The falcon is represented resting on a branch. His expression is attentive and we can guess that he is hunting. The artist knew how to infuse him with all the ruthless savagery in his gaze. It is signed by Haru Mitsu. It is finely carved in wood, probably cherry,the pupils inlaid in black horn.I remember having read that this artist liked to exaggerate certain parts of the body of his subjects, here it is clear that the claws, eyes and beak are strongly exaggerated...

Antique Japanese solid Keyaki (Zelkova) hardwood Funa Tansu or ship safe chest. The front of the box has heavy iron plating with the number one (ichi) within a circle, motifs of reishi mushrooms, pine trees and flowers with heavy lock plate. The chest's interior hold two medium drawers over three small drawers, with squared and round iron pulls, and red lacquer fronts. Original finish.

Edo period (1603-1868)

Dimensions: 15 1/2" x 19" x 18"

Antique Japanese choba tansu (merchant's chest), made of kiri (paulownia) wood, iron hardware, from the Mikuni area of Japan, Meiji Period, (1868-1912). Size: 41" high x 36" wide x 16 3/5" deep.

Found in the Philippines. Featuring a six-sided melon shaped body rising from a short straight foot, tapering to its shoulders onto a straight cylindrical neck and is topped with a fitted cover, decorated with a lion formed finial. The entire ewer is covered overall in a white glaze (qingbai-type) with some soft tones of blue where its glaze pools. Its base is fully unglazed. Measurements: height (21.5cm), length from spout tip to handle end (15cm). Condition: in perfect condition...

A Tokyo school bronze sculpture depicting a geisha sitting on a wooden bench. The figure of the geisha is portrayed in a moment of deep reflection, with a fan held in her hands. She wears a luxurious festive kimono, embellished with rich details and a large cushion adorns her place to sit. The artist's extraordinary mastery is evident in the impeccable folds of the kimono, which lie with surprising softness. Origin: Japan Period: Meiji 19th century Dimensions: 34 x 15 x 20 cm...

Antique Japanese scroll painting depicting a dragon in clouds. In his left-hand claws, he holds the flaming hoju, the wish-granting pearl. Storm clouds billow below him. Painted in sumi ink on silk with details in white and gold ink.

Age: Meiji Period (1868-1912)

Dimensions: total size of scroll 75" high x 10 3/4" wide (12 1/4" wide including rollers). Size of art: 45 1/4" high x 9 3/8" wide

Jade brush rest in the shape of a creature.Between the front legs there is a hole to hang it as a pendant. Celadon colored stone stained with rust. Jade old ,Song dynasty. Good condition, the stone slightly crumbled has rare places. Long about 9cm.

A truely spectacular tomb pottery model of a rich court house or mansion, China, Ming Dynasty, 1368-1644 AD.

This building complex was Termo-Luminescence tested by Ralf Kotallas Laboratory. It consists of 6 houses, 4 walls and a screen (11 parts) comes with three full TL reports of different buildings, all dating it to the Ming Dynasty.

We've seen and sold a few Court houses before and they have all consisted of 4 houses and 4 walls...

A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

This is an amazing piece of Satsuma from Yozan. The vase stands 5 1/4 inches tall and it is covered with eye straining detail. It is better than the images show and in hand has a jewel like aura. Condition is excellent.

Chinese agate carving of a curled lotus leaf. The leaf is delicately and thinly carved and is edged in pierced flowers and vines. The agate stone has natural siena and russet tone areas throughout. Comes with original tripod wood stand.

19th century

Dimensions: 3" x 3" x 1/4" (carving only)

Japanese Meiji Period Gosho Ningyo of Jimmu, the First Emperor of Japan. This is a wonderful ningyo, in great bright condition. Every aspect is of the highest quality. He has a gorgeous face, beautifully rendered. He is wearing sumptuous silk brocades, stretched on a carved wood body (kimekomi). He holds a bow and arrows. There are arrows in the quiver at his back, and a sword at his side. He is presented on his original lacquered stand. Height: 8.5 inches, 21.5 cm.

Antique brush holder of steatite, or soapstone, with intricate carvings of a tree branch with flowers and a bird perched upon it. It has a smooth surface and a sturdy feel. 19th century Size: 4" tall, 2.5" wide at base

A Chinese Jade carving of a lady carrying a baby. The jade carving contains fine details of the hair, robes, and tassels the lady is wearing. Size: length 2.25" width 1" height 7"

A finely carved Suzhou school agate snuff bottle. Decoration of figures, picked out from natural colors of the stone, in landscape of hilly bluffs with overhanging pine and whispy cloud. Based on the gourd in the sash of the larger figure - possibly depicting the immortal, Le Tieguai. Nicely defined foot rim. The top rim with broad, just slightly concave surface. Very well hollowed. Height of bottle without cap, 2 5/8 inches. Height with cap, 3 1/8 inches...

Chinese jade seal with a serpentine chimera coiled around the top. The chimera body is finely and continuously carved with the beast's horns are carved connected to its back and its tail curls around to connect with its front leg. Dates from the Ming dynasty.

Dimensions: 1 1/8" x 1 3/4" H

This is a Western Jin Dynasty yueh yao of dark olive green glazed "chicken head" or also commonly known as "cock head" ewer. Slightly of gobular body with two lug handles and a spout in the form of chicken's head with a neck. It has a looped slender handle and a averted mouth rim. The dark olive glazed stopped before the foot-rim exposing the red stoneware earth. The flatten base is slightly shrinking inward.

Generally in good condition. No repair, chip or restoration...

Myanmar silver-work is an ancient industry dating back to the 13th Century. Monarchs customarily used silver and gold bowls as rewards for the ministers and the attendants' loyalty and faithfulness to the royal family. Silver items were also a symbol of wealth because only the ministers, the generals and the rich citizens used silver for items such as betel-nut boxes and stands, flower bowls and vases, spittoons, daggers, dagger sheaths, and regalia and waistbands for the kings...