Good Ming blue and white porcelain bowl with abstract coiled dragon medallions. There is a small chip and fine hairline noted in last enlargements. D: 13.8cm/5.4in and H: 5cm/2in.

Good Ming blue and white porcelain bowl with images of boatmen on a lake. Some “flea bites” and frits on rims caused by bubbles under the glaze, but otherwise very good condition. D: 13.4cm/5.6in and H: 5.1cm/2in.

Good porcelain blue and white Ming Dynasty bowl with abstract pattern of boats on water. There is one tiny flea bite chip on the rim noted in last enlargement, otherwise very good condition. D: 10.7cm/4.2in and H: 5.4cm/2.1in.

Nice old carved hardwood box from the Shan State, Myanmar with traces of original lacquer. This was collected around 1988 in Northern Thailand, and originally dates to early the 20th century. Please note this is not a tourist piece artificially stressed to look old. The Shan have a strong shamanistic tradition which seems to blend well the local Buddhist religion, possibly this was used to house shaman paraphernalia...

19th century lacquered netsuke of an actor in a role of a shojo with fan and a ladle. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Great face, superb rendition of Noh theater robe with gold lacquer and iridescent mother of pearl, characteristic red lacquer hair, in excellent condition. Signed SHUGYOKU (can also be read as Hidetama) on the bottom - the artist is discussed on p...

19th century lacquered boxwood netsuke of a recumbent goat, its head turned back and resting on its haunch. Excellent carving capturing the essence of the creature, wonderful depiction of its coat, eyes are inlaid with amber, excellent wear and patina.. Length 2.07 inches.

19th century wooden netsuke of two frogs frolicking on differently sized peony buds with stems. Wonderfull quality carving (see finely incised petals texture) carved, very beautiful warm patina. Signed GYOKUSEKI on the bottom - there is Gyokuseki listed on p. 428 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, but this is much better quality carving than his usual work, probably a different carver with the same name. Length 2 inches.

19th century wooden netsuke of a turtle with its head and limbs hidden inside the carapace. Elegant strong carving, wonderful rhythm to the sections of the carapace, beautiful depiction of the creature. Central plastron on the back is removable and has a hole at the lower tip that serves as himotoshi. Wonderful patina, very pleasant to handle. Length 1.6 inches.

Early 19th century wooden netsuke of a lotus pod with 2 seeds that can move inside their sockets. Great early carving, dark dense fruitwood, himotoshi (cord opening) formed by the stem of the pod. Beautiful mellow patina from handling, in great condition. Pod diameter 1.66 inches.

1920's Japanese Satsuma Vase with Flowers & Chocolate Colored Rim by Yabu Tsuneo Signed Meizan

It is 5.5 inches (14 cm) tall by 3.5 inches (9 cm) wide. It weighs 0.8 lb.

It has rubbing of gold and paint, chips and hairline cracks at the lip, and surface wears and scratches (as seen in the photos).

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A large rosewood, huanghuali brush pot, bitong of simple cylindrical form with thick walls and the base with an inset plug. The wood grain has particularly nice patterns, with a few 'ghost eyes', and a wonderful deep honey-brown patina. H 16 x 16,4 cm Diameter Late Ming/ early Qing Dynasty. Condition: good with a couple of chips at the lower part and thin hairline at the bottom.

Finely cast statue of Buddha, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. The lotus throne is nicely sculpted partly in openwork, on its lower part. Bronze, with fine age patina. Burma, Ava Style, 18th century. Height: 13 cm. Very good condition. Provenance: old Dutch collection.

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age...

19th century netsuke of a toad, a snake and a slug on rockery with bamboo grass. The subject of the netsuke is sansukumi: a combination of a snake, which eats a toad, which eats a slug, whose slime is poisonous to a snake - thus forming the circle of deaths. Beautiful rendition of textures - the skin of toad and snake, bamboo and rock surfaces. Warm patina and very pleasant wear to the surface, himotoshi (cord openings) are very cleverly carved as irregular holes in the rock...

19th century netsuke depicting 2 boys mimicking Sambaso and Manzai performers, with one playing a drum, and the other wearing a theatrical mask of Hyottoko (perplexed peasant) and holding a fan and a rattle. Excellent detailed carving, wonderful faces, beautiful etching of textile patterns and hair tufts. Beautiful patina - mellow yellowing on the back, overall in great condition. Signed HOMIN with kakihan (monogram of the artist) on the bottom - the artist must have been a student of Hokei...

19th century netsuke of a monkey trapping an octopus in a large jar encrusted with barnacles. Unusual subject, superbly carved, excellent faces, wonderful detailing - see the smug face of the mammal and distressed one of the invertebrate, fine fur, jar surface texture and precise barnacle structures. Eyes of both creatures are inlaid with black horn. Beautiful wear and patina consistent with age, old collection number in red on the back. Height 1 1/4 inches.

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence...