This set of 6 porcelain ramekins or custard cups with underplates was produced in Germany by the Franziska Hirsch Dresden studio in the 1890s. The saucers are 4 7/8 inches in diameter. The cups are 1 ½ inches high and have a diameter of 3 ¾ inches. The porcelain has scalloped edges. All pieces are hand painted with vibrantly colored flowers. The cups are decorated inside and out. The borders are trimmed with lacy hand gilding...

Fine old, circa early 19th century hand painted ladies' fan, (just the painted paper portion, no hardware), nicely framed in a fan-shaped late twentieth century shadow-box of Italian manufacture. The gouache painting when viewed up close reveals fascinating details, such as the figure in the prow of the small boat at left looking through a telescope, the figure in the stern wearing a Napoleon-style hat...

Ceramic or porcelain, this is a shallow bowl that might have been used for serving foods, measuring at the extreme dimensions 12 3/4" by 8 3/4" by 2" deep. The central design of flowers is hand painted, as is, I think, the gold decoration. As a paintings specialist this is not within my expertise, so I hope to be describing it correctly...

A sauceboat with attached undertray, handles on either side and spouts at either end. Decorated with hand colored transfer printing and with gilded highlights as well as gilded edges. On the base in green is the printed mark for Kuznetsov porcelain company which owned a number of factories in Russia. The date of around 1880 is based on the decoration which follows French decoration of the late 19th century. 4 ¾ inches (12cm) tall, 10 ½ inches (27 cm) long and 6 3/8 inches (16.5 cm) wide...

An antique architectural Japanese Buddhist temple carving of opposing flying Ryu (dragons) protecting a Hoju (sacred Buddhist jewel) with the eyes made using the reverse glass painting technique. The detailed relief carving shows their coiled bodies circulating amongst the stylized clouds with one dragon open mouth to expel evil spirits and the other closed mouth to keep good spirits in. Their serpentine body reveals 4 appendages with classic three claw anatomy...

A fantastic English porcelain scenic topographical cabinet plate by Aynsley, with a hand painted view of Kirkstall Abbey, signed by R.J. Keeling, one of their best artists. Circa 1897. Size: 8.5 in. diameter. Excellent condition with a cobalt glaze border accented with rich raised gilding. Titled on the reverse.

Pair of Japanese bronze Sheep, one male (ram) an one Female (ewe). Well model with realistic details. Both are solid bronze and have their original natural aged patina.

Both signed: Bikai, comes with original kiri wood tomobako signed Bikai: Reading pair of bronze sheep.

Meiji period (1868 - 1912)

Dimension Box: 9" wide X 7 3/4" deep X 7" high Dimensions Ram: 6 1/2" long X 2 1/2" wide X 5 1/2" high

Ancient egyptian bronze apis bull statuette

The base is wooden and made for it, wich measures 63mm x 30mm

An Egyptian bronze bull depicted walking on an intergral rectangular base. Bull measures 50mm in length and stands 50mm high from the base to the top of the horns. The tip of one horn and one ear lost, otherwise condition is good, with a dark freen patina , late Dynastic Period, c. 664-332 B.C...

A small pair of Chinese biscuit porcelain vases with moulded decoration of the eight Chinese immortals amidst clouds, painted in the "famille noire" palette. Mouth and base without glaze. Condition: fine. Dimension: c. 13 cm high.

American circa 1885 Victorian winter landscape painting of houses with smoking chimneys along a trodden path in mid winter, several figures braving the elements on this cold day. A charming early primitive work, enhanced by the "sparkles" applied to the snow to ensure that winter effect. Condition is excellent. The typically Victorian blue velvet (worn) adds to the period authenticity. Frame has a bit of wear, some small sections chipped or missing. Measures 23 1/2" by 23 1/2" in the frame.

This is a very nice bone fish hook found in Bracken County, Kentucky. It is 1 1/4" long. It is very well made with no damage. The point is sharp. It has beautiful patina.

Pair of finely detailed full size silver Japanese temple candlesticks. Embossed with wild flowers and scrolling vines. Blooming flowers are seen from the base, up the stem to the top. Gorgeous original patina consistent with age. Overall very good condition.

Edo Period C. Early 1800's

Dimensions: 9" wide X 25" high

A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side...

American stoneware 2 gallon ovoid jug by Cowden and Wilcox, Harrisburg, Pennsylvania. Circa 1865. Decorated with hand painted cobalt blue floral spray. Size: 14 in. ht. Very minor flake to top rim and a tight firing line to one side of top of handled (not damage but made during manufacturing) and fine tiny burst bubbles in cobalt glaze, also part of manufacturing process. See photo details.

Rock crystal cylinder seal, with an incised design representing a hunter with a bow facing a deer, both surrounded with symbols. Bactrian Civilisation, 3rd to 2nd century B.C. Height: 3.1 cm. Abrasion due to age, otherwise very good condition.

