This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...

This fine-quality pair of highly decorative pottery tiles was made during the Ming Dynasty (AD 1368 - 1644). They are made from a grey pottery and the decoration in relief features a pair of deer in a landscape. Note the detail to the deer, the carved and incised decoration as well as the impressed flower blossoms to the deers' bodies. The relief decoration has been cold-painted in various coloured pigments, good traces o...

This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...

Each pull measures about 2"W x 1 3/4"H x 1 1/2" front to back (not including bolt).

The condition of the pulls is very good with only a few minor manufacturing imperfections that add to the desired patina of an antique of this age and period.

Most of the pulls sport the following, sometimes illegible, maker's mark on the bottom of the knob: "PAT. FEB 12, 89 -...

The icon depicts the Russian Orthodox saint Sergius of Radonezh. On the upper left side, Christ Pantocrator is shown blessing the saint, with the Gospels labeled in the Old Church Slavonic alphabet at the top.

The edges are painted with eight different saints, the family's patron s...

A brass body of classical dome form and small conical finial surmounted by an elaborated openwork finial, the central wide band adorned with four large copper, inlaid and pierced, medallions containing a calligraphic Arabic inscription, profusely inlaid in thick silver and interrupted by four elaborated cart...

The overall condition of the globes is very good with the imperfections and wear expected given their 130+ years of age. The decorative frames are sturdy and the globes hold water with ease. At some point ...

清康熙 苹果绿棒槌瓶一对

瓶底和瓶身内部施白釉。两个瓶...

Each vase is decorated overall with various flowers on a medium-blue enamel ground within a continuous geometric fretwork pattern of gilt wires. Both the rim and base is gilded, now having some wear showing on each vase. The square area on the base is left from an old sticker removed in the past. Both vases have a melon form label body with a flaring mouth rim that is partially gilded inside. The interiors are not enameled and the old bronze has taken on a gr...

These vases of tapering square form are decorated overall in famille rose and noir enamels, each having four cartouches depicting courting scenes, surrounded by geometric and floral designs. There are four smaller cartouches on the necks with scenes of scholars and young men. The rims are thinly glazed, and the bases are unglazed. There is professional restoration to the base of the neck on one vase, and a small chip to the base of the other that was also professionally res...

Approximately 19 cm diameter, 22 cm high (on stand). In good condition overall with only some signs of use on the belly of the censer to report. The censer and stand weigh 4.3 kg.

Please s...

The medallion bowls, three roundels against a coloured background, were produced in porcelain from the Qianlong reign to the Daoguang in the main, this bowl appears to be the enameller’s answer to the challenge.

Approximately 12.5 cm diameter. The bowl has had a slight knock to the e...

This bowl is painted overall with a floral design in orange, green, and yellow enamels with black enamel outlines. The interior rim is decorated with a similar motif, and a single flower is painted on the interior base. The foot is encircled with double lines in underglaze cobalt blue and an underglaze cobalt blue design is painted on the base. The bowl has typical rim-fritting, and there is a small chip to the interior of the foot that has b...

It is hard to find real antique wooden Buddha Figures, and we are happy to offer you one rare piece of chinese art.

This is a highlight of our exhibition.

This large Buddha is approx. 250 years old and is carved of one piece of old DARK wood. It came from a well known antique dealer in Bejing, China. The spoils of time, the cracks, the leavings of colour and the signs of age give a valuabel proof of its authenticity.

It is placed and fixed on a thick piece of woo...

Signed studio original hand hammered brass bold kinetic pendant necklace sculpture that frames a tree with nine branches of sterling silver, brass and copper with two antique faceted red amber beads. Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold n...

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the left. Note also the elaborate hairstyle. It is relatively highly-fired and made from a bu...