Late Qing Dynasy (1880s 10 1911) century Chinese glass seal of square section. Wonderful simple piece appropriate for a scholar’s desk, beautiful transparent glass, very pleasant finish to the surface. The bottom is carved with four raised characters, old dried seal paste in the grooves. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper)...

Late Qing Dynasy (1880s 10 1911) century Chinese glass seal of square section. Wonderful simple piece appropriate for a scholar’s desk, beautiful transparent glass, very pleasant finish to the surface. The bottom is carved with two raised characters, old dried sea paste in the grooves. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). Height 1 1/4 inches, 3/8 inches square.

Late Qing Dynasy (1880s 10 1911) century Chinese glass cylindrical seal. Wonderful simple piece appropriate for a scholar’s desk, beautiful transparent glass, very pleasant finish to the surface. The bottom is carved with two raised characters, old dried sea paste in the grooves. The impression of the seal is shown on Enlargement 1 (photo is flipped left to right to present the image as it will actually print on paper). Height 2 3/16 inches, diameter 5/8 inches.

19th century Chinese bronze seal with rectangular base and stele shaped finial with a hole for hanging. Nice piece with very good casting and chiseling, beautiful patina on the surface, raised knob on one side indication the orientation of the seal. Deeply carved 4 characters on the base, traces of old red seal paste in the grooves. Very pleasant to the touch, wonderful piece for scholar’s desk...

Unusual 19th century small Chinese soapstone double seal of square section, one with sunken, the other with raised characters. First catalogue photo includes images of both printing surfaces flipped left to right to show what the imprint of the seals will look like. Inscribed with 2 characters on the side. Nice buff colored stone, crisp carving of the characters, old traces of red seal paste in the grooves of the characters. Overall in excellent condition, very nice scholar’s object...

19th century Chinese soapstone seal of classic square section carved with 2 sunken characters in archaic script. First catalogue photo includes the image of the printing surface flipped left to right to show what the imprint of the seal will look like...

19th century Chinese soapstone seal of classic square section carved with raised characters. First catalogue photo includes the image of the printing surface flipped left to right to show what the imprint of the seal will look like. Beautiful buff to red to brown stone with attractive veining giving depth to the surface, old dried red seal paste in the grooves. Overall in good condition, nice scholar’s object. Height 1 1/8 inches, base 13/16 square.

Rare Antique Japanese kuruma or wheeled tansu chest of drawers, constructed with solid quartered sawn Keyaki (zelkova) hardwood in original red lacquer finish, with decorative heavy iron plates and mounts. The upper section of the piece appears to hold two long drawers behind a locking bar, but is really four drawers. The lower section has two long drawers behind another locking bar, each bar with decorative plating...

A Pair of Fine/Rare Korean Mineral Pigments Painted Roosters-19th C.: Korea, Joseon dynasty, 19th century. An usual large and a rare pair of solid wood carved roosters are in very details, and painted in bright color of natural mineral pigments with red, blue, yellow, green and white overall on the surfaces, supported by an original wood stands...

Every dish with a different decoration. Diameter 13 cm. All in good condition with normal age wear. From Shanxi province. All dishes with cyclical date 1843.

Lacquer and wickerwork, the inside of the lid serves as a presentation bowl for sweets. Decorated with Buddhist symbols. H. 16 cm, diameter 15 cm. Cyclical date 1857. Good condition with normal age wear.

Xian province, rare dated baket in lacquer a d wickerwork. Finely decorated with Buddhist symbols. H. 13 cm, diameter 12 cm. Bares the cyclical date 1828. Minor chips and age wear.

A Tibetan single seat meditation mat (Kang ma type) of hand woven wool with the central field decorated with floral pattern in different colour on a deep red background; a meander frame in white on blue indigo is separating the central square from the outer border of floral design on rust colour. The rug is finished with thick red cotton frame and blue cotton backing. Tibet, early 20th cent. Measurements: L. 76,5 x W 67 cm; L...

Chinese Peking Glass snuff bottle with the image of the Eight Immortals in various poses displaying their different attributes...

