Finely cast statue of Buddha, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. The lotus throne is nicely sculpted partly in openwork, on its lower part. Bronze, with fine age patina. Burma, Ava Style, 18th century. Height: 13 cm. Very good condition. Provenance: old Dutch collection.

Interesting West-Mesopotamian stamp seal, bifacial amuletic type, Uruk period c. 4th.-3rd. mill. BC.

The drill-carved seal with human and animal on either side. Quite attractive!

Size: 20 x 17mm.

Condition: Good Very fine.

Comes with ID card and imprint.

Provenance: Gustav Oberländer (1926-2012), Oberländer aquired his massive and important collection between 1985 - 2000s, bought at reputable dealers and from old collections...

Attractive seal carved in the hemispheric-dome shape in a greenish-black hardstone, Early Achaemenid c. 7th.-5th. cent BC.

The seal engraved in the base with a fancy bird, probably a Peacock, which was a much favored bird among the Persians...

Offered are three, handsome, McGregor Brass head hickory shaft golf putters that are all different. All three clubs have a wonderful aged patina and solid straight shafts that include a stamp noting the following: "MADE BY THE CRAWFORD, McGREGOR, & CAMBY CO DAYTON, OHIO".

Club #1 sports sleek Art Deco styling with a milled flange on the base and a beveled edge on the top back of putter. The #60 stamped on the bevel indicates the model number...

A very rare western Mesopotamian scaraboid seal with an engraving of a seated king on Throne holding his sceptre as a sign of his status, Western Mesopotamia, 2nd. mill. BC.

Attractive translucent stone, rarely seen as a material for early period scaraboids. Finely polished with curving sides in a peculiar squarish shape. Quite nicely engraved motif, better than the imprint indicates...

Offered are two, very nice, circa 1915, smooth face, hickory shaft, golf clubs. Smooth face golf clubs fell out of fashion and perhaps function by the very early 1900s, but they were still offered in catalogues for a number of years beyond this date.

The 1st smooth face club is stamped on the back "M.S.J." owner with a faint maker's stamp "N.Y. and a tulip cleek stamp". It is a striking right handed model with original grip, straight hickory shaft, sporting a nice, aged patina...

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Sparrows in the wisteria trellis. Beautiful old calligraphy are also depicted. Painted with ink and pigments on paper. The artist is unknown. Circa 19th C.

Some insignificant light marks, traces of crease that has been restored on the back, and foxing are present on the painting, otherwise the painting is in very good condition for the age...

Antique English Silver Tea Caddy and Sugar Bowl in Shagreen Case by Samuel Taylor, London, 1758-59. The covered sugar bowl and tea canister were crafted by the prominent tea canister specialist and renowned Georgian silversmith Samuel Taylor. The box fittings are by another silversmith, probably J...

19th century netsuke of a toad, a snake and a slug on rockery with bamboo grass. The subject of the netsuke is sansukumi: a combination of a snake, which eats a toad, which eats a slug, whose slime is poisonous to a snake - thus forming the circle of deaths. Beautiful rendition of textures - the skin of toad and snake, bamboo and rock surfaces. Warm patina and very pleasant wear to the surface, himotoshi (cord openings) are very cleverly carved as irregular holes in the rock...

19th century netsuke depicting 2 boys mimicking Sambaso and Manzai performers, with one playing a drum, and the other wearing a theatrical mask of Hyottoko (perplexed peasant) and holding a fan and a rattle. Excellent detailed carving, wonderful faces, beautiful etching of textile patterns and hair tufts. Beautiful patina - mellow yellowing on the back, overall in great condition. Signed HOMIN with kakihan (monogram of the artist) on the bottom - the artist must have been a student of Hokei...

LATE GEORGE III W.&T.M...

The pair of bronze figurative candlesticks French circa 1800, the figures sitting on an Ormolu gold washed bronze base with ornate swags that sit upon a carved marble pedestal with bronze feet. The pair of figures are bookend facing each other each holding four candle holder in gold wash gilt bronze. Measuring 24” each in height

A very rare massive bronze mace head, Neo-Assyrian Empire, c. 9th.-8th. cent. BC.

More massive in construction than the typical 2nd.-1st. millenium BC mace heads with the solid socket being 4,5 cm. wide. Assyrian design, where the balance is at the very top of the mace head, which is ending in a wide hexagonal star of flat, sturdy projections. High quality weapon with finely detailed profiles and line engravings.

Size: Diameter of the star shape is 9,2 cm. the socket is ...

An attractive wooden jewelry box, with finely carved inlays of bone and Mother of Pearl, probably Levantine, 19th. century AD.

With a large carved central rose-bud projecting and interiour red velvet. no key present but unlocked.

Size: 21 cm. wide and 9 cm. tall (max)

Condition: Nice Very fine. basically Intact with tiny losses to inlay.

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence. On the other hand, Ganku (1746 or 1856-1838), who is said to have been born in Iwasehama (Toyama City in Ja...

Tentosorkon – Tnt-sArknA Worker (2)

Bab el-Gasus Shabtis - Cache II - Tomb of the Priests of Amun.

Also known as Tjentosorkon, Tjentsarken, Tentserken, Tentsarkena, Tentosorkon

The name means ‘The (female) servant of Osorkon

Mistress of house, Chantress of Amen-Re, the king of the gods

Tentosorkon (That of Sorkon), a name of Libyan origin which appeared around the 21st dynasty in the Delta, and was popularised in the 22nd dynasty w...

A fine,large and very heavily cast Japanese bronze flower vase of shaped dodecagonal cross section, with central reticulated floral section and pierced galleried rim. 15 in. 38 cms. high and 29 cms across the top. Edo/Meiji period, mid 19th century. Signed on the base Gyoko. Weight in excess of 3kg.