A pair of small Japanese shrine candlesticks. Each would received a long standing candle inserted onto each small spike. Swirring vines and flowers depicted on both half round base and round lipped top. Unusual small size.

Great accent piece for the contemporary home.

Meiji Period C. 19th Century Dimensions: 4" X 4" X 11 1/2" High

Natural fan shaped lingzhi fungus scholars viewing object. Naturally hand worn patina with natural tone and shine. Relaxed open fan rippling shape sitting comfortable on stable flat base.

Mid to Late 19th Century

Dimensions: 17" wide X 10" high X 6" deep

A unique antiqueJapanese suiban inlaid with natural mother of pearl red lacquer over wood. Suiban are traditionally shallow oval or rectangular dishes used to display viewing stones (suiseki). Suiseki. Japanese viewing stones. 水石 - Suiseki is the Japanese art of stone appreciation, which values aspects like stability, longevity and immortality. Formed through time by wind and water, stones can take several sizes and shapes, reminding us of natural objects...

A Chinese Export Lacquer Tea Caddy. The octagonal box decorated with birds in landscapes. The cover with a pair of peacocks and other birds. Containing a pewter caddy, the cover incised with another bird. With key. Canton Mid 19thC. Length: 6 3/4" (17.1 cm). Condition: very good with very little wear to decoration. Retouching to a very few small chips

Chinese bronze censer or incense burner with cover. Xuande Mark. 14 cm diameter, 1384 gram weight. Good conditions.

An interesting fragment of Victorian needlework, the somewhat shiny black (chintz, silk?) fragment of an irregular shape, later laid on a dull black linen backing to attempt to match the color, the final result currently round and 12 1/2" diameter, and 19 1/2" on a side in a new square frame (in excellent condition) with clean mat. The design includes a butterfly, daisies, pansies and other flowers, and grasses gone to seed...

A nice Chinese walnut snuff bottle with carvings of Lohans. Measuring about 2 inches high, it dates early 20th C.

This set of 8 porcelain plates was produced in England by Minton in 1863. The name Minton is impressed with date ciphers indicating this year. The plates measure 9 ½ inches in diameter. They are made of fine, white bone china. The reticulated borders around the plates are 1 ¾ wide. They are outlined in heavy celeste blue enamel known as French enamel...

A Boxwood Mask Netsuke. As two masks of Okame and Daruma. Japan 19thC. Height: 3.5 cm. Condition: excellent

Miniature statue of Bodhisattva Avalokiteshvara, standing in formal attire, backed by an aureola, holding an object in his left hand. Gilt bronze. China, Sui Dynasty (581-618 A.D.). Height: 5.7 cm. The statue is mounted on a custom plexi stand. Mandorla partly missing, soil encrustation, otherwise good condition.

A fantastic and exceptional thick and heavy ancient silver bracelet, Uratian-Achaemenid period, dating 800-500 BC.

A heavy silver armring evolving into a huge spiral, very complicated and beautiful silverwork for the period.

Size: ca. 7,1 cm. tall and weight: 84 grams.

Condition: Superb, completely intact with attachment rings intact too, fine uncleaned rough grey patina, easy to remove with manuel cleaning, if so desired.

Provenance: Ex Shlomo Moussai...

In my 40+ years of collecting, I have seen many bone fish hooks and have owned over 30. This one is the best I have ever seen. It is a G-10+, museum quality. I will put this one up against anyone in existence. This one is so well made that it goes beyond being utilitarian and was probably a family keepsake and worn as an effigy pendant according to Robert Butler who authenticated it. It is from Bracken County, Kentucky, Turtle Creek Village Site. It is 1 7/16" x 11/16. It is made from highly pol...

This is an extraordinarily rare unique turtle shell maskette. It is 2 5/8" X 2 1/2". It was found in Southern Illinois. It dates to the Mississippian Period, 1000AD. It has a hairline reminiscent of the Southeastern Shell Masks. I know of only one other example which is pictured in Lar Hothem's 'Antler, Bone & Shell Artifacts', page 309. It has beautiful patina and is a no-brainer for authenticity. It is solid and not fragile. Could be used for modern wear. This is a top shelf artifact and anoth...

Large Japanese Meiji period Imari porcelain deep bowl likely produced for New Year's celebration purposes in the Year of the Rabbit . A central roundel is bordered in an underglaze blue comb pattern band. It features an overglaze enameled Ship of Good Fortune (takarabune), which is laden with treasures and is known to carry the Seven Gods of Good Luck into port at New Year’s. The exterior and interior sides are decorated in underglaze blue and overglaze polychrome enamels and gilt highlight...

George III sterling silver wine jug, London, 1809, by George Smith II (cover marked by John Robins), with urn finial, and bent fruitwood handle. Size: 11.5 in. ht. x 6.6 in. x 4.5 in. No monogram. Nice condition (cover with slight gap at spout when closed).