A finely cast bronze image of Sakyamuni Buddha seated in meditation posture on a high lotus seat. The image with dark brown-black covering patina. Ming, Wanli period (1573–1615). H. 26,8 cm. (10.5 inches) Good condition.

A textile panel made of different dyed silk stripes, exquisitely embroidered with motifs from Zoroastrian myths such as fishes or botehs. The backing is a coarse blue dyed cotton, framed by a black ribbon. These embroidery panels originally would have formed the knee to ankle section of one trouser leg, of a shalvar (pantaloon) from a Zoroastrian woman's wedding costume. Condition: one stripe with small fabric losses (see photo 6), few tears, an old mend, little faded. Dimension: c...

A Han bird of an attractive translucent green jade with dark green 'peppery' streaked inclusions. Its squarish stylized shape is both simple and pleasing to the eye. It has an hole for stringing as a pendant..

Size: Height = 2.2 cm x Width = 2 cm

Condition: Very good. There's a little roughness at the edge of one wing from age but it is not a break.

Chinese snuff bottle made from two color peking glass of dark red over amber. The red glass is carved with two water birds, one with a sprig in its beak, with scrolling lingzhi clouds and a lotus.

19th century

Dimensions: 1 3/4" x 1" x 2 3/4"

Rare Chinese two color rotating peking glass snuff bottle with a freely rotating mid section. The lid of the stopper has a red chimera finished over the original yellow peking glass. The foot flares out dramatically with a deep recess.

Early to Mid 19th century

Dimensions: 2" W x 3 1/4" H

Stunning original 17th century Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal on his third eye and his crown chakra. He stands on an open lotus pedestal atop a circular step base, his hands performing the virtaka mudras. Behind him is a canopy of lingzhi smoke and 7 boddhisatvas seated in the heavens...

Chinese hard stone agate carving of a mother tiger with her young cub in recumbent pose. The stone has mottled areas of orange, white, spinach green, and grey, exciting a beautiful finish and feel.

Dimensions: 2 1/4" x 2 1/4" x 1 1/4"

Late 18th Century Chinese White Jade Carving Belt Hook & Plaque with Tourmaline Silver Plated (NOT SILVER) Mirror

The mirror is 9.4 inches (24 cm) in length by 4.5 inches (11.5 cm) wide. The plaque is 2.5 inches (6.5 cm) by 3.1 inches (8 cm) wide. The belt hook is 4.7 inches (12 cm) in length by 0.8 inch (2.25 cm) wide and 21.94 mm thick. It weighs 290 gram.

It has tarnished metals and flea bite chips at the jade carvings...

Two bowls and a lidded box in blue opaline glass. The bowls undecorated, the box with some gilt. All three French and from the 2nd empire / Napoléon III period, c 1850’s. The blue colour is the same as the “bleu céleste” so much en vogue in Sèvres porcelain of the time. Height of larger bowl: 3 ¼”/8 cm, diameter 4 ¾”/12 cm, diameter of box "2 ¾ / 7 cm. The box with polished base. Condition: wear to the gilt (cf. pics).

It was carved by a late 19th century or early 20th century artist Ryuzan (柳山). It depicts a smiling mother holding an umbrella and carrying a child on her back. It is 7 1/2" high and 2 3/4" wide (from the bottom) and 2 3/8" thick (from the bottom). It is in great condition.

Antique Japanese album with 12 pages of paintings depicting one large scene of rural life. A woman with a child carries lunch to workers in rice paddies. A man and ox plow a field of grain. Two men chat as they peddle an irrigation apparatus while a child looks on. At a mill, men sift and grind grain. Many other charming vignettes, including a man with a monkey. Painted in mineral pigments and sumi ink on paper with gold leaf and square flecks. Bound in silk with dragons. Signed on the ...

Chinese Canton faceted vase of a hexagonal form, copper with enamel of yellow ground with green vine scrolls and bright pink peonies. The vase interior done in light green enamel, and the flared foot down in white enamel.

Dates 19th c Dimensions: 5" W x 12" H

Very unusual Japanese silk and gold thread hand-embroidered triptych of the Buddhist deity Kannon, the bodhisattva of compassion, in eight armed form seated in meditation upon an open lotus. In her eight arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and a wish granting jewel held out in front of her body. To the left and right of the central deity are large embroidered Sanskrit characters for meditative purpose. Professionally framed with reverse side of each textile visib...

