This is from Qing Dynasty or Republic era beadwork headgear of chinese noble lady , like those portrayed in those old classic chinese painting in the courtyard where you can see them wearing it....and carrying a walking stick.....
This late 19th century export celadon porcelain duck is 9 ¼” long, 6 ¼” high and 4” wide. It has a celadon body and beige beak and feet. It is in excellent condition.
A dish with broad cavetto, decorated in underglaze iron-brown over a cream slip with a spotted fish in the center medallion, and regular dash marks bordered by double lines on the rim. Five spurs mark on the center and base unglazed. Condition with re-touched one very large chip to the rim, underside with minor flake glaze, no cracks and further in good condition. 15th-16th Sukhothai ware. Diameter: 30 cm.
This baby carrier is from the Miao ethnic minority of Qui Yang. Characteristic of the antique Miao baby carriers from this area, the surface decoration is composed of very tiny cross stitches which form geometric embroidery pattern which, to Western eyes, resemble snowflakes...
A Nice black-glazed jarlet, decorated in lobed form body and two ring handles attached at the shoulder. Chinese 13th-14th century. Condition is perfect except glaze degradation because found from the river. High: 8cm and body diameter: 9cm.
Example of Yue ware globular ewer with carved lotus petal motif,Northern Song dynasty.
original conditions when the piece found from the river at sumatra.
Size: 12 cm height
(possibly 16/17 cm if complete)
A polychrome large dish, decorated outside and inside cavetto walls with continuous lotus scroll and reversed a white on red flower. Ming dynasty 16th century Hongzhi-Zhengde period. Condition with D shape re-stuck to rim area like indicated on pictures and minor enamel lose to the center area, further in original states without any addition. Diameter: 31 cm.
A Yue Ewer with Flower carved decoration,Northern Song Period.conditions on restorations(see picture six before restorations).size:14,5cm height...15,5cm wide.
This is from Qing Dynasty or Republic era beadwork headgear of chinese noble lady , like those portrayed in those old classic chinese painting in the courtyard where you can see them wearing it....and carrying a walking stick.....
This is an eye bead from China Warring State period, it is in badly corroded condition after under burial for more than 2 thousand years...it is a very nice piece, please feel free to enquire! Thanks
This is an eye bead from China Warring State period, it is in badly corroded condition after under burial for more than 2 thousand years...it is a very nice piece, please feel free to enquire! Thanks
This is an eye bead from China Warring State period, it is in badly corroded condition after under burial for more than 2 thousand years...it is a very nice piece, please feel free to enquire! Thanks
A Rare example of yue ware ewer.early song/jin period.original conditions you can see from the enlarqement picture.higt:7,8cm
A Song dynasty longquan celadon bowl, bowl decorated with ribbing rising lotus petal motif at the outer wall, covered with green glaze.
Bowl is in good condition no damage no chip no restoration, crackled glaze at the surface.15,2cm diameter.
A Song/yuan dynasty longquan celadon bowl, bowl decorated with ribbing rising lotus petal motif at the outer wall, covered with green glaze.
Bowl is in good condition no damage no chip no restoration, crackled glaze at the surface.16,7cm diameter.
Yuan dynasty longquan celadon bowl, bowl decorated with ribbing rising lotus petal motif at the outer wall.
Bowl is in good condition no damage no chip no restoration, crackled glaze at the surface and firing fould from the kiln.16,5cm diameter
A Black or Dark brown glaze jar,song dynasty.
good conditions,it's just has degradations glaze because found from the river.12,5 cm height...13cm body diameter
This wonderful Japanese banko nodder is somewhat unusual in that his head nods side to side rather than front to back like most nodders on the market. Dating circa 1880-1899, he was hand molded as evidenced by indentations and finger prints left by the artist on the inside of the bell/body. In excellent condition with the exception of one repair to the neck. At some point in his history, the weight broke in half and was re-attached. No other condition issues, no chips, cracks...