Large Chinese Neolithic Machang Painted Pottery Jar

This large and impressive pottery jar was made over 4,000 years ago during the Machang Phase (c. 2300 - 2000 BC) of the Majiayao culture, also known as the Gansu-Yangshao culture, from present day Gansu or Qinghai province. The surface colour of the pottery varies in places, a result of uneven conditions during firing. It has a short neck with flared mouth, and two sturdy loop handles on opposing sides at the waist. The outside of the jar a...

Fine LARGE Chinese Neolithic Banpo Cord-Impressed Pottery Amphora with Oxford TL Test

This fine and incredibly ancient pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. This form is probably the most well-known of Banpo pottery, if not of all Chinese Neolithic pottery, and no serious collection of Chinese ceramics should be without an example!

It has a tall cup-shaped mouth and a pointed base....

Very Rare LARGE Chinese Qin Dynasty Pottery Cocoon / Listening Jar with Oxford TL Test

This oversized vessel, in the form of a "cocoon jar", was made during the Qin Dynasty (221 - 206 BC) or possibly a little earlier during the Warring States period (475 - 221 BC), but even then by the Qin state. It is made from a fairly high-fired fine-grained grey pottery. The whole of the outer surface of the body is decorated with repeated cord or woven impressions with vertical bands then being made aro...

Chinese Song Dynasty Stoneware Jar with Rare Stand & Cover - Dragon Chasing Pearl

This rare and impressive stoneware jar was made during the Song Dynasty (AD 960 -1279). It is quite "heavily-potted" with the outer body and inner mouth coated in an attractive chocolate-brown glaze, that has an almost "silvery" sheen to it. The applied decoration around the shoulder features a dragon chasing a pearl. The pearl represents wisdom, prosperity, power, immortality and the moon, and is also used as ...

Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases

This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

Large Chinese Ming dynasty wide-mouthed globular form guan jar with short, vertical collar-like neck and wide angled mouth covered overall in a dark brown/black crackled glaze that coats the interior and ends at the base. A thread relief moulded band of scrolling foliage decorates the upper section of the jar. A narrow floral band is above it. A circular trademark with four small flowers surrounding it is in relief on the flat, unglazed base. 11” high by about 11” diameter. Circa 16th/1...

A Kangxi period very large baluster- shaped jar and cover, decorated in blue and white with the body showing 36 panels each enclosing a composition of butterflies amongst leafy peony sprays. The borders also reflect a floral image whilst the cover repeats the themes of the panels. This impressive example is of monumental size 57cm (22 and 1/2 inches) high and boasts a vibrant and even blue colour and meticulous painting . Important Note: There is an identical jar and cover in the Topkapi S...

Chinese Ming Dynasty Blue & White Porcelain Covered Jar

This attractively-shaped porcelain jar was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. Both jar and cover are decorated in underglaze blue with scrolling floral and lotus patterns, and coated in a silky smooth glaze. The inner surface of the jar is also glazed whereas the underside of the cover and the recessed flat base of the jar remain unglazed revealing the pale porcelain body.

Diameter 11 cm, height 11 cm. C...

Fine & Rare Chinese Warring States Pottery Bird with Oxford TL Test

This very rare pottery model of a bird, either a duck or a goose, was made during the Warring States period (475 - 221 BC). It is "heavily-potted" and made from quite a high-fired grey pottery. The duck stands with its neck and wings stretched, as if in the act of preparing to fly. Note the detail, especially to the wings, with the tiger heads. The style and decoration suggest this model was based on a bronze example. On the...

The size of Large Imari Bowl: 15 1/8" Dia x 5 1/2" High, 38.5 cm x 14 cm
This is top quality Japanese Ko Imari Porcelain Bowl from early Meiji
Period, 1868-1912, circa around 1860-1880's. It has main background
design of Kasane Noshi and Dragon design. Noshi is happy blessing
symbols Ribbon design for the well wish when peoples getting marry.
More Noshi you have more blessing you are getting happiness.
There also total 8 crane origami design decorated in the Noshi...