Antique Chinese pair of fu-dog (or fu-lions) hand made of Shiwan stonewear ceramic. Shiwan ware (Chinese: 石灣窯; pinyin: Shíwān yáo; Cantonese Jyutping: is Chinese pottery from kilns located in the Shiwanzhen Subdistrict of the provincial city of Foshan, near Guangzhou, Guangdong. It forms part of a larger group of wares from the coastal region known collectively as "Canton stonewares".
The area has been producing pottery since the Neolithic, and over 100 kiln-sites have now b...

Early 19th century netsuke of Sofu - one of 7 Sages of the Bamboo Grove - leading his ox away, so it will not drink from a river polluted several miles upstream when his fellow sage washed his ears after hearing about an offer for him to serve the Emperor. Very well carved, nicely captured interaction between two characters, pleasant wear consistent with age. Signed MASATOSHI in irregular reserve on the back - for the discussion of Sawaki Toshizo see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR...

19th century kagamibuta (“mirror lid”) netsuke with bronze top depicting a not-so-repentant oni with a Buddhist gong striker in one hand and a votive plaque in the other as it prostrates himself to serve as a stepping stool for a beautiful maiden who is trying to reach a branch of flowering wisteria. A subtle shunga piece alluding to a good intention and a worldly temptation ruining the attempt. Excellent quality work with copper inlays and gilding. Old turned bowl with one stabilized crack....

Late 19th century boxwood netsuke of a catfish doing a bit of an acrobatic exercise. Catfish (Namazu) is believed to cause earthquakes, so this one looks to me at about 6.9 on Richter scale. Excellent quality carving, great face with finely carved numerous teeth, wonderful attention to details such as fin and tail textures, beautiful patina. Signed SHUNZAN on the belly - the artist is listed in NETSUKE by Neil Davey (p. 529, number 2618). Height 1 3/4 inches.

An unusual Sui to Tang dynasty celadon or white glaze yuhuchun vase. Unglaze to the top of the mouth rim. Ht. 28 cm, Dia. 20 cm. Condition: a few chips to the mouth rim, no restore, minor firing faults as shown overall in good condition. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platform, please ask before ordering.

Description: A black-glazed, narrowed-neck bottle vase was squeezed and applied on shoulder with four small looped handles.
Well applied on the surface with dark glaze which was in greasy feel and was yielded with immensely spread crackles due to age, it was sat on a flat bottom from which the grayish white-tinted body clay was revealed.

Date: Southern Dynasty南朝, 5th-6th century.

Provenance: Deqing kiln德清窯, Zhejiang Province.

Height: 24.8c...

A 12/13th Century LOPBURI KHMER STANDING BUDDHA PACIFYING THE OCEAN. Size: height 29.5 cm x width 10 cm x depth 5 cm. Origin: From a vast, private collection of a Thai family (3 generations).

An unusual 17th Century crowned JAMBUPATI BRONZE SHAN BUDDHA. Good condition. Size: height 34 cm x depth 9.5 cm x width 12.5 cm (13.5" x 3.75" x 5"). Origin: From a vast, private collection of a Thai family (3 generations).

Chinese Export Porcelain flower pedal shape and Scalloped edge Tea Bowl and Saucer, Ca. Kangxi, 1720, 4 3/8" diameter and 7/8" high-saucer, 2 3/4" diameter and 1 7/8" high-tea bowl, with underglaze blue Leaf mark in blue double circle on the bottom, overglaze red of floral and long leaves design with soft gold touch within scalloped edge rim for the tea bowl and saucer. Some tiny frits around the raised rim area.

Very unusual largeJapanese rope embroidery on silk, the image is a pair of phoenixes, male and female, with the moon waxing and waning (full and crest). This is a privileged image made specially for the court. The pagoda shrine is central to the image centered around the imperial Tokugawa crest symbolizing the divine rule from heaven.

