of the Buddhist deity Tara, the "mother of liberation" and representation of the virtues of success in work and achievements. She is a tantric figure whose image is used as a focus for meditation. She is shown gesturing the Dharmachakra Mudra, or Wheel-Turning Mudra, expressing the continuous energy of the cosmic order. She wears elaborate jewelry and her hair has applied blue pigment. Size: 9" height, 6" width

An large, thinly and excellently potted porcelain bowl, decorated with landscape with trees, fishermen, a farmer with water buffalo and much more. The cobal blue and glaze is excellent like all the other details on this very beautiful bowl. The base with a four character Kangxi Mark, but the bowl is from the Qianlong period ( eighteenth century ). Diameter : 20,3 cm. H : 8,7 cm. Condition : Excellent.

Chinese yixing teapot. Good condition except very small enamel chipped at the spout and inside the lid. 11cm high.

Japanese clothing tansu from the Nagoya region, with its original finish and beautiful woodgrain with a kiri wood front and lacquered sugi frame. Its features include six drawers with iron hirute handles, iron locks with brass flowers, lockbox with kan/ring-shaped pull, and iron handles on either side. Key included. Size: 40" height, 45" width, 16" depth

Adorable Japanese antique porcelain baby doll head, swaddled in silk and nestled in a basket, most likely intended for use as a pin cushion, Taisho Period. Size: 4" high x 4 1/2" wide

A rare Qing 18th century blanc de chine dehua figure of seated Bodhidharma Luohan Damo, figure in seated position with robe covered body, good condition no damage no chip no crack no restoration, size: 16 cm height.

A rare Qing dynasty 18th century Famille verte enamel large ewer with cover, rounded side with tall neck and curved handle and spout, ewer decorated with famille verte over glaze enamel figures from three kingdoms stories. good condition no damage no chip no crack no restoration, original kiln crackled on the base and minor glaze flacking on top of the cover, size: 21 cm height.

Beautiful keyaki wood kuruma tansu (wheeled tansu) from the Iwayadō region. Features iron hardware including a large lock on the top drawer in the shape of a hawk with engraved feathers, kushi-gata handles (comb shape), lock bar securing two middle drawers, lockbox style hinged door with an iron medal engraved with the Japanese god Daikoku, and many other beautiful features. Included are a set of iron keys. Edo period (1615-1867) Size: 50.25" height, 59.5" width, 22.75" depth

Korean kitchen chest decorated with beautiful brass hardware. It has two sets of hinged doors with brass handles decorated with flora designs, and four drawers, each with a small bat shaped handle. The Korean word for 'bat' is a homophone for the Chinese word for 'good fortune', so bats are considered a good luck charm. Size: 50.25" height, 39.25" width, 18.75" depth

An Arita bowl decorated with a design of Azami, Thistles, a motif emblematic of Spring painted in a refined pencilled style called senbeki. The bowl measures just over 15cm or 6 inches in diameter, and stands 53mm or just over 2 inches high. The bowl is in excellent condition with no chips, cracks or restoration. Shipping at Cost.

Height approximately 26 cm. Some chips at the rim. A hairline at the rim. In good condition.

A rare Yuan dynasty iron spotted double gourd ewer with cover, decorated with under glaze iron spotted and unglazed base, ewer is in good condition with re attach broken spout, no chip no crack no restoration please see picture for detail, size: 13 cm height.

A blue and white hand painted Canton oval serving dish with a rain cloud border under stars and an outward turned rim decorated with lines of rain. The interior with the usual Canton scene including bridge, pagodas, sailboats and islands in the distance. The bottom unglazed and showing good orange peel from the firing. 8 7/8 inches (22.5 cm) long, 6 ¾ inches (17 cm) and 1 ½ inches (4 cm). Circa 1850.

Condition: No chips, cracks, hairlines or repairs. One fairly large firing flaw at the ...

Length approximately 17.5 cm (across the handles). Few soft dents at the rim. Weight: censer 900 gram ,and stand 725 gram. There is excess size a little at the stand. Polished. In good condition.

A rare Yuan dynasty blue and white small jar with cover, decorated with under glaze blue of peony flower motif, unglazed base, jar and cover is in good no damage no chip no crack no restoration, size: 7 cm height, 6 cm diameter.

This is a very fine Sung Dynasty celadon brushwasher, scholar's table object de art and used as brush washer, a beautiful collector piece ...