House-shaped box with copper hinged lids. Open frame design with copper hard mounts, handles, and Keyaki wood construction. The Kandouko compartments hold the copper rectangular brazier and a square copper water container with lid, spout and a handle. Fitted with the essentials of travel for a hot drink and food. The brazier has a vent hole in the Sakura motif...

This is a Chinese antique brocade dragon costume of blue and gold satin silk, which draws five nail dragons on the front and back featuring Chinese treasure, longevity sign. In a very good condition No stain, no damage, yarn is not loose. Almost perfect condition. This was brought to Japan in the Qing Dynasty era. It was rarely used c1890. Height about 129 cm Width of a garment - From sleeves to sleeves 199 cm (78.3 "50.7").

A Rare Group of 6 Korean Monster/Dragon/Louts Petal Roof Tiles-6th C.: Korea, Silla dynasty, 5th to 7th century. A rare three monster faces, two dragons and one lotus petal roof tiles from the Silla period, appear natural patina with old dark clay due to age. it’s in fare condition in their ages but one has a small chip on the edge, it measures 15.2cm d. and 15cm d. around each

A kartika referred to in Tibetan as a "trigug" or "drigug" is a small crescent-shaped handheld ritual flaying knife, used in the tantric ceremonies of Vajrayana Buddhism. The kartika is said to be one of the quintessential attributes of the wrathful tantric deities. It is commonly known as the "knife of the dakinis"...

One prominent Buddhist story tells of Avalokiteshvara vowing never to rest until he had freed all sentient beings from Samsara. Despite strenuous effort, he realizes that still many unhappy beings were yet to be saved. After struggling to comprehend the needs of so many, his head splits into 11 pieces. Amitabha, seeing his plight, gives him 11 heads with which to hear the cries of the suffering...

Japanese 2 section kimono tansu. Made with Kiri (paulownia) wood, all natural finish. The upper section holds 8 drawers, which is considered an auspicious number. The bottom section contains 2 drawers with warabite pulls mounted on pierced metal plates. The piece also contains a secret hidden compartment beneath the bottom drawer.

Taisho period (1912-1925)

Dimensions: 39.5" x 17.75" x 66.75" H

The pistol has an octagonal russet iron barrel with flat sighting plains on top and bore of 3/8". The dai stock is of a hardwood and brass jiita arquebus's firing mechanism, sakura ramrod intact. Good condition.

Dimensions: 16" L x 3" x 2"

Unusual Japanese single section kannon biraki tansu. This safe chest holds an open top shelf and 2 drawers behind the front hinged locking doors.

Edo period (1603-1868)

Dimensions: 27.5" x 14" x 13.5" H

Antique Japanese bar tansu with dramatic natural Keyaki burl front hardwood. The locking bar has hand-forged iron bamboo motif plating; Its handle is a 16 petal chrysanthemum Imperial seal mon. The piece has 4 large drawers and a safe box containing 2 smaller drawers. Original condition lacquer finish.

Meiji Period (1868-1912)

Dimensions: 24" x 12" x 24.5" H

Unusual Japanese stacking box comprised of 10 shallow compartments for the storage of important documents or calligraphy implements. The edges of each compartment are reinforced with hand-forged iron plates. The tall box is held together by a long cord.

Edo Period (1603-1868)

Dimensions: 9.5" : x 14" D x 16.5" H

Maeda Toshinaga was a Japanese daimyo, who was the second head of the Kasa Domain. He was the eldest son of Maeda Toshiie and married one of Oda Nobunaga's daughters, Ei-Hime. He supported Tokugawa Ieyasu and, after receiving his brother Toshimasa's lands (Noto, 215,000 Koku), controlled a total of 1,250,000 Koku, an amount exceeded only by the Shogunate. Toshinaga built and resided in the Kanazawa Castle. He had no children and adopted his brother Toshitsune as his heir...

