A small globular porcelain vase with short neck, unglazed base and decorated with an score design. The scores emphasized with underglaze cobalt blue. Late Ming Dynasty, sixteenth century. H: 5 cm. Diameter: 4,9 cm. Condition: Perfect.

Tatou-gami made of recycled old washi (Japanese handmade paper) with kakishibu (persimmon tannin) for waterproof. Tatougami is used for wrapping kimono, precious items and so on. This was used for wrapping old books. It has four cords made of washi too. The second half of the 19th century. In good condition. 62cm x 67.5cm when it is flat.

Middle Edo Period Japanese Antique Ko-Imari Porcelain Cup with Dragon Painting made over 200 years ago. It was used for buckwheat (Soba-choko). Imari ware has been produced in Hizen area of Saga prefecture of Japan since 17th century. Size Width 2.8in ( 7cm ) Length 2.8in ( 7cm ) Height 2.3in ( 5.9cm ) Weight 3.53oz ( 100g) Condition Overall good. Used. There are few tiny cracks on the edge of bottom rim.

Jar of squat bulbous form. Buff stoneware body covered with a dark brown glaze . Sawankhalok ware. Thailand fifteenth to sixteenth centuries. D : 4,5 inc. Very good condition !

A very finely painted Imari porcelain bowl, decorated on the outside with underglaze blue and over glaze iron red and with a central kinrande style panel of gilt floral scrolling. The interior is painted in polychrome enamels and is decorated with the "Three Friends of Winter" - Bamboo, Prunus (plum) Blossom and Pine Tree and with a Crane and a mythological Turtle to the centre. On the base is an iron red Fuku (good luck) mark. This item was made in Japan in the 19th Century, probably during ...

An extremely fine specimen of the Hamsa bird 10 tical bronze opium weights, Late Shan Empire, c. 1800s.

A superb type of Hamsa with smooth neck and one spike on a hexagonal base.

Weight: 164,4 grams = 10 tical.

Condition: Extremely Fine and with a lovely all silver patina!

Rarity: Common - but an exceptional specimen.

Refference: Gear Group 1/2...

A Japanese handled mirror, e-kagami, cast with a Hoo bird in flight, a symbol or harbinger of peace, and a Kiri tree to its right, auspicious symbols associated with the Empress of Japan, Kiri ni Hoo. Beneath which is pine tree set upon a rocky shoreline washed by seigaiha; a wave pattern symbolizing eternal peace and happiness. The design overall connoting a wish for Peace and Harmony. To the left of the pattern is a set of four characters reading Fujiwara Mitsunaga...

This traditional summer weight Manchu style (side closing)vest is from late Qing Dynasty. The lush deep blue silk fabric has a jacquard weave with an all over fret design. The lining is of deep maroon silk..the vest is entirely hand sewn, and fits a small to medium size woman.

Pair of Japanese antique chrysanthemum shaped slider pulls for tansu hardware, large size, radiating petals cast of iron with separate copper oval shaped pull in center, Meiji Period. Total size: 4 5/8" high x 4" wide Size of oval inset: 2" high x 1 5/8" wide

A rice bowl and its accompanying cover cum small sauce dish dating from the late 18th century to the early 19th century decorated entirely in enamels with gilding. The exterior of the bowl and cover are decorated with a turquoise green brocade ground which is intended to simulate a Chinese enamelled scrafitto pattern of the period...

A Japanese handled mirror, e-kagami, decorated with a Hoo Bird in flight, a harbinger of Peace, combined with Waka Matsu, Young Pine, a common motif associated with the celebration with the New Year. The design can therefore be seen as symbolising a wish for a Peaceful New Year. In the right hand portion of the mirror reverse is a set of four characters reading Fujiwara Mitsunaga...

Temmoku glazed Song Dynasty 12th century stoneware bowl. D : 4,25 inc.

A well potted jar of globular form, decorated in underglaze cobalt blue with a collar of lotus petals around the neck and a continuous floral scroll meander on the body. Off-white stoneware body with a transparent glaze. The base unglazed. Annamese ware ( Vietnam ) fifteenth century. H : 7,4 cm. Diameter : 8,3 cm. Condition : Perfect.

Tamba-yaki tokkuri (bottle for sake) with hand-drawn letters of the sake maker. Generally in good condition. Early 20th century. H:22cm, Diameter:11cm

A fragment of cotton cloth with tsutsugaki turtle and crane design which is an auspicious motif. The cloth is hand-spun cotton and natural dye. It is probably a fragment of nobori (banner). It has calligraphy in one of the hems, but not readable. In good condition. The first half of the 19th century. 32cm x 74.5cm

Rice bag made of hand-spun and vegetable indigo dye cotton fragments which are kasuri, katazome (stencil-resist dye) stripes etc. It was used when people dedicated rice or other grains to temples or shrines. It has beautiful fine katazome cotton cloth for lining. In good condition but string in the hem is damaged and cord for binding is lost. 19th to early 20th century. W:37cm, H:27.5cm

A bag which is hand-plaited with indigo dye hemp string. It is carried on the back with various items. 19th to early 20th century. One string is cut. W:15cm, L:62cm

A good quality mirror of comparatively small proportions decorated with a fine line drawn pattern of a double and single Chrysanthemum supported by a fence and a banded hedge set against a fine sand textured ground to the reverse of the mirror. Fine line drawing in this style first appears in the eighteenth century. The mirror is signed on the left hand side Fujiwara Mitsumasa...