Finely Cast And Standing on an Altar finely decorated With Flams Anf Floral Patterns, The Iconic Figure With Both Hands Raised In Abhaya Mudra. A Fine Large Bronze Piece Dating Back To Angkor Bayon Period, 13th Century AD. Estimate value: $7000 = $10 000 Measurements: Height - 51cm (20 In) Provenance: An American Private collection. Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE As...

Fine Tall Chinese Tang Dynasty Painted Pottery Lady with Oxford TL Test (44cm)

Arguably the most desirable and collectable pottery sculpture from the Tang Dynasty (AD 618 – 906) is the female courtier, or "fat lady". This figure is a large and particularly elegant example.

The lady stands upright with her hands clasped together under her voluminous robe. Note also the elaborate hairstyle but most striking are the fine details to her face: simply exquisite! It is made from a buff-col...

Very large pear-shaped chaire. Very dark brown stoneware, thin walls, with thin glaze of oily colors and fiery brown-red running down. Ofuke ware, Owari Province (Nagoya), Japan, late 18th century.

H 4 ½ inches

Fine condition, old handwritten label, identifying the piece as Ofuke, dating it to 1780s.

Provenance: Private collection of chaire (collection no. 37); bought from E & J Frankel, New York, May 17, 1984; ex Vassar College collection; ex Pratt Institute collection (1906)

This is a SAKE BOTTLE OF JAPANESE BIZEN WARE. It was made around 40 years ago. Very good condition (please see photos). Diameter: 2.9". Height: 5.5". Weight with box: 17.50 oz (500 grs). Bizen Pottery is one of the six famous ancient medieval pottery styles in Japan. It is also known as "Imbe Pottery" based on the name of the area. The brownish surface produced by the combination of clay and fire. During the firing process, the straw burns away, leaving a 'flash' of sodium vapor on the surfa...

Description:
A black-glazed ewer was finely mold with a chicken-head on the spout.
The glaze was in greasy-feel condition when time-enduring crackles were yielded.

LAST THREE PICTURES CAN BE OBSERVED IN DETAILS.

Date: Eastern Jin Dynasty, 4th century.

Provenance: Deqing Kiln, Yuezhou, Zhejiang Province.

Height: 20.8cm.

A SIMILAR PIECE IS IN THE DOCUMENTATION.

An early Hindu sculpture in redish buff stone, of the godess Davi or Tara, Hindu artisans of Java, Indonesia, ca. 10th. century.

A nice very early sculpture, made while Southern Indian influence was strong in Java. Likely made by South-Indian artisans in the style of MADHYA PRADESH, though still with subtle Indonesian elements to the expression.

The curvaceous devi standing with a slight twist in her hips wearing elaborate jewelry that highlights her feminine form. She is ...

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Chinese Ming Dynasty Blue & White Porcelain Brush Washer (Ex.Lammers Collection)

This attractive small porcelain jar, a brush washer, was made during the Hongzhi reign (1488 - 1505) of the Ming Dynasty. It is relatively heavily-potted and decorated in underglaze blue of good colour in a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a finely-crackled glaze. The foot and recessed flat base remain unglazed.

Diameter 6.75 cm. It is in very good condi...

A Ridgway Salt Glaze Relief Molded Stoneware Pitcher; Signed in Imprint "Published by W Ridgway & Co. Hanley October 1, 1835". There is a Pewter Lid on the Beige Body, with the Figures Telling the Story of Tam O'Shanter, from the Robert Burns (1759-1796) poem. I Shows a pub scene to one side, and an equestrian scene to the other. Dimensions; 9" high. Height 9 inches. The pitcher is in excellent condition, but the pewter lid is loose, but not damaged.

A fine pair of Kashmir lidded jars or vases. The copper base was first engraved with special tools to create the design in relief, the grooves were later filled with glass and then embellished with additional engraving and wonderful shiny gilding. This technique is called in India "meena" or "meenakari" and was first applied by the Mughal. Condition: fine, only one rim with a small dent and minor wear to gilding. Dimension: c. 18 cm high, diameter: c. 12.5 cm, total weight:

A wonderful American folk art portrait of a Methodist minister painted by Ammi Phillips (1788–1865). The distinguished gentleman is sitting at a table, with his hand holding a pair of spectacles and resting on a Methodist hymnal. The finely rendered depiction of the large dominating figure with dark clothing emphasizes the gravitas of the sitter.

