A Blue & White small dish, with center decoration character of "Shou" Longevity, underside with figurine in landscape. Please see similar item on "Chinese Blue&White Ceramics" by "S.T. Yeo & Jean Martin" page 158, item #110, plate 63. Ming dynasty early 16th century Hongzhi-Zhengde phase in perfect condition with no any chips and no cracks, free from restoration as well. Diameter: 12.2 cm and High: 3.5 cm.

Antique Japanese Bronze Warrior with upraised arm holding a Buddhist Bell Bowl and holding spear in other arm. Gold leaf on raised design. Very fine detail, good condition with small wear to gilt. On hardwood stand, bell taper inside bowl. Bronze figure is 17.5" High, with bowl 24" High, 30" High overall.

Foliated small dish covered with crackled white glaze. Unglaze base. Song Dynasty. Width = 12.3 cm Condition : no chips, cracks, or hairlines and free from restorations.

The Thais developed a taste for Chinese porcelains made in shapes suited to their way of eating and living, and decorated with Thai motifs and in Thai taste. There are two categories of ceramics made at Jingdezhen for the Thai market: Bencharong (five-colour) wares and Lam Nai Tong (goldwashed) wares. PERIOD : 19th century. CONDITION : no chips, cracks, or hairlines and free from restoration; MEASUREMENT : Diameter: 22 cm and Height : 9.5 cm

A brown-glazed bowl made for the purpose of grinding ink or mineral pigment for painting. Ming or early Qing Dynasty. The bowl is in excellent condition with a production flaw(a chip) on the bottom. Diameter: 5"; height: 2".

Antique Chinese small porcelain dish, stencil with painted design of figures in a rural pavilion setting, made for export to Europe, late 18th century. Size: 5 3/4" wide diameter x 1 1/4" high

Vietnamese pottery bowl with blue and white glaze, decorated with flower motif, from the Hoi An Hoard, a ship wrecked junk from the mid 15th century discovered by fishermen and excavated by the Vietnamese government around 1994. Age 15th century. Size: 5 3/4" wide x 2 3/4" high

Chinese antique very beautiful small celadon glazed ceramic plate, impressed with double fish motif in center, underside with lotus motif, glaze has lovely crackles, drips and pits, a gorgeous small piece, Ming Dynasty. Size: 4 5/8" wide diameter x 1 1/4" high

Antique pair of Japanese samuri dolls aka musha ningyo representing the Empress Jingo and her faithful minister Takenouchi no Sukune. Unfortunately, the baby Ojin has been lost. Both dolls are beautifully detailed and in excellent condition. She is 9 inches tall and he is 6 inches tall. Shown on a home made stand

This interesting and finely carved Japanese ivory okimono is a mid-19th century product. It is 4 7/8” high, 2 3/8” wide and 1 ¼” thick. It depicts one adult and two youngsters engaged in the pastime of catching bugs. One boy, on the back of the adult, waves a fly swatter in his left hand while his right hand grabs at a dragonfly over his head that is trying to escape. The second boy stands next to them straining to hold up the long insect-catching bamboo pole...

Pair of Spectacular Masterpiece Japanese Paintings of an Imperial Couple. 59h x 24w inches, 150 x 61 cm. Signed: Nakayama Sanji. Original frames. Male figure wears robes with the Tokugawa crest. The female wears a gold phoenix crown with a gorgeous royal kimono. This one-of-a-kind pair of portraits was possibly inspired by the American painter, John Singer Sargent (1856–1925), considered the leading portrait painter of his generation...

Late Edo Period Musha Ningyo (Boys' Day Doll) of a Samurai and Attendant. Pairs of ningyo of this very fine quality almost never appear for sale, much less with all the accessories, as we have here. They have finely carved faces, and are lacquered with many coats of gofun (white oyster shell lacquer). They are adorned with sumptuous silk brocades and lacquered armor, indicative of this period of ningyo artistry...

Japanese Meiji Period Musha Ningyo (Boys' Day Doll) depicting Emperor Jimmu Tenno, the first Emperor of Japan, in an unusual seated position. A fine and rare Ningyo, wonderfully well-executed face with strong features, covered overall in a fine tinted gofun (oyster shell lacquer), with a spectacular silk fiber hairstyle, sumptuous silk brocades, and a sword at his hip while holding a fabulous polearm weapon. 10.5 inches, 26.5 cm.

Japanese Edo Period Wood Carving of a Monkey on a Peach Tree. Originally housed in a Buddhist temple. Carved of poloma wood. Original pigments still exist, which is very unusual for the age. It is a wonderfully carved and captivating work of art. 23 x 9 inches, 58.5 x 23 cm.

