A set of three 19th century Indian jeweler's moulds, made of bronze, each one representing a Hindu deity. The first one shows a female deity, maybe Sarasvati, with four arms, holding her four attributes in her hands, riding a horse and surrounded by foliage. An inscription is incised at the back of the mould. Height: 6.3 cm. The second mould shows god Khandoba (a form of Shiva), holding a sword, riding a horse together with his wife, and accompanied by a dog running under the horse...

Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics...

Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke made with sweeping yet calculated motions to evoke nostalgia for sultry summer days and tropical climes...

Japanese Meiji period cloisonné enamel lidded square form kashiki (confectionery box for tea ceremony sweets) with canted corners supported on four attached tapered and splayed legs. The lid is decorated with a variety of fans of varying shapes and designs set against a black ground; the sides are covered in a dense floral diaper pattern in blue, yellow, and brown; and the bottom is decorated in clusters of flowers and scrolling foliage set against a black background...

Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground. A foliate patterned band is above the foot and a narrow geometric band is below the mouth rim. Silver rims are at the mouth and foot...

Antique Japanese wooden temple carving of a fu dog (fu lion, or shishi). Carved of keyaki (zelkova elm) wood with wonderful details including characteristic swirling fur and wide, toothy jaws, this fu dog is a powerful Shinto temple guardian. Wide eyes are made of reverse-painted glass with irises of two different colors and with pupils of varying width, adding an intensity to his expression...

Antique Japanese textile decorated with a design of tea ceremony utensils. Small items such as a bamboo ladle for water (hishaku), a container of charcoal, cups, a tea whisk (chasen), a container for water (mizusashi), and other items surround a large central image of a portable iron tea kettle (kama) and brazier (furo). This design in done using a paste resist and indigo dye. A lovely blue color in four panels sewn together...

Statue of a Taoist deity, in formal attire, seated on a throne. Wood, decorated with polychrome pigments. Small votive box at the back. China, Qing dynasty, end of 19th century. Height: 22.7 cm. Traces of candle soot on the front, old insect attack beneath (no danger), otherwise good condition.

Very rare Edo Period (1603-1868) Japanese Antique Hohin Teapot for Sencha/Gyokuro with wonderful Wabi Sabi atmosphere Size Length 10.5cm Width 8.5cm Height 6cm Weight 190g Condition Overall good There are minor chips and lack of glaze Please see the photos for reference

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

Wood Sumikiri-bon with red urushi. Summikiri means a tray in the shape which four corners are cut. Four sides have painted in Negoro style which has partly black urushi. Used and some scratches and chips. Late 19th to early 20th century. 36.5cm x 36.5cm x 3.5cm

Chinese Chinoiserie pagoda evocative of Chinese motif in architecture especially in the 18th century. Very popular in Europe and highly collected as an exotic curiosity. Made of lacquered wood and gilt wood roof in hexagonal shaped shrine structure.

Age: 19th century

Size: 15.5"H 10"D

Japanese antique pair of zenko, good spirit kitsune (foxes) specifically associated with the goddess, Inari. These figures are carved of wood and painted with gofun, a white paste made from oyster shells. Details are painted using black and red pigments. Gold lacquered hoshi no tama, resembling flames and symbolizing magical jewels that hold part of the kitsune's power, are held by each fox on the tip of it's tail...

Antique Japanese jizai-kagi in the form of a whale. In a Japanese home, water in a kettle or pot is heated over an irori (sunken hearth). The jizai hook hangs from a strong ceiling beam. From this, a long device is suspended with a hook on the end that can be adjusted up or down by moving the jizai-kagi. Often these are carved in the form of a fish. This unusual jizai-kagi is carved of kayaki (zelkova elm) wood with traces of black lacquer and patina from hearth smoke...

19th Century Chinese Famille Rose Turquoise Glaze Vase with 8 Immortals

It is 8.05 inches (20.5 cm) tall by 3.1 inches (7.9 cm) wide. It is 1.25 Lb.

It has minor rubbing of paints, dark spots, skip glazes, and surface wears and scratches (as seen in the photos).

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Very Rare Antique Pottery Bowl with Kenzan Signature made by Kiyomizu Shichibei (1818–1891). Shichibei Kiyomizu was born in Kyoto in 1818 as the eldest son Takejiro of the second generation Rokubei Kiyomizu (1790-1860). Instead of taking over the family title, he founded his own kiln by 1839 with the name Kiyomizu Shichibei. It is not clear what was the reason behind that but it is known that Takejiro was a heavy drinker and was not allowed to use the same family name. His works are ofte...

A damaged Chinese Song dynasty Ding bowl. Dia. 8.5cm. Condition: plaster restored mouth rim, won't last long as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

An unusual Chinese Song dynasty white glaze tea bowl with yubi base rim. Dia. 13cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Antique Japanese Bronze Temple Bell (Bonsho). Inscribed on body with name of location, temple and date. The first 4 lines (from the right side of the 2nd photo) say: 門々不同八万四　Mon-mon fudо̄ hachi-man-shi 為滅無明果業因　I metsu mumyо̄ ka gо̄in 利剱即是弥陀号　Riken soku ze Mida gо̄ 一聲称念罪皆除　Isshо̄ shо̄nen zai kai jo I found a translation in the Encyclopædia of Religion and Ethics (1914): The 84,000 doors*, each different fro...

Antique Japanese Shinto mask in the likeness of a fox (kitsune). Carved of wood and lacquered dark brown, this mask is made with a movable lower jaw operated by a wooden mouthpiece. Most likely used during ceremonial dance associated with Shinto religion.

