LARGE Chinese Han Dynasty Burnished Pottery Hu Jar with Oxford TL Test (206 BC - AD 220)

This unusually large and imposing pottery jar, or "hu" was made during the Han Dynasty (206 BC - AD 220). It is made from a fine-grained grey pottery that is relatively highly-fired. This is an exceptional example of its type of fine form with its wide body and tall neck that flares inwards and then out again to the wide mouth...

Enamelled copper dish. Decor, in the center, of a palace scene painted in enamels of the "Famille Rose", surrounded by a deep Sèvres blue on which Chinese emblems stand out in gold and in silver armfuls of flowers which have lost their shine, silver having oxidized over the centuries...

GUANGXU IRON-RED FOUR-CHARACTER MARK AND OF THE PERIOD (1875-1908) The globular body, supported on a short foot, painted around the body with two dragon in pursuit of flaming pearls amidst scrolling clouds, all in-between a band of lappets above the foot and key-fret border under the rim Height 11.5 cm Width 14 cm Perfect condition, no chips, cracks, or hairlines and free from restorations.

Beautiful ink painting of sumie grapes. There is an inscription and cartouche. It measures 24.25" wide 88" tall overall, the image measures 15.75"wide 58.25" tall.

Chinese Qing dynasty crackled glazed (Ge Type) censer or incense burner. 10 cm diameter, 6 cm high. Good conditions.

Japanese antique indigo work coat, sashiko stitched indigo ikat sleeves, reinforced shoulders with black cotton, beautiful thick woven indigo cotton fabric, vents in under arm area edged in black cotton, Meiji Period. Size; 39" high x 45" wide

A smoke tendril rises from the mouth of a bloated toad forming an Usubata flower basin in heavy olive patinated yellow bronze. The basin is 19.7 cm (7-3/4 inches) diameter, The entire 24.5 cm (9-3/4 inches) tall and it is in excellent condition. In Japanese the word for Frog is Kaeru, a homonym for: To Return...

A Japanese boxwood netsuke depicting a scene from Japanese mythology of a warrior called Nitta No Shiro riding a wild boar. Nitta No shiro holds firmly in his hand a tanto, a traditional Japanese sword, with a sure and determined grip...

This is a very beautiful and stylish Japanese Cloisonne vase. It looks like it could have been made a piece made by Kawaguchi Bunzaeoman but it is signed with a tiny script by Ota. It was primarily created in the basse-taille style with traditional cloisonne then used with the flowers and leaves. The vase is heavy for its size and the enamel is thickly applied. It stands 7 3/8 inches tall as s 4 1/2 inches across...

The compressed globular body supported by three conical feet, with a pair of loop handles rising from the rim. PERIOD: Ming Dynasty. MEASURES: Height from feet to handle 10 cm and diameter 2.5 cm. CONDITION: No chips, cracks or hairlines and free from restorations.

A Japanese large and unusual boxwood netsuke depicting a child playing the drum with his hands, held still with his feet. He wears a Shishi mask with articulated jaw that opens and shows the child’s face. It was worn during the famous shishimai festival 獅子舞 (lion dance), a sacred animal in Japanese mythology. It symbolizes courage and strength; also called Karashishi, it is a lucky symbol and auspicious wealth. Origin: Japan Period: Edo 19th century Dimensions: 4,3 x 3,8 ...

Boro noragi (work wear) made of many cotton fragments, which are hand spun and vegetable indigo dye. It is from Shonai region in Yamagata prefecture in Tohoku district and called Shonai-sashiko. Late 19th to early 20th century. W:89cm, L:81cm

Sung dynasty (960-1279) porcelain Buddhist mala (prayer beads) often referred to as Japa beads. The 108 Buddhist prayer beads are commonly used by Buddhists and practitioners of other spiritual traditions for counting and reciting prayers, mantras, or affirmations as part of meditation and spiritual practices. The number 108 holds significance in many spiritual and cultural traditions and is believed to have various symbolic meanings in Buddhism, Hinduism, and other belief systems...

A gosu blue Satsuma sculpture depicting Jurōjin 寿老人, one of the seven lucky God (shichifukujin 七福神) holding a fan with his right hand and finely decorated with red, turquoise and blue polychrome enamels enriched with gold motifs. The Kimono is finely decorated with floral and phoenix motifs. The sculpture is signed Satsuma Senjudō’ 薩摩宣壽堂 on the back within a rectangular gold reserve with Shimazu Mon (Emblem of the Shimazu family). God of Wisdom...

Antique 16th - 17th century Mughal Indian cast bronze bottle-shaped wine vessel from north India. The rounded body with diagonal ribs, is sitting on a trumpet footing with incised rings; the tapering neck is decorated with stylized petal lappets design and horizontal ribs. This type of vessel was used for rice wine that it was served during weddings and other profane or religious ceremonies.

MEASUREMENTS: Height: 25.5 cm (10 inches). Diameter: 13.5 cm (5.31 inches.)...

Very rare small silk holder in black and gold lacquered wood. Similar models but of normal size to carry kimono are not frequent but of this small size it is quite exceptional. I am not sure about the function, but as the object can be dismantled easily, I think it is a travel silk stand, probably for towels. The decoration of gold powder tendrils on a black lacquer background surrounds the Mon of 2 families which leads me to believe that this silk holder was a wedding gift...

A Chinese, lidded, celadon cosmetics box from the Longquan kiln; Southern Song dynasty. The lid has a moulded floral decoration. Boxes of this type are quite uncommon. This piece is in good condition; a couple of tiny rim chips...

Chinese peking glass vase made from layers of white and red colored glass, where the red glass is carved away to create relief imagery of blossoming flowers on branches and a dragonfly buzzing overhead.

Dates 20th cventury Dimensions: 4 1/2" W x 9" H