The painting is 32 5/8 inches by 27 1/4 inches sight size, and 37 7/8 inches by 32 3/4 inches framed size. The painting is in overall excellent co...

A commissioned portrait painting of a sweet shelter rescue feline female tabby kitty cat named "Pooka" who shares her large N. H. home with Ms. M, a very gracious loving pet owner. During the time spent sketching and photographing this tabby, she indulged us while posing and playing this way and that. When she had enough, she gave this painter a straight on look like, "lady you get that camera any closer and you will be verrrrry sorry"! Then, she winked and walked away...

Title: I Love M...

Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...

Late 1800s

These bottles are decorated in underglaze cobalt blue and colored enamels with a design of various painted fans floating on an iron red enamel ground that is covered with gilt spirals. The interiors and mouthrims are clear glazed. The bases are glazed clear and the footrings are unglazed, exposing the fine white porcelain paste. They are signed Kozan (Dai Nippon Kozan Sei) in underglaze blue. Both are in very good condition. Acquired from a collector in Fredericksburg, Virginia ...

A fine bear climbing a rocky ledge decorates this large bronze vase. It bears an impressed mark, untranslated, on the base. The patina is medium brown, the condition is excellent. Height 14.5", Diameter 10"

A large and heavy, partially gilded, Mandalay style marble Buddha finely carved in 19th Century Burma (Myanmar). Condition: excellent and, unusually, still retaining much of its original gilding. 55cm / 21.6 inches; 18.5cm / 7.25 inches high. For many additional pictures, please view 1tem #1668 in our Liverpool shop website at www.69aliverpool.co.uk

Fine Chinese Ming Dynasty Blue & White Porcelain Brush Washer

This attractive small porcelain jar, a brush washer, was made during the late 15th to early 16th century. It is relatively heavily-potted and decorated in underglaze blue of very good colour with a pattern featuring scrolling lotus blossoms. Both inner and outer surfaces are coated in a thick glaze. The foot and recessed flat base remain unglazed.

Diameter 6.75 cm. A fine example in fine condition. No repair or restoration. ...

A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937). Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s. Late Meiji to Early Showa, 20th cent. H. 26, 5 x Diam 7,5 cm. Condition: Fine. **** Ito Tozan I (1846-1920) started his artistic career as ...

An impressive spouted vessel, made of bronze, adorned with elaborate relief of animals like frogs, fishes, crabs and Chinese influenced creatures like dragons and Buddhist lions. The movable handle with a crocodile. These kettle were used during festive or ritual occasions. Please refer to "Malay Brassware - A Guide to the Collections of the National Museum Singapore" and compare with object no. TM-1408-1, on the online collection database of the "National Museum of Ethnology" in Leiden, Netherl...

A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

Fine & Rare Chinese Ming Dynasty Blue & White Kraak Porcelain Dish

This fine "kraak" porcelain dish was made in the late 16th century, during the Wanli reign (1573 - 1620) of the Ming Dynasty, or possibly slightly later. The dish has a moulded lobed cavetto and is decorated in underglaze blue of good colour. The rare and unusual pattern features a singing bird sitting in a blossoming tree (no such dish with this pattern appears in the "bible" of kraak porcelain, "Kraak Porcelain" by Maura Ri...

A fine and very rare pair of monochrome rouleau shaped porcelain vases with apple green lustrous glaze; the base and interior are glazed white. There are old collector's labels to the base. These items were made in China, in the late 17th or early 18th Century, during the reign of the Kangxi emperor (1662-1722). Condition - excellent - no damages and no restoration. 13cm (5inches)high.

清康熙 苹果绿棒槌瓶一对

瓶底和瓶身内部施白釉。两个瓶...

The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand.
Inside cover has Ja...

A large rouleau vase of porcelain decorated with the Three Auspicious Gods (sanxing) of Daoism, in polychrome enamel glazes (famille verte style) on a deep, blue ground. Excellent quality of work. China, late Qing to early Republican Period, ca. 1900–1925. Marked with a Kangxi-period nianhao. H 46 cm. Condition: Excellent.