Thangka of the Bodhisattva of Wisdom, Manjushri, the central figure holding her flaming sword. Depicting the five peaceful manifestations of Manjushri, including the wrathful Mahakala as protector deity of the thangka. There are five monasteries depicted in the painting, each with title describing their identity. WuTai-shan, the five-peak mountain, is shown which contains the five monasteries. At the top of the thangka is Tsongkhapa, the Wisdom manifestation...

Japanese hirado ware porcelain figure of a tiger. With fully hand-carved fur pattern, whiskers, a wide grin with front fangs exposed. The tiger is glazed in white with the pupils of the eyes left buff. The four paws of the tiger have been hand-sculpted with the toes and claws on the bottom of the figure. The bottom and nostrils of the tiger are pierced through for air to escape during firing.

Published in:
"Hirado Ware, by C. Philip Cardeiro, pg...

A hirado ware porcelain figure of the mythical creature baku, the dream eater. This beast is a chimera with the features of an elephant, an ox, a rhinoceros and a tiger. The expert artist hand-carved every detail of the figure with fine lines, the flames and spines along its back carved in high relief. The glaring eyes are left bare with black pupils while the rest of its body is glazed white...

Elegantly shaped Ki-Seto Chawan from the Edo Period, early 19th century with a rarely seen gold rim. Precious metal rings were added when the chawan was made for the aristocracy and for the high nobility.

The beautiful and glossy glaze (guinomi-de) has a fantastic crazing. The bowl has also a decoration with vivid tanpan marks ( copper green marks ).

This Ki-Seto tea bowl is in very good condition, very unusual for a chawan of this age...

Japanese bronze vase with a wide, flattened body shape, the tall cylindrical neck rendered with bamboo stalk texture. The handles of the vase are a pair of leaping rabbits over low relief waves. The foot of the vase is imprinted with the artist cartouche.

Meiji Period (1868-1912)

Dimensions: 7 1/2" x 7" x 6"

Japanese single section clothing tansu, with Kuri burl hardwood front drawers, iron lock plates with foliate edges, warabite pulls, fan-shaped iron corner hardware. The bottom corner has a safe door with round lock plate and ring pull. Inside are the two smallest drawers in the chest.

Meiji period (1868-1912)

Dimensions: 34 1/4" x 15" x 18 3/4" H

An interesting Chinese Ming Dynasty Blue and white Bowl. Note there is some fritting, chipping and wear to the rim, but otherwise in good condition. High resolution images may be emailed on request.

Antique Japanese two section Kiri (paulownia) wood clothing tansu. The piece holds 4 drawers, with heavy, square iron pulls, and large round lock plates incised with 3 circle mon. Original, natural finish wood.

Meiji Period (1868-1912)

Dimensions: 35.5" L x 16.5" D x 47.5" H

A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richo in Japanese; 1392-1897). This particular piece appears to date from the 17th or 18th century and comes with a box that looks to have been furnished within the last 100 years...

Japanese temple carving depicting a dragon (Ryu) and a tiger (Tora), with background of bamboo forest and blossoming plum branches. The dragon is a sacred creature representing great power, strength, and good luck for people that are worthy. The imagery of the dragon fighting the tiger is symbolic of the opposing forces of yin and yang.

19th Century Edo Period (1603-1868)

Dimensions: 26" H x 16" x 2 1/2"

A charming pair of Japanese porcelain satsuma vases. The panels on each vase tell a story of ghosts and demons escaping from a woven basket. One vase shows a scene of court performers in a traditional lion dance, used to repel evil spirits. In another panel is a scene of kneeling courtesans with worrisome expression and a shrine maiden attempting to purify the area. The final panel shows a golden box, with a large clawed oni forcing the lid shut to trap the evil spirits within. Each vase is sign...

There are only few opportunities to find antique Chosen Karatsu chawans - collectors know of what I'm talking about. Here is the second one of our collection:

Chosen Karatsu chawan from the Edo Period. The grandiose embellishment of color creates a sublime sense of tension between the dark glazed and color infusion.

