Unique Japanese Uchikake (wedding gown), embroidered in thick light blue silk, the liner is red silk without padding except at the bottom hem. The embroidery and gold couching (some silver) work are all done by hand. The pattern is from ancient Chinese "Shokko nishiki". The colors of silk looks different on different parts of the gown. We laid the gown under the sun light when we took extra photos. The light changed everything. It picked up the gold from gold threads (threads are wrapped in...
Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.
The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...
Blue & White Soft Paste Vase with Pomegranates, 18th Century
The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.
It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).
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This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent. When pine (matsu, SHO), bam...
Fine Japanese 18th Century Moulded Arita Blue & White Porcelain Bowl
This attractive moulded porcelain bowl with an iron-brown edged foliate rim was made during the 18th century. The underglaze blue decoration of very good colour features three human figures in a garden. Around the outer wall is an elaborate scrolling design.
Diameter 13 cm. It is in fine condition with no repair or restoration and a good ring when tapped.
For information: This bowl was sold to a local collector by o...
Antique Japanese “Yogi” bed comforter, hand-spun cotton with "tsutsugaki" paste resist dye in aizome Japanese indigo dye. The design is auspicious symbol, Sho-Chiku-Bai (pine, bamboo, plums). The shoulder and collar areas are accented with "kasuri" cotton. Excellent condition - no holes on the front except one small L shape cut (3/4"x3/4") on the lower area, some repairs on the liner. Cotton wadding was taken out and cleaned (but not washed). Approximately 57" wide x 77" long, ...
This is an exceedingly rare calligraphy on hand-made paper by famous Kyoto artist Tokuriki Tomikichiro. He was best known for his prints, but was originally trained as a painter. It is delicately brushed on Japanese hand made paper (24.2 cm x 21 cm), a bit smaller than shikishi size, and much thinner. Two edges are deckled. It is inscribed “Close Friend” (知音). Signed: Tomi (富), red seal: Tomi (富). Date inscribed on the back in pencil: 94.11.30. Condition: minor handling creases, mi...
There is no visible image of God in Japanese Shinto religion. For this reason, people find the spirit of God in their surroundings, especially in nature. In the noh play “Takasago”, an old couple is seen together on the beach of Takasago (today’s Hyogo prefecture) sweeping pine needles under the trees. The old man Jo and old woman Uba are the spirits of the pine trees that were grown in Takasago and Sumiyoshi. The two trees are located far away but they are together with their spirits. ...
Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.
Japanese antique nobori banner, hand painted on cotton, a tiger in bamboo grove. The style of the painting is derived from ancient Korean paintings of tigers. It is a style that became popular in Japan from the 16th century and you will see many screens and scrolls of tigers painted in this manner. The popularity of these paintings in this style continued throughout the Edo period(1608-1868) and into the Meiji era. The quality of the artwork tells us that this nobori is likely to have been done ...
SUISEKI OF FERTILITY
Unique arrangement of supernatural stones of a penis and a vagina based on Japanese phallic worship, with completely no processing by human hands but attached with an wooden stand as an Art of Japanese ‘Suiseki’. Total: approx. 29 x 10 x H 18.5 cm (11.41 x 3.93 x 7.28in)
selected by hotoke
* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Polic...
Persian Sarouk Wool hand knotted large size Carpet, Ca. 1910, 10 1/2' x 15', very small hand knots for large carpet with dark blue and dark maroon reddish colors mainly, very rich and deep colors of floral and vines spread out on the soft wool surface which is evenly worn over the years. Two(2) shaped panels design on both ends and bordered by beautiful soft colors of typical Sarouk small patterns. The condition is evenly worn, no major damages, clean and no stains, edges are fine, ready to us...
This set of 12 plates was produced in France in the mid 19th century. They are marked with
the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...
This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.
Condition: excellent Height: 8 inches
This is a beautiful Japanese cloisonne vase. Though not signed, the workmanship and colors clearly speaks Hayashi Kodenji made this. This same opinion is held by North America's leading cloisonne collector. The vase stands 7 1/4 inches tall. It appears perfect but there is a virtually invisible repair to the midnight blue enamel edge shown in the last image.
Japanese Sake cup - Hagi ware with box - Beautiful blue glaze work of Seigan Yamane. The cup has the maker's signature mark stamped on the bottom. Height: 2.0" (5 cm). Diameter: aprox 2.5" (6.5 cm). Condition: The cup has a chip in the edge cover by the glaze, apparently made during the manufacturing process (please, see photos).