An important, rare modernist brooch by the renowned African American jeweler, Art Smith. Has a copper ball caged in swirled brass coils. The ball moves for an interesting effect.

Measures 3 1/4" long and 2 3/8" at the widest. Marked with the 'Art Smith' script signature. Has a secure rollover clasp. In fine condition with areas of tarnish.

A wonderful example of Mid Century Modernist design.

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

DESCRIPTION: A beautifully mounted Chinese roof tile of a Ming warrior seated upon a horse. The bearded soldier, his right hand on his hip, sits erect upon his amber horse which stands on the curved tile base. This earthenware tile has been decorated in a sancai glaze of predominately green and amber colors. A beautifully carved custom rosewood base has been made for this large tile, the base itself probably being over 100 years old. CONDITION: Quite good condition with the usual wear one wou...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture. In 2001 he graduated from Osaka University of Arts ; went on to study at Tajimi Municipal Ceramic Design Institute, Gifu graduating in 2003. Takeuchi has quickly become one of the leading expo...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

A large and very expressive, ceramic figure of sitting shishi, lion-dog, with turned head. It is covered in a creamy, white crackled glaze. The open, staring eyes made of inserted glass are rendered with gold. Unsigned. Japan, late Edo, before 1850. H. 35 cm, L. 25 cm, W. 16 cm. Condition: good, but for a few chips, fire cracks and minor area of repair on underside.

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

Additional Photos for Japanese Screen, 1750's
Each Fan painting size, 21 5/8" Long(55 cm).
1. Kuge servant carrying princess on his back trying to cross the water.
2. Three Sparrows and Bamboo.
3. Six Chinese Boys paying around at the study table, parent observing.
4. Tiger and Dog glaring each other.
5. Pretty Japanese Kikyo, Bellflower and other flowers.
6. Sumie Landscape, ...

A Chinese blue and white incense burner, bombe shaped and decorated with a vibrant underglaze blue and a continuous scene of three figures in a mountainous background , buildings and trees. Buddhist precious Objects decorate a band under the rim and the censer stands on three feet. It is a highly desirable item and a fine example of Kangxi blue and white porcelain. Age: 1662-1722. size 24.8 cm . in diameter. condition: the body is free from damage and restoration, there are glaze losses and a co...

Ca. 1700s

This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


selected by ONEN




* Please...

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

One of the largest tablet or brick seals, we've ever offered. Bifacial tablet seals can normally be dated to around the 3rd. millenium BC. This is so delicately carved that it could be made somewhat later in the 2nd. mill. BC.

The black serpentine seal depicts a large Bee, filling the whole of the seal, and on the other side a Scorpion. Particularly, the Bee is masterfully engraved, so that even tiny details and textures of the bee can be seen. Absolutely stunning.

Size: 5...

Persian Sarouk Wool hand knotted large size Carpet, Ca. 1910, 10 1/2' x 15', very small hand knots for large carpet with dark blue and dark maroon reddish colors mainly, very rich and deep colors of floral and vines spread out on the soft wool surface which is evenly worn over the years. Two(2) shaped panels design on both ends and bordered by beautiful soft colors of typical Sarouk small patterns. The condition is evenly worn, no major damages, clean and no stains, edges are fine, ready to us...

An Arts and Crafts period 800 silver and cut glass claret jug circa 1900. This antique large claret decanter has a heavy silver handle and hinged top with a ball thumb rest setd on a cut crystal decanter. It measures 13-7/8" in height and 5-1/2" across the base. It is stamped Gebr. Friedland, a Berlin jewellery retai firml, operated by the sons after the death of the founder Friedland in 1829. It has the German silver quality marks (post-1888 crescent & crown stamp), 800 silver, 49961 and the m...

A fine and very rare 'Transitional' vase painted in inky blue depicting a mountain landscape in classical scholars' taste. This item was made in the Dehua kilns, Fujian province, southern China, in the 17th Century, probably circa 1670-1680, early in the reign of the Kangxi emperor (1662-1722). For many additional pictures please view item #0626 at our Liverpool shop website at 69aliverpool.co.uk. Condition - very good - there is a light brown under glaze "production" hairline inside the mou...