The Chosen Karatsu style is a traditional style which was introduced by one or more potters brought from the Joseon Dynasty during the Japanese invasions of ...

Slightly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

In the style of Ao-Kuro bowls this bowl was covered with a green copper oxide glaze. A window on the side was left unglazed and split in two halves - one was decorated with a scetch of a fence in iron oxide engobe with an image of drying shibukaki on rice strings, the o...

Large and only slightly distorted full cylinder shaped Tsutsu (hight is bigger than diameter) tea bowl with a rounded brim, made of reddish, unrefined Mino clay with clearly visible finger marks on the wall.

The expertly thrown body was trimmed with a potter's knife around the regular food ring. In the style of Seto-Kuro bowls this bowl was covered with a black glaze.

On three sides a round space was spared from black glaze. The unglazed areas were decorated with the aoi-m...

Fine Song Dynasty celadon jar with lovely color and crackle glaze. In overall good condition except for small chip on glaze visible in one of the images (image #8). High resolution images of item can be emailed to you on request.

Fine Qing Dynasty jade carving of a figure in overall good condition. High resolution images by email on request.

Height: 13.4 cm (5.3 in)
Width: 6.7 cm (2.6 in)

Fine quality Chinese Hongxian Period famille rose vase; features figures in a rural setting; Hongxian mark; minor flakes near base; good condition

During the Meiji period there were only five potters ever to be awarded the prestigious designation of Imperial Court Artist: Ito Tozan, Seifu Yohei III, Miyagawa Kozan, Itaya Hazan, and the artist whose work is featured here, Suwa Sozan. This mizusashi for tea ceremony is made of the finest “kinuta” celadon that Sozan was well known for—having recreated and perfected the technique used by the Chinese Song Dynasty potters. Being one of the main objects of importance in the tea ceremony rit...

A Song - Yuan dynasty longquan celadon vase with two ears, flower motif at the center, vase is in good condition no damage please see picture for detail size: 15 cm height.

Well hollowed shadow agate snuff bottle, of classical shape, with a "tao tie" mask in relief on each shoulder. The stopper is made of coral, turquoise and silver with a felt base. The spoon is made of iron. The piece dates back to the Qing Dynasty, 19th century. Its height: 6.4 cm without stopper. Its total height: 8.2 cm. Excellent condition.

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood. The piece holds a large upper and lower storage compartment with four sliding door panels.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 29" H

Long Japanese half section Mizuya or buffet cabinet, constructed with Hinoki and Sugi wood.

Meiji Period (1868-1912)

Dimensions: 57 1/2" x 16" x 30 1/2" H

Snuff bottle of flat circular form, the body itself made of ivory. The bottle has a silver neck with an intricate decoration affixing it to the body. It also has an opening at its center with round silver relief decor mount, the lid ending in a coral top. On one side, another relief decoration representing a four sided dorje with a loop for attachment to a belt. Tibet, 19th century. Diameter: 5 cm. Stopper and spoon missing, otherwise very good condition. Provenance: Old French collection. A rar...

Intricately decorated snuff bottle of baluster shape, with a detailed decoration in relief representing, from top to bottom, a geometric design around the neck, a monster on both sides holding a lozenge frame containing a lapis lazuli on one side and a coral on the other side, the foot representing a stylised lotus. The stopper is also made of silver with a lapis lazuli on its top, and a silver spoon. A small silver chain links the stopper to the body of the bottle. The piece shows remnants of i...

Complete Nepalese manuscript. Estimated to be late 18th century or earlier. 78 sides. 10 full page illustrations, one double page illustration. Text in red and black ink, charts and diagrams, traces of ritual use. 26.5 cm x 9.5 cm. Can be viewed in central London and shipped worldwide. SEE PAGE 2/2 FOR REST OF IMAGES