Edo Period Portable Wood Buddhist Shrine with Exquisite Carving. 17h x 12w inches, 43h x 30.5w cm. In Buddhism, portable shrines were made so that devout travelers with nowhere to worship could carry their shrines with them. The shrines were made with closing doors, to preserve the artwork. This shrine features exquisitely carved deities and finely lacquered details.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today...

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Oshi-e Ningyô of Two Kabuki Actors. 12 x 8.75 inches each, 30.5 x 22.25 cm each. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today...

Rare Japanese Iki Ningyo (Living Doll) depicting a man clothed only in a loincloth, showing his perfect physique, with left arm raised and right hand gesturing his strength. Superbly crafted in the latter part of the 19th century for the export market, fulfilling the demand for Japanese “exotica”, following Japan’s opening to the West in the mid-19th century...

Finely Carved Wood Iki Mask with Japanese Collection Label on Back. A wonderful example featuring a dynamic human presence. Detailed with glass eyes and human hair, and a burnished gofun lacquer finish. 6.25 x 6 inches, 16 x 15 cm.

Finely Carved Wood Iki Mask with Japanese Collection Label on Back. A wonderful example featuring a dynamic human presence. Detailed with glass eyes and human hair, and a burnished gofun lacquer finish. 6.25 x 5 inches, 16 x 12.75 cm.

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Late Edo Period Japanese Painting of Two Men Pulling a Horse. This classic Kano school painting is a perfect composition of line and form and color. Frame: 35 x 20.5 inches, 89 x 52 cm; Painting: 28.25 x 13.5 inches, 71.75 x 34.25 cm. Colors on silk. Signed and sealed by Kosui.

Beautifully Carved, Large Japanese Boxwood Okimono of a Perched Hawk. Finely carved with naturalistic rendering. Signed by Miyamori. Height: 11 inches, 28 cm.

Japanese Cloisonne Vase with a Yellow-Eyed Dragon on a Maroon Field. Baluster form with silver wire inlay. 9.5 inches, 24 cm.

Japanese Framed Painting of a Tiger. This dynamic image is a classic example of fine Japanese painting. A wonderful work of art to behold. 47 x 17.5 inches, 119.5 x 44.5 cm.

Japanese Clay Figure of a Sino-Japanese War General on a White Horse. This would have been displayed in a Boys' Day festival in the late Meiji Period. Wonderfully painted with fine details. Height: 7.5 inches, 19 cm.

17th Century Japanese paloma wood carving of Buddha seated on a lotus leaf. A beautiful piece with a serene presence. It has a wonderful, warm aged patina. 10 inches, 25.5 cm.

Rare Pair of Early Meiji Period Large Inu Gosho Ningyo, Japanese Dog Dolls made of lacquered papier mache. Most known examples are 3 to 5 inches in height. Chin Dogs were part of the Imperial court for centuries. They are wearing Imperial lacquered bibs, and are constructed in the manner of Gosho Ningyo. 10 inches (25.5cm) high.

Rare Japanese Edo Period Silver and Gilt Hair Ornament. Sterling and 999 pure Silver and Gilt hair ornament of magnificent quality made for an Oria, the highest class of geisha, featuring a crane in flight with flowers and branches and tassels. Presented on a museum presentation stand. 14 long x 6 wide x 10.5 inches high with base, 35.5 x 15.25 x 26.5 cm.

This is a fine early Deco-style Japanese cloisonne box with a gorgeous multi-fan and wave design, silver rims and a fabric lining, attributed to Akatsuki. 4 x 3 x 1.75 inches, 10 x 7.5 x 4.5 cm. From an old Virginia Estate

Very Rare early 20th Century Anatomically Correct Pair of Clay and Gofun Nude Figures in a Bath House Hakata Ningyô. Male: 6.5 inches (16.5cm), Female: 6 inches (15cm).

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

19th Century Cloisonne Vase by the most famous Japanese cloisonne artist, Ando Jubei. Decorated with a band of flowers on a pigeon blood foil ground. Height: 9 inches, 23 cm.

A Japanese lacquer bowed top box with portrait of a Kabuki actor - presumably named in gold lacquer and the role of Daihachi named in a lustrous iron color. All slightly raised work, the portrait is in gray, black, red, flesh tone, browns and gold. Lines including pattern and folds in the figure's attire and hair in his coiffure and sideburns cleanly defined with raised work. Metal along the facing edges of the top and bottom have no doubt contributed nicely to the preservation of the box...