Finely cast, with fine details, miniature statue of Bodhisattva Tara, the Buddhist Goddess of Compassion, wearing a diadem, a dhoti and jewelry, sitting on a lotus throne in "lila asana" posture with her right foot resting on a lotus flower. A lotus in full blossom is resting on each arm. Bronze, with nice age patina. Tibet, early 20th century. Height: 5.4 cm. Very good condition.

Old buddhist altar representing Buddha and two bodhisattvas, each one standing on a lotus and backed by a mandorla, the whole group surmounted by the Buddhist Flaming Pearl and resting on a double lotus. Apocryphal reign mark beneath (Emperor Qian Long). Bronze with fine age patina. China, late 19th century. Height: 17 cm. Very good condition.

Interesting and very impressive massive armring, the bronze mixed with some silver to make a whiter alloy, Achaemenid or pre-Achaemenid period, ancient near east, 1st. mill. BC.

Thick and massive bracelet with complicated bimetalic design with twisted copper-wire, and larger twisted rods and ending in stylised animal heads. The bracelet with a lovely warm brown find patina.

Size: 83 mm. wide, weighing 407 grams.

Condition: Choice and intact.

Ex. Old ...

A small Chinese marble torso fragment, Tang dynasty, 10 cms wide. This has been in a UK collection for 25 years. Purchased in Beijing 1990's.

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding. It has nice painting of the scene...

Offered is a lovely pair of late 18th Century, just after Dr. Wall Period, Worcester blue and white porcelain teabowls, in the Argument pattern. One teabowl has a small chip to the interior rim and a corresponding even smaller nibble on the outside in the same spot. The other teabowl appears to be free of damage, and has a crisper design as well. These are quite lovely. Each is graced with a Worcester mark of a number hidden within a design to appear vaguely Chinese. I have many more pic...

Very unusual late 18th to early 19th century Japanese sword bronze tsuba with cloisonne decoration of a dragon and a tiger about to engage in a fight, the back with design of bamboo and flowering prunus. Wonderful pairing of the two most powerful animals, beautiful crisp work, in excellent condition. Comes in kiriwood box. Height 2.79 inches, width 2.77 inches.

Unusually large 18th century or earlier Japanese sword iron tsuba with pierced decoration of three dragons fighting among scrolling vines. Strong early piece with numerous perforations and three dimensional work, crisp detailing, gilding, excellent wear and patina consistent with age. Height 3.63 inches, width 3..44 inches.

Early 19th century Japanese sword iron tsuba with pierced decoration of water dragons contesting tama (Precious Gems). Strong early piece with numerous perforations, gilding, wear and patina consistent with age. Diameter 2.93 inches.

Early 19th century iron Japanese sword tsuba for tanto with raised and inlaid decoration of a shojo dreamily looking at a huge pearl on a rock in front of it, a paddle with wet working end at the end of the rock. Shojo are mythical creatures living near the sea, who are particularly fond of sake. Excellent design, great quality inlays - see the silver inlay on the paddle indicating that it is wet, beautifully inlaid textile patterns, excellent patina. Height 2 1/4 inches.

Drop-shaped bronze vase, with peonies in relief, decorated to simulate a delicate and light fabric that ends with a bow near the top of the neck. Using mixed metals to create visual contrasts adds depth and beauty. Signed Gyokkō 玉光 on the side of the vase and with 'Yuasa sei' 湯浅製 seal within an oval silver reserve under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 21 x 10 cm. State of conservation: Very good

Japanese cloisonné vase, decorated with silver thread, depicting blooming chrysanthemums, symbolic flowers of Japan and the emperor, painted with bright enamels that vary from shades of white to purple. Origin: Japan Period: Meiji end of 19th century. Dimensions: 30.2 x 12.5 cm. State of conservation: Very good

Pair of Chinese Famille Rose 浅绛彩 Porcelain Plaque with Mountain Scene Signed 余焕文, circa, 1900's

They are 8.85 inches (22.5 cm) in length by 12.8 inches (32.5 cm) wide. They are 4.5 Lb.

They have dark spots, rubbing of paint, skip glazes, chips, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100%...

An attractive and rare group of rootwood ducks. Partly carved from the natural root with the legs attached. The gander with a natural stone around which the root has grown. Meiji, ca. 1850. Size: . H 15 cm, H 12,5 cm., H 10 cm . Condition: Excellent and with great age patina.

Finely painted with ink and colors on silk depicting a crouching tiger, lurking ready to pounce on the pray; the striped fur neatly rendered with needle-like brushstrokes, signed Ganku and sealed. ********Kishi Ganku (1749-1839) was a leading Japanese painter of Kyoto and founded the Kishi school of painting; became famous for his meticulously brushed paintings of tigers. He first studied Kano-style painting and then became a master of the more naturalistic style of the Chinese painter Shen ...

Bearing a roiro-nuri ground and decorated with an abandonned plough and oxen harness in inlaid-mother of pearl and gold takamaki-e, the reverse with a warber in the falling rain inlaid in gilt metal and gold togidashi maki-e, the cord runers lacquered kinji, the upper surface of the top case and the interior risers decorated with clouds, scattered cherry blossoms, and a crescent moon in gold togidashi maki-e, nashiji, and hirame. Signed Kajikawa saku with a red jar seal, and Goto Mitsunori (K...

On a roiro ground lacquered with a large ordhid extending onto the reverse in gold takamaki-e with détails of gold foil the interior of nashiji. Signed Yoyusai with a kao. A corla ojime. Height 9,2 cm.