With a height of 32 inches, this is a rare and impressive example of early 19th century Imari ware. Both the vase and stand are finely decorated in shades of blue, gold and orange.
Condition is excellent.
This is an old silk fukusa from Meiji period (1868-1912). This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony. Lined with a deep red crepe silk, this fukusa is almost in perfect condition.
Pine trees are considered as sacred in Japan. Here, an ancient pine tree is mostly done with the gold couching, overlaying of threads (wrapped in gold) rather than going in and out of the base fabric. The color of gold is particularly pretty here contructing to t...
Persian Heriz hand knotted wool carpet, room size 9' x 12 1/2' Ca. 1950's, beautiful reddish geometric design in the center bordered by dark blue background, typical Heriz design, the condition is good, nice soft wool touch on the surface and very clean and in good condition.
Extremely Rare Poupee (doll) from the Louis Vuitton Toy Shop. Made from a type of plastic (possibly celluloid) with delicate hand painted features, dressed in a detailed regional costume of Bretagne (Brittany). The costume appears to be of a style found in the area around Pont Aven. The face of the doll is of a mature woman not a child. The dolls wig appears to be of human hair and is in a pulled back style. The headdress is of stiffened lace, as is the wide collar of the dress. The dress itself...
Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.
An antique Satsuma figural group of a prone bull with a guardian. The bull with crackled cream ground, gilt noseguard and retaining rope and with polychrome painted and gilt backcover. The young man in a gilt and multicolor painted traditional Japanese garment resting on the animal while holding a book in his hand. 11.5" long, 6" high. An exceptional piece.
Condition: Flawless, ex-Christie's
This beautiful Dr. Wall period Worcester soft paste porcelain compote is a large early piece with fancy birds decoration and blue border. Its probably from the Giles workshop.
Condition: excellent Height: 11 inches
A beautiful hand thrown stoneware vase of tapering shape with three very small ears; mottled blue glaze / rubbing eggs glaze creating a stunning effect made by Ito Tosan. Ito Tozan I (1846-1920) or Ito Tozan II (1871-1937).
Seal mark underneath reading Tozan, enclosed in the original stamped cotton bag. It comes with a collector box from the 50´s.
Late Meiji to Early Showa, 20th cent.
H. 26, 5 x Diam 7,5 cm.
Condition: Fine.
**** Ito Tozan I (1846-1920) started his artistic career as ...
An 18th Century Japanese porcelain scalloped serving bowl, with lid, decorated with the Imari colors of red, blue, white, cream, and gold. The tureen measures about 9 1/4" long x 6 1/2" wide x 7" tall. The Shippo design family crest has been applied in gold on the blue panels. The finial is modeled as a sixteen pedal chrysanthemum blossom. The condition is excellent, with some wear to gold highlights. The asking price includes shipping within the USA.
Signed studio original hand hammered brass bold kinetic protective eye pendant necklace with spiral dangles and an added bold turquoise dangle, was made in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.
The multi cultural ethnographic evil eye protection motif, used in jewelry by the ancient Romans, Asian Dzi, Victorian, Latin American countries and continuously through out the middle east was h...
This is a 17th century, coloured stone Buddha statue. It is curved out of a single piece of solid rock. The clothing on the body is maroon in colour and the boarder around the sleeve and neck is in black colour. The Buddha face, hand and feet are covered with traces of gold leaf gilding. The head is originally painted in blue colour but later painted with black paint. The head also has circle design on it all around. The base of the statue suggests that the Buddha statue is curved out of a singl...
Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies.
The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...
Old Japanese decorative roof tile, Onigawara, depicting the legend of Jo and Uba, spirits hunting in the pine trees of Takasago. They symbolize the harmonious marriage and long life together. This tile was probably on the roof of the traditional wedding place once. Dimensions are approx. 11 1/2" high x 18 1/2" width and 5" depth, 14 pounds.
Hiroshi Yoshida
Glittering Sea, from The Inland Sea Series
(Hikaru Umi, Setonaikaishu)
Date: 1926. Date of this edition not known.
Medium: Japanese woodblock print mounted as kakejiku scroll.
Signed and sealed in the image.
Size: Oban. Scroll: 45.5 inches 17.75 inches. Blue sheet: 20.5 x 15.75. Visible image: 14.5 x 9.75 inches.
Condition: Creasing from scrolling.
Note: Scroll mounting over the margins prevents us from confirming the presence or absence of...