The kabuki actors Otani Tomoemon V (left), Nakamura Shikan IV (center), and Ichikawa Kuzo III (right) in a scene from the play Oshu Adachigahara. This Edo period Japanese woodblock print triptych by Toyohara Kunichika (1835-1900) was published by Izutsuya Shokichi in 1865. Each panel measures about 14 1/8" x 9 5/8." Very good color and impression quality with strong wood grain evident in the background. The print is not backed and the image and baren marks are clearly visible on the back. T...

19th Century Japanese Mixed Metal Cigarette Case Komai Otojiro

It is 3.4 inches (8.7 cm) long by 2 inches (5 cm) wide. It is 74.3 gram.

It is tarnished and has oxidation and rust inside and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need t...

A sterling silver soup ladle by the noted New York silversmith, John Polhamus, in the King's pattern (double struck). Circa 1860s. Length: 12.5 in. Engraved H.S. in a Gothic script on handle. Struck with J. Polhamus mark and 'sterling'. Nice original condition.

1920's Chinese Solid Silver Dragon Candle Holder Wood Carved Stand Marked

It is 8.7 inches (22 cm) tall measured with stand by and 4.4 inches (11.3 cm) wide. It is 318 gram measured without stand.

One arm has been reattached. It is tarnished and has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% ...

Old (1920's) Japanese Kiyomizu Ware Kyoto Studio Vase with Flower Marked

It is 5.4 inches (13.7 cm) tall by 5.1 inches (13 cm) wide. It is 1 lb.

It has dark spots, skip glaze and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return...

Fayence green motto scarab 1,6cm

Origin: Egypt

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

A beautiful Chinese Ming dynasty black glaze Jar with unglazed mouth rim. Ht. 10cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...

Antique Japanese natural burl wood low stand or pedestal. Stunning original warm lacquer lighter tones with darker touches of brown and black. Shapely form as the burl sways right then drifts upward and to the left as it flattens out onto a perfect surface.
Would make for an excellent side table for a contemporary home.

Edo Period C. 19th Century

18" x 13" x 22 1/2" High

Three English silver fiddle serving spoons, all three made in London. One is Georgian, the other two Victorian. Spoon with engraved N has year marks for 1841 and makers mark GA for George William Adams, engraved JJH 1842, makers mark RB for Richard Britton and AVW 1829, makers mark JH for Jonathan Hayne. Length "8 ¾ - 9/ 22.5 – 23 cm, weight altogether 213 grams. Condition: fine.

Japanese woodblock print triptych by Kunisada, also known as Toyokuni III, (1786-1864) titled "Hana no utage Murasaki no omokage" (Flower Party) published by Moriya Jihei in 1859. The print illustrates a scene with Prince Genji seated beside a lake on a raised platform with ladies at his side enjoying cherry blossoms and spring weather. Each panel measures 14 1/2" x 10" (the left panel is slightly more narrow). Very good color and good overall condition. The panels are not attached, there ar...

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing. The natural ash glazes took about a week to ten days to form and cre...

Serene 17th Century Japanese standing gold gilt Amida Buddha. Original gold gifting layered over beautifully hand carved gently wood. The buddha stands upon its original lotus base in which both feet sit and slot into the base. The golden rays rises from behind rising in all directions. Carved at a very high level with detail seen down to the smallest touch. In all, there are three removable section. Stunning natural patina that has age very well with Temple incense.

Edo Perio...

A large faience shoe, lady’s high heel model, the white ground decorated with floral ropes, roses in bunches, and the toe resembling embroidery. The painting is the palate and tone typical of late 19th century Le Nove at their best. It is 4 5/8 inches (12 cm) tall, 8 5/8 inches (22 cm) long and 2 7/8 inches (7.5 cm) wide. On the bottom is the shooting star mark and there is no country of origin.

Condition: generally, very good though there are rough spots around the edge of the heel and so...

A set of six hand painted porcelain plates with floral bouquets in the well and a gold band around the edge. The mark of KPM with the initials and the scepter in underglaze blue was used from 1837 to 1844. The size would indicate that they are dessert plates, though they are deeper than most. They are 7 inches diameter (18 cm) and 1 inch (2.5 cm) deep.

Condition: excellent, no chips, cracks, hairlines or repairs. Showing only some evidence of light use.

They were once part of a much la...

A powder blue ground cup with elaborate gilding and two reserved oval panels on opposite sides with a spray of European flowers. Unusual for Chinese Export porcelain the two panels are recess molded. Other examples of this period exist with molding in the body, this ground and elaborate gilding. The inspiration is European, probably German, perhaps Meissen. The cup is 2 inches (5 cm) tall and 3 ½ inches (9 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. As is often the case...

