A Very Fine and Rare Korean Silver Inlaid Hexagonal Iron Box-19th C.: Korea, Joseon dynasty, 19th century. A well silver inlaid on the iron box with a big character “ Shu” –a longevity- on the top surouned by geometric designs, on the 6 sides inlaid with 6 characters “ Auspisious letter” also surrounded by geometric designs. It’s in very fine condition with a dark black patina around the body. Measurement: 9.2cm d. x 5.2 cm h.

A Fine and Rare Korean Black/White Slip Inlaid Celadon Bowl-13th C.: Korea, Koryo dynasty, 13th century. Inlaid in black and white slip on the interior with a wide band of alternating ducks, willows and Autumn plants below narrower bands of circles, the exterior of the bowl inlaid with a pair of white slip inlaid rings, some celadon glaze applied unevenly on the exterior with some sand traces on the foot rim...

Antique Japanese print depicting the founder of the Shingon or "True Word" school of Buddhism, Kūkai (774-835). He was a famous calligrapher and engineer who invented the kana, syllabic Japanese scripts used in the Japanese writing system. He sits holding prayer beads upon an elaborate lotus throne with lovely gold filligree and a small blue beast sitting below...

Beautiful, original woodblock print by ukiyo-e woodblock artist Utagawa Kunisada, also known as Toyokuni III (1786–1864). It is #22 in a series called Sono sugata Yukari no usushi-e, or "Stories of Reincarnated Beings". In the center of the print there is a young child, hunched forward as he eagerly listens to stories from an adult woman in a pink kimono with blue and grey sleeves, with a sheathed sword across her lap. A bowl of treats and a black lamp with flowers sits between them...

Antique painting of Hotei/Budai/The Laughing Buddha, standing with a walking stick, and four seated people. They are all observing the sky as what appears to be another Buddha or deity floats on a heavenly cloud, who wears a beautiful robe with gold detailing. Set behind glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.25" width (painting only) 9.5" height, 7.75" width

Beautiful antique painting of Hotei (also known as Budi or the Laughing Buddha), possibly depicted in his Dharmalaya body. He is shown sitting comfortably on a wooden bridge as men and women in gold straw hats walk by. Hotei is one of the Seven Lucky Gods in Japanese culture and is revered for his happiness and the luck that he brings. Set in glass and framed, 17th/18th century. Size: (entire frame) 19" height, 16.5" width (painting only) 9.5" height, 7.5" width

Massively huge Dark Bronze Japanese Temple Bell Bowl, with ridged edges along its rim and raised, scale-like pattern around its bottom. . Japanese Temple Bell Bowl was used during chanting, or as an indication of a change in time or activity. This is truly the largest bell bowl I have ever seen. Three stamped kanji characters "Kin Ryu ____?" on rim translates as Golden Dragon _____? (last one is illegible). Excellent condition and sound. It's extraordinary size: 17.25" height, 20.25" width

Antique painting of a scene from one of the poems in the Kokin Wakashu or "Collection of Japanese Poems of Ancient and Modern Times", dated from the Heian period (794-1185 AD). It was invented and published by Emperor Uda and his son, Emperor Daigo in the year 905, and was compiled by four of their court poets: Ki no Tsurayuki, Ki no Tomonori, Oshikochi Mitsune, and Mibu no Tadamine...

Finely moulded and carved white glazed porcelain bottle, dcorated with sheep. Signed : Wang Bingrong, Jingdezhen Kilns, c. 1820 - 1860. H : 7, 7 cm. Porcelain stopper. Condition : Perfect. Pronenance : Old German family estate.

Antique Japanese print depicting the founder of the Shingon or "True Word" school of Buddhism, Kūkai (774-835). He was a famous calligrapher and engineer who invented the kana, syllabic Japanese scripts used in the Japanese writing system. In his hands he holds a vajra, a ritualistic weapon representing firmness of spirit and spiritual power, and prayer beads...

Ca. late 1700s

The exterior of this bowl is painted overall in famille verte enamel colors of predominantly greens, with some yellows, blue, aubergine, iron-red and black. Three cartouches of people in a landscape setting are surrounded by various flowers on a dotted background that is covered overall in a pale green transparent enamel glaze. The interior is glazed white. The footring is glazed white with the foot unglazed to expose the dense porcelain body. The base is recessed and glazed...

Beautiful antique painting of a scene taken from the Japanese novel The Tale of Genji (Genji Monogatari), written by Murasaki Shikibu during the Heian period (794-1185 AD). The painting depicts chapter 4, in which Genji, 17 at the time, goes to visit his old wet-nurse, Koremitsu ,who had fallen ill. He notices some moonflowers growing in the adjacent yard, and he orders his servant to pick one...

Antique round bronze suiban, a shallow tray or bowl to be filled with suiseki or viewing stones, as well as sand and bonsai, signature on the bottom, 19th century. Size: 3.5" height, 12" width

Antique ukiyo-e style woodblock print by artist Utagawa Kunisada, also known as Utagawa Toyokuni III (1786-1865), of a samurai warrior blocking the strike of another warrior's sword with his own. He has very detailed undergarments in mesh-patterned blue with light pink flowers, a black and white robe with jagged designs and red trim with a blue obi, and a red headband, with his hair styled in a traditional chonmage...

Mask of the "Nuo" esoteric theater representing the character of Heshang, the Buddhist monk, with very expressive features. The mask was carved on wood, then paper was affixed all over its surface, on which polychrome pigments were painted. China, early 19th century, probably earlier. Height: 9 13/16" (25 cm). The mask is nicely mounted on a custom metal stand. Paper partly flaked, and consequently the colors, otherwise very good condition.

14th century
Yuan – early Ming dynasty
Porcelain with Longquan celadon glaze
D: 36 cm, H: 8 cm
From a Philadelphia, PA collection

A classic Longquan celadon charger of the 14th century, with a typically fluted cavetto and incised floral center, and the base with an exposed ring fired to reddish orange. Its glaze is a rich and creamy olive green, unbroken by the kind of crazing seen on later Ming Longquan wares...

Ca. 1800-1850, 19th century
Mid-Qing dynasty
Yixing stoneware with famille rose enamels
W: 20.5 cm, L: 17.5 cm, H: 5.8 cm (without stand); 8.7 cm (with stand)
From a Seattle, Washington estate

An elegant early 19th c. Yixing zisha jardinière, formed in a classical circular “narcissus bowl” shape, and decorated with famille rose enamels. Against a blue enamel ground are matching sets of calligraphic verses...

Ca. 1850 – 1900, 19th century
Late Qing dynasty
Porcelain with overglaze famille verte enamels
D: 25.8 cm, H: 10 cm
From a Vero Beach, Florida estate

A late Qing famille verte large bowl, decorated with scenes from the life of a successful imperial examinee, along with landscape illustrations framed by peach cartouches, all against a butterfly and floral ground...