A Chinese plate, late Kangxi or Yongzheng, early 18th c. Decoration of a river landscape in under-glaze blue, over-glaze iron red and gilt. Red mountains in the background- unusual - apparently with snow at the top. Diameter “9/23 cm. Condition: rim frits and minimal wear to the well.

Six antique bronze opium weights from Burma. The lion-dogs are standing on an octagonal base. The four largest ones having a verification mark in front of the base. Nice patina, the smallest weight with greenish patina might be a different alloy. Weights approx.: 300 g (20 tical), 155 g (10 tical), 146 g (10 tical), 73 g (5 tical), 31 g (2 tical) and 16 g (1 tical). Dimension: largest: 5.9 cm high. Condition: nice patina, traces of age.

18th century Indian bronze votive sculpture of Ganesha sitting on a rectangular throne, with his vahana (vehicle) - a bandicoot rat - in his lap, and holding his usual attributes in his 4 hands. There is a protective naga (cobra) above his head. Ganesha is the remover of obstacles, and thus is invoked before any new undertaking such as marriage or new business. He bestows good luck on his worshippers, and is prayed to in some forms of Tantric worship...

A lovely smaller but massive heavy bronze figure of a seated deity, probably Sri Devi / Lakshmi, holding implements and tall headdress and a breast band around her sizable attributes, South Indian, perhaps Tamil Nadu, c. 17th.-18th. century or earlier.

Size: 86 mm. tall and weighing a hefty 342 grams.

Condition: Choice Very fine, lovely oold patina, with a fine chestnut brown colour from high copper content.

Ex...

A beautiful Chinese export mug done in the mandarin palette. This mug is free from any damages and virtually has very little wear, almost nothing. I have not seen any better for the age and is very difficult to find in such pristine condition. Circa 1780. This is one of those pieces that the camera doesn't quite capture the mug's exquisite beauty and detailing. The fortunate buyer will not be disappointed. This beauty measures 5" high and 4" diameter.

18th Century Chinese Lacquered Bronze Seated Buddha

It is 4.3 inches (11 cm) tall by 2.9 inches (7.3 cm) wide without stand. It is 239 gram.

It has oxidation and surface wears and scratches (as seen in the photos).

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A Japanese antique merchant (Choba) tansu made of thick quartered sawn keyaki wood with keyaki burl wood doors. The wonderful hardware is hand made iron. The casing is crytomeria. The tansu's top section has three top drawers. The mid section has sliding doors with an interior shelf and adjacent two drawers. The lower section has 4 small drawers and below them 3 more smaller drawers...

From our Shipwreck Porcelain Collection, a fine and large blue and white Ca Mau Shipwreck dish ex-Sotheby's, Yongzheng Period 1723-1735, datable more specifically to circa 1725. The scene depicts Europeans (most likely Dutch traders) on what was once mistakenly thought to be Deshima Island in Nagasaki Harbor Japan, but which recent scholarship now concludes is either a scene of Holland in the Netherlands, or Gothenborg in Sweden...

Height 8 cm No chips, cracks, or hairlines and free from restorations.

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

Antique Tibetan silver statue of the Tibetan Vajra Buddhist fierce deity Mahakala. He stands on top of two bodies atop a lotus pedestal, wielding two important symbols of Tibetan Buddhism: A dorje and a bell. He wears the skin of a tiger around his waist, a crown of five skulls to represent the Five Poisons- anger, desire, ignorance, jealousy, and pride- transformed into Five Wisdoms. A snake wraps itself around Mahakala's neck and arms...

A symbol of longevity and hope for happiness Minogame temple party headpiece. Gilt gold embossed details over leather hide. The detailed head resembles on of a dragon. Horsehair depicts the long flowing seaweed from the back of the turtle. Condition consistent with age...

Late 189th century Indian bronze votive plaque depicting Khandoba (a form of Shiva worshipped in Western India) mounted on a horse with his wife Mhalsa in his lap, and a dog following the horse. Khandoba holds various implements in his upper hands and a short sword in his left lower hand. Two round holes with raised lips on top probably signify the sun and the moon. Nice quality casting for that type of plaques, beautiful patina, the front is graciously worn from 200 years of worship...

Diameter approximately 2.75 inches, this antique chinese mirror may have originally had silvered surface on reflective side...brought to the US 1920-1930 by missionary Rebecca Cloud-Stewart..deterioration of metal surfaces as expected.

An Arita blue & white porcelain dish decorated with a pavilion and poetry, an equestrian and servant in the foreground. The dish is moulded with a shallow ‘rinka’ edge. The back is plain and has three spur marks within the foot-rim.

An identical dish is illustrated in the Shibata Collection Vol.4, #303 where it is dated to 1770~1800.

Approximately 17.8 cm diameter. The dish has some light wear from normal use but is otherwise in fine condition...

18th century Indian bronze votive sculpture of Radha beautifully flexing her body, her arms wide spread, a betel nut in her right hand, cast in the State of Orissa. Radha is a Hindu goddess and a chief consort of the god Krishna and is worshiped as the goddess of love, tenderness, compassion and devotion. She is the avatar of Lakshmi and is also described as the chief of gopis (milkmaids), who are entranced by Krishna playing flute. Krishna’s flute is the call of the divine and Radha's passion...

From our Chinese Blue and White Collection, a very fine Kangxi (1662-1722) Mark and Period porcelain dish depicting a distinguished gentleman and an elegant lady exchanging glances under the willow tree of a fenced pavilion. Cross-hatched motifs decorate the border, along with four vignettes of peaches signifying longevity. The reverse is decorated with what appears to be stylized mountains on the outer rim, with the six character Kangxi mark of the period contained within double circles in th...

18th century Indian bronze chhappa (a tantric ritual stamp), its base leaving an imprint of a peacock feather. The chhappas were used during tantric temple ceremonies to stamp the proscribed parts of the body such as the forehead, cheeks, shoulders, forearms and stomach with a paste of white (for Vaishnavites) or red (for Shaivites) sandalwood. The marks on the body provide a visual display of the adherent’s devotion and transfer the beneficence of the deity to the wearer. Finial-shaped top, p...