An early 20th century souvenir photo album entitled "The Ceremonies of a Japanese Marriage". with green woven silk boards and nineteen hand coloured photographs with explanatory text.

On the final page "Published by Tamamura, Photographer, Kobe, Japan" and in Japanese,"published in the 38th year of Meiji (1905). . . written by Teijiro Takagi"

Condition: very good - there is substantial wear to the silk covered boards ; but internally excellent with no damages or losses; no foxing,...

Early 19th century Japanese kashira (metal pommel at the end of the hilt of a sword) with relief decoration of two shishi (Buddhist lions) frolicking among huge peony flowers. Superbly made piece with crisp metalwork, shakudo body with gilding, in excellent condition. Length 1 3/8 inches.

Very unusual 19th century Japanese multimetal pendant in a shape of standing geisha holding an umbrella. Definitely made by a metalsmith who was engaged in making sword parts such as menuki and fuchi / kashira. Very clever design, superb detailing both on front and back, great quality inlays and gilding, in excellent condition. Height 15/16 inches.

Unique Japanese Bronze Usubata (used for Ikebana flower display). Gently sloped open bowl of the large water drop ready to receive a flower arrangement. droplet drops down and bursts out in a well modeled droplet base. Sturdy with original patina consistent with age.

Aft Deco Circa 1930's

Dimensions 12" Wide x 12" High

19th century Chinese snuff dish in a shape of a round saucer with gently concave surface, decorated on the outside with designs seen on ancient Chinese bronzes. Beautiful patina, old age lines, wonderful feel of age. Diameter 1 5/16 inches.

Pair of beautifully hand carved dragon temple corbels. Each is made of solid keyaki hardwood and hand carved with great detail. Original pigment can be seen highlighted in red, gold and black tones. Each dragon is twisting and swirling both looking in different directions. These would have originally been mounted up high within a temple shrine. Hand forged iron mounts are included which can be used to mount or float off a wall for a dramatic display.

Late Edo early Meiji Period ...

Ointment bowl designed as a cartouche made out of black aswan granite 6,7cm.

Origin: Egypt

Condition: look at pictures

If you are interested, feel free to send me a offer a.v.d.b@egyptian-artefacts.de

Circa late 19th century needlework in cream and red, 11 3/4" by 9 3/4" plus Victorian style wood frame with grape leaves in the corners, wrapped around a board. The birds remind of those seen on American salt glaze cobalt ceramic pieces. Together with the folky framing, this makes for a very decorative work of Americana, and an interesting addition to your collection.

A American Federal era split column looking glass, retaining the original gold leaf finish. Early 19th century. Size: 32 in. ht. x 17.5 in. width. A desirable large size and in very good condition.

An antique Japanese Shinto Shrine (also known as a Kamidana, Yashiro or Omiya) housing the deities Ebisu and Daikoku. The shrine was made from Hinoki (Cypress) and Suginoki (Cryptomeria) while the deities were hand carved from Tsugenoki (Boxwood).

Ebisu is characterized by the lucky Sea Bream (Tai) fish that he holds under his arm. Sitting on a rocky shore, he looks to the water as a protector of fish, fisheries, seafood, fishermen, sea merchants and anything else that is related. Daik...

19th century kokutan (ebony) netsuke of a bronze wasp resting on an old rotten log. Rather unusual elegant subject in Japanese taste, beautiful crisp metalwork, dark wood with characteristic ebony sheen from wear. Length 1 3/4 inches.

Broad redware dish rim fragment depicting a very fine and detailed shrub with berries. The relief decoration was taken from a separate mold and applied to the almost flat rim.
The fragment belongs to the rim of a large dish with a calculated diameter of ca. 39 cm (15.4 in). A groove runs along the outer edge.
Ceramic
Roman, North Africa, 250-300 AD
L. 7.4 cm (2.9 in)
H. 5.1 cm (2 in)
D. (estimated) 39 cm (15.4 in)
Superb modeling. Minor flakes ou...

The rim is decorated with a facing Oceanus head showing bushy beards extending to both sides and goat-like ears. The lobster claws expected in the hair of Oceanus are mistakenly rendered as ram horns, the usual attribute for Zeus Ammon.
The Greeks believed Oceanus to be the titan of water, seas, lakes, rivers, oceans, streams and ponds. In the late Roman imagery of North Africa the head of Oceanus presides over displays of sea life.
Ceramic
Roman, North Africa, 350-400 AD ...

A fine old charmingly naive watercolor drawing of a boy dressed almost as a girl, in the style of the times, titled in pencil at bottom "William John Babb March 1834". This work appears to be in its original weathered old frame, the original surface beautifully alligatored. Measuring 7 1.2" by 5 1/2" (10" by 8" including frame), the drawing is perfect for the small wall. Colors are perhaps a little faded after nearly 200 years. On the wood backing a sort of mathematical problem: the year 19...