Japanese folk lore tell of many variations of the role of the fox including those closely related to guardians of Shinto Shrines. The goddess of agriculture and fertility, Inari-san herself at times takes on the form of a white ...

An antique Japanese Choba Tansu (merchant Chest) made of Hinoki (Cypress), Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. Original Shunkei Nuri (lacquer) on the front with a wiped lacquer technique on the top and sides which accentuates the beautiful grain pattern of the woods. The backs of all the drawers were made using very thick wood. The hand made iron hardware is also original including the stylized Gumbai handles and the bronze sliding door handles. Natural aged dark patina surr...

An antique Japanese 3 section Kimono Biraki Isho Tansu (stacking chest on chest with hinged doors) constructed entirely of Kirinoki (Paulownia) wood. Hinged doors open to 3 removable kimono trays. Spacious storage behind the sliding doors in the top section with 3 additional side by side storage drawers. Bottom section has 2 large drawers for additional storage space. Each section can be separated for use in different rooms of the home. Retaining its original finish, it would both be funct...

Antique Chinese hardwood ruyi scepter, naturalistically carved in the gnarled form of a lingzhi mushroom. A ruyi (meaning "as desired" or "as you wish" in Chinese) is a symbol of power and good fortune. Larger ruyi were held by nobility as scepters, smaller ruyi acted as a talisman. Because of it's many medicinal uses and it's power to balance one's qi (life force), lingzhi fungus is often seen in Chinese art as a symbol of health and longevity.

Republic Period (1912-1949)

Antique Japanese small bronze door latch in the form of a rabbit. The rabbit sits on a section of hollowed out log. The log is patinated green and the rabbit, a deep orange. With signed tomobako.

Age: Taisho/Showa Period (circa early 1900's)

Dimensions: 1 1/4" high x 2 1/8" long x 1 1/4" wide

Antique Japanese wooden bowl carved in the form of a wide lotus leaves. On the inside of the bowl, a frog with turquoise eye climbs the stalk of a lotus blossom. Two more frogs cling to curling leafy edges. The underside of the bowl is carved like the underside of a lotus leaf including it's spiraling stalk.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/4" wide diameter x 3 1/4" high

A fabulous and rare Jiajing/Wanli kraak plate, made for the Japanese market. Plate with flattened barbed slightly upright everted rim painted with a figure on a bridge to an island, Crossing a bridge towards a house beneath overhanging tree from rockwork. In the distance on another island stands a thatched viewing pavilion, all within a band of nine cranes in water with flowering lous, the underside with a fruiting peach branch repeated on the other side below a band of sketchily drawn prun...

A fine Chinese Tnag dynasty pottery tomb guardian. Ht. 31cm. Condition: no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

A beautiful Chinese Tang dynasty tomb guardian with 2 large deer horns, ox ears, wings and original red paint on its lip. Ht. 38cm. Condition: one horn broken and reattached, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

Extremely rare Japanese antique usagi (rabbit or hare) mask for a Noh performance. Carved of wood and covered with gofun, a raised paste made from ground oyster shells. The surface of the usagi mask is carefully textured so that every hair is visible and some areas are polished from wear. The eyes of the hare are a pink color, similar to those of an albino snow rabbit.

Usagi is the creature most closely associated with the moon. The tale of how the hare came to inhabit the moon o...

Japanese Antique Gold Enamel Kinrande Bowl made by XII Eiraku Zengoro (1823–1896) with Phoenix Motif and Exquisite Gold Kintsugi Repair The bowl has a cobalt blue signature of the potter translated as "Made by Eiraku in Great Japan" XII Eiraku Zengoro (1823–1896) belongs to one of the most influential Kutani pottery family in Kyoto in 19 century. He became the head of the family in 1843 at the age of 20 with the name Wazen after retirement of his father Hozen. This bowl is more likel...

A small bronze figure of a rat. Qianlong period ( 1736 - 1795 ) L : 9,4 cm. H : 6,3 cm. Condition : Perfect. The style of this small rat figure was clearly inspired by the rat head which was one of the twelve animals of the Chinese zodiac created by the Italian Jesuit missionary Giuseppe Castiglione for the Qianlong Emperor in the mid-eighteenth century.( Please have a look at the last image ) They were originally part of a rococco clepsydra, or water clock. Though of Western design, the ...

An antique Japanese Choba Tansu (merchant chest) made of a rare Keyaki root burl (Zelkova Tamo), Kirinoki (Paulownia), and Suginoki (Cryptomeria) woods. All original hardware including Gumbai drawer pulls and sliding door handles featuring a gold inlay flying dragon amongst the sea and clouds. Multiple merchant drawers are hidden behind the sliding doors with an open space storage area where merchant books and records were stored.

The sliding doors ingeniously hide a secret set of drawe...

A delicately cast miniature statue of a Buddhist monk, standing on a circular base, holding his robe with both hands. Gilt bronze. China, Tang Dynasty period. Height: 66 mm. The statue is nicely mounted on a custom plexi stand. Very good condition.

Diameter approximately 16.5 cm. There are some hairlines.

Diameter approximately 17 cm. There is a hairline at the bowl. There are some hairline at the cover. There is a soft chip at the cover. More pictures are available.

Beautiful Chinese fragment of a dragon robe, Kangxi period, Qing dynasty. Decorated with 3 five-clawed dragons. A front faced dragon located at the chest area while the other two dragons holding fire pearl looking upward and flying above the sea waves. The last enlargement illustrates the relevant piece at its original appearance. P.S. in 2012 or 2013, a similar fragment with only the lower half part sold at USD 11,000. Dimensions: 130 x 62cm. Condition: excellent unless the sign of trimming to...