Rare Chinese Ming Dynasty Blue & White Hexagonal Porcelain Jar

This rare blue & white porcelain jar of hexagonal form was made during the 16th Century. It is quite "heavily-potted" and attractively decorated in underglaze blue of good colour. Each of the six sides features a chrysanthemum blossom (the emblem of friendship and representing a life of ease). Around the shoulder is what is possibly a cloud collar (representing long life). As can be seen, on the edges of the sides there is "frit...

Rare DATE Model.  Commonly referred to among collectors as "The Big Triangle" (because of the shape of the 12 0'Clock figure).  All original and in excellent condition.  Circa: 1970.  OMEGA Automatic Seamaster 300 Caliber 565 24 Jewels, Serial No. 29,816,834.  Reference No. 165024-64 S.C. Rotating Black 30-minute Dive Bezel, Original dial with Luminous baton figures and luminous hands with sweep second. (The large arrowhead at 12 was used from 1969 - 1973) Marked: OMEGA/AUTOMATIC, and Seam...

AMERICAN MASTER JOSEPH DAWLEY “Floral Abstracted” measuring 11” x 14” LAST SERIES.….. Biography: Joseph William Dawley (1936-2008) was born in Nashville, Arkansas and raised in Dallas, Texas. He received his B.A. from SMU where some of his art hangs today. He married and moved to NJ working for the Newark Evening News retouching photos and sidelining as a political cartoonist. He spent time studying at the Art Students League in NYC and in 1968 he decided to devote all his time to pai...

Late Ming Dynasty, 1500s

This deep bowl is stoutly potted, being rather heavy toward the base, with the wall thinning gradually to the slightly flaring rim. It rests on a tall, thick footring, with a deep base that is glazed down to the dense, white porcelain paste that is exposed with some kiln grit adhering. The design in underglaze cobalt blue is of chrysanthemums, grasses and three stylized bats. The interior has a broad unglazed ring around the bottom to allow it to be stacked during ...

Large Chinese Ming Dynasty Blue & White Porcelain Dragon Dish (Ex. Lammers Collection)

This attractive porcelain dish was made during the Wanli reign (1573 - 1620) of the Ming Dynasty. This particular type of ware is referred to as "Zhangzhou" or "Swatow" ware and it was commonly exported around south-east Asia. The underglaze blue decoration is of very good colour. The pattern features a chilong (qilong) dragon in a landscape with three further dragons around the cavetto interspersed with p...

Last exhibited at Reading Art Association of Reading MA.
This latest original landscape painting by self learned painter Mimi Dee depicts a deep red road and looming large far reaching limbed tree with a twisted trunk joined by a grove meeting at that buttery yellow luminous sky that this painter relishes so. All this with a very limited palette of 3 plus white!

Remember kids you do not have to take art lessons nor waste time on a college degree to paint...but you do need a degree to be ...

Outstanding quality antique, 19th century, Islamic, Turkish Ottoman Empire, (Egypt), Cairo -Ware, Mamluk Revival, Silver and copper, inlaid brass, large hanging Mosque lamp, “Qandeel."

A brass body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cart...

A wild boar kōgo by famous Kyoto potter Imai Masayuki 今井政之 (1930-2023). Decoration is a stylized version of the ancient Chinese character for wild boar. Masayuki used his famous inlaid colored clay technique in producing this piece. Imai Masayuki and the late Miyashita Zenji are considered the two masters of the colored clay technique in Japan. Title: Inlaid Zodiac Wild Boar Incense Container (Zōgan kanshi i kōgo 象嵌干支亥香盒) Colored and inlaid stoneware, 3.8 cm high a...

A fine and very rare bat-shaped porcelain censer with what are apparently bat head feet. We believe that there would originally have been a wood cover secured into the two outer holes and that the incense smoke would have escaped through the three central holes.

This item was made in China for the domestic market as a temple or home alter piece in the early 18th Century, probably during the reign of the Kangxi emperor (1662-1722).

Condition - excellent - no damages and no restoration.

8...