Antique Japanese pair of lively koma inu (temple fudog guardians), carved of keyaki (elm) wood, left hand creature has mouth open showing teeth and has a curly mane, right hand creature with toothy grin and wavey mane, wonderful detail carving, fain remnants of pigment (mouth, eyes, and whiskers), Meiji Period.
Size of each: 17 1/2" high x 18" deep.
Early Edo period, 17th century.
Enjoy this small local wooden folk Buddhist statue called 'Minshu-Butsu' (or 'Minkan-Butsu'), dated back to the indicated age but could also be earlier.
It is unique and soften modeled with calm smiling in 'Gassho' pose, coated with mature paint and an impressing merciful aura.
The statue shows the wear of time and draws its beauty from it...
Like all our pieces also this piece is genuine, the body of the piece is in a perfect condition with no chips or cracks. The only problem of this extremely rare excavated piece is that to the outside the surface of the glaze during hundreds of years was heavily attacked by aggressive soil. To the inside of the piece there still are remainders of the former very attractive oilspot decoration.
Jian Kilns, Fujian or Henan province, 12th - 13th century. Excavated in Indonesia.
Diameter: 8,3 cm...
Beautiful large flat keyaki root wood stand with over 6 natural holes of root on surface, beautiful graining and sculptural presence, top edge carved at perimeter with incised line and raised surface on edging. Size: 40"L 25"W 5/8" H
Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.
Excavated in Kalimantan, Borneo.
The piece is small, like most of the Song Geyao items, the shape is like Song, the glaze is like Song, but the clay ( porcelaneous ) looks different, and so unfortunately I have to be confident, that it must be a 18th century piece.
What is confusing, is, that the piece was excavated together with some broken, ordinary Song pieces, and that there have not been found any other Qing material at this lokation.
The piece is very nice, and in a perfect condition...
A wonderful example of Ming Dynasty (1368-1644) burial gifts, this pair of glazed and painted pottery horses and grooms. Dimensions: W. 20 cm H. 17 cm. Condition: expected age wear, no damage or repair.
Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with
rich patina, finely rendered detail, naturally executed. A fine addition for
horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type
of mask done by a master carver, using Cypress wood (Hinoki) and many layers
of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice
is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life...
A simple Chinese celadon charger incised with motifs of scrolling vines and flowers. Celadon wares were developed in China during the Song Dynasty and were traded throughout East Asia. The simple designs and colors is what made celadons popular throughout the centuries. Age: 19th-20th century. Size: diameter: 13.75" height: 2.5"
Chinese antique gourd cricket cage, rim made of hardwood, wonderful lid made of Yixing ware, pierced and carved with intricate scene of a man leading a horse with weeping willows in the background, 19th century.
Size: 3 1/4" high x 2 1/2" wide
Beautiful antique bowl from the late Southern Song/ Yuan Dynasty, 12-14th century. The bottom of the bowl is applied with two scaly fish. The bowl is covered overall with a sea green tone glaze that is paler on raised areas. It measures 1.75" high by 5.25" wide.
Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
18 cm wide from spout to handle. 10 cm high. No mark. Teapot in good conditions with small chipped at inside the lid.
With green and ochre glaze, white and black pigments. H. 16 cm, W. 20 cm. Excellent condition. China, Ming Dynasty (1368-1644)
Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete
state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find.
A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm...
Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...