This is a woman's shift ("kurta") from Swat Valley, Pakistan. It measures 125 cm from one sleeve extended to the other; the gusset measures 24 cm; the bust 57 cm. From top shoulder to bottom hem it measures 91 cm. The sleeve opening is 17 cm. The embroidery technique is pink and red floss silk on indigo-dyed and black cotton depicting geometric shapes typical of the embroidery of the Swat Valley. Condition of this textile is excellent. Estimated age: mid to late 20th century.
Japanese black lacquered on woven Bamboo Trunk, with red lacquered wooden frame on the bottom, Ca. 1920's, 14 1/2" high, 27 1/4" x 15 1/4" wide, two(2) black iron lock compartment on the side and large handles in front and back and corners are wrapped around with black iron. Wooden stretchers on the bottom to support for strength, blue rice paper lining inside the top and the bottom. Some black lacquer loses on the surface and corners are worn.
Late 1800s
These bottles are decorated in underglaze cobalt blue and colored enamels with a design of various painted fans floating on an iron red enamel ground that is covered with gilt spirals. The interiors and mouthrims are clear glazed. The bases are glazed clear and the footrings are unglazed, exposing the fine white porcelain paste. They are signed Kozan (Dai Nippon Kozan Sei) in underglaze blue. Both are in very good condition. Acquired from a collector in Fredericksburg, Virginia ...
Antique Japanese silver kanzashi, the upper design part is gold plated with finely engraved three oak leaves. *This was one of the most popular crests among the warrior samurai class particularily among close devotees of Shinto. Top quality hand cut metal work. Circa (we think) Meiji period (1868-1912). 6 3/4" long and 1 3/8" in width.
*The Elements of Japanese Desgn by John W. Dower
Folk Art Portrait by American Artist, attributed to Sheldon Peck (1797-1868). This Portrait was purchased at a North Carolina auction from the Larew Collection. The 19th century oil on canvas portrait of a gentleman was said to be Thomas Johnston from Concord, NC (Sept. 1850). It was marked on the original canvas (relined) bought in Davie County. It is mounted in a mahogany veneer frame with yellow pine backing. Canvas 29" 24" and the Frame is 38" x 33". The portrait was restored in 1973 by Hen...
How rare it is to find an early soft paste porcelain platter of this size, 16" X 20". This platter in excellent condition is made by the "Bow" factory circa 1765
Condition: excellent Width: 16 inches, Length: 20 inches
A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.
The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.
This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.
Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...
First edition Taisho period Japanese woodblock print titled “The Snow Maiden Umekawa” (aka “The Heroine Umekawa in the Snow”) from the supplements of “The Complete Works of Chikamatsu Manzaemon" by Kitano Tsunetomi (1880-1947) published in 1923. First edition with mica and silver highlights, hand applied gofun, black ink Tsunetomi seal at the upper right, and Yamagishi Kazue (carver) and Nishimura Kumakichi (printer) seals at the lower edge. Paper: 17 3/4" x 11 3/8." Very good overa...
Antique American Indian Beaded Dance Harness
Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...
Heavy, thick walled vase in cobalt blue cased in crystal, with silvery air traps in a repeating
geometric pattern.
The vase stands 8 inches tall and is 4 inches in diameter at the top. the base tapers to 2 1/4 inches.
This vase weighs in at 9 pounds, a lot of weight to work with on a handmade, hand-finished piece!
The piece is signed on the base Orrefors/Ariel 295 E-4/Ingeborg Lundin
Condition of the vase is excellent with no chips, cracks or repairs. 1974
A very rare and highly charming porcelain figure of Budai (Daduze), bare chested with a laughing expression, seated leaning on his sack of treasures. Decorated in famille rose manner with additional gold. Two maker’s seals: “Fujian Huiguan” and “ Made by You Linji).
****These seals are identifying marks of the Jingdezhen artist working at Fujian Huiguan.
**** You Linji was the artist name of You Zhangzi /You Linzizi ( 1872-1922 ). Before moving to Jingdezhen, he first trained unde...
An 18k diamonds and cornflower sapphires row ring circa 1890. This Victorian period size 6 ring is 18k yellow gold, with genuine natural sapphires and antique sut diamonds. It measures 3/4" x 3/16" across the setting, the two diamonds measure approximately 10 points each by gauge, and the cornflower blue sapphires measure approximately 6 points each (side) and 12 points (central). This ring weighs 2.0 grams, it is stamped 18CT with a CT maker's mark. It is in excellent condition with no chips, c...
Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...
The size of Screen: 277cm Wide x 138 cm High (109 " x 54 3/8")
The both side Left/Right Panel size: 47.2 cm x 138 cm (18 1/2" x 54 3/8")
4 panels in between size: 45.5 cm x 138 cm (17 7/8" x 54 3/8")
Each Fan design size: 55 cm (21 5/8") wide.
This is wonderful 6 panels Japanese Byobu screen from 1750's middle 18th Century with 21 Ougi (fans) design with gold leaf background. This type of painting properly called, "Senmenga" with fan design Byobu called "Senmen Byobu". Th...
Beautiful arts & crafts handmade sterling and wood tea set, comprising of 6 pieces, c.1910. Every piece is marked "STERLING" except for the sugar. The design is classically arts & crafts and each piece is hand hammered which produces a wonderful texture, very representational of the period. The pieces are: TRAY - 13" long by 9 1/2" wide by 3/4" high. TEAPOT - 5" high by 10 1/4" wide by 4 1/2' deep. CREAMER - 2 1/4" high by 6 1/4' wide by 31/2' deep. SUGAR - 3" high and 3 3/8" in diameter. DISH ...
A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...
The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...
Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamam...
The warrior’s armor and helmet, samurai sword, spears, banners and paper carps (later cloth) in the sky are all tools used to showcase boy’s day in Japan. This tradition
started early Edo period (1603-1868) by samurai families wishing their son’s good health and studies to be honorable samurai.
This set is made in Kyoto, Japan and is called “Kyo-armor”. Kyoto had been the capital of Japan for over 1000 years. The culture there was developed to serve the best for the emperor...
Signed American original oil painting on 100% Belgian linen depicting a luminous sky and serene yet moody section of a North Eastern Atlantic Cape coastline with a distant sailboat beyond the dark breakwaters at mid ground.
Title: Ann's Gift. This self taught artist juxtaposes the serene view of a waxing or waning luminous sky, displaying a myriad of colors masterfully blended in blue pink lavender yellow with hints of orange at the horizon, with the dark breakwater rocks at mid ground. N...
A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box. Actor...
A pair of 10 inch tall Pairpoint candlesticks in colorless glass with amethyst additions. The sticks are decorated in the classic “Waterford” pattern and are identified as shape F1622 Florentine candlesticks in the 1915 - 1920 company literature as illustrated in Padgett’s “Pairpoint Glass.” There is no damage to either candlestick.
Great example of a Durand champagne glass with ruby red cup and foot joined by an ambergris stem. The cup, stem and foot are nicely ribbed and measure 6 inches tall. The cup is 4 3/8 inches in diameter and the foot is 3 1/16 inches in diameter. The foot has a rolled rim and has a small polished pontil mark. This example is pristine.
A colorless Webb ewer or cruet decorated with an acid etched floral design and having an acorn stopper. The 7 ½ inch tall piece is 10 inches tall with the stopper in place. The stopper is not the original but is the correct style of stopper for this piece.
24034879 A nice small Pairpoint Rosaria compote, shape B-366. The compote has a Rosaria foot and bowl connected by a colorless stem with a bubble ball connector. Both the foot and the bowl are enhanced with a diamond quilted pattern. There is a polished pontil mark and there is no damage. The compote is 6 1/4 inches in diameter and 6 inches tall.
A pair of Steuben Cyprian twist stem candlesticks, aquamarine with celeste blue rims. The candlesticks are 10 inches tall and are shape 6331 as shown in the factory line drawings. The candlesticks are undamaged and unsigned.
24054902 A satin finish Wheeling peachblow number 13 stick vase in a lustreless finish by Hobbs, Brockunier & Co. of Wheeling, WV. The vase is 8 ½ inches tall and 3 1/4 inches in diameter. There are no imperfections.
RED-PAINTING PAPER PLATE
Anonymous Japanese pottery okimono object, as a symbol of love and peace, H 12.2 x W 9 x D 6.8 cm (4.80 x 3.54 x 2.67in)
selected by titcoRet
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Thank you.
Large Chinese Qing dynasty oval form lidded jar densely decorated on the front in underglaze blue on a faintly celadon tinted white ground with a phoenix bird among peonies. Three blue clouds are on the lid. The base and interior are glazed while the foot is unglazed. Late 19th century. 12 1/2" high. Very good overall condition. The unglazed mouth rim has tiny imperfections. There are a few glaze losses to the tip and side of the finial that might be from the original production. From th...
Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...
A slinky bi-color rose and yellow gold bracelet that measures 7.5" x 1" and is marked 18kt. Hidden box clasp. 60.5gr. Highly polished.