Meiji period (1868-1912)

Dimensions: 40" W x 62 1/4" H (entire frame), 36 1/2" W x 58 1/2" H (embroidery without frame)

1920's Japanese Jungin Silver Repousse Bag Shaped Vase with Flowers Konoike zo (of Yokohama)

It is 3.5 inches (9 cm) tall by 4.25 inches (11 cm) wide. It is 201.8 gram.

It has tarnished silver and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you...

Meiji (1868-1912) Japanese Shofu Katei Studio Moriage Porcelain Vase with Mt. Fuji

It is 9.25 inches (23.4 cm) tall by 5.5 inches (13.9 cm) wide. It is 2.25 Lb.

It has manufacture defect of dark spots at the inside and inner rim and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the...

Tall late 18th to early 19th century wooden netsuke of a standing emaciated sennin wearing a tattered robe and leaf skirt and cape and holding onto a very long staff with gnarled top. Awesome face, wonderful knobby scull, beautiful rendition of his hair, ribs and limbs. Wood is lacquered in Negoro style - gold lacquer over red, so as the netsuke wears the color of a lower layer starts showing. Very beautifully done himotoshi on the back, superb wear and patina, very impressive sculpture. Height ...

Massive Meiji period Japanese Satsuma globular form tripod jar or “koro” (incense burner) in the form of a gathered pouch (Daikoku's bag), the bulbous body elaborately decorated in overglaze enamels and gilt highlights with “karako” (Chinese children) and other figures engaged in various leisure and scholarly activities in a garden setting. Late 19th century. 17” high x 16 1/2" diameter. Good overall condition with some typical rubbing of the enamels and gilt. Fine quality profess...

18th century netsuke of a seated mother monkey patiently suffering the indignity of her young grabbing her ear as it climbs onto her head. Fantastic expression of existential contemplation on her face, excellent incised and etched coat, beautiful wear. Netsuke of characteristic 18th century triangular section, superb honey colored patina. Height 2 inches.

Edwardian cut-glass water pitcher with sterling silver collar. Curved body with cut geometric and plant ornament and faceted c-scroll handle. Collar has band of volute scrolls with flowers and leaves. Fully marked including stamp for Adelphi, a New York maker active ca 1890-1915. Very good condition.

Dimensions: H 8 1/2 x W 7 1/2 x D 4 1/2 in. #BR112

Mirrored pair of Chinese late Qing to early Republic period porcelain reticulated marriage lamps. Each of the six-sided shades is painted in famille rose enamels with mirror image floral roundels set against perforated panels which are bordered with a yellow enamel ground decorated with scrolling leaves and flowers. Horizontal bands with perforated flower head silhouettes surrounded by scrolling foliage and flowers set against a blue background border the top and bottom of the panels as well a...

Chinese yixing zisha teapot with enamel decorations. 15,3 cm wide. 13 cm high. good conditions.

Cup Height: 6 cm (2.4 in)
Width Including Handle: 9 cm (3.6 in)
Saucer Width: 14.2 cm (5.7 in)

Japanese Satsuma cup and saucer; fine gilt panels with figures; intricate diaper work throughout; very good condition

19th century kagamibuta (“mirror lid”) netsuke with wooden bowl and metal top depicting a not-so-repentant oni with a Buddhist gong on its chest and a striker in its hand as he follows a beautiful maiden who holds a branch of flowering wisteria in her hand. A subtle shunga piece alluding to a good intention and a worldly temptation ruining the attempt. Excellent quality work with copper, silver and gold inlays, in great condition. Turned wooden bowl with chrysanthemum shaped fitting and swin...

A pair of Milchglas / milk glass cups and saucers with flower decoration in gaudy enamels, made around 1760. Relief moulded wth ribbed and diamond-patterned sides and applied foot rims. The model is to be found in the Corning glass museum collections and elsewhere as originating from the glassworks of Flühli in Swiss Luzern. Diameter of saucers "5 ¼ / 13 cm, of cups "3 ¼/ 8 cm. Condition: one cup with old and yellowed glue repair (cf. pics).

Jugendstil pewter dish of trefoil shape, the wedges between the leaves filled with softly modelled violets. The base with three minimal ball feet for the balance. German, c 1900, marked Rein Zinn 95 % (Pure Pewter 95 %) under a crown. Width "6 ¾ / 17.5 cm. Condition: fine, keeping its original oxidized decoration and patina, never polished.

A rare pair of authentic Ming glazed sansai pottery figures of an attendants on a hexagonal pedestals.Their long-sleeved robes are colored in finely crackled green and ochre glazes. Their life-like expressive faces are molded with exquisite detail. Usually attendant figures are based on actual attendants so attention was placed on capturing the person's real face and personality. This practice of creating pottery attendants was started during the time of the first Emperor to be used in place ...

An exceptionally and very rare beautiful and unusual stem bowl with a thick black glaze and decorative bands painted in an iron rust color. There is one boldly etched (scraffiato) large flower with leaves. The background of the flower is in an iron rust glaze accentuating the floral spray. The thick glaze has formed large black beads at the rim of the bowl.The Jin Dynasty was founded by the Wanyan clan of the Jurchen people, the ancestors of the Manchu people who established the Qing dynasty s...

Japanese Paulownia or Kiri wood small Tea, Cha Tansu, Ca. Meiji period, late 1890-1900, 24 1/2" high, 24" wide, 12" deep, 2 sliding doors on top inlaid with Mother of Pearl Plum flowers with low relief Lacquered tree branches above 3 small drawers, one large drawer above 2 drawers in lower section, black iron mounted around corners, leaf design on handles. The condition is as used condition directly imported from Japan, no restoration work was done on this small Cha Tansu.

1900's Chinese Pewter Encased Yixing Teapot with Jade Handle, Finial, Spout Marked & Signed

It is 4 inches (10.1 cm) tall by 6.5 inches (16.5 cm) in length. It is 1.2 Lb.

The teapot is tarnished and has stains, dents, and surface wears and scratches. The yixing has stains, chips, cracks, and surface wears and scratches. The jade carvings have small and flea bite chips, stains, inclusions, and surface wears and scratches. The lid has bent rim at the under, small dents, stains, and ...

18th Century Chinese Blue & White Porcelain Charger with Eagle

It is 1.8 inches (4.5 cm) tall by 13.2 inches (33.5 cm) wide. It is 2.8 Lb.

It has dark spots, skip glazes, underglaze rim chips, glaze cracks, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Chinese Export Porcelain Chinese Imari pattern Tea Bowl and Saucer, Ca. mid to late 1700's, 2 7/8" high & 1 5/8" diameter-tea bowl, 4 7/8" diameter, 1? high-saucer, divided into 4 sections, alternate with underglaze blue and overglaze enamel iron red floral decoration, with some gold highlight. It is in good condition, no damages.

Burmese wooden standing figure.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 64 C.M. / Width 21 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Rare black Lanna lacquer box circa 70 to 90 years old in excellent condition given its age, no repairs or big chunk missing, from Chiang Mai. Genuine old examples of Thai lacquer are quite rare these days as most have been bought up by Thai collectors. H: 8.7cm/3.4in and D: 11cm/4.2in.

Japanese Imari Porcelain Barber Bowl, or Shaving bowl, Ca. Edo period, between late 1700's to early 1800's, 10 5/8" diameter-top rim, 2 5/8" high, typical Imari color of underglaze blue between three(3) cartouche of Japanese garden fence scene decoration around wide rim in overglaze iron red, blue urn filled with bouquet of flowers in the entire center, some of the iron red enamel is worn in the middle caused by many years of usage. Gold highlights on the leaves on the wide rim is somewhat worn...

A rare and unusual brown glazed "Tea Dust" vase from the Tang period. The dripping of the glaze,frozen in time, makes it something special. Size: H. 30.5cm. W. 28cm. Condition: No repairs. Two old chips on the rims. See photos.

This rare Edo period (江戸時代 1603~ 1868) silk covered accordian-fold book is hand painted on rice paper. The title and artist's seal appear on the cover. It is 9 5/8" long, 7 1/4" wide and 1" thick. The opening pages (both verso and recto) from either direction are blank, gold flaked rice paper; the end pages (bother verso and recto) are plain rice paper. The book contains 12 paintings, 6 paintings on each side. Every painting is 9 3/8" X 12 1/2" since each